if i look back, i am lost
Kiana Khansmith
Aqua Utopia｜海の底で記憶を紡ぐ
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Keni
let's talk about Bridgerton tea, my ask is open
izzy's playlists!
#extradirty
styofa doing anything
NASA
RMH
Claire Keane
Sade Olutola
Kaledo Art
Xuebing Du
ellievsbear
we're not kids anymore.
i don't do bad sauce passes
Origami Around
seen from Australia
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seen from Australia
seen from Malaysia
seen from India
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seen from Türkiye
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@ghaterrecha
any time I spend time with my sister I remember why I hate spending time with her. Like if it's not my clothes it's my hair if not my hair it's my jewellery. today her issue with me was apparently my tits in this bra hang too low. LIKE. WHY THE FUCK DO YOU CARE ABOUT MY TITS? just let me live fucking... jesus christ zorra
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"hogwash" still one of the best words ever. this shit is so unbelievable its pig water
Matte painting shots by Albert Whitlock from The Sting (1973)
collecting tweets
Xilmo1 aka XilmO aka XilmO@夕末 (Chinese, based China) - Untitled, 2025, Digital Art
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being single sucks [remembers that romantic love isnt the gleaming beacon of salvation that will fix the chasm within me] #mychasm #isupportmychasm [remembers not to trivialize my emotions] but it is painful to never have been deemed worthy of that kind of lasting love [remembers how many incels there are] but honestly you should be totally self-sufficient and never want anything ever [remembers that im evil] im evil
There is no "you" without the flesh
the backrooms movie made me realize that my deepest fear isn't monsters or labyrinths or even death. it's failure.
seeing clark divorced, struggling with money, no friends, sitting and drinking and festering in his own self pity brought tears to my eyes faster than anything ever had before.
I saw him out of breath hopping around on the peg leg with the pirate impression talking about how you don't even need credit to buy from him and I was so close to sobbing it wasn't even funny. putting on a face when you're breaking down inside with no hope is terrifying to me.
I was so sad during the kitchen table scene because everything Mary said was true, he was lost now. It's like seeing someone you wished would succeed just give up and fall asleep in their grave.
Clark is gonna stick with me for a long time.
It makes very understandable why he would decide to stay there, even when he definitely knew how to find the way there.
THE PLACE WAS HORRIBLE. There was no denying that, even he knew that. But it was also immutable.
Outside was also horrible, but there was also the fear that tomorrow would be worse.
He had lost all hope in the future, so an eternal present was the thing he wanted.
Finally watched The Backrooms and I really really enjoyed it! Very Eskew-eske.
It's really been a while since I went to the cinema and came out so well pleased. It doesn't have a lot of dialogue, but it was written and directed in such a way that it gave you all the information they wanted you to have without masticating it for you beforehand. Mary's past with her mother and Clark's abusive tendencies are just shown enough for you to get it without spelling it out. And it also did something I love when it comes to horror movies: They weren't afraid to purposely leave some things unexplained – to give you room to ruminate on it for a while afterwards, just thinking about the film and what meaning you got from it.
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Finally watched The Backrooms and I really really enjoyed it! Very Eskew-eske.
The whole point of Xena’s character, of course, is that she really kind of enjoys murdering the shit out of people and it takes conscious force of will on her part to hold herself back from doing so when it’s not moral, and Lucy Lawless plays that so well. And I appreciate that. Not a lot of female characters who are allowed to just go fucking feral with bloodlust.
Xena basically frames hatred and violence as a sort of addiction, and I actually think that this is a more sophisticated treatment of a redemption arc than most other stories I’ve seen on the subject.
Gabriella: Oh noes, crisis of the week!
Xena: Not to worry, I have a solution!
Gabriella: Is it murder?
Xena: I mean, its not-not… Yes, its murder, but for a good cause.
Grabriella: *angry pout*
Xena: Very well emotional-support-bard. We shall try wacky shenanigans first.
Gabriella: Don’t worry Xena, we’ll get you thirty days without murder for sure this time!
Narrator: Xena would not get her red murder-sobriety chip this time.
I always remember the quote from Lucy Lawless, about Xena as she first appeared which is from a great interview in general about her work.
She was a warlord. She was worse than any of the creeps that worked for her. I think a lot of the good men — namely, Hercules — made her see the light. Then she didn’t want to kill people any more, mate. She wanted to love people instead.
But she’d done such terrible things in her past — she knew she was irredeemable. She was a flawed hero.
I remember discussing with the executive producer [Robert Tapert], whom I’m married to today, that Hercules is the hero you hope is out there somewhere, and Xena is the hero within every man — the flawed hero — which is a cool thing to be. It’s very interesting to play a character that is not all good.
free my girl she did all that and that’s what makes her such a compellingly complex character. that’s her essence
Guys I think Dean Winchester might be not a very good person
oh okay that's my bad!! listening and learning <3
Textile art featuring a school of koi fish, by artist Lin Xia.
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Sometimes I am embarrassed just to exist in public and then I see someone doing some shit like spraying cologne 15 times on themselves in a crowded bus and I'm like: maybe I'm fine, actually.
been trying to word this for awhile, but like the thing about the discolikes from the goons who stole it (zero parades, that godawful night shit comic prologue) is that it’s not just poorly written hacky misogynistic bullshit. it feels…spiritually sickening to me, in a way. it makes me honestly angry. on a level beyond the injustice of the ip theft.
because this are what these writers think Disco Elysium is.
they think it’s needlessly crass and vulgar for no reason, devoid of empathy, of passion. they think it’s crude edginess for the sake of edginess. where Disco feels honest to the perspective of anyone who has ever been truly truly desperate they simply see a freakshow. 'let’s describe a 16 year old's genitals because it’s SHOCKING.'
Disco made me feel seen and understood as a human being. these projects make me feel even more alienated because they remind me that a team of brilliant writers can depict the horrible truth of disability and desperation under capitalism but they can’t make the audience care or understand.
