I had an ox rib moment with Good Omens 2, and now I’m on tumblr.
Not actually Jane Austen, nor a brandy smuggler, but thank you.
she/her || old enough to know better
Header photo by Priscilla Du Preez 🇨🇦 on Unsplash
Apologies if someone has already pointed this out. I'm new to tumblr, and I'm still digging through all the amazing Good Omens metas!
Shax-in-disguise appearing and reappearing on the side of the road at the very beginning of The Hitchhiker felt really familiar to me, and I finally figured out why. I think we can add a Twilight Zone episode that's (conveniently) called "The Hitch-Hiker"* to the list of film and tv references we get in the season.
*I felt especially dumb when Google told me this episode literally has the same title as s2 ep4. In my defense, I don't know the names of any of the other Twilight Zone episodes I've seen, either.
Not sure you really need a spoiler alert for a 60+ year old tv episode, but I'll put a break in anyway. Go watch it if you can - it's properly creepy.
A brief summary: Nan Adams is on a road trip from Manhattan to Los Angeles. She's gotten as far as Pennsylvania, when her tire blows out and she runs off the road. The mechanic who comes out to put on her spare tire comments on how lucky she is to still be in one piece. (More on that in a minute.) As she follows the mechanic into town for a replacement tire, she sees a man in a hat hitchhiking on the side of the road and passes him by. She sees the man again at the service station after getting a new tire and mentions him to the mechanic, but the mechanic doesn't see him. Once she resumes her trip, she sees the hitchhiker on the side of the road again. And again. And again. And again. The farther she drives, the more she sees him, and the more frightened and paranoid she gets. At the height of her fear, she's convinced the hitchhiker is trying to kill her, and she attempts to run him over in order to make it all stop. She finally decides to pull over to a phone booth in Arizona and call her mother to try and ground herself back in reality, and we get one final big twist to end the story.
When I realized that hitchhiker!Shax appearing and reappearing in front of the Bentley reminded me of this episode, I decided to watch it again because I hadn't seen it in years. What do we hear almost right out of the gate?
So lucky! You could even say she dodged a bullet there. Oh wait...
(I think he says "Chalk up a win to the side of the Angel" here, but close enough.) Interestingly, "the side of the angels" really just means "the good guys" these days. In both these scenes, setting aside the fact that Aziraphale is actually an angel, it's used in the context of "you survived something that could have killed you."
One other thing I didn't know before is that the Twilight Zone episode is based on a radio play, also called "The Hitch-Hiker," written by Lucille Fletcher and first presented on The Orson Welles Show in... 1941. Probably just a fun coincidence, but really, why does it feel like all roads lead back to 1941?
As for the final creepy twist in Nan's story? Her mother isn't home when she calls. The woman who answers the phone tells Nan that her mother is in the hospital. She had a nervous breakdown when she found out her daughter had been killed in a car accident in Pennsylvania - caused when her tire blew out and she ran off the road. Nan goes numb and walks back to her car. She pulls down the visor to look at herself in the mirror, and she sees the hitchhiker sitting in the back seat. He says, "I believe you're going... my way?"
So there we go - a wink and a nod to a tv episode with the moral that you can't outrun your fate/Death, in a season that sure seems to have a lot of references to death in it. By the time Nan sees the hitchhiker for the first time, she's already dead, she just doesn't know it yet. She tries running, but it all catches up to her anyway. By the time Aziraphale sees the hitchhiker, Shax is just about ready to trigger the events that lead to where we are at the end of the season. The precious, peaceful, fragile existence of the last few years is already dead, and no matter how much Aziraphale tries to outrun that idea by acting like There's Nothing Wrong...
...it all catches up anyway.
I have a more nebulous set of thoughts about the "side of the angels" line being seen in the 1941 flashback, and if I can get them in any type of coherent order, I'll link to another post or put them here. Something about that line referencing a lucky escape that isn't so lucky after all for Nan Adams, and how 1941 so far looks like a series of narrowly averted catastrophes for Aziraphale and Crowley...and how it really feels like we haven't seen all of the 1941 story yet.
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Can we take the time to pour one out for the angel Muriel, who deserved SO much better?
They began their story as a wide-eyed innocent. Trampled on and forgotten by their superiors, literally at the bottom of the heavenly hierarchy, but SO eager to do the best they could at the role that was assigned to them.
Their innocence sometimes shows as ignorance (not knowing anything about how the human world works, not knowing how to lie or deceive).
But they are so earnest in their intentions that it's hard not to like them. Even Crowley seems fond of them, despite their seeming lack of intelligence.
I wanted to see Muriel come into their own in GO3.
I felt like they were set up for a character arc of discovery--that, assigned to guard Aziraphale's bookshop in his absence, Muriel would have the opportunity to truly connect with humanity on a personal level, learn about the nuances and shades of gray inherent to life on earth. Things that they could never know if, like many angels, they were forever trapped in the sterile white landscape of heaven forever.
But no. Instead the finale made jokes at Muriel's expense, called them stupid and dense, and then killed them without a resolution to their journey.
We don't even get to see them running Aziraphale's bookshop, because apparently Aziraphale immediately recalls them to work with him in heaven??
It's a small detail in a sea of bad writing choices. But it feels indicative to me of a problem that PERVADES GO3: not only does it fail to deliver a satisfying payoff to most or all of the plot threads set up in S2, it actively backtracks on many of them. Writes them out of existence with barely a word.
(The erasure of Nina and Maggie also come to mind here. They made a meaningful impact on Crowley and Aziraphale's lives, however brief their role in it was, so it's extremely odd to have them written out with no explanation from the characters.)
So when I say GO3 feels like bad fanfic, THIS is the kind of shit I'm talking about. It's badly written because the character arcs that S2 set in motion are never followed through...in favor of completely new, unrelated plot threads such as the gangster subplot.
It's not just about whether i liked the ending (for the record, I didn't). The problems with the writing are pervasive through the finale, start to finish. A happy, soft ending could have saved it. It could have made me forgive its other faults. But we didn't get that either.
So let's remember Muriel for a moment. A kind, happy, sweet angel doing their best. They deserved the chance to break free of heaven's influence and discover who they really are, what they really want to be.
And just when you’d think [humans] were more malignant than ever Hell could be, they could occasionally show more grace than Heaven ever dreamed of. Often the same individual was involved. It was this free-will thing, of course. It was a bugger.
Aziraphale had tried to explain it to him once. The whole point, he’d said—this was somewhere around 1020, when they’d first reached their little Arrangement—the whole point was that when a human was good or bad it was because they wanted to be. Whereas people like Crowley and, of course, himself, were set in their ways right from the start. People couldn’t become truly holy, he said, unless they also had the opportunity to be definitively wicked.
Crowley had thought about this for some time and, around about 1023, had said, Hang on, that only works, right, if you start everyone off equal, okay? You can’t start someone off in a muddy shack in the middle of a war zone and expect them to do as well as someone born in a castle.
Ah, Aziraphale had said, that’s the good bit. The lower you start, the more opportunities you have.
Crowley had said, That’s lunatic.
No, said Aziraphale, it’s ineffable.
Aziraphale. The Enemy, of course. But an enemy for six thousand years now, which made him a sort of friend.
Crowley reached down and picked up the car phone.
Being a demon, of course, was supposed to mean you had no free will. But you couldn’t hang around humans for very long without learning a thing or two.
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For me the joy of Good Omens is not thinking about Aziraphale and Crowley's special-boy roles in the Great Ineffable (and ultimately stupid) Plan, but thinking about all the absent-mindedly placed snacks Crowley has accidentally sat on while throwing himself into various chairs in the bookshop.
I like stupid. I love stupid. I just think stupid has its proper place, like stuck to the back of a pair of ridiculously tight trousers.
TV Crowley’s Aging Rock Star Shtick is fun, but if you want to take Book Crowley's Vibe to our modern day, I think there's an argument for, okay... here me out... the Vibe I always got from Book Crowley is that he projects out a very ‘Rich Douchebag’ image, not necessarily in the sense that he is a douchebag (I’d call him more of Lovable Lil’ Shit) but in the sense that he goes to great lengths to cultivate the exact image in the time and culture he lives in of a ‘Rich Douchebag’. Like, he’d always make sure he’s up to date to all the current societal standards and norms and all the current fashion trends so that he is always trendy and sooo cool… but deliberately in the specific way that’ll make humans look at him and go “man, what an asshole.” And that’s what makes ‘blending in with the humans’ feel like a job well done to him.
In the late 80’s-very early 90’s era that the book takes place in that meant coding him as a Yuppie, thinking about his stock options as soon as Armageddon comes up, his sleek lifeless showroom flat, the dedication to always having the most modern tech (even when he finds it to actually be pretty crappy or otherwise useless to him, it’s necessary for ‘the kind of Human he’s trying to be’)….
So, thinking about what’s up with Book Crowley in the current day, and if he's maybe trying to update to fit our current image of what a Yuppie-like Rich Douchebag is.... So, like, I’m not making a statement on whatever or not Book Crowley would use Crypto in the 2020’s, even for one of his schemes, but... I think there is an argument to be made that if you met Book Crowley in the current day, you’d take one look at the guy (gender neutral) and immediately get the Vibe that he uses Crypto. And Crowley would just be like “Great! I am getting a good grade in seeming like an absolute sleazebag, something that is both normal to want and possible to achieve! :D”
TV Crowley’s Aging Rock Star Shtick is fun, but if you want to take Book Crowley's Vibe to our modern day, I think there's an argument for, okay... here me out... the Vibe I always got from Book Crowley is that he projects out a very ‘Rich Douchebag’ image, not necessarily in the sense that he is a douchebag (I’d call him more of Lovable Lil’ Shit) but in the sense that he goes to great lengths to cultivate the exact image in the time and culture he lives in of a ‘Rich Douchebag’. Like, he’d always make sure he’s up to date to all the current societal standards and norms and all the current fashion trends so that he is always trendy and sooo cool… but deliberately in the specific way that’ll make humans look at him and go “man, what an asshole.” And that’s what makes ‘blending in with the humans’ feel like a job well done to him.
In the late 80’s-very early 90’s era that the book takes place in that meant coding him as a Yuppie, thinking about his stock options as soon as Armageddon comes up, his sleek lifeless showroom flat, the dedication to always having the most modern tech (even when he finds it to actually be pretty crappy or otherwise useless to him, it’s necessary for ‘the kind of Human he’s trying to be’)….
So, thinking about what’s up with Book Crowley in the current day, and if he's maybe trying to update to fit our current image of what a Yuppie-like Rich Douchebag is.... So, like, I’m not making a statement on whatever or not Book Crowley would use Crypto in the 2020’s, even for one of his schemes, but... I think there is an argument to be made that if you met Book Crowley in the current day, you’d take one look at the guy (gender neutral) and immediately get the Vibe that he uses Crypto. And Crowley would just be like “Great! I am getting a good grade in seeming like an absolute sleazebag, something that is both normal to want and possible to achieve! :D”
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Hello!!!! The creators for the 2024 Good Omens Holiday Exchange have been revealed which means I get to post this now!!!
My recipient was @irisbleufic who asked for Aziraphale and Crowley celebrating an anniversary and I thought it would be very funny if they celebrated their Arrangement like it was a wedding anniversary and just used it as an excuse to goof off and be sappy lol. I based the design and layout a little on medieval manuscripts and a lot on early 19th century magazine spreads :)
It was an honor to make this for you irisbleufic and I am so glad you liked it!
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in other news good omens is the best romance miniseries of the year, super faithful to the book, wonderful acting and chemistry from the leads. It made me so stupidly happy. I love these allegorical angel/demon metabeings, and I wish them another 6000 years of happiness!