It is not hard to link to your Tumblr or Twitter with a vague message like, “If you’re looking for my other works or other ways of supporting me, go here: link.” I have had people buy me coffees after enjoying my fic and asking where to support me. I threw up a link to my Tumblr and people cared enough to follow it. They were fully understanding when I explained in the comments that they could not commission me and I could not link them directly to any donation platform, but they could go to xyz link to read more. And they did! Nobody has to put AO3 directly on the firing line.

Go ahead and commission independently. Just do it anywhere else except on AO3. And then don’t come crying to the community when you, personally, get a C&D from a massive corporation.

AO3 is our bullet shield. Tumblr will pull your shit down. Wattpad won’t fucking protect you. LJ and FF.net already sold our asses for one (1) corn chip. AO3 is trying to protect us, you goddamn lemmings.

If you cannot follow the rules that protect fanspaces, you do not belong in our fanspaces.

Adult literacy is low.

Child literacy is low.

Information literacy has shifted dramatically in the last decade, but reputable information sources like research journals and factual news reporting have been unable to keep pace.

We are genuinely in a crisis of media literacy, with ever fewer genuinely factual resources available in the style and language used by contemporary audiences.

It may sound condescending, but we genuinely need to remind people, or worse, explain to them for the first time that art is not evidence of real world behaviour.

So, thank you, for this reminder. Genuinely.

You're correct:

Art does not need to feature exclusively morally pure characters. Art is not proof of the creator's secret, violent desires.

So last week I posted abut the importance of downloading your fic. And then three days later AO3 went down for 24 hours. No one was more weirded out by this than I was. But while y’all were acting like the library at Alexandria was on fire I was reading my download fic and editing chapter eight of Buck, Rogers, and the 21st Century. And also thinking about what I could do to be helpful when the crisis was actually over.

So first off, I’m going to repeat that if you’re going to bookmark a fic, you really need to also download the fic and back it up in a safe place. I just do it automatically now and it’s a good habit to get into.

But let’s talk about some other scenarios. Last October I lost power for over a week after hurricane Ian. Apart from not having internet or A/C I did find plenty to do, I collect books so I had plenty to read, but maybe, unlike me, your favorite comfort reads aren’t sitting on a bookshelf. So let’s do something about that, shall we?

In olden times many long years ago around 1995 we printed off a lot of fic. It was mostly SOP to print a fic you planned to reread and stick it in a three ring binder. And that’s totally valid today too, but you can also make a very nice paperback with a minimum amount of skill and materials.

Let’s start with the download; Go to Ao3 and select your fic, we’ll be working with one of mine. This method works best with one shots, long fic tends to need a more complicated approach. Get yourself an HTML download

Open up the HTML download and select all then copy paste into any word processor. Set the page to landscape and two columns, then change the font to something you find easy to read, this is your book, no judgement. This is all you have to do for layout but I like to play a little bit. I move all the meta, summary, notes to the end and pick out a fun font for the title: 

No time like the present to do a quick proofread. Congratulations, you’ve just created your first typeset. On to the fun part.

Now you’re going to need some materials:  8.5x11in paper ruler one sheet of 12x12 medium card stock (60-80lb) scissors pencil pen or fine tip marker sheet of wax paper white glue two binder clips 2 heavy books or 1 brick butter knife

You’ll also need a printer, if you’re in the US there is almost a 100% chance your local library has a printer you can use if you don’t have your own. None of these materials are expensive and you can literally use cheap copy paper and Elmers glue.

Print your text block, one page per side. Fold the first page in half so that the blank side is inside and the printed side out:

use the butter knife to crease the edge. Repeat on all the sheets. When you’ve finished, stack them up with the raw edge on the left and the folded edge on the right. I used standard copy paper, because you’re only printing on one side there’s no bleed to worry about. Take the text block and line everything up. Use the binder clips to hold the raw edge in place.

Wrap the text block in the wax paper so that the raw edge and binder clips are facing out. I’m going to use my home built book press but you don’t need one, a brick or a couple of books or anything else heavy will work fine.

Once the text block is anchored down, take off he binder clips and get out the glue.

You can use a brush but you don’t need one, smear some glue on that raw edge.

Go make a margarita, watch The Mandalorian, call your mother. Don’t come back for at least an hour

In an hour smear some more glue on there and shift your brick forward so that the whole book is covered. This keeps the paper from warping. While glue part 2 is drying we’ll do the cover. Get out your 12x12 cardstock

Mark the cardstock off at 8.5 inches and cut it. Measure in 5.5 inches from the left and put in a score line with the butter knife (the back edge not the sharp edge)

Carefully fold the score line, this is your front cover. You have some options for the cover title, you can use a cutting machine like a cricut if you have one, you can print out a title on the computer and use carbon paper to transfer the text to the cardstock. I was in a mood so I just freehanded that beoch. Pencil first then in pen.

Take your text block out from under your brick. Line it up against the score mark and mark the second score on the other side of the spine

Fold the score and glue the textblock into the cover at the spine. Once the glue dries up mark the back cover with the pencil and then trim the back cover to fit with your scissors.

Voila:

I’m going to put this baby on the shelf next to the Silmarillion.

The whole process, not counting drying time, took less than an hour.

Monster X Human

I got this message from a bot, and honestly? If I was a bit younger and not such a jaded bitch with a career in tech, I might have given it an honest try. I spent plenty of time in a tough situation without access to any mental health resources as a teen, and would have been sucked right in.

Chatting right from your phone, and being connected with people who can help you? Sounds nice. Especially if you believe the testimonials they spam you with (tw suicide / self harm mention in below images)

But I was getting a weird feeling, so I went to read the legalese.

I couldn't even get through the fine-print it asked me to read and agree to, without it spamming the hell out of me. Almost like they expect people to just hit Yes? But I'm glad I stopped to read, because:

What you say on there won't be confidential. (And for context, I tried it out and the things people were looking for help with? I didn't even feel comfortable sharing here as examples, it was all so deeply personal and painful)

Also, what you say on there? Is now...

Koko's intellectual property - giving them the right to use it in any way they see fit, including

Publicly performing or displaying your "content" (also known as your mental health crisis) in any media format and in any media channel without limitation

Do this indefinitely after you end your account with them

Sell / share this "content" with other businesses

Any harm you come to using Koko? That's on you.

And Koko won't take responsibility for anything someone says to you on there (which is bleak when people are using it to spread Christianity to people in crisis)

I was curious about their business model. They're a venture-capitol based tech startup, owned by Airbnb, the famous mental health professionals with a focus on ethical business practices./s They're also begging for donations despite having already been given 2.5 million dollars in research funding. (If you want a deep dive on why people throw crazy money at tech startups, see my other post here)

They also use the data they gather from users to conduct research and publish papers. I didn't find them too interesting - other than as a good case study of "People tend to find what they are financially incentivized to find". Predictably, Koko found that Kokobot was beneficial to its users.

So yeah, being a dumbass with too much curiosity, I decided to use the Airbnb-owned Data-Mining Mental Health Chatline anyway. And if you thought it was dangerous sounding from the disclaimers? Somehow it got worse.

(trigger warning / discussions of child abuse / sexual abuse / suicide / violence below the cut - please don't read if you're not in a good place to hear about negligence around pretty horrific topics.)

lmao YES like…whether you’re fourteen and creating characters who explode the preps with their brains or you’re an adult writing existentialist french novels…there are SO many reasons to engage with those ideas and emotions that aren’t “i am a rampaging asshole who hates hope” the way apparently some people assume??

like, it’s even reductive of who is experiencing the (fictional) cruelty. “dreaming of the battlefield” in dark fiction is just as likely (or more likely??) to mean “processing feelings of despair by imagining MYSELF as a cursed foot solider in an unending war” as it is “processing feelings of helplessness by imagining myself as powerful and unaffected by emotion”

Media that emphasizes optimism is written by those who have survived the battlefield.

death of the author is not 'miku wrote this'

I don't think you have to read either essay to grasp the basic concepts

death of the author means that once a work is complete, what the author believes it to mean is irrelevant to critical analysis of what's in the text. it means when analysing the meaning of a text you prioritise reader interpretation above author intention, and that an interpretation can hold valid meaning even if it's utterly unintentional on the part of the person who created the thing. it doesn't mean 'i can ignore that the person who made this is a bigot' - it may in fact often mean 'this piece of art holds a lot of bigoted meanings that the author probably wasn't intentionally trying to convey but did anyway, and it's worth addressing that on its own terms regardless of whether the author recognises it's there.' it's important to understand because most artists are not consciously and vocally aware of all the possible meanings of their art, and because art is communal and interpretive. and because what somebody thinks they mean, what you think somebody means, and what a text is saying to you are three entirely different things and it's important to be able to tell the difference.