"it would not be the same" oh crowley 😭
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@politeanarchy
"it would not be the same" oh crowley 😭

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The thing for me is that I LOVE non-human love stories. There is something so wonderful, and beautifully awkward about immortal, non-human characters having very human feelings. Them getting to have their romance but only as humans is just very dull and disappointing to me.
I suppose it must be very difficult to write about a healthy, caring, respectful relationship with good communication, when you've never participated in such a thing yourself. (Not that that's any excuse; aren't fantasy writers supposed to be good at imagining things?)
Ineffable cyanotype 😈😇
The real one to blame for Good Omens Finale.

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from Thief of Time:
"It was a work of art, the sword. It had imaginary velocity, negative energy, and positive cold, cold so cold that it met heat coming the other way and took on something of its nature. Burning cold. There has never been anything as cold as this since before the universe began."
"It glinted and, like the glass clock, looked like the intrusion into the world of something a great deal more complex."
Okay, it's an official pattern now.
This is an advanced-level (or maybe adventurous intermediate) cable motif 52 rows high, that starts and ends with 19 stitches. It assumes k
Screw everyone who wants you to give up, this world is worth saving
thinking of what could have been if John Finnemore had been given the reins for S3
what if the conclusion of a biblical parody had been written by a comedy writer, instead of a sex predator and his sycophantic pals... hmm...
we could have had the guy who made the Job mini-episode... instead, we got the Dollar Tree reprise of Sandman...
imagine trying to pretend you were an equal co-author on a successful book and you don't even know what it was about. How embarrassing! Wild horses would not get me to make a 90 minute movie showing that I know fuck-all about the book I allegedly was an equal co-author on.
So much of Season 2 was allusions and references to other things: lots of Powell & Pressburger movies, some Jane Austen books, The Crow Road, and so on. I think I was expecting that Season 3 was going to be similarly cribbed from other people's work, but deep down, I must have assumed that it was going to be a pastiche of Terry Pratchett. It really, really wasn't, and now I find myself wondering whether NG ever actually bothered to read anything much by Pratchett. Because the mess that was S3 doesn't give me the impression that its writers had even the barest passing familiarity with any of the long-running themes of the Discworld series.

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So like realistically I never thought Cabin Pressure was coming back nor did I exactly want it to- I agree with John Finnemore that it ended and should stay ended- but there is still something pretty sad about realizing that if we DID want to bring it back we couldn't anymore. Which I guess is really just a way of being sad that one of the cool people who made it as great as it was is gone.
RIP Anthony Head and Hercules the Berkules
from Thief of Time:
"It was a work of art, the sword. It had imaginary velocity, negative energy, and positive cold, cold so cold that it met heat coming the other way and took on something of its nature. Burning cold. There has never been anything as cold as this since before the universe began."
"It glinted and, like the glass clock, looked like the intrusion into the world of something a great deal more complex."
i hate that i’m not over the gomens finale yet. i want to be a much stronger person. i want to be like oh well it’s just a tv show and canon doesn’t mean anything and i am. i do. mostly. like 70% of the time. or so. idk. and then there’s a wave of grief just crashing over me again
Right there with you. It’s not “just a TV show,” is the way I think about it. It’s all the real-life things this story connects with, all of the real-life hopes and fears and sorrows, all of the pieces of ourselves.
I do love the book, but from the time I saw the show, I saw that These Characters As Portrayed were everything and must be allowed to be happy.
No matter how much projecting we are doing, the idea that these traumatised, lovely, clever, anxious beings that distanced themselves from their people because they couldn't go along with them, and who are exactly the kind that our society has less and less tolerance for-- that they could succeed and heal together happily? It was everything. I don't know if it hurt more that they-as-themselves failed, or how they did, or how they were first contorted into uncanny imitations of themselves first to rip apart the parts of our souls who love them so dearly by not being who we think know they are and taint not only their present (recent?) selves but also themselves through the entire canon? There's a post somewhere on Tumblr that through loving characters we identify with, we learn to love ourselves. What happens now?
i don’t know where we go now. but i found this comment very comforting. let’s go there and hold hands
He's the baddest demon at Heaven and Hell Academy Class of 1992.
(Original headshots on Stevie Smith's Instagram)
Peter Anderson Studios is so funny for getting this into the credits. for context, BEYOND SOHO was the concept art travel agency, advertising flights to NYC. where Jesus was supposed to land by plane to give his address to the UN. so presumably we would have seen at least Crowley going to this travel agency to book a sad miracle-less flight to NYC in the full story.
crashing a plane into the travel agency to represent the hackjob of a script is so fucking funny I'm sorry.

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reached the crafting stage of grief this afternoon and made some aziracrow inspired earrings, i'm so happy with how they turned out !!