these are different things btw. actual adaptability means not dealing with being miserable long term. and being constantly mildly annoyed/frustrated with a situation but being âable to deal with itâ counts as ambient misery. btw.
let this be your sign to make your life just a little more livable. get a dollar store trash can for your bedside so Cup Cityâs invasion plans fall through. block a tag or post that makes you grind your teeth every time you see it. get some grip pads so your bed stops sliding across the hardwood a little bit every time you get in it. tell that person you need a little more support. if you get annoyed at a situation more than a couple times, change it. donât be content with being miserable.
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Some things about this post since getting quite a few notes:
1. If you see this post, highly recommend taking it as an opportunity to set a timer for 15 minutes and switch over to ACTIVITY YOU ENJOY. if after those 15 minutes, you want to go back to scrolling, that's okay!
2. Huge shout out to this popping up in my notifs often, bc I do go back to activity.
3. I think there are times where scrolling is fine. Right now, for example, I'm being connected to a machine for two hours to donate plasma and platelets. Yes this is a brag but it is also a time where scrolling is one of the few things I can do. (Though I will probably also read or watch something on phone lol)
Iâm going to level with you. I have listened to The Devil Went Down to Georgia for most of my life. We were a country music household, this was a staple of my childhood along with Johnny Cash, Garth Brooks, and that one Chipmunks country album.
I have no idea what âFire on the mountain run boys run/The Devil's in the house of the rising sun/Chicken in the bread pan picking out dough/Granny does your dog bite no child noâ means and at this point Iâm too scared to ask.
this is the key part of the song, that a lot of people miss. people have this misconception that the contest between Johnny and The Devil is about who is the better fiddle player. but it isn't. its about who is the better fiddler.
in a time before things like radios and record players, every time you heard music was because there was somebody in the room with you playing an instrument. and many, many, many social events involved dancing, which requires music. so, if you're planning any kind of gathering in the american south or appalachia, you need to find a fiddler. and the fiddler's job is to play music that everybody knows and likes and can dance to.
the mistake The Devil makes in his bet with Johnny is that he misinterprets the contest as being about technical ability, so he has this big flashy song. he plays fast and impressively with a band of demons playing unfamiliar instruments in unfamiliar rhythms. he's definitely more skilled at playing than Johnny, and thinks he has it in the bag.
but Johnny wins because the contest is about being the best fiddler. the song uses these lines mentioned above as a shorthand for saying that Johnny is playing these songs. Johnny launches into a set of the most popular songs, played well, and that's what gives him his big win. A good fiddler knows all the hits, and can read the room to know what to play next. The Devil loses because he completely fails to read the room, and doesn't know the right songs.
i love a size difference ship but some ships donât have a noticeable size difference and thatâs also beautiful. we donât have to blast every single couple with the yaoi sexual dimorphism ray. two guys of roughly even proportion can be in love too đ
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Don't be shackled by the idea that going out can only be done with a group of friends, learn to feel comfortable going alone [remembers that encouraging consumerism isn't progressive] into the deep dark woods
the way ozempic has finally made the fact that eating healthy and exercising doesn't necessarily make you thin well known and society's reaction to this is not "oh i guess being thin or fat doesn't actually show if you're healthy" but "oh i guess everyone should be on this drug"
I hate that this is infact how ozempic is viewed now because I watched, in real time, how my mothers diabetes got significantly better on ozempic, she didn't start it for weight loss, infact she started it before it even got big for weight loss, but all people can talk about is the weight loss on ozempic and not how good it is as a diabetes medication. Watching my mom find energy and happiness because for once a drug wasn't making her lethargic and miserable was wonderful, she was able to feel better, but then it was spouted as this miracle weight loss drug, and suddenly she just couldn't access it anymore at a good price. Not only has the ozempidemic made fatphobia normal in an already fatphobic society but it's making it harder to access for people who genuinely need it because it's seen as a luxury cosmetic drug.
Sainte Esconde des Mystères, une confidence pour une prière
Sainte Esconde des Secrets, montre moi ce qui est cachĂŠ
My comic La Langue des Vipères was released this week in bookstores in France, Belgium and Switzerland !
This beautiful trailer was created by my friends at Potto Collective : @lholmesharfang , Luc Armanet, @noctambuleur , @estellito , @nomnomsandwich , @shliten, Matthieu Chavane and Fanou Lefebvre
might there be a reason this post resonates with a lot of women?
can you describe the phenonemon of weaponized incompetence? give an example.
in what ways might the gender pay gap have influenced this post?
in most cultures, women are expected to do the majority of childrearing and domestic work, even if they also work outside of the home. in what ways does this influence the post?
protagonists can and will be sexist, racist, insensitive, cruel, stupid, etc, especially towards the beginning of a story. these are called character flaws and they are a surprise tool that will lead to narrative fulfillment later
And sometimes "narrative fulfillment" doesn't mean "the character overcomes their flaws" or even "the antihero is punished for their flaws"! sometimes it means the narrative says "wow was that fucked up or what? anyway i'm rod sterling"
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thank you SO MUCH for reminding me about [feature of patriarchy] and [problem caused by lack of kids' sex ed] random tumblr user in the notes! louder for those in the back!
did you sleep well tonight? (I love you) we should do this one day (I love you) did you eat? (I love you) I brought you this because it's your favorite (I love you) have you taken your vitamins? (I love you) I made this for you (I love you) did you get home safe? (I love you) I made you some tea (I love you) how's the project that you're working on? (I love you) don't forget your umbrella (I love you) take my scarf (I love you) I'll wait with you (I love you) I'll wait for you (I love you) (I love you) (I love you)
One of my fav steddie fic concepts is Eddie makes a bet with his friends (either his idea or theirs) that he can get popular, rich, king Steve to fall for him, just to break his heart (as revenge or just to knock him down a peg)
Steve is recovering from the upside down shit, losing his friends, losing his girlfriend, and losing his social status. So, when Eddie starts being nice to him and stuff he thinks, âwow, someone actually likes me for me.â Only to overhear Eddie talking to his friends about it saying, âI donât actually give a shit about himâ or âitâs just for the betâ (even when Eddie knows heâs lying, he totally accidentally fell head over heels for Steveâs endearing loserism)
So then Steve breaks things off and Eddie has to find a way to fix things before graduation because he doesnât know that Steve didnât get accepted anywhere. Eddie is convinced that if he doesnât fix things by then, then he will never see Steve again after graduation.
C'mon Baby Cry by brightest_abstraction95 on ao3! takes place a few months after the events of season 4, eddie sets out to prove to his friends that steve isn't actually an asshole by pretending to flirt with him, but steve is genuinely planning on asking eddie out when he overhears the plan, along with the party. 50 chapters of yearning, angst, eddie accidentally being an asshole, and also hopper and el pseudo-adopted steve.
based on this post, because at this point i think it's safe to say @unclewaynemunson is actually my muse or something (hi anna i hope this is okay even though itâs, like, way angsty and way too long huh)
đ¤ also on ao3
Two days after Starcourt, concussed and beaten, Steve has a seizure.
His ears are still ringing when the doctor gives him a stern glance over the rim of his glasses and pronounces him unfit to drive. No, in fact, he claims Steve poses a real danger to himself and others if he sat behind a wheel again.
Immediately, Dustin and Robin jump to promising that they won't let him do that, and in another life Steve is sure he would be grateful, or at least reasonable about it, but in this one he has a horrible second where the floor falls out from under him and he wishes, for just one second, that his head had been shaken a bit more, just enough toâ
It makes him nauseous even thinking that. Everything does, lately. He closes his eyes against the offensive brightness of the hospital room and lets the sound of Dustin's and Robin's voices wash over him as he takes a moment to really take in what the doctor's orders entail.
He can't drive anymore. No more late night drives to watch the street lights pass and lull him into a safer state of mind than his bedroom walls could. No more driving the kids to their DnD sessions, no more taking Robin anywhere at the drop of a hat, no more bickering, no more reign over the music, no more stern glances through the rearview mirror, no more "Shut up, Wheeler, or you're leaving the car."
No more "Thanks, Steve!", no more "I'll bring some of mom's cookies if you drive us to the arcade", no more "You're the best" or "You're a lifesaver" or "I owe you one".
No more place for him in the group, no more use for him, no more...
No more. Nothing. Now he's just Steve, would-be lifesaver, 'has-been babysitter', 'could-have-been somebody until he lost his license to drive because he wasn't quick enough, wasn't good enough, wasn't strong enough'. Just Steve.
He doesn't know how to be that. Who is Steve Harrington without his car, without the one thing he was good for anymore?
The pit in his chest is deep enough, dark enough to pull him in, and for a moment the very thing he is good for is misery.
He waits until a nurse makes everyone leave for the night, and then he cries. It makes his head hurt, pressure building behind his eyes, but he's used to being in more pain than any teenager should be in, so he curls in on himself and hides underneath the blanket.
Here's to hoping the others won't notice just how useless he is now. Not too soon, anyway. He wants another month. A painless month filled with laughter and hugs, and then they're free to leave, to pull back slowly. Calls unanswered, radio channels changed so he won't reach them, sheepish apologies and rain checks, because now Nancy will drive them. Or Jonathan. Hell, maybe Max will take the risk just to avoid him.
---
He gets a week of daily visits in the hospital, the doctors and nurses insisting on keeping him here, a watchful eye on his vitals, scanning his head three times during his stay, insisting he has head trauma of a severely worrying degree.
Nancy picks him up from the hospital and it's awkward, tense, too much left unsaid between them but there's no one else to do it. Steve's hands are shaking, gripping the seatbelt the whole way home â and then his heart falls when he sees his Beemer in the driveway. The glorious, trusty, wonderful, best fucking car anyone could wish for. His baby. His.
He throw up into the brushes when he realises that he won't get to take it on one last ride. Maybe he shouldn't be so attached to a car. Maybe he's being pathetic about it. At least he can explain away the fat tears in his eyes now, and Nancy doesn't press.
The first thing he does when Nancy is gone is calling Robin, and she's excited when she says, "I'll come right over!" and Steve wants to ask, how, but he keeps his mouth shut, biting his lip. It's stupid, but the thought of someone else driving Robin over makes his skin crawl.
"Alright," he says instead, his voice raspy, and he hangs up before she can detect something in his voice.
After that, he goes outside again and runs his hand along his Beemer. It's shining in the sun; he had it cleaned the other week, the full program, every step in the book to celebrate four years since he got her.
"Four years, huh," Steve says, his nail catching on a minor scratch that isn't even visible but might be more familiar to him than even his home. "Damn good four years."
He's talking to his car. God, it's so stupid, it's so stupid, it's so stupidâ
Steve's knees give out and he gives in to the desire that's burning under his skin sometimes, the desire to just sit down and ignore the world. Because everything is less real when you're sitting down somewhere you're not meant to be, and the ground is warm, and Steve just wants the world to go. His head is leaning back against the warm metal of the driver's door, and he closes his eyes for a while, his head still spinning, his ears still ringing, everything still awful.
After a while, thereâs a shadow followed by a weight settling down between him, a head landing on his shoulder, a hand taking his.
"I'm so sorry, Stevie," Robin says. The lack of dingus makes it more real, somehow. More tragic. More pathetic.
"I'll live." And it feels a bit like a lie.
---
He gets his month. A month filled with barbecues in his backyard, the kids coming by after school to check on him, and Robin has practically moved in. Joyce picks him up on Friday nights for dinner at their house for a change of scenery.
Itâs a good month, though Steve feels trapped. Caged. A bird without his wings, a boy without his car. Steve without his one purpose, the one thing he was good for. He has to be picked up because they donât trust him walking, or they have to come to his place. And soon the worried glances that are thrown his way are too much, caging him further, reminding him of what this is. A pity party â quite literally. No one trusts him anymore, thereâs always someone jumping to help him, not caring or listening to his protests.
And he canât leave, because âWhat if you have a seizure in your room?â
It makes him want to scream.
Maybe it shows, or maybe everyoneâs just fed up with him now that he canât provide his taxi services anymore, but after summer the Byers dinners stop and the kids pull away.
âTold you thatâs all Iâm good for,â Steve says with a mean, pained huff as he hangs up the phone. Claudia said Dustin isnât home, but he could hear the kids in the background. It hurts more than it should.
âWhat is?â Robin asks from her place on the floor with her back against the wall.
âNothing.â
She frowns. âCome on, dingus, you canât start and thenââ
âNo, I mean it. Nothing. Thatâs what Iâm good for now that I canât drive them anymore.â
âBullshit!â she says, and it comes out so harsh that it makes Steve flinch. He swallows. Right. Robin isnât hear to listen to him whine about how he feels like he has no place in this town, in this group, in this life anymore now that his head is so fucked up he canât even be trusted to live alone.
Thatâs why Robin is here, right?
The babysitter becomes the babysitted⌠or something.
She doesnât care, not really. She doesnât listen. She doesnât ask.
âSteve, theyâre kids.â
âYeah, well. So am I.â
He turns away from her and ignores the tears threatening to fall. The door to his room falls shut and he would love to lock it just to make a point to the world at large, a point that it canât shut him out if he shuts himself in, but he knows itâs too risky. If he has a seizure, Robin needs to get in.
He canât even stay in his room alone without supervision anymore. What kind of a fuck-up is he becoming, where does it end? Heâs already managed to chase away the kids, even Dustin only checks on him sporadically anymore, and it hurts. He wants to know why, wants to know what he did, how to take it back, how to get them back.
But then he remembers how it all started. Dustin needed a ride and someone to take a beating. Both of which he canât do anymore without risking life and death of himself and others. Heâs a safety hazard. Heâs useless. Heâs Steve fucking Harrington, which doesnât mean anything anymore.
---
And then itâs spring, and Chrissy Cunningham is found dead in Eddie Munsonâs trailer. The group is back together again, the Party assembled once more. And Steve, for a just one second, hopes that he can get it right this time, that he can do this again. One last time. Because Vecna slash Henry slash One surely is it.
But then they turn on him â even Eddie looks confused, which is a rather adorable look on him â the moment Steve tries to get a word in.
âYouâre not coming with us, Steve.â Thatâs Dustin, and Steve just rolls his eyes, but then Robin joins in.
âYeah, no, Iâm with the gremlin on this, dingus.â
âHey!â
âOh shut it, Henderson.â She turns to him, her eyes softer but no less burning another hole inside Steve. âWe canât risk it, Steve.â
âRisk what?â Itâs a challenge. His shoulders squared, his jaw clenched, heâs challenging her, and itâs cruel.
She holds his eyes, her expression icy, like heâs stupid. âWe canât risk you dying. We canât risk you getting a seizure mid-fight or just by being in the Upside Down.â
âHey, woah,â Eddie tries to get a word in, but Steve wonât hear him as the desperation, the loneliness, the feeling of being caged like a bird and still the only human left on a desolate planet, all that breaks free.
âWe all know that dying in a fight is the only thing Iâm good for anyway.â
The silence among their war council, as Max dubbed it, is deafening.
âWhat?â Lucas sounds small when he asks that, and Steve closes his eyes. He hadnât meant for him to hear that. Any of them, actually. They werenât supposed to know.
âSteve, thatâs not true.â Dustinâs words are filled with disbelief and worry, and Steve hates the worry, it makes his skin crawl, it makes his heart race, it makes his fists clenched and it makes him want to scream again.
âWhat else then, huh?â he asks weakly. âWhat else is there? None of you even talk to me anymore since Starcourt. Since summer.â
âBecause you were pulling away,â Nancy explains, though her words are weak and her mouth clicks shut when Steve looks at her.
âBecause weâre scared.â Max this time, and Steve doesnât want to look at her, doesnât want to tell a child that sheâs not allowed to be scared for himâ not more than he is, anyway. It doesnât make sense for him to be hurt. They donât want him to die. Thatâs a good thing, right? They didnât want to see him hurt, so they looked away. It makes sense.
But it also hurts.
Steve shakes his head and pinches the bridge of his nose before all but running from the trailer. He doesnât make it far (âStay close so we wonât have to worryâ), just needs some fresh air and to sit down somewhere the world will become a bit less real again.
The stairs it is. He tries to breathe through the lump in his throat, clenching and unclenching his hands to get rid of the anger and the hurt and all that excess energy.
He doesnât want to die, is the thing. The very thought makes him nauseous and panicky. He wants his life back. His car. The freedom to just jump in there and get away. He doesnât want the cage or the worry or the hovering or the loneliness when he isolates himself from all that.
Face buried in his hands, Steve almost misses it when someone comes to sit beside him. The thick smell of leather and cigarettes tells him who it is without looking up.
Eddie doesnât speak for a while, just sits with him as Steve calms down.
And then, after a while, he lights a cigarette and asks, âYou get seizures, Harrington?â
Steve nods. âSometimes.â
Eddie hums. âThat sucks.â
He nods again, and then thatâs that. But even though it was a rhetorical question and Eddie didnât even need an answer, it feels pathetically good to be asked about something. About himself. It only makes the pit inside his chest deeper, cutting into his soul with a sharp edge, this tiny little moment of normalcy. He wants to cling to it. He wants to talk to Eddie. God, he hasnât really talked to anyone in so long.
âBefore Starcourt â remember, the mall? The fire? Yeah that was, uhm. More monster shit. And Russians who thought I was a spy and then⌠yeah. Anyway. Uh. We used to be friends, I think. The kids and I. They used to care â or I like to think that they did. And then I got one too many head injuries, and the seizures started, and then they⌠It became too much. For them, for me. And the caring stopped. And, like, itâs fine or whatever, but I still care, and I canât let them do all that alone. I know that all I was good for was taking them somewhere with my car, but I canât drive anymore, so now Iâm just⌠Iâm just Steve. No titles attached, no use or function or point.â
Eddie just stares at him, puzzled and intrigued and even a little sad, and Steve wants to laugh it off when the silence stretches.
âSorry, thatâs kind of a sob story, youââ
âWait here,â Eddie says, stubbing out his cigarette before disappearing back into the trailer. Steve watches him with a confused frown but stays put. A minute later, the door flies open and a scandalised looking Max appears, followed by the rest of the crew.
âYou what?!â
âUh,â Steve blinks. âI what?â
âEddie told us you think youâre useless and that we donât like you and that all you were ever good for is driving us from A to B with, like, no personal value whatsoever,â Dustin fills in, sounding no less bewildered. âIs that true, Steve?â
And God, the kid is so good at making all his questions sound like dares that Steve instinctively wants to swallow and negate it, tell them that Eddie misheard, that heâs fine, that everything fine.
But then Robinâs whispered little, âSteveâ stops him from doing that. In fact, the sadness and confusion on their faces makes the dams break once more, confronted with months of spiralling and no one to drag him out, no one to listen.
Tears spring to his eyes and he gets up from the stairs to properly face them. He shrugs. Itâs as much of a confirmation as anything.
And then Dustin sprints forward and tackle-hugs him, burying his face in Steveâs chest with no intention to let go anytime soon.
âIâm sorry,â he mumbles into Steveâs shirt and Steve runs a hand through his hair immediately.
âItâs okay, Dustin.â
âNo! Itâs fucking not okay, Steve, stop saying that. Youâre my big brother, youâre my best friend, youâre my hero! Youâre the coolest guy I know and nothingâs gonna change that, okay?â
âThen whyâd you leave?â His voice is so small, but Dustin only hugs him tighter.
âBecause you were hurting and I was⌠I feel like all of that is my fault.â
âWhy would it be your fault, Dustin?â
He shrugs, and it breaks Steveâs heart. Dustin thinks everything is his fault just like Steve thinks itâs his.
âItâs me who got you into the thing with the Russians. I insisted. And you were tortured for it, Steve! You⌠You told us to go, and we did, and then we came back and you wereâ you-â
âHey,â Steve whispers, curling himself around and over Dustin. âHey, no, itâs okay. Itâs not your fault. None of that.â
âOkay.â
âOkay.â
âIâm sorry I pulled away, Steve,â Dustin sniffles and looks up at him. âI swear itâs not because I think youâre useless. Itâs just⌠Iâm so scared.â
And it makes sense, somehow. The anger leaves Steve when he whispers, âMe too. And I donât like it when youâre all scared and worried. I hate it.â
âI know. Sorry.â
âNo, youâre not.â
âShut up.â
And then theyâre both laughing with tears in their eyes. Lucas and Max join them with their own promises that Steve isnât worthless to them.
âDid you read my letter? You know, the one ifâŚâ
âNo,â Steve says. âYou told me not to.â
âRight. Anyway, read it. Whatever happens, I want you to read it. Because youâre my brother and you mean too much for me to, like, never let you know. But, uh. Billy died. And I hated him, but it fucked me up. And then you almost died, and then you almost died again; and then you just⌠collapsed. And I thought, I cant do this again, not with someone I actually like. Not with you. And I didnât wanna watch. I watched Billy. I⌠I canât watch you die, Steve.â
Sheâs crying by the end of it, and Steve pulls her against his chest. Shit, he hadnât meant to make anyone cry like that.
âItâs okay, Max, I get it.â
âNot okay,â she shakes her head again. âI know itâs not. Butââ
âI know.â Heâs stroking through her hair. âI know.â
âUh, guys? I hate to break up the heartfelt confession time,â Eddie chimes in. âBut I think our window is closing.â
Right. The end of the world.
With one last squeeze to Maxâs shoulders, he lets her go and they gather their things. Discussions about Steveâs joining their mission have been put on hold while their window is still open. They can continue this later.
Nancy drives while Max holds Steveâs hand in the back. They donât talk and she has her headphones on, letting Kate Bush work her magic, but itâs fine. It feels a bit like healing.
He catches Eddieâs eyes on the other side and holds them for a while. Eddie smiles before looking away, and Steve does the same.
---
In the end, Steve doesn't climb the rope with them. He stays behind in Eddie's trailer even though every fibre of his being screams at him to join. But Nancy has a point when she explains to him that she and Robin got this. It's the first time he stays behind, and he hopes it will be the last.
They hug him before leaving, all of them. Promises are made to talk about this later, after, and he nods.
"Go save the world for me," he tells Robin, holding her tight, unwilling to let go.
"Only for you," she promises, and kisses his cheek before pulling away. "You better be right here when we come back."
He shrugs and gives her an encouraging smile. "I've got nowhere else to be, Buckley. Now go." The last words are whispered and it feels like goodbye. Steve should join them, he should be there! But his head is pulsing and he knows that one wrong move could leave him half blind with a migraine, and they don't need one more handicap.
The one thing he can do, though, is helping them climb the rope, and it makes him feel ridiculously proud, seeing them land safely on the other side, smiling up (or down?) at him. Robin and Nancy wave one last time before heading off.
That leaves him alone with Eddie and Dustin. The latter is already climbing the rope, itching to finally do something, preparing the trailer for their plan.
Only Eddie is left, and Steve looks over at him.
"Will you be okay, Steve?"
"Sure."
Eddie sighs and looks up at the gate, disbelief and resignation and even a hint of fascination in his eyes.
"It should be you," he says, and Steve frowns, confused. "You're the hero here."
"No," Steve huffs, smiling at the metalhead. "No, I'm no hero. The real heroes are already up there, and in California. The real hero died after Starcourt. I'm just the driver who lost his license, the boy with the bat. The protector who needs to be protected."
Eddie looks at him again, that kind of intense stare, the one that shows Steve that Eddie sees something in him. He wonders what it is, but isn't sure he wants to know.
"I think you're wrong, Steve." He says it with such gentle conviction that it takes Steve's breath away for a second, and something passes between them as they hold each other's eyes.
Eddie opens his mouth to say something, but thenâ
"Eddie!" Dustin is calling for him from the other side, and the boys snap out of their daze.
Steve steps into Eddie's personal space and pulls him to his chest. "Make him pay," he says. "But stay safe. Come back, okay? First sign of danger, you abort mission. Come back, Eddie. I'll be right here."
"Yeah," Eddie rasps, and he squeezes Steve once more. "Catch me when I fall through that gate in two hours?"
Steve laughs, a sad little thing, and he pushes Eddie away from him, hands steady on his shoulders. "Sure, big boy."
"Hey, that's my part."
"Say it when you come back, then."
This thing passes between them again, and then Eddie goes to climb the rope. Steve's hands find their way to his hips, steadying him, but Eddie is strong enough to pull himself up without problem. Huh.
"In the meantime, wrap your head around the fact that you're the one I'm coming back for, pretty boy."
And then Eddie is gone. Steve watches as he falls through the gate, landing on the mattress with more elegance this time, and then he, too, grins down (or up?) at Steve.
He gives a little wave, and then he is alone.
Plenty of room to think when your friends have gone on a suicide mission and you're the one who has to stay behind. The one who will have to do the explaining when things go south. The one who will have to watch and listen, helpless.
It makes him regret the past few months, the self isolation, all the times he pulled back, all the times he didn't push for an explanation or a conversation, all the times he hadn't asked the kids if they're alright because he was too caught up in all the ways that he wasn't.
God, he wants them to be okay. He wants to talk about this, wants them to tell him he's more than the driver without a license, more than the protector who needs protecting. He wants Eddie to come back and explain what he meant, say what he wanted to say. He wants...
He wants his old life back. But more than that, he wants them in his new life just as much. He wants to be brave enough for this new life and find a new purpose. Create one if he can't find it.
But he can't do it alone. He refuses to do it alone even one day more.
"Come back to me," he whispers, looking up at the gate from where he's sitting on the floor, back against the wall. "Come on guys, you've got this. Please work. Please, make the plan work."
And then, miraculously, it does. Eddie falls into his arms with an undignified squeal and the rest of the Party soon follow. They're unscathed, miraculously, and Steve cries as he holds them, all of them, in a group hug that makes the trailer smell like relief and grief and a new life ahead of them. Slowly, with an unnatural sound, the gate above them closes, and then silence reigns.
They cling to him now. Refuse to let go. Good thing he has nowhere to go as Lucas gasps and sobs into his chest, explaining what happened, that Jason almost destroyed the walkman, that Max could have died. And Steve runs shaky hands through his hair, pulling in Max, too, so the three of them can just hold each other for a second.
Dustin and Eddie are hugging beside them, and Nancy and Robin hold hands, a different kind of horror in their eyes, but they smile wetly at Steve as their eyes meet.
It's over. It's done.
They did it. They really did it.
Steve closes his eyes and holds Lucas and Max tighter. They don't complain.
---
Three days later, Steve's house is brimming with life again like it hasn't in months. Turns out, Hopper survived, and he hugged Steve for a whole five minutes, telling him he did good, he did great, he's a hero. Again with that shit that Steve doesn't believe, but he doesn't have the heart to tell Hop, so he just buries deeper into their embrace.
"It's good you're alive," he tells him, and the Chief sobs out a laugh.
"You too, kid. This town would be lost without you."
"Yeah, right," Steve laughs back, and then that is that.
Except, it isn't, because when he returns to the living room with Hop, Joyce and El in tow, everyone's standing, looking at him with timid expressions. Robin and Eddie are holding hands this time, and so are all the kids. They all look like they have something to say, and the only thing missing is a large banner that says INTERVENTION.
"Uh, what's going on?"
Dustin is the first to clear his throat, but only after Erica kicks him. "We wanted to apologise. For leaving you when you needed us the most."
Oh. Steve's shaking his head, placating words already on the tip of his tongue, ready to explain to them how that's not their fault, how that was all him, he could have said something, he could have asked, he could haveâ
"Steve," Nancy says, effectively cutting off any protest he could have voiced. "Just listen, okay? Don't say anything."
He looks at Joyce, who nods, and Hopper who looks about as lost as he feels.
Dustin continues then. "You deserved better, Steve, you really, really did. We all did, I think, but you... You put yourself in harm's way from the get-go."
"Yeah, you came to protect me when you didn't even like me." Jonathan this time. "No thoughts, just protection. I owe my life to you. Every single one in this room does, y'know."
"And what you got for it is severe head trauma and... us abandoning you." Nancy.
"You're not just the driver, Steve. You never were just a driver to us." Hell, even Mike is in on this? "You're annoying, you suck, and you don't even try not to act like you're everyone's big brother."
"You're family, Steve." Oh, baby Byers. That's what gets his eyes stinging and his lip trembling, so he bites down on it so they won't have to see. It's futile with the way they're smiling.
"Yeah. You're so much more than our babysitter," Lucas explains. "You're the best basketball coach."
"You actually listen to my music and read comics with me," Max continues with a smile. "You suck just a little less than everyone else in this town."
"Hey!"
"No, she has a point."
Steve's not keeping up with the who's who anymore, he's trying too hard to keep it together.
"You teach me new words," El says, smiling. "You give me your clothes, you take me shopping, you teach me how to deal with meanies."
And the list goes on. Everyone has something to say to him, something beyond the ways he can be useful. Something that he is to them, something meaningful, something that sounds a lot like purpose and family.
"And we were so scared, because you were hurt. Because of us. You were protecting us, and look where it got you. You're a hero, Steve. As real as they get, you are one."
"More than Wonder Woman," Max agrees. "More than Superman. You're Steve! And that's... Heâs our hero."
"Heâs our brother," Dustin says.
"Heâs my son," Joyce adds, taking his hand.
"Heâs our friend," Erica, Mike and El say in unison.
âHeâs the one we stay for.â Robinâs eyes shine as she smiles.
âAnd the one we come back for.â Eddieâs smile is gentle, confident, and captivating. Steve canât look away, even through his own tears.
---
In the following months, Robin gets her license and Eddie develops a sixth sense for whenever Steve needs to just sit in a car and ride around town, watching the street lamps pass and letting them lull him to sleep. Thereâs an upside to being a passenger, he finds, because he falls asleep like this a few times, always waking when Eddie kills the engine. He drives for hours sometimes, admitting with a blush high on his cheeks that he didnât want to wake Steve.
Somewhere on the highway to Indianapolis, between three and four in the morning, Steve looks at Eddie in the soft glow of the night, and finds that heâs fallen in love.
And in the weeks and months and years that follow, he realises that thatâs something new heâs good at.
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ForeverDM Eddie gives Steve one of his longsuffering NPCs to play when he joins mid-campaign, because Steve doesn't know what he wants to play as but really wants to join.
Steve latches onto the character quickly, taking the ideals and bonds Eddie had given him and just layering and layering until this guy exists in the campaign. (Caprice the tiefling fighter turned paladin might have been based on Eddie's douchebag highschool crush, and might have recently started shirking the expected evils of his demon blood to care for and protect those around him to match his more reformed crush, but nobody needs to know that).
Steve seems to enjoy it, he's a bit of a note-taker, nodding along and jotting things down, he's a good player once he's figured out everything he needs for a Paladin Cheat Sheet, he even keeps up the accent Eddie had given the character, much to the amusement of the others.
Plus, there's the added bonus that Steve starts to hang out with Eddie more, and Eddie gets to quietly brag to the memory of his teenage self that he's had Steve Harrington on his bed. Not like that admittedly, but it's a damned sight closer than Teen Eddie ever got with the King, and he's pretty sure there's potential there.
Far too soon, the final session of the campaign ends and everyone scatters, but as per usual, Steve uses 'helping clean up' as a reason to linger long enough that the others won't see him not leave Eddie's government funded trailer (where Eddie skipped normal Living Room furniture in favour of the biggest table he could fit in there and still get a ton of chairs around).
Eddie doesn't mind, he likes the help, he likes Steve, he wants Steve to keep coming to games and lingering after, so he invades Steve's space and slings an arm around his shoulders, grinning at him,
"So, think you'll be coming back with your own?"
"Oh absolutely!" Steve beams, "I've got so many ideas, man." he escapes Eddie's grasp and moves to the backpack he got almost exclusively for his DnD things, pulling a battered notebook out.
It's not his character one, this one is fat with how crumpled and worn the pages are from use, as well as extra pages visibly taped into it, it's got dozens of different colour sticky notes cocked out of it as well, it's chaotic.
"Jesus, Harrington," Eddie laughs, "Well I'm sure someone in there will fit the setting."
"Huh? No way man, this is the setting!" Steve grins at him, holding the notebook up to show the sticky label on the front, it looks like it might be the fourth one stuck on there, and even that has a couple of things aggressively scribbled out, but the final is KINGDOM OF TATHARIEN.
"Stevie, you don't need to make up whole kingdoms to play..." Eddie says slowly, trying to figure out where he gave Steve the idea that he needed to create a world to create his own character. Sure Steve had been curious about his process and the DM Handbook, but Eddie had kind of chalked that up as an excuse for innuendo, flirting.
"I know, but I thought if I did this, it's less likely that you nerds can embarrass me with some deep lore bullshit about the world I've not got the book for," Steve says with a shrug, "I summed up some basic world background stuff for people to reference, but I need to photocopy it, it's too much for me to do again by hand..." he gives an embarrassed laugh and scratches the back of his neck. "I haven't changed any classes or races or anything, so aside from tweaking backgrounds, anyone you make should fit in fine."
"Anyone... I make?" Eddie has been stuck as the DM since he took over the mantle of Hellfire's president, he loves it, he's good at it, but to take a break from wrangling players and just... play? "Holy shit... You want me to play! Holy Shit! You made a fucking homebrew world?"
"Okay listen, you are 100% gonna recognise some things in here, I only have so much originality in me, but I worked really hard, man..." Eddie is listening except he's really not processing it, he's too excited, he's started bouncing, closing the gap between him and Steve until he's holding Steve's biceps and jumping, and Steve, bless his beautiful, confused heart, looks like he wants to jump around too.
"YOU MADE A HOMEBREW WORLD! Dude! That's SO COOL!" somehow, yelling in Steve's face does the trick, he latches onto the excitement, holds Eddie's hips and starts jumping around with him.
"IT IS?" Steve is yelling too,
"IT IS! SO COOL!" Eddie delights, Steve is grinning at him, the pretty slant of his mouth showing teeth, Eddie wants to kiss him, especially when their jumping finally slows and Steve's hands shift easily around his lower back, fingers linking behind him.
He's a little breathless when they finally stop, they're so close, Steve's giving him a look Eddie has only ever dreamed of having aimed at him, hazel eyes flicking down for a brief, telling moment.
"Can I..." Steve barely forms the words,
"Yes, fuck yes, please, god, do it." there's a split second where Eddie worries Steve isn't saying what he thinks Steve is saying, but then Steve's lips are on his and Eddie is being pressed into the wall of his trailer.