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SUPERFLEX, The Ark Factory
Arken Museum for Samtidskunst, Ishøj, 2026. Photo: Anders Sune Berg. Whenever works of art, artists, or exhibitions are classified as o

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Augustas Serapinas
Gym, 2021
at Tate
Augustas Serapinas at Contemporary Art Centre, Vilnius April 16, 2025
Henrik Olesen, The earliest crocodilian, circa 95 million years ago, 2024, plaster, wood, metal, rabbit wire, jute, acrylic. Installation view, Den Frie, Copenhagen. Photo: David Stjernholm.
Damián Ortega, Monster, 2019, concrete, metal, tile, clay bricks, concrete figures, 90 3⁄4 × 33 1⁄2 × 31 1⁄2".

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Augustas Serapinas: Physical Culture,” 2025, Contemporary Art Centre (CAC) Vilnius. Photo: Jonas Balsevičius.
Ana Mendieta, Bird Run, 1974, Super 8, color, silent, 2 minutes. © The Estate of Ana Mendieta Collection, LLC. Licensed by Artist Rights Society (ARS), New York/DACS.
Arch Connelly, Self-Portrait, 1981, acrylic and faux pearls on canvas, 20 1⁄2 × 16 1⁄2".
Mary Ellen Carroll, No. 9 (My Death Is Pending . . . Because.) Night of Destruction with Fireworks Demolition Derby, 2017, video, color, sound, 9 minutes 27 seconds. Production still. Photo: Michele Asselin.
Hany Armanious, Pills, 2021, pigmented polyurethane resin, 3 1⁄2 × 39 1⁄8 × 7 7⁄8".

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Raphael, The Niccolini-Cowper Madonna, 1508, oil on panel, overall: 31 3/4 × 22 5/8″, framed: 46 5/8 × 38 1/4 × 8 1/2″.
Mary Cassatt, Gardner (Cassatt) Held by His Mother, 1888, drypoint print, black ink on paper, 8.3 in × 5.5″.
Kunié Sugiura, Maxilla, 2020, ink-jet print and acrylic on canvas, 36 × 72".
Wolfgang Tillmans, Urgency XXIV, 2005
c-print, in artist's frame
218 by 180 cm. 85⅞ by 70⅞ in.
Wolfgang Tillmans, Time Flows All Over 5, 2025. Image courtesy of Regen Projects.

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Federico Herrero
Jul 2nd, 2026 Kunsthalle Düsseldorf, Düsseldorf
Julian Charrière
Museo Correr. Venice Biennale 2026