Finally got a few rolls of 120 developed from last year. These were all taken with my Mamiya RB67.

Origami Around
One Nice Bug Per Day
trying on a metaphor
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Sade Olutola
taylor price

Kiana Khansmith
Jules of Nature

ā

if i look back, i am lost

izzy's playlists!
he wasn't even looking at me and he found me
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@joshuary
Finally got a few rolls of 120 developed from last year. These were all taken with my Mamiya RB67.

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the twitter thread the artist created after this was one of the best situations i have ever seen in my whole life:
Somebody give this ignoramus a piece of actual shark skin and tell him to rub his face with it, let him find out just how āsmoothā sharks really are.
Somebody did. I use it as a pillowcase because itās so smooth.
But buddy.
Shark skin feels exactly like sandpaper. It is made up of tiny teeth-like structures called placoid scales, also known as dermal denticles. These scales point towards the tail and help to reduce friction from surrounding water when the shark swims. ⦠In the opposite direction, it feels very rough like sandpaper.
((Here m8Ā https://www.floridamuseum.ufl.edu/fish/discover/sharks/basicsĀ ))
Buddy. Itās smooth. The link you sent me led to a website that described how smooth they are. I dunno, maybe you donāt know how to read?
Therešš¼ arešš¼ differentšš¼ typesšš¼ ofšš¼ sharksšš¼
and š theyāre š all š smoothš
I think about this post a lot
BRANSON IS THE GREATEST
CHERYL DONEGAN
Untitled (yellow and hot pink) 2013 acrylic and jute 40 x 30 Inches
Julije Knifer -Ā 'The meander is a form of my freedomā,Ā May 23 - July 31, 2015
installation view at galerie frank elbaz, Paris
David AdamoĀ -Ā Untitled, 2011
cedar wood in two parts
274 x 165 x 30Ā cm

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Justin Adian - Emptied Out, 2013
oil enamel and spray paint on canvas and ester foam
17 Ć 17Ā 1/2 in /Ā 43.2 Ć 44.5Ā cm
Andreas Christen - Komplementär-Struktur, 1974
epoxy sprayed white
120 x 120 x 9Ā cm (47Ā 1/4 x 47Ā 1/4 x 3Ā 1/2 inches)
Nicolas EngeleĀ -Ā āCerulean Blueā (from the series āIcosahedrons: Unfoldingsā), 2013
acrylic and incisions on MDF
two parts, 33 x 39 x 2Ā cm
Claude RutaultĀ -Ā de-finition/method #506. āphotography is no more than the shadow of paintingā, 2010
paint on a canvas, which is painted the same colour as the wall on which it is hung. The canvas almost entirely covers a photograph that is bigger than the canvas. The photograph is in b/w if the wall is colour and in colour if the wall is white.The photograph represents the wall opposite to the work during its first presentation, or after its sale, the photograph of the person undertakingās wall, whether empty or with works on display.
dim. var.
Andisheh AviniĀ - Untitled, 2014
ink on carpet
each panel: 132.1 x 132.1Ā cm (52 x 52 in.)

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Nobuo SekineĀ -Ā Phase - Mother Earth, 1968
Tom FriedmanĀ - Event Horizon/Clock/Let the Sun Shine in/Untitled, 2014
paper and paint
102.2 diameter (40in)Ā
Joakim Eneroth - The Past is Gone, the Future is Cancelled,Ā 2008
digital colour coupler print
dim. unkn.
Jose DÔvila - Joint Forces, 2014
glass, concrete, strap
150 x 168 x 26Ā cm
Florian MeisenbergĀ -Ā from the series "Somewhere sideways, down, at an angle, but very close {about:blank}", 2014
oil paint on canvas
244 x 213Ā cm

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Noah ScalinĀ - Dead Media, 2012
497 VHS videocassettes
20ā²-8ā³ x 8ā²-11ā³ / 6.29 x 2.71 meters
Ned VenaĀ -Ā Untitled , Ā 2014
acrylic and rubber on canvas
48 Ć 36 in