Brazil, Rio de Janeiro, Favelas, 1980, A young girl from the Mangueira Samba school, Bruno Barbey.Â
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Brazil, Rio de Janeiro, Favelas, 1980, A young girl from the Mangueira Samba school, Bruno Barbey.Â

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when england lose, women bruise
by Bieke Depoorter
Gennarino and Raffaela in Lina WertmĂźllerâs Travolti da un insolito destino nell'azzurro mare d'agosto (Swept Away), 1974
âCrescent Ladyâ by Warren B. Davis (1865-1928)

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BjĂśrn Ahlgrensson - The Twilight Glow (1903)
Stereolab |Â The Flower Called Nowhere
Malcolm in the Middle if it were a 90s indie art film
Exchange by Hassan Hajjaj, 2006, via Sothebyâs
Hassan Hajjaj (North Africa)
Kesh Angels by Hassan Hajjaj, 2010, via New Yorker Magazine
Hassan Hajjaj, Gang of Kesh Part 2, 2000, Los Angeles County Museum of Art, gift of the artist
"Moving further into the exhibition, viewers will find Gang of Kesh Part 2 by Hassan Hajjaj, which depicts a group of women clad in the traditional Moroccan djellaba, head scarf, and veil (playfully made in polka dots, camouflage, and leopard prints) posing as a biker gang, cheekily challenging stereotypical images of veiled women." - LACMA

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Nina Simone performing at the Beacon Theater in 1974.
The stunning Marpessa Dawn captured by Loomis Dean, 1960.
Raeda Saadeh
'Who will make me real?' , 2003 Palestinian artist
Martin Kippenberger, Copa and Ipa, 1986, Printed shirt sleeve on various fabrics with screen-printed cardboard frame, 27½ by 35½ inches (75 x 90 cm)
Betty Davis âThey Say Iâm Differentâ (1974) - Kaisik wong

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Jenny Shimizu | Š Marc Hispard Glamour France (November 1993)
from what i've observed, i do think there is some pressure for women in not explicitly feminist leftist circles to affect a kind of "cool girl" posture for the benefit of the men in the movement
same as it ever was!!!