Mirror, tell me something...

I went, "What. no. she/her."

"How does that work? With she/her/hers and they/them?"

I stared at her. "What are you talking about?"

"Well you came out as-" and I said, "I'm asexual."

She replied, "Like an amoeba, I know."

"Oh. My god. No. Mom. It doesn't- it's not the asexual you learned about in biology. I didn't come out as a single celled organism."

With heavy relief, she said "Oh, it has a different meaning?"

Siamese Red-Necked Keelback (Rhabdophis siamensis), family Colubridae, Cambodia

Mildly to moderately venomous.

Venom is excreted into the saliva, and enters the prey through the bite wound. Keelbacks do not have fangs.

This species is also poisonous! They sequester toxins from the toads they prey on.

So (according to the concept art book) as the Fellowship travels deeper into Middle Earth, the places they pass through become inspired by progressively older periods of history. The farther along you are in the story, the more ancient the design influences

We begin in The Shire: which feels so familiar because, with its tea-kettles and cozy fireplaces, it’s inspired by the relatively recent era of rural England in the 1800s

But when we leave Hobbiton, we also leave that familiar 1800s-England aesthetic behind and start going farther back in time. 

Bree is based on late 1600s English architecture

Rohan is even farther back, based on old  anglo-saxon era architecture (400s-700s? ce)

Gondor is way back, and no longer the familiar English or Anglo-Saxon: its design comes from classical Greek and Roman architecture

And far far FAR back is Mordor. It’s a land of tents and huts: prehistoric, primitive, primeval. Cavemen times

And the heart of Mordor is a barren lifeless hellscape of volcanic rock…like a relic from the ages when the world was still being formed,  and life didn’t yet exist

And then they finally reach Mount Doom, which one artist described as 

“where the ring was made, which represents, in a sense, the moment of creation itself”