you can click on this button once daily to help palestine and support other causes in the middle east for free. it takes literally 5 seconds and could help save lives so please take the time to click and share this link.
Proceeds are donated to the UNRWA, which is one of the major funding agencies providing aid to Palestine. Recently, the US and other major countries have escalated genocidal efforts by cutting funding from the UNRWA, as AlJazzera reports : Which countries have cut funding to the UNRWA and why?
This is a direct action you can take to say fuck you to the government directed genocidal efforts, bookmark the tab, add a calendar notification daily, do what you want. Or if your prefer: Donate Directly to UNRWA
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It's not just that they're doing corruption, but they're doing the kind of corruption that is basically "guy hands over a cartoon money sack with dollar signs on it" corruption.
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people always say that internet spaces are americanised because the users are majority americans.
and i do always wonder how much of that is "there are actually a majority of usamericans" and how much is "usamerican cultural markers are a default for many online spaces, and non usamericans are often indistinguishable from usamericans unless you're actively looking".
so here's an incredibly unscientific poll reblog for reach or whatever
where do you live?
in the usa
anywhere that is not the usa
Remaining time: 3 days 13 hours
no nuance. if you live in a usa territory/colony like puerto rico or guam or american samoa, go with your heart.
I do think the ability to emoji-react is a net win for human communication. not only does it give you an outlet for 'I see and acknowledge this but don't have a verbal response' but it also adds a pleasing alethiometer element to things
my coworker announces that he's off to the dentist. someone reacts with a tooth emoji. is this a statement of dentist solidarity? a wish for my coworker to return with more (or fewer?) teeth than he set out with? simple word association? who can say
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Finally a hand sewing tutorial on a hemline that isn't just the ladder stitch! the ladder stitch disappears when you tighten it, but it's not meant for hemlines because it breaks really easily! The overlock stitch is more stable, so it holds much longer, and it won't pucker or warp the fabric!
Peeling off the broken breastplate of a stoic knight who only fights and never speaks, just to realize thereās nothing in there. Not metaphoricallyāthe armor is literally empty. It doesnāt appear to affect him. If the armor stays mostly in the shape of a knight, he just gets back up to keep fighting. But with the chest plate off he just sits there, equally impervious to curiosity as I reach up into the cavity where his body mightāve gone. Stubbornly, no answers are found anywhere in there.
So I forge him a new breastplate and on the inside, because I know he has plenty of room, I put a little pocket. Not big enough to hold anything functional of course. Just a little extra piece to see what heāll do with it.
He comes back next time with some grievous injury to his nothing, presumably from the massive shredded gash across his thigh plates. He sits and waits. I fix it for him. He is still nothing in there. I decide to add a drawing on the inside, of the type of beast I imagine could rend metal into scraps with a single blow. He puts it back on. He no longer moves as if he is injured.
Over time the interior of the knight becomes decorated with whatever odds and ends I could think to attach to the inside of a guy whoās got room to carry it. What really gets me is that he never removes any of it. Never requests a change. Not even when I installed a curtain rod for a small tapestry, or a bud vase to carry roses for his beloved, or an accordion folder for letters. He didnāt say a word for any of the many, many drawings of mythical beasts that now fight forever inside of his shell.
There are plenty of other forges. Iām not entirely sure why he keeps coming back here anyway. Weāre pretty popular, but he could get his armor fixed a lot quicker (and with fewer ridiculous modifications) literally anywhere else. I asked him if I could get a look at his nothing again. He flipped up his visor and nodded his head so I could take a look. It was the same as it had been, filled with drawings and trinkets and weird little fixtures Iād put in there. I asked if he was annoyed by it, or liked it, or felt anything at all, but he literally only ever says nothing, so Iām not sure why I asked.
Thereās not much room left in his nothing now. When he comes back for repairs Iāve had to fix my own foolish additions. Some of these pieces are intricate and irritating to repair, but I fix them anyway. It feels wrong to take any of it away from him now, even though Iāve been rudely encroaching on his nothingness to the point where itās barely even there. How he squeezes his nothing back into a body so full, Iāll never understand. But itās a game to me now, finding a spot not yet filled and putting something there. A dark part of me wonders if he ever gets filled up completely, if whatever sorcery holds the nothing-knight together may break, and it will all clatter unceremoniously to the floor.
When he hands me his breastplate yet again, it is so shockingly disfigured that I wonder if being made of nothing has somehow kept him alive. No ordinary knight could sustain such injuries. So I fix it. And he waits, unmoving, in a quiet corner of the forge. Itās like heās watching, even though I know the reading glasses I put inside his helmet were just for fun. Iām careful to put it all back exactly the way it was when he last left. Thereās no room to add more this time.
He examines the breastplate, and pauses before putting it back on, like heās looking for something. Is he worried about the fit? But it suits him just as it always did. He calmly points to a little space, about an inch, between a miniature shelf and one of many pockets. Thereās nothing there. I ask him whatās wrong, and again he points. Itās the most emotion Iāve ever seen from him, and itās barely anything at all. I take it to mean he wants something there.
I spend some time engraving a little snail in the gap. He watches, as much as nothing can watch. When Iām finished he holds the breastplate, but he doesnāt put it on right away. I ask him if somethingās still wrong. He says nothing, and puts it on. I tell him I canāt add anything else. Even if he could ask, thereās no room left.
Next time he comes back, thereās nothing wrong with his armorāhe lets me check to make sure. I ask him what heās doing here. Out from one of many pockets, he retrieves a tiny rusted knife. Itās in miserable condition, barely worth saving. I tell him I could make him a nice new one, but Iāll fix it if he likes. He puts it away and reaches around to find something else, a needle and thread. Better condition, but Iām not a sewist and I tell him as much. He puts them away. He then retrieves a little twisted piece of wax paper. I open it. Itās candy. I ask if I can eat it. He says nothing. I eat it. Itās flavored with cinnamon. Iām surprised he let me take it.
He keeps bringing me candy now. His armor is the most laborious to repair out of every client my forge serves, but itās my own fault so I canāt complain. Sometimes he keeps me company while I work. I wonder if he is trying to tell me something when he hands me mints. I wonder again at the lemon lozenges. He stares at me when I eat, as much as nothing can stare.
One day he brings me a little jar of honey. I thank him, I tell him Iāll save it for dinner. He watches me work, he puts his repaired armor back on, and he stays. My shift passes slowly, and when I finally pack up to leave itās dark outside. He follows me out of the forge. I ask him where heās going. He points to the jar in my hand. I ask him if he wants to watch me eat it. He says nothing, but the nothing-knight clearly wants something, so I open the lid and dunk my finger in the honey. I try not to get any on my chin. He stands there, inches away, watching me try to consume this jar of honey without a utensil. It tastes like clovers. About half the jar is left when Iāve finally had enough of pretending to be a bear, but he doesnāt move to leave.
I ask if heās going to follow me home. He says nothing. I tell him he can if he wants to. Again, nothing. I start walking, and he follows at my side. I know heās not going to say anything ever, so I fill the silence. I tell him Iām grateful for the sweets, I tell him about how his various components are made, I tell him Iāve never met anyone made of nothing before. I tell him itās a rare opportunity for a smith to work so much on the inside of something. He says nothing. I tell him again how much I like the candy.
It occurs to me that maybe filling me with sugar is as close as he can get to filling someone elseās empty armor with trinkets. Iām not sure if thatās really why he does it. I tell him I donāt have room to be filled with anything on the inside, not like him. Iām not a container for much besides food. He offers me another piece of candy. Maybe he likes containing something, the way I like to feel full. Maybe itās nothing at all.
ā
I didnāt edit this even a little bit. Thanks for reading!
my cats aren't comfortable meowing for food yet but this evening they did both peek around the couch to stare expectantly at me. artist's rendition below
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I'm thinking about trying to actually use my Art Fight account this year after having it for .... Several. Art Fight is a game played by drawing other people's original characters. That's really all you need to know
If you are inclined, please check out my ToyHouse characters page and tell me who you think I should include on Art Fight. It is hard for me to know who is interesting because I've known them for 30 years and who is interesting because they look cool and fun to draw.
I hope this page is visible to people who don't have ToyHouse, otherwise this is a cool waste of time.
Baby Horseshoe Crabs: these eggs contain tiny horseshoe crab embryos, and the hatchlings typically emerge after 2-4 weeks, but it takes another 10 years for them to reach adulthood
These photos show the embryonic form of Limulus polyphemus, commonly known as the Atlantic horseshoe crab. The eggs of this species are initially opaque, with a grayish-blue, green, or pink coloration, but they become increasingly translucent as the embryos mature, providing a glimpse of the tiny horseshoe crabs developing within.
Above: several embryos twirling around in their eggs
The legs become visible roughly five days after fertilization, and the embryos begin to move shortly thereafter, eventually flexing their legs and twirling their bodies. They molt for the very first time just a few days later. Each embryo will shed its skin and grow a new one four times in total before it even hatches from the egg.
Above: Limulus polyphemus embryos
The hatchlings finally emerge after 2-4 weeks. The freshly-hatched larvae measure less than 1cm long, and they look just like miniature versions of their adult form, except that they do not yet have tails (which are actually known as telsons) and their exoskeletons are still soft and translucent. These young horseshoe crabs are often described as "trilobite larvae."
Above: a young horseshoe crab discarding its egg
Atlantic horseshoe crabs generally spawn in May and June, with hundreds of thousands of individuals gathering along the coast on the night of the full moon and new moon. Each female lays up to 100,000 eggs per season, but very few of those offspring actually survive to adulthood. Most of the eggs are eaten or destroyed before they can even hatch, and many of the remaining larvae perish at some point during the 10 years that it takes for them to reach full maturity (i.e. the age at which they begin to reproduce).
Above: the freshly-hatched larvae
Wild horseshoe crabs can live to be more than 20 years old, and they can measure up to 60 centimeters (2 feet) long. They have 10 eyes in total, including two compound eyes that are specifically adapted for the purpose of finding a mate:
The most obvious eyes are the two lateral compound eyes. These are used for finding mates during the spawning season. Each compound eye has about 1,000 receptors or ommatidia. The cones and rods of the lateral eyes have a similar structure to those found in human eyes, but are around 100 times larger in size. At night, the lateral eyes are chemically stimulated to greatly increase the sensitivity of each receptor to light. This allows the horseshoe crab to identify other horseshoe crabs in the darkness.
Above: a close-up of a horseshoe crab's compound eye, which is covered in tiny hatchlings for some reason
Horseshoe crabs have been around for at least 445 million years, which means that these creatures are about 200 million years older than the dinosaurs and at least 50 million years older than trees, and yet their morphology has changed very little in that time. In fact, modern horseshoe crabs are frequently described as "living fossils," because they still look strikingly similar to their fossilized ancestors.
Above: the juvenile form of Tachypleus tridentatus, commonly known as the Chinese horseshoe crab
It's important to note that horseshoe crabs are not true crabs. In fact, they're not even crustaceans -- they belong to a completely different group of arthropods known as chelicerates, and they are more closely related to spiders and scorpions than they are to crabs.
Above: Tachypleus tridentatus and Limulus polyphemus
This is a revised/updated version of a post that I published about two years ago, with much more information, photos, and sources.
Sources & More Info:
iNaturalist: Horseshoe Crab Eggs
Maryland Department of Natural Resources: Horseshoe Crab Life History
Current Zoology: Developmental Ecology of the American Horseshoe Crab
PBS: Once a Spawn a Time: Horseshoe Crabs Mob the Beach
Smithsonian National Zoo and Conservation Biology Institute: Limulus polyphemus
National Wildlife Federation: Horseshoe Crabs
Maryland Department of Natural Resources: Horseshoe Crab Anatomy