Bookbinding, ACOTAR and crazed Maasverse theories.
(And that's just for breakfast)
Binding under Hedera Press 🍃 | She/her | EU-based
A millennial still trying to figure out how tumblr works 👩🦳
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“There will never be anything like you again. Not for me.”
The words were spoken like a promise, but the threat lurking in each sound was a noose around Eris’s neck. They had never been so careless but as secrecy strangled them, their longing only tightened the knots.
Inevitability was at their core,their love and their loss.
Holla at ya boi if you want on or off the Azris tag train:
Fanbind: "our bodies, possessed by light", by @iftheshoef1tz
(this is not a new bind; in fact, it's been sitting in my phone gallery for about a year, but it's about time it finds its way here)
🍂 "This is how we all keep our eyes" - Eris Vanserra
Typeset and bound by me, with author permission.
This is the baby that re-started my bookbinding journey, about a year ago. There are works of art that simply make you feel, and then there are those that inspire you - and this fic inspired me to learn how to make a book from scratch, because it would have been a crime not to give it a permanent, physical body.
Do you know the feeling of reading a book that seems to change your brain chemistry? This is that book.
After Koschei’s war, Prythian rebuilds. While the Inner Circle grapples with the burden of responsibility, they are forced to face the consequences of their choices, both past and present. Azriel finds himself at the center of trouble brewing in the Hewn City, with a certain Vanserra brother sticking his nose where it doesn’t belong.
There is always a price for freedom.
(Author's summary)
I could speak at length about all the big and little things that make this my favorite fan-authored work ever, but I'll stick to the essentials: there's so much humanity in it, and so much hope, that I find myself drawn back to its pages whenever the world becomes too dark to face alone. Reading OBPBL, I was brought to my knees from the raw emotional struggles of two male characters fighting against coming out, their own prejudices, and the expectations the rest of the world has for them, and I was thrilled to learn all the expanded ACOTAR lore from the deep, sensible analysis of the political and social problems in Prythian (especially Night and Autumn courts). All of this woven seamlessly in a magical poetry-like kind of prose ❤︎
The story is peppered with letters and little notes sent to and fro, which meant countless hours of fun to find the font most resembling each of the characters (Eris, as obvious, has the most pristine handwriting, and Azriel the sloppiest, and I will die on that hill).
My idea for the cover never changed: make it simple, the style of a cloth-bound classic. Turned the back cover into Eris's opening move in chess, since these two like to flirt like intellectuals (not complaining; I learned so much about strip-chess). And maybe one day I'll make a dust jacket, but in the meantime I'll keep dreaming about a world where love can find you despite your flaws, as long as you're both willing to keep each other afloat.
There is also an amazing playlist curated by the author, go give it a listen right now and thank me later :)
OBPBL is free to read on AO3. All fanfic is and should always remain free: from fans, to fans, for free.
And now...
Materials & Techniques:
Typeset on MS Word, graphics made in Canva.
Printed on 80gsm white paper on an inkjet Epson ET-2850 printer.
A5 folio, sewn on tapes with French link stitch
Case-bound using 2mm bookboard, covered in paper-backed cotton fabric.
Front cover and spine lettering made with heat-reactive foil and foil quill (We R Memory Keepers).
“So fucking pretty,” Manon murmurs. And smart, and infuriating, and young, though she is no longer a maiden. Nor is she mother or crone, yet still Manon is sure that she is holy all the same, and that she must drink of the divine.
⁺₊✧ ⚔ ✧₊⁺
Or: Four gay little vignettes from Manon’s life ((or at least my extremely self-indulgent bisexual interpretation of it)) for @sjmsapphic!
AHH!! im so excited that this project is finally in the author's hands. it was my pleasure to bind @jaebirdpikeri's endlessly fun tsukasen fic craving to touch (with art by the extremely talented @north-sta). this was one of the first tsukasen fics i read in the fandom and ive been drafting (and re-drafting and re-re-drafting) designs since last summer--the author requested a celestial-themed bind and i had to deliver. im so pleased with the results :3
this bind went through a few different iterations--i got almost through the case drafting stage and literally the night before i was planning to start making cutouts in my boards i woke up at like 3AM and completely changed the entire design. it switched everything from a mostly full-cloth bind with a few minor details to a faux three-piece bradel (flatback) with bunch of moving parts, but it was totally worth it in the end.
the is fabric, mulberry, and lokta layered across 20pt, 50pt, and 70pt board with HTV titling and accents. there was a minor issue with the cover titling disappearing into the background but i went over it a second time in white slightly off-center to create a sort of drop shadow effect with the gold and i think it turned out really lovely.
the edges are hand-mixed speckled blue metallic paint and gold calligraphy ink with a 4mm gold silk bookmark, 10k gold clasp, and celestial charm. i sewed 2-thread, single-core medieval style endbands as usual, and the blue thread is a close match to the thread used to sew the textblock together.
the typset for this one was particularly fun. i found a bunch of different starmaps from the 1600-1800s and used them to accent the different chapter pages. there are nine total, each rotated three times across 23 chapters and the title page, showing the both the progression of time and tsukasen's relationship throughout the story. i also included ursa major/minor and orion constellation accents on empty rectos because i felt those were fitting for the characters.
here are a few additional typeset samples! and shoutout as always to my friends for listening to me lament about one thing or another on voicechat or in person--this time mostly about math, haha. until the next one!
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Rhysand was born without wings, but they are a special part of himself that he hides from people he doesn't trust.
As far as we know, all the other High Lords are 100% high fae, besides Rhysand who is half Illyrian. Rhysand must have been super self conscious growing up, going to court functions, knowing that he was not like them, subconsciously being defensive over himself, his mother and sister (whether or not people actually were prejudiced against him for it - my guess is Autumn Court was and maybe the former Spring HL and older sons but not sure who else).
Rhysand, overcompensating for the fact that he isn't pure High Fae, learned how to be perfectly dressed and groomed, well spoken, ruthless and strong so that no one can hurt him.
Then he meets Tamlin, who has poor control over his shapeshifting powers and grows claws and fangs when angry. While High Fae, he shows physical characteristics that are common with lesser fae, even moreso than Rhysand himself. He's so drawn to Tamlin, the one lordling that could understand what it would be like to be different in that way and befriends him, and once he builds up the trust and courage, Rhysand shows him his wings.
Later on their families murdered each other, and Tamlin was left with Rhysand's mother and sister's wings. Wings that were a symbol of his friend's trust, that he now burns, unable to give them back to him, turning them to ash - or dust in the wind - just like their friendship, unable to ever be gathered up again.
I'm rereading a passage from ACOTAR 3, and there's a moment where the IC talks about the lack of responses from the other courts regarding the meeting. Then MORRIGAN SAYS THAT SHE OR RHYSAND SHOULD DRAG THE HIGH LORDS BY THEIR NECKS IF THEY REFUSED TO GO TO THE MEETING. Like, when have we seen these two go up against a high lord? Never "Oh, but Rhsyand is the strongest," man. The only high lord who canonically killed another was Tamlin, and Tarquin was the only one who effortlessly drowned TWO ARMIES. "Oh, but Rhsyand remade the cauldron—" is that a plot hole, my loves? Or do you really think a high lord, who only becomes truly strong when the previous high lord dies, would be able to remake the world-creating pot? The magic isn't even his, it's the earth's. When Rhsyand dies, it will pass to another wielder. It just doesn't make sense 🤡, and we're evaluating things that have a modicum of logic here.
That said, Morrigan and Rhsyand never got close to a high lord's neck. But Tamlin dragged Beron 🧐 huehuehue. IC only knows how to talk but doesn't do shit, Tamlin is there chilling and doesn't show off, AND HE MAKES IT HAPPEN!
"The magic isn't even his, it's the earth's" -> This means essentially that the Night Court's earth magic is the most powerful of all the other courts, I'm wondering why? What if, with the downfall of "Dusk Court" it's incredible power was absorbed by the closest territory (Night)? What if, when Nesta takes back Dusk and revives it's former glory, Rhysand is forced to step back off his pedestal? I'm here for it 💪🏻
Fanbind: "Could You Love Me While I Hate Myself", by Cee_Darling
A special post for #NestaWeek2026! I realized I hadn't shared any of my fanbinds here yet, so what better way to start than with this amazing story. Sharing on Nesta Week Day 7: Free Day because this fic has it all - good ol' dragon-fighting adventure, fierce and sweet romance, struggles between Fate and Choice and of course, chapter after chapter, Nesta's resilient character, unyielding in the face of any challenge.
@nestaarcheronweek
"Could You Love Me While I Hate Myself" - by @witch-and-her-witcher
Typeset and binding by me, with author permission.
In this beautiful story about resilience and learning to accept love, we see what would have happened if Nesta Archeron met Cassian, a young Illyrian warrior, during the War of the Wall. Nesta is a woman of action, who will not shy away from battle or marriage with an almost complete stranger if that's what it takes to protect her only remaining sister, Elain. But as she moves North to Illyria, she will find that the greatest battle she has yet to face is to accept the untamed, selfless love she never believed she deserved, both from her partner and her community.
(summary by me)
For this bind, I wanted to recreate the feeling of the Illyrian mountains, so I dared try my hand at painting once again. The cover material has a velvet-like touch that is quite rough for a paint brush, so I ended up not being able to draw the lines as fine as I'd like, but I'm still happy with the result. Simple white acryllic paint did the job :)
Chapter headers and title page were made in Canva. I particularly liked the imagery of "keep reaching out your hand", as canon-Amren said; one of my favorite character traits of this fic's Cassian is that he does just that without having to be told and without losing his personality. And we see Nesta gradually growing into accepting it not as pity or a demand of fate, but as the kindness she's always deserved.
Below are some of my favorite snippets from this fic, where we see Nesta's character is all its splendor: a mother's care and concern for her sister, and all the guilt that comes with believing she's not doing enough; the sense of duty that moves her to use whatever skills available to her to save her community; the soul-eating doubt about her self-worth; and her selfless love for her partner, the undying passion that she gives in to just because it's him.
The whole fic is free to read on AO3 here.
Materials and techniques:
Typeset on MS Word, graphics made in Canva.
Printed on 80gsm white paper on an inkjet Epson ET-2850 printer.
A5 folio, sewn on tapes with French link stitch
Case-bound using 2mm bookboard and covered in self-adhesive paper with velvet texture -> if you want to live a stress-free life, stay clear of this self-adhesive stuff at all costs, it's hell to glue on.
Cover painted with white acryllic paint.
Author name drawn with 3D effect liner paint for fabric.
Endpapers are Pepin's gift/creative paper, Belle Epoque collection
I think a lot of acotar discourse could be solved by collectively understanding that sjm is a terrible writer who cannot use storytelling tools successfully tbh. like the correct answer to "why did rhysand put feyre in skimpy dresses and make her dance while drugged under the mountain" isn't "because he's a sexual predator" (although that's a valid interpretation) but rather "because sjm thought it was hot and didn’t think through the implications". the same thing goes for a lot of discourse sticking points. the whole bizarre no c-sections allowed pregnancy subplot happened because sjm wanted pregnancy drama and didn't care enough to come up with something better. cassian took nesta on a miserable hike to punish her because sjm thinks keeping someone happy takes priority over telling them lifesaving medical information. and on and on. unfortunately being in this fandom is a deeply frustrating experience because the source material fucking sucks, and most of the good stuff in the fandom comes from people's reimaginings of canon, not because the books are good. personally I cope with this by making shit up in my head that I like better and I highly recommend doing that
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“We can discuss the matter at hand later.”
Tamlin said calmly, “Don’t stop on my account.”
The light in Rhysand’s eyes guttered, as if a hand of darkness wiped away those stars. But he reclined in his chair, withdrawing his hand from my knee to trace idle circles on his seat’s wooden arm. “I’m not in the business of discussing our plans with enemies.”
Rhysand, as soon as Tamlin enters the High Lord's meeting: *starts stroking the arm of his chair, calls Tamlin an enemy*
“No,” Tamlin said with equal ease, “you’re just in the business of fucking them.”
Tamlin: *accuses Rhysand of fucking his enemies, right after Rhysand just called him an enemy (are you trying to tell us something Tam???)*
Rhys shrugged, smiling faintly. “Seems a far less destructive alternative to war.”
“And yet here you are, having started it in the first place.”
Rhysand’s blink was the only sign of his confusion.
A claw slid out of Tamlin’s knuckle.
Kallias tensed, a hand drifting to the arm of Viviane’s chair—as if he’d throw himself in front of it. But Tamlin only dragged that claw lightly down the carved arm of his own chair—as he’d once dragged them down my skin. He smiled as if he knew precisely what memory it triggered, but said to my mate, “If you hadn’t stolen my bride away in the night, Rhysand, I would not have been forced to take such drastic measures to get her back.”
I said quietly, “The sun was shining when I left you.”
Those green eyes slid to me, glazed and foreign. He let out a low snort, then looked away again.
Tamlin: *is STILL talking to Rhysand, presumably making eye contact, stroking the arm of his chair with his claw in a sexual way, smiling about the memories it would trigger (in who??) while Rhysand is ALSO stroking the arm of his chair???*
Feyre: *speaks*
Tamlin: *FINALLY tears his eyes away from Rhys to look at Feyre, snorts, immediately ignores her again (to look at Rhysand, probably)*
tl;dr Tamlin stroking his chair sexily with his claw and smiling during the High Lord's meeting was directed at Rhysand, not Feyre, and he also said Rhys fucks his enemies immediately after Rhysand called him an enemy.
(Moment of silence for Thesan's chairs for being violated by these two)
This chapter is an absolute monster. And also has Rhysand in it. Sorry in advance.
And in another bad omen for brevity, it's bullshit right out the gate.
Rhys sauntered toward the two males standing by the dining room doors, giving me the option to stay or join.
One word, he’d promised, and we could go.
Firstly, Feyre, how is he "giving you the option" to do anything? He's just walking. Is he projecting his intentions directly into your head, or is this the book being lazy and having you project intentions onto him without actually bothering to show it? And secondly, you said many words last chapter about not wanting to go. He listened to none of them. Why do you think he'll be more inclined to do so now that he's got you trapped somewhere you can't leave without his help? Never go to a secondary location of the perp's choosing!
Please. Pray for me.
Mercifully, not much in Cassian and Azriels' descriptions warrants mentioning - Cassian is the most primal beastman-y of all the primal beastmen, Azriel has a truly impressive number of knife and shadow similes ascribed to him.
Rhys said, “This is Azriel—my spymaster.” Not surprising. Some buried instinct had me checking that my mental shields were intact. Just in case.
And this is why you don't go around telling people who your spymaster is, or indeed, even have "spymaster" be an official, appointable public office. All you do is make people wary of them, which seriously gimps their usefulness as a spymaster. I think I ranted about it somewhere before.
We also learn that Azriel's hands are horrifically burned, and also that he and Cassian have these jewel things on the backs of their hands. But we don't get to know what those are yet. There's banter to be had, after all.
Feyre remarks about Cassian calling Rhys "brother" earlier.
Rhysand clarified, “Brothers in the sense that all bastards are brothers of a sort.”
But...... weren't your parents married, Rhys? Mated, even? What, you didn't like that someone else had some angst you couldn't claim, so you decided to muscle in on it anyway? Ass.
Cassian shrugged, wings tucking in tighter. “I command Rhys’s armies.”
And he's about as good at it as Hunt is at commanding the angel armies in CC. That is to say, not at all.
And—armies. Rhys had armies.
Yeah, that's kinda the thing about being the lord of the land. You have all the soldiers. So that you can, in theory, use them to defend the people. Wild how that works. Almost like the book doesn't understand that this should be a pretty normal idea for the setting. It's weird for a random rich guy to have an army - it's not weird for a lord. But we all know what Rhys is meant to be. That's why he gets away with shirking all the lordly responsibilities the book was crucifying Tamlin for earlier, after all.
More banter and the book cheating by having Feyre Just Know what people's motivations are, and then Cassian asks about how she defeated the Middengard worm. However, while such a deed is a cardinal sin in Spring, in the Night Court, it just makes Feyre snark back asking how no one has killed him yet. Sure. Whatever. She does make a token show of bitterness, though.
Well, that settled that. And the question of whether he’d been Under the Mountain. But where he’d been instead … Another mystery. Perhaps here—with these people. Safe and coddled.
It's just a token, though. What, you didn't think she'd actually be allowed to dislike these people, did you? The fic-author's pet OCs????
Feyre's snark makes Cassian laugh, of course, and she ping-pongs looking at the various characters before Mor comes out to banter, so we can be schooled on that situation.
Both Illyrians turned toward her, Cassian bracing his feet slightly farther apart on the floor in a fighting stance I knew all too well.
It was almost enough to distract me from noticing Azriel as those shadows lightened, and his gaze slid over Mor’s body:
For those not in the know, it's a whole kind-of-but-not-really love triangle in which pretty much everyone is a terrible person, and that wouldn't even exist if a single one of them had the maturity of even a 20-year-old, let alone a 500+-year-old.
Banter about clothes.
“Unlike some people,” Cassian said, proving my suspicions correct about that fighting stance,
........what does saying that prove about the fighting stance? All it proves is that he's immature and passive-aggressive. Or just bantering, I suppose. These are meant to all be friends who know each other well, after all. We can presume (wrongly, but it's not unreasonable for a new reader to do so) that they know where each other's boundaries are and such.
More banter, Azriel is one with the shadows in a way that even the edgiest of edgelord teens would be impressed by, and then they all go into the dining room, where Amren is waiting. She gets a few paragraphs of description, and much fuss is made of how scary-scary dangerous she is, and... ngl, I kind of picture her like Edna Mode from The Incredibles. Which does nothing but improve the book imo.
Anyway, Amren walks up to Feyre, and then thanks Rhys for his recent gift of a pearl brooch.
So that’s who he’d bought the jewelry for. The jewelry I was to never, under any circumstances, try to steal.
Hey, Feyre! Remember at the Spring Court, when you were whining about how excessive and wasteful all the jewellery and such was? No? Yeah, didn't think so. God the hypocrisy shits me to tears sometimes.
Amren finally actually turns her attention to Feyre, and says something cryptic about there being "two of them" now.
Amren’s lips were a slash of red. “We who were born something else—and found ourselves trapped in new, strange bodies.”
I decided I really didn’t want to know what she’d been before.
You know, believe it or not, book, people actually enjoy reading about protagonists who are curious and do things and try to find shit out. Shocking, I know. But this is to become a recurring problem in this series. Feyre is just not interested in all the plot hooks the book is throwing at her, and so, they mostly either get resolved off-page or never get mentioned again.
Amren jerked her chin at me to sit in the empty chair beside Mor, her hair shifting like molten night. She claimed the seat across from me, Azriel on her other side as Rhys took the one across from him—on my right.
No one at the head of the table.
Which, despite how much you're trying to make that sentence stand out by placing it on its own line, book, we already know is an empty gesture, because Rhys has already explained that his circle is, in fact, a pyramid. Where he chooses to sit at the table is irrelevant.
Amren also name-drops Miryam as being a third "one of them", which I'm only mentioning because I vaguely remember Miryam becoming randomly important later and not having a clue who she was at the time. Not to say that this is adequate foreshadowing for that, mind - it clearly wasn't - but more to point out that just randomly mentioning someone by name does not count as foreshadowing.
Cassian rolled his eyes. “Please just get to the point, Amren. I’m hungry.”
Mor choked on her wine. Amren slid her attention to the warrior [Cassian] to her right. Azriel, on her other side, monitored the two of them very, very carefully.
One of the things that makes these books so, so painful to summarise, is that there's a lot of this sort of thing. Just, random little updates on what everyone is doing. Nothing is really all that relevant to anything. But it just keeps doing this and doing this and doing this and doing this. And because of how scattered and piecemeal it is, it's really hard to summarise without just vaguely going "everyone does stuff," or else writing more words than were actually in the book to encapsulate it. It's very annoying. And it also makes it painfully obvious that the writer just does not have the skill to write scenes with more than two or three characters in it. She doesn't know what to do with them.
We endure a couple of sex jokes before Rhys brings us back on topic to what Amren found "interesting" about Feyre and Miryam.
Amren’s head tilted to the side as she studied me. I tried not to shrink from it. “Only once before was a human Made into an immortal. Interesting that it should happen again right as all the ancient players have returned. But Miryam was gifted long life—not a new body. And you, girl …” [...] “Your very blood, your veins, your bones were Made. A mortal soul in an immortal body.”
“I’m hungry,” Mor said nudging me with a thigh.
No, it may surprise you to know that Mor is actually older than 6. Shocking, I know. You'd think that all of the people allegedly responsible for running a country would be interested in weird shit like this happening, but you'd apparently be wrong. Food trumps all, even people literally having their bodies remade to bring them back from the dead right as a bunch of other sus shit is happening. They're hungwyyyyyyyyyyyyyyyyyyyyy.
Also... is there any reason they have to wait for Amren to finish speaking before they can eat? Have they never heard of conversation over dinner?
She snapped a finger, and plates piled high with roast chicken, greens, and bread appeared. Simple, but … elegant. Not formal at all.
Not sure I'd described chicken, unspecified greens and bread as "elegant", but you do you, Feyre. God, this is even lazier than the Spring Court food descriptions last book. A new low.
She picked up her fork, clicking her tongue. “I asked Rhys if I could take you [Feyre] to dinner, just the two of us, and he said you wouldn’t want to.
How generous of Rhys to decide what Feyre does and doesn't want for her! No need to ask for her opinion on the matter at all!
“For someone who is the same age as me,” Rhys drawled, “you seem to forget—”
“Everyone wants to talk-talk-talk,” Mor said, giving a warning glare at Cassian, who had indeed opened his mouth. “Can’t we eat-eat-eat, and then talk?”
Because in 500+ years, none of them have figured out that you can do both. So amazing, these wonderful High Fae. Humanity is just so inferior by comparison.
An interesting balance between Rhys’s terrifying Second and his disarmingly chipper Third. If Mor’s rank was higher than that of the two warriors at this table, then there had to be some other reason beyond that irreverent charm. Some power to allow her to get into the fight with Amren that Rhys had mentioned—and walk away from it.
Or, maybe the rankings have nothing to do with power, and Mor actually just has the better skill set for the role of third? I mean, I disagree that she has such a skill set, but still. Why assume it's all based on raw power? I'm p sure we humans don't choose any of our leaders today based on who would win in a fistfight. Indeed, I don't think we've seriously chosen leaders based on just that since maybe the caveman days. They've generally needed to possess some other skills (or some sort of "noble" blood or whatever) as well, even if strength was considered important in some places. But, I suppose it's just another way the High Fae are Better than us. They decide who gets to be in charge based on who can punch the hardest, instead of using their brains or something dumb like that.
Banter, banter.
Then [Cassian] frowned at Amren, who had hardly touched her plate. “I always forget how bizarre that is.” He unceremoniously took her plate, dumping half the contents on his own before passing the rest to Azriel.
Azriel said to Amren as he slid the food onto his plate, “I keep telling him to ask before he does that.”
Well, you're SoL Azriel, this is the Night Court, where consent is just something Rhys made up for good PR. Also... what, even after knowing for 500+ years that Amren doesn't eat, they still make (well, magic) her a plate of food? Really? Just so we can awkwardly show Feyre that she doesn't eat? Wouldn't Amren not having a plate serve the exact same purpose? And actually give (some) weight to the hunger whining before, as someone berates Amren for forgetting that the rest of them actually need to eat?
More banter in which Feyre decides she doesn't want to know about anything (because it's too scary dangerous, see).
Rhys chuckled from my other side. “Remind me to have family dinners more often.”
Family dinners—not official court gatherings.
For actual nobility, the two are one and the same. But don't tell the book that. It still thinks running a country is basically the same as a 9-5 desk job, and if your High Lord fiance tries to pretend otherwise, he's just being a meaniepants.
Feyre starts informing us what (she thinks, but the book doesn't make this distinction) everyone's motivations are and tells us that because the Night Court people don't give a shit about what they wear, that makes them useful allies, or something. No, it's not actually any more coherent in the book itself. Then, it's time to look at Azriel, so we can infodump about siphons (the gems he and Cassian wear) and how Illyrians have heaps of "killing power" but no other magic, and the siphons do something vague and unspecified regarding that. With some bonus racism against Illyrians thrown in, because why not. But Azriel agrees, and he *is* Illyrian, so that makes it okay, right?????? Ugh.
Cassian bared his teeth in feral amusement, and took a drink of his wine.
I... what the fuck does this even look like? You know, the more baring of teeth I read about in SJM's books, the more I become convinced that she doesn't actually know what those words mean. Baring teeth is a sign of aggression, not amusement, in basically every species that is capable of baring teeth. And humans don't bare their teeth all that much anyway.
Well, anyway, Feyre calls Cassian a lord, prompting many paragraphs of everyone laughing at her, because of course Rhys doesn't have silly things like "lords" in his 2-kewl-4-skool court.
[R]"...Mor, believe it or not, is the only pure-blooded, titled person in this room.” Not him? Rhys must have seen the question on my face because he said, “I’m half-Illyrian. As good as a bastard where the thoroughbred High Fae are concerned.”
And the fact that you are not only High Lord, but the Most Powerful High Lord Ever (that they're all shit-scared of) has absolutely no bearing on this, I suppose? Lol, okay, Rhys. Just say you were mad because Cassian and Azriel get bastard angst and you don't.
Cassian finished his laughing. “Illyrians are certainly not High Fae. And glad of it.” He hooked his black hair behind an ear—rounded; as mine had once been. “And we’re not lesser faeries, though some try to call us that. We’re just—Illyrians. Considered expendible aerial cavalry for the Night Court at the best of times, mindless soldier grunts at the worst.”
And here we have our first attempt at describing the Illyrians as something other than evil "pains in the ass" who "gleefully" joined Amarantha and thus deserved to be hunted down by Rhys and co. As you can see, it's not much of an improvement. Especially since Feyre doesn't so much as bat an eye at the idea that an entire race of people are considered "expendable cavalry" at *best.* Also, that's another spelling error with "expendible" there. Seriously, was this book proofread at all?
“I didn’t see you Under the Mountain,” I said instead. I had to know without a doubt—if they were there, if they’d seen me, if it’d impact how I interacted while working with—
As you can see, Feyre has already forgotten about how she was mad at them for being coddled earlier. Because, yes, this is when we discover that not a single one of the annoying fix-fic OCs Inner Circle were Under the Mountain at all, and were instead safe and sound in Velaris the whole time.
Rhys hadn’t expected to see them again when he’d been dragged Under the Mountain. Yet he had kept them safe, somehow.
And you know this how, Feyre? Stop making up motivations for Rhys to try and make him look more selfless. It isn't working. All it means is that all of these people:
Uber scary dangerous eldritch entity that even Rhys doesn't like tangling with
She of the unspecified Truth powers that is able to tangle with said eldritch entity
The Strongest Illyrian General Ever
Mr I-Am-The-Night and also the Strongest Illyrian Ever
Sat on their asses and did nothing while the entirety of Prythian suffered. What? You don't think that, by their powers combined, they could have dealt with Amarantha? Really? Tamlin fucking soloed her once he got his power back (and he's not even the Most Powerful High Lord Ever), I see no reason why these four couldn't have teamed up and done something. Or at least tried.
And it killed them—the four people at this table. It killed them all that he’d done it, however he’d done it. Even Amren.
Again, how do you know this, Feyre? You don't. You're making it up. Seeing what you want to see. Or rather, what the book wants us to see.
Perhaps picking one city, one place, to shield was better than nothing. Perhaps … perhaps it was a comforting thing, to have a spot in Prythian that remained untouched. Unsullied.
No. No, that's Rhys getting into your head again, with his Most-Powerful-High-Lord-Ever Undetectable Daemati Powers. It's cowardice, at best. Like, it'd be one thing if they remained hidden so they could launch a secret counterattack or something, but they didn't. They sat on their asses for fifty years, and had to wait for a random human girl to save them.
Mor’s voice was a bit raw as she explained to me, her golden combs glinting in the light, “There is not one person in this city who is unaware of what went on outside these borders. Or of the cost.”
I didn’t want to ask what price had been demanded. The pain that laced the heavy silence told me enough.
The scenes we saw in the city streets earlier beg to differ. Also...... what? What "price" was demanded here? The people of Velaris haven't had to pay shit so far as Amarantha was concerned. And they've been isolated for many thousands of years, so it's not like they can even try claiming they've got friends and family outside the city. What? Is the book seriously trying to claim that hearing about other, hypothetical people dying, over there, where you don't have to look at it or have it affect your life in any meaningful capacity, is the "price" that was "demanded" of Velaris?? Fuck, it's more performative grieving, making all the right noises where people can see you, but not actually giving a fuck underneath. The people of Velaris did fucking nothing for all that time, despite Mor saying now that every single one of them knew what was going on. I absolutely can, and will, judge them for that.
Hmm. Or, rather...... it's less judging them for not doing anything (because at the end of the day, most of the citizens of Velaris probably aren't Most Powerful protagonists). It's more like, Mor is kind of framing it here as though the people in Velaris have suffered due to knowing what was going on. They haven't. They just objectively haven't. That's like saying that people in Australia or the US have suffered just because they saw a news story about Gaza or Ukraine. It doesn't work like that. We can feel bad about what's happening, sure, but it's complete self-centred arrogance to claim we've "suffered" just for knowing about it. The people in those conflicts are the ones actually suffering.
Yet if they might all live through their pain, might still laugh …
Feyre. The people of Velaris haven't had to live through any pain. They have, expressly, been shielded from harm, not just from Amarantha, but for the thousands of years before she came as well. Of course they can still laugh. All the pain happened to other people.
I cleared my throat, straightening, and said to Azriel, who, shadows or no, seemed the safest and therefore was probably the least so, “How did you meet?”
Er, okay. Enough of that, then. Random topic change is random. Also, what the fuck kind of logic is that? "He looks safe, so he probably isn't, and so I'll ask my small-talk questions to him." Dafuq, Feyre?
Azriel merely turned to Cassian, who was staring at Rhys with guilt and love on his face, so deep and agonized that some now-splintered instinct had me almost reaching across the table to grip his hand.
Oh my fucking god. Wangst a little harder, why don't you? I can't smell how profound their pain is through the page yet.
Beside me, the light had winked out of Rhys’s eyes. What I’d asked about Amarantha, what horrors I’d made him remember …
You... didn't ask about Amarantha, though? You asked how the three guys met? I am seriously confused rn.
But anyway, yes, after that random aside, it's time to hear about Cassian and Azriel's tragic backstories. You know, as you tend to discuss over dinner with a stranger. Basically, they're both actually bastards, and were treated like dirt because the tragic backstory has to come from somewhere. Getting dumped in strange camps, put in near-death experiences, losing their mothers, the works. Again, all the kind of things you discuss with strangers over dinner.
“The Illyrians,” Rhys smoothly cut in, that light finally returning to his gaze, “are unparalleled warriors, and are rich with stories and traditions. But they are also brutal and backward, particularly in regard to how they treat their females.”
I don't know, Rhys, you're the one who insists on calling them "females."
Also, no, we never get to hear about these "rich stories and traditions." Basically everything we hear about the Illyrians is how they're violent savages who hate women. But that won't stop the book paying lip service to "stories and traditions" existing and thinking that makes it not racist. Even more galling is that the Illyrians were actual people who existed. Yes. Maas took the name of a real group of people for her fantasy flying caveman race. And then made them the first (and most prominent) Ambiguously Brown people we see. Maas's Illyrians don't have enough of a culture to point to a specific real-world parallel (not even the Illyrians from which they take their name, and we know very little about them - that's how empty the ACOTAR Illyrian culture is), but even so, it can't help but leave a bad taste in one's mouth.
“They’re barbarians,” Amren said, and neither Illyrian male objected. Mor nodded emphatically, even as she noted Azriel’s posture and bit her lip. “They cripple their females so they can keep them for breeding more flawless warriors.”
Again with the fucking breeding. But here's a thought. Do they know about how genetics work in the Maas-verse? Because, before Darwin kicked off his theory of evolution by natural selection, we (incorrectly) believed things to occur more like Lamarck's theory of evolution. Where Darwin's theory says that giraffes ended up with long necks because the ones that happened to have longer necks already (due to random chance/fluctuations/mutations) could reach more food, and thus had a better chance of survival and passing on their long-necked genes, Lamarck's theory says that giraffes developed long necks because of stretching to reach the leaves, and it was this long-ness acquired during the creature's life that was passed on to its offspring. We now know that this is wrong, but you can kind of understand why it would appear that way to a society that had yet to discover how natural selection works.
So, my question is this - do the backwards, savage Illyrians, actually have a more sophisticated understanding of science than the rest of the setting does? Because that's the only way this stupid idea makes sense, is if they understand that crippling the women doesn't actually change their genetics. What would be more likely, in my opinion, is that they'd think that Big Strong Warrior Man + Big Strong Warrior Woman = Big Strong Warrior Baby, in which case deliberately crippling your women seems kinda counter-intuitive. But, what do I know, I guess. I'm getting in the way of the captive breeding fantasy.
Anyway, this prompts Rhys to then answer my earlier question about his mother and how she avoided having her wings clipped. Tells us all about the practice, how his mother starved herself and took all sorts of herbs to try stave off her period, how she was captured and dragged off, how his father happened to arrive just in time for the mating bond to snap into place and then subsequently killed all the guards. And what does Feyre have to say in response to this?
My brows narrowed. “Misted?”
Yes, of course, asking the question that lets Rhys show off how he can mist a lemon and thus make him look very badass. I'd be more concerned about the wing-clipping, personally. The specifics of what "misting" could be really aren't fucking important, Feyre. There's an entire race of women being brutalised here.
[R]"...[Rhy's mother] tried for decades to get my father to ban [wing clipping], but the War was coming, and he wouldn’t risk isolating the Illyrians when he needed them to lead his armies. And to die for him.”
“A real prize, your father,” Mor grumbled.
Don't worry, Rhys does basically the same thing. Sure, he "bans" wing-clipping..... and then does absolutely nothing to enforce it, because he doesn't want to risk isolating the Illyrians when he needs them to lead his armies. And die for him. He, too, is a real prize.
Anyway, Rhys keeps going on - his daddy didn't like him, and also his parents didn't like each other even though they were maaaaaates, he learned to summon and dismiss his mixed-race markers at will and his mother decided it was time for him to learn about Illyrian culture. She took him to camp and dropped him in a fighting ring. But his power was Too Powerful for the siphons, but he didn't know how to actually fight. I don't know. It's all a very long-winded way of expanding on a part of Rhys's tragic backstory that really doesn't need expanding. Also, I don't like him and thus don't care. And also also, we're meant to be hearing about how the three boys met, but we've been talking about Rhys's mother for a solid page now.
The next page we finally get to Rhys and Cassian meeting. It takes the whole page to basically say that Rhys stuck out like a sore thumb (being the High Lord's kid) and got in a fight with Cassian, but apparently Rhys is living at the camp now with his mother and they took Cassian in, because Rhys felt guilty about his privilege. I'm reading between the lines a bit, but that's basically the gist of it. Azriel arrives later (we're told he's a shadowsinger, but that's about it), and apparently can't fly at first. But we gloss over that and devolve into banter about how all the other Illyiran boys so unfairly hated the son of the lord who kept them in such shitty conditions, and the two kids he'd randomly adopted for no discernible reason. Can't imagine why they wouldn't like Rhys, such a mystery, really. It's like the rich white couple who adopt an African kid and are then mystified that the rest of Africa doesn't think they're a saint for it.
[C]"...Especially as we reached the age of maturity, and all we wanted to do was fuck and fight.”
“Males are horrible creatures, aren’t they?” Amren said.
“Repulsive,” Mor said, clicking her tongue.
Some surviving, small part of my heart wanted to … laugh at that.
Ahahahaha, oh, those silly old gender stereotypes! So hilarious and original, yes? Definitely didn't roll my eyes reading it or anything like that.
Cassian shrugged. “Rhys’s power grew every day—and everyone, even the camp-lords, knew he could mist everyone if he felt like it. And the two of us … we weren’t far behind.”
And naturally, these are exactly the sort of people you'd want to alienate and bully. Especially in a might-makes-right society that values and respects strength. Right. Makes perfect sense. Fucking idiots. They weren't rude because they were jealous or whatever the fuck this is meant to imply, they were rude because the three of you are such despicable people that it overrides one's survival instinct and forces them to be nasty even though you could kill them. That's the headcanon I'm going with anyway, I don't care how the book tries to spin it.
But anyway, blah blah, Cassian and Azriel are the most powerful Illyrians ever, because they're the only bastards to ever get siphons, and then the war happens. Rhys's dad thinks that Rhys and his friends will turn whatever legion they're in against him, so instead he puts them all in different legions so they can turn three separate ones against him. Make it make sense.
[R]“Once I became High Lord, I appointed these four to my Inner Circle, and told the rest of my father’s old court that if they had a problem with my friends, they could leave. They all did. Turns out, having a half-breed High Lord was made worse by his appointment of two females and two Illyrian bastards.”
Are you sure it wasn't your horrible personality that made them leave? Or the horrible personalities of your friends? Because not a single one of them is a decent person. Also, GG Rhys, turfing out all the experienced statespeople in order to put your inexperienced and unqualified cronies in charge. What could possibly go wrong! It's not like we have countless examples in history of why that's a bad idea...... even one happening in real-time right now.
Rhys shrugged, those great wings shifting with the movement. “The nobility of the Night Court fall into one of three categories: those who hated me enough that when Amarantha took over, they joined her court and later found themselves dead; those who hated me enough to try to overthrow me and faced the consequences; and those who hated me, but not enough to be stupid and have since tolerated a half-breed’s rule, especially when it so rarely interferes with their miserable lives.”
So.... what you're telling me, Rhys, is that everyone in the entire Night Court hates you.... and you don't see a common denominator here? None whatsoever? Not a single noble can find a single redeeming quality in you? I mean. Speaks for itself, really.
[R]"...I gave [the Hewn City] to them, for not being fools. They’re happy to stay there, rarely leaving, ruling themselves and being as wicked as they please, for all eternity.”
Rhys, they don't "rarely leave" because they're "happy to stay there," you literally don't let them leave even if they want to. You've trapped all those people under that mountain, just like Amarantha did, and Feyre (or the book) will never say a word about any of this. Not even when those people are right in front of her.
That was the court he must have shown Amarantha when she first arrived—and its wickedness must have pleased her enough that she modeled her own after it.
Notably absent: any hint of recognition from Feyre that Rhys is still meant to be in charge of that "wicked" court. Either he's their High Lord, in which case he's to blame for not addressing the wickedness (he's the Most Powerful High Lord Ever, remember, he is more than capable of doing so). Or, they're an autonomous people over whom he has no control, in which case, he can fuck off trying to pretend he's High Lord of anything but Velaris.
“And what is this [referring to Velaris/the Inner Circle] court?” I asked, gesturing to them. The most important question.
Er, no, no I don't think that's the most important question, Feyre. I think the most important question is why the fuck Rhys is cool with letting the Hewn City get away with all their evil bullshit, and letting the Illyrians get away with mutilating their women. But go off, I guess.
Anyway, this is the Court of Dreams, because it's full of people who sit around daydreaming about how awesome it would be if everyone except them weren't such poopyheads, instead of actually trying to address any of the problems in the rest of the court.
Amren gets a mere two lines of backstory, which basically amounts to "I'd never been someone's second before, so I thought I'd give it a crack," which is fine, honestly. She's an eldritch monstrosity, she's allowed to just wanna try things.
Mor leaned back in her seat, Azriel now watching every movement she made with subtle, relentless focus.
This will never not be creepy. And just fucking weird. Like.
?????????????????????????????
Anyway, it's Feyre's turn at Tragic Backstories now, and she summarises her family situation for us in a paragraph. Then, she starts wondering about Azriel.
He hadn’t told his story. Did it ever come up? Or did they never discuss those burns on his hands? And what did the shadows whisper to him—did they speak in a language at all?
Feyre. You literally just met the guy. "Not telling a stranger the story of his mutilated hands over a casual dinner" isn't the same as "never discussing it at all." Seriously. For what's meant to be a casual get-to-know-you dinner, everyone sure is quick to whip out the Tragic Backstories. Almost like the author thinks it's a substitute for actual characterisation or something.....
Cassian offers to train her in fighting, Feyre angsts about how she doesn't want to feel weak again.
But what Ianthe and Tamlin had said … “You don’t think it sends a bad message if people see me learning to fight—using weapons?”
The moment the words were out, I realized the stupidity of them. The stupidity of—of what had been shoved down my throat these past few months.
The only thing that's stupid is that the book expects anyone reading this to buy that anyone in-world thought this was a plausible excuse. Yes, even Tamlin. The only thing that makes it make sense is if Rhys was mind-controlling him into it.
Anyway, Mor starts talking about stuff.
“...I once lived in a place where the opinion of others mattered. It suffocated me, nearly broke me. So you’ll understand me, Feyre, when I say that I know what you feel, and I know what they tried to do to you, and that with enough courage, you can say to hell with a reputation.” Her voice gentled, and the tension between them all faded with it. “You do what you love, what you need.”
And you know, that's all well and good...... when you're not planning to marry into running the nation. Whether the girlbosses of the world like it or not, that kind of thing *does* require caring about the opinions of other people, and presenting yourself a certain way. Hell, the entire concept of elections is predicated on the opinions of the people. And even beyond votes, things like manners, respect, dignity, appearances, reputation, public and personal opinions, they do hold importance for things like that. But, I suppose it tracks. The Night Court lives by this mantra, and no one else in-universe likes the Night Court. Gee, I wonder why. Could it be because they're all selfish pricks who only care about doing what they want and need????
Again, this advice can be all well and good. For, say, an average Jane getting herself out of a controlling relationship, for example. But the people discussing this aren't average Janes. They're running the god-damn country. And believe it or not, leaders do need to observe certain behaviours. Otherwise, revolutions tend to happen.
Mor would not tell me what to wear or not wear.
Nah, that's Rhysand's job.
She would not allow me to step aside while she spoke for me.
Also Rhysand's job. Like when he told Mor you didn't want to have dinner with just her, for example.
Anyway, this is all a wind-up for Feyre to tell us that Mor is actually totally her friend, unlike villainous Ianthe of the filthy Spring Court. Never mind that she's spoken to Mor like.... twice, over the course of several months, and thus probably doesn't have a very good idea of who she is at all.
But what she’d said … what they’d all said … Yes, Rhys had been wise to bring me here.
He's talking in your head again, Feyre.
Feyre says she'll think about Cassian's offer to train her that he made like... a page ago now.
Through the bond in my hand, I could have sworn I felt a glimmer of pleased surprise. I checked my mental shields—but they were intact. And Rhysand’s calm face revealed no hint of its origin.
Feyre. You already know your shields don't mean shit to this guy. Where else do you think it could come from?
But, anyway, she agrees to work with everyone against Hybern, which prompts Rhys to move on to phase two of his plan.
Rhys interlaced his fingers and rested them on the table, and I realized there was another point to this dinner beyond my decision as he announced to all of us, “Because the King of Hybern is indeed about to launch a war, and he wants to resurrect Jurian to do it.”
Dun dun.......... dun...?
.............................wasn't Jurian the leader of the human rebels however many unspecified numbers of years ago they had that war? Why would the King of Hybern (the faerie who wants to enslave all the humans again) think resurrecting him would help his cause?
Everyone says that's not possible, and seems more hung up on necromancy being evil than wondering why the fuck he'd do it in the first place. Except for Mor, who asks the question...
Mor groaned, “Why would the king want to resurrect Jurian? He was so odious. All he liked to do was talk about himself.”
...but kinda misses the point on why it makes zero sense for him to do so. Again, Jurian was in charge of the human rebels. The ones fighting against the likes of Hybern. I'm trying to remember how the book tried to justify this, but I'm coming up blank.
“That’s what I want to find out,” Rhysand said. “And how the king plans to do it.”
I would also like to know how you know this, Rhysand. But I get the feeling we don't get to know that.
They talk about Feyre's resurrection proving it's possible.
“All seven High Lords would have to agree to that,” Mor countered. “There’s not a chance it happens. He’ll take another route.”
I mean........ if Hybern is going to invade, wouldn't it make sense for the High Lords to want to revive the guy who fought against him last time? I'm so confused rn.
I breathed, “That—that’s why the ring and the finger bone vanished after Amarantha died. For this. But who …” My mouth went dry. “They never caught the Attor, did they?”
Didn't they? First we're hearing of it. And the ring and finger disappearing too, I'm pretty sure. But, whatever. This is what's happening now. I guess.
Rhys asks Amren how the resurrection would work, she says idk go talk to the Bone Carver in Prison, he says she should do it, she refuses and tells him to send one of his dogs instead.
Cassian grinned, showing his white, straight teeth—perfect for biting. Amren snapped hers once in return.
Fucking juvenile.
There's much fuss and roiling of powers and whatnot from everyone.
“If anyone’s going to the Prison,” Rhys said before Mor opened her mouth, “it’s me. And Feyre.”
“What?” Mor demanded,
Mor, she's the protagonist. Of course she's going. Even if it makes absolutely no sense.
Anyway, there's some fuss about how scary dangerous it will be, but she ultimately agrees to go, and the chapter finally fucking finishes. Uggggghhhhh. Seriously, why are all the chapters in this book so damn long? This one and last one made up almost 10% of the page count just on their own. Ridiculous. But, I can only hope that means they get shorter from here, right? Right?
*sighs.....* Well, we'll find out next time, I suppose....
I love ACOTAR for the potential the characters and the storylines hold, it's the perfect guilty pleasure. But let's be real, trying to see it as "legit literature" will have you banging your head against a wall real quick.
From @renegadeguild ‘s 2025 6th Renegade Bindery Exchange made for @bluejayblueskies of their delightful fic True Love’s Something!
This book was a ton of fun and had a number of new challenges for me!
The fic is a Shrek AU, so I went for a sort of fairytale vibe on the interior to match the storybook opening of the Shrek movies. Only, while I was redrawing the storybook page openings (so that I had them in a higher resolution) I tweaked some details to better match the story/characters ;)
The challenge I faced with these lovely storybook pages however, was that the paper weight that I use was a touch too light and the illustrations showed through slightly on the reverse page. Which wouldn’t have been as much of a problem if the gold gilding pen that I purchased wasn’t oil based and didn’t bleed through to the back side of the page…
Sadly I didn’t have any higher weight paper on hand so change of plan involved tweaking my typeset so that each illustrated page had a blank backside to it. Then I tipped the edges of the pages together. And then I tore the faux deckled edges into the book. All of which had to be completed only after the text block was sewn, because some of the signature middles landed on those blank middle pages. 😭
Suffice to say the construction order of this book was one big puzzle that had me doing this the entire time
However! I am so, so pleased with the results! This was my first time attempting faux deckling like this, as well as my first time doing interior gilding! Also my first time doing a proper laminated dust jacket! (Which also had gilding woo!)
Speaking of, the design of the dust jacket is one I especially love! There’s a gorgon character within the story and another character that often mentions their beloved strawberry patch back home so it was only befitting that I combine the two for the cover! (Slightly stylized of course, and yes I know you wouldn’t be able to see the snake tails if they’re relating to a gorgon but hush.)
My one regret with this book that I didn’t catch in time (before I had already sent the dustjacket for printing), is that the spine text is the wrong direction 😭 Every book I almost make this mistake but catch it in time, and this was the one time I failed that. 😔 Alas.
But can we talk about how well those endband colors match the endpapers and cover???? 👀
Materials:
Cover bookcloth is Cialux in 1521 Maroon with a small amount of Siser Metal Gold HTV on the front.
Dustjacket is made using Staples’ poster print service on 6.8 mil thick paper type then hand gilded with Sakura Pen-touch Calligrapher gold pen (very pretty results, somewhat finicky to work with) and laminated (with a large lamination roll as opposed to the individual sheets you usually find - so as to avoid seams).
Endpapers are Black Ink Florentine Print Decorative Paper - Portofino.
Bound using linen thread and archival pva glue, endbands sewn using single strand embroidery thread in a faux-double core style. Printed on Hammermill 20lb cream paper.
It's the fact that SJM once again has proven that it's not actually feminism she's promoting. She does some superficial women are powerful claim and slaps that label on, but is it really?
Not once do we actually properly acknowledge the power balance here (Rhys over Feyre, Cassian over Nesta, etc.) beyond "I demand being an equal from my husband." Like you say that then we see Rhys who "perhaps made a bad call" aka abusively withholding reproductive information from his mate, we see Cassian with power over Nesta and then pursuing a sexual relationship, I could go on. Never once are we talking about how the depiction of that, and then the "we love Rhys" and "he's so hot" actively reinforces harmful misogynistic tropesand gender roles that are being romanticized. She is of course entitled to her trauma and processing it but your book that you're making $$$ off of has an impact. Especially when you talk so much about the role of Tamlin for DV survivors. But we're not going to talk about how Rhys' actions are also triggering and harmful beyond "it was a mistake"?
Then we get to the powers. How women are not weak for losing their powers. Of course women are still badass even though they lose their powers. It's the fact that the men keep them. It's the fact that now that imbalance is back. It's an exhaustive excuse and a cop out.
Overall just an exhausting experience that reinforced my belief that SJM's writing reinforces misogyny in a fake feminism kind of way more than combats it, which is deeply confusing and frustrating when paired against her own experiences both in motherhood and in her career and just as a woman.
What she's preaching is not actually being reflected, and that is where it chafes the most.
It's so disappointing to realize her fans have have such a deeper connection with the material she wrote than the author herself.
Cassian being (at best) neglecting of Nesta's needs and not showing her an ounce of respect during ACOSF? Didn't even cross her mind, she too was lost on "depressive girl" vibes to take a step back and wonder how depressed girl's mate's actions would be perceived.
Rhys completely disregarding his mate's bodily autonomy and failing to inform her that she (and their entire lineage) was about to die? Just a mistake, she loves this guy so much he can possibly do no wrong that shouldn't be forgiven.
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Returning to Austen: "Emma" and "Northanger Abbey"
These two books were the last of my batch of 2025 Christmas gifts, and they were especially made for two of the most incredible women in my life. They were also the project that took the shortest time to typeset, just under a week from the moment the idea came to mind (which to me is lightening-fast!).
I finally had the chance to go for a completely classical look, meaning "leather-like" bookcloth and gold foil, to which I added the "fake window" detail showcasing a scene from the actual endpapers.
For "Emma", I went with a floral theme and endpapers depicting life and society in the countryside. Artworks are "A summer afternoon at Hampton Court" (James D. Wingfield) and "Sandycombe Lodge, Twickenham" (W. B. Cooke).
For "Northanger Abbey", I channeled a bit more of the gothic vibe for the typeset and chose one depiction of Bath at the time the story takes place. Endpapers are "The Return" (Thomas Cole) and "View of Bath from Spring Gardens" (Thomas Hearne).
This was also my first time sewing endbands! As much as I loved doing them, I can admit there's much room for improvement.
Finally, I couldn't pass on the opportunity to use Austen's own signature, so I was very pleased when my foil quill allowed me to stamp it on the spine 💛
Overall, it was a somewhat stressful project (remind me to not do it again next Christmas), but I'm very pleased with how it turned out - and so did my giftees!! 💫
Technical stuff:
A5 folio, sewn with French link stitch on tapes and case bound
Bookcloth is Skivertex Novalite Bordeaux, handfoiled with We R Memory Keepers foil quill
Typeset in Microsoft Word, printed in 80gsm short-grain A4.
Text from Project Gutenberg
Images (including Jane Austen's signature and portrait) and artworks are in the public domain
[Spoilers for Throne of Glass, ACOTAR, and Crescent City]
Many thousands of years ago, and prior to the Asteri's invasion of Midgard, there existed another civilisation. Part of this civilisation lived in a place called Parthos.
More specifically, when asked what the Crescent City world was before the Asteri's reign, Tharion noted that "ancient humans and their gods dwelled here."
An exact description of the Throne of Glass world.
Interestingly, despite the Crescent City books mentioning other continents (such as Pangera), readers are only given a map of Lunathion.
This is particularly strange, as all other SJM books have provided a full world map.
So, why would this be hidden for Crescent City...?
As such, I theorise that Midgard is actually the Throne of Glass world; hence why a full map has not yet been revealed.
Thus, I believe that following the events of Kingdom of Ash, some years later, the Asteri showed up and destroyed their world. The result of this was the creation of Midgard, and subsequently Lunathion - the world Bryce inhabits today.
The Timeline.
Evidently, this theory suggests that the timeline between the ACOTAR, CC and TOG worlds are not simultaneous, but rather that Throne of Glass occurred in the past - many thousands of years ago.
When considering this possibility, some rebut that this cannot be possible, as Aelin fell through worlds - right past Velaris and Lunathion. However, there is nothing to suggest that Aelin didn't also fall through time.
In fact, there are a multitude of hints throughout the various SJM books to suggest that time travel, or time manipulation, is indeed possible:
When the Asteri lured people into Midgard, it is said they offered a hand through "space and time."
The Harp, when used, can transport people through "space and eons." In fact, the 26th string is time itself - but what happens when a full melody is played?
Merrill straight up suggests that all of the worlds overlap - sharing the same space, but are separated by time. Almost as if it suggests that ACOTAR, CC and TOG are in the same 'world,' but manifestations of differing time periods; the past (TOG), the present (ACOTAR), and the future (CC).
Most importantly, when Bryce lands in Prythian, she starts to wonder if she had travelled in time; or, if this new world occupies a different time period (the exact concept that Merrill just suggested...)
Further, in her most recent interview, SJM was asked whether time travel would play a part in future books. SJM mysteriously replied, "no spoilers."
Thus, if this theory is correct, and Throne of Glass is indeed set in the past, then it is perhaps no coincidence that "Midgard" is the Norse name for "Earth."
And that "Terrasen" means "Old Earth."
Parthos.
As previously mentioned, a portion of the civilisation that used to inhabit Midgard (and as this theory suggests, the TOG characters) resided in an ancient city called Parthos.
As readers, we are first offered a glimpse of Parthos when Apollion takes Bryce to a "dream world" - a landscape in which the Great Library of Parthos used to be.
When in this dream world, Bryce notes that what remains of Parthos is a "DUSTY plain."
Interestingly, in the ACOTAR world, the Bone Carver mentioned that the world he (and his siblings) came from is now nothing more than "DUST drifting across a plain."
As the Bone Carver mentions this, Feyre notes that he draws three interlocking circles into the ground.
This is the exact symbol of Bryce's Archesian necklace - which is also the symbol of Parthos.
If this theory is correct, then the Bone Carver originated from Parthos - from the Throne of Glass world.
Considering the similarities between the Bone Carver and the Sin Eater (the absent God-like being in the TOG world who quite literally carved bones, and was known as the 'God of Truth')... it makes perfect sense.
However, the most telling clue of all, that connects everything together, is this;
Knowing that Parthos is referred to as a "dusty" plain, consider Rowan's words to Aelin:
"I love you. There is no limit to what I can give to you, no time I need. Even when this world is a FORGOTTEN WHISPER OF DUST between the stars, I will love you."
Why would the world Aelin and Rowan inhabit ever turn into a "forgotten whisper of dust"? Just like Parthos?
Because IT IS Parthos.
It is the world the Asteri destroyed to create Midgard.
Asteri Archives.
As even further proof, recall that when Bryce entered the Asteri's archive rooms at the end of CC2, she found notes on how Midgard came to be.
These notes stated that the "indigenous life was not sustainable" for the Asteri.
If this theory is correct, this suggests that the "indigenous" lives were the Throne of Glass humans, and that they did not possess enough magic (or first-light) to feed the Asteri.
We already know this is true, as it was a similar problem that the Valg previously faced.
Additionally, on the exact same page of the notes that detail the Asteri's invasion of Midgard, there is a sketch of both a wolf shifter, and a mer.
The wolf shifters and the mer are the two species confirmed to be the Throne of Glass fae.
So, it begs the question; why were the Throne of Glass fae explicitly mentioned on the Asteri's Midgard (pre-colonisation) notes...?
The Southern Continent.
If Midgard is built on the ruins of the Throne of Glass world, then I believe that Lunathion is situated on the Southern Continent (the setting of the TOG book, Tower of Dawn).
More specifically, as Lunathion is said to be modelled after an "ancient city," I believe it is modelled after the famed Southern Continent City - Antica.
In Tower of Dawn, Antica is described as a city surrounded by a wall, lined with "olive groves" and "wheat farms" bordering the city.
Lunathion is described in the exact same way:
Further, both Lunathion and Antica have "arid" climates:
Lunathion:
Antica:
And, most notably, both are surrounded by deserts; a unique geographical feature that is not prominently featured in other SJM settings.
As such, this suggests that the lost library of Parthos, is the Torre Cesme.
Perhaps the most sacred building in the entirety of the Throne of Glass world, the Torre Cesme is home to a huge library - one that is said to be the oldest.
In the present day, Jesiba Roga guards the remaining books that were once held in the library of Parthos (or, in the Torre Cesme library).
Prior to the end of CC1, Jesiba kept these books locked away in her store, Griffin Antiquities. Interestingly, a set of "glaring owl eyes" had been placed on the store to Jesiba's shop.
Owl's are the symbol of Silba, and the healers of the Torre Cesme.
Further, considering that Yrene's healing abilities are the exact same as Bryce's Starborn powers - could this explain why Jesiba looked like she had "seen a ghost" when she first beheld Bryce's Starborn light?
Such a notion makes even more sense when you consider that Hypaxia's tutor was brought back to life using necromancy, and was originally an inhabitant of Parthos.
Hypaxia states that this tutor specifically trained her in healing magic; just like the healers of the Torre Cesme.
In fact, the scene of Hypaxia removing the Kristallos venom is near identical to Yrene removing the Valg parasite from Chaol:
Lidia Cervos.
Speaking of necromancy, knowing that Hypaxia's family dabbles in such magic calls into question the identify of Lidia, Hypaxia's half-sister.
Is she Aelin Galathynius, brought back to life?
Or, perhaps she is a child of Aelin and Rowan, brought back to life?
Not only do Lidia and Aelin look near identical,
Not only is Lidia represented by flame (Aelin's power),
But her shifted form is that of a deer; that sacred animal of Terrasen. Even her last name "Cervos" is a type of female deer.
Lidia is also seen wearing a "gold ring, crowned with a square, clean-cut ruby." This is the exact description of the ring Aelin have to Rowan when they married.
Further, Ruhn also suggests that Lidia must be an Asteri, or as old as one, given the way she uses language. However, as Lidia is only 47, this makes no sense.
However, it makes perfect sense if Ruhn is actually talking to Aelin, or Aelin's child; someone who, according to this theory, existed many thousands of years ago.
(And, as a side note - given that Lidia looks like the "spitting image" of Luna, and that Luna's sacred animal is the Stag... could it be that Luna is Aelin? And that Lunathion was named after her?)
Connections.
Is it then perhaps no coincidence that one of the houses of Lunathion is the "House of Flame and Shadow." Aelin was known as the "Queen of Flame and Shadow."
In fact, Throne of Glass being the past world of Crescent City explains a plethora of connections:
The "Stag King" of Avallen.
Ruhn being named after the Ruhnn mountains.
Why so many CC places sound like TOG places (Morrah = Morath, Korinth = Orynth).
The witches worshipping the same "three-faced goddess."
Why wyrdmarks can be found everywhere (especially underwater, where some of the ruins of the "ancient civilisation" are said to lie).
It also explains the "World of Throne of Glass" book, which to this day, mysteriously remains unpublished.
According to SJM, the World of Throne of Glass is an "encyclopedia" that documents the full history of the Throne of Glass world. Written by a "grumpy librarian," SJM stated that it will "feel like a book you can pull off the shelves of an ancient library."
It's almost as if the World of Throne of Glass is a Parthos book in itself...
Is that why it remains unreleased?
Future books.
If this theory is correct, some may wonder how SJM could possibly include TOG characters if they are indeed dead.
I believe there are two viable options:
The "rewrite history" route:
In a future multiverse book series, the main characters of CC and ACOTAR would team up, and using the Harp/Horn (or perhaps the full power of the Dread Trove), they would go back in time. In doing so, they would join forces with the TOG characters, and stop the Asteri from ever overthrowing their world.
If successful, it would mean that the Dusk Court was never destroyed. At present, Bryce is hinted to be the ruler of this court... but it doesn't exist (and there isn't a lot of time to rebuild an entire city). However, if time manipulation was used... no rebuilding would be necessary.
It would also explain why the Oracle told Ruhn that the "royal bloodline will end" with him - as Midgard would never be created, the same applies for the Autumn King's reign.
The "escape" route:
Alternatively, perhaps when the Asteri arrived in the TOG world, some of the main characters were able to escape into other worlds - such as Prythian.
This would explain why so many of the characters in the ACOTAR and TOG worlds share many similarities (for example, Tamlin as the ancestor of Aedion and Lysandra...)
This would also explain why so many of the ACOTAR character's last names have been hidden from the reader.
Some characters may have escaped elsewhere too, such as Hel...
(^ This is more of a crack theory, but there's only two characters in the SJM universe who have "freakishly" blue eyes, can shape shift into any form they choose, and have powers that manifest as cold...)
However, no matter the method of saving the world, or storyline adopted, Aelin said it best herself:
"This world will be saved and remade by the dreamers."
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