Siobhan's Animation Blog

Link to the book:

After seeing post like this 👇

And this gem 👇

As well as countless of others from the AI generator community. Just talking about how "inaccessible art" is, I decided why not show how wrong these guys are while also helping anyone who actually wants to learn.

Here is the first one ART TEACHERS! There are plenty online and in places like youtube.

📺Here is my list:

Proko (Free, mostly teaches anatomy and how to draw people. But does have art talks and teaches the basics.)

Marc Brunet (Free but he does have other classes for a cheap price. Use to work for Blizzard and teaches you everything)

Aaron Rutten (free, tips about art, talks about art programs and the best products for digital art)

BoroCG (free, teaches a verity of art mediums from 3D modeling to digital painting. As well as some tips that can be used across styles)

Jesse J. Jones (free, talks about animating)

Jesus Conde (free, teaches digital painting and has classes in Spanish)

Mohammed Agbadi (free, he gives some advice in some videos and talks about art)

Ross Draws (free, he does have other classes for a good price. Mostly teaching character designs and simple backgrounds.)

SamDoesArts (free, gives good advice and critiques)

Drawfee Show (free, they do give some good advice and great inspiration)

The Art of Aaron Blaise ( useful tips for digital art and animation. Was an animator for Disney. Mostly nature art)

Bobby Chiu ( useful tips and interviews with artist who are in the industry or making a living as artist)

Sinix Design (has some tips on drawing people)

Winged canvas (art school for free on a verity of mediums)

Bob Ross (just a good time, learn how to paint, as well as how too relax when doing art. "there are no mistakes only happy accidents", this channel also provides tips from another artist)

Scott Christian Sava (Inspiration and provides tips and advice)

Pikat (art advice and critiques)

Drawbox (a suggested cheap online art school, made of a community of artist)

Skillshare (A cheap learning site that has art classes ranging from traditional to digital. As well as Animation and tutorials on art programs. All under one price, in the USA it's around $34 a month)

Human anatomy for artist (not a video or teacher but the site is full of awesome refs to practice and get better at anatomy)

Second part BOOKS, I have collected some books that have helped me and might help others.

📚Here is my list:

The "how to draw manga" series produced by Graphic-sha. These are for manga artist but they give great advice and information.

"Creating characters with personality" by Tom Bancroft. A great book that can help not just people who draw cartoons but also realistic ones. As it helps you with facial ques and how to make a character interesting.

"Albinus on anatomy" by Robert Beverly Hale and Terence Coyle. Great book to help someone learn basic anatomy.

"Artistic Anatomy" by Dr. Paul Richer and Robert Beverly Hale. A good book if you want to go further in-depth with anatomy.

"Directing the story" by Francis Glebas. A good book if you want to Story board or make comics.

"Animal Anatomy for Artists" by Eliot Goldfinger. A good book for if you want to draw animals or creatures.

"Constructive Anatomy: with almost 500 illustrations" by George B. Bridgman. A great book to help you block out shadows in your figures and see them in a more 3 diamantine way.

"Dynamic Anatomy: Revised and expand" by Burne Hogarth. A book that shows how to block out shapes and easily understand what you are looking out. When it comes to human subjects.

"An Atlas of animal anatomy for artist" by W. Ellenberger and H. Dittrich and H. Baum. This is another good one for people who want to draw animals or creatures.

Etherington Brothers, they make books and have a free blog with art tips.

📝As for Supplies, I recommend starting out cheap, buying Pencils and art paper at dollar tree or 5 below. If you want to go fancy Michaels is always a good place for traditional supplies. They also get in some good sales and discounts. For digital art, I recommend not starting with a screen art drawing tablet as they are usually more expensive.

For the Best art Tablet I recommend either Xp-pen, Bamboo or Huion. Some can range from about 40$ to the thousands.

💻As for art programs here is a list of Free to pay.

Clip Studio paint ( you can choose to pay once or sub and get updates. Galaxy, Windows, macOS, iPad, iPhone, Android, or Chromebook device. )

Procreate ( pay once for $9.99 usd, IPAD & IPHONE ONLY)

Blender (for 3D modules/sculpting, animation and more. Free)

PaintTool SAI (pay but has a 31 day free trail)

Krita (Free)

mypaint (free)

FireAlpaca (free)

Aseprite ($19.99 usd but has a free trail, for pixel art Windows & macOS)

Drawpile (free and for if you want to draw with others)

IbisPaint (free, phone app ONLY)

Medibang (free, IPAD, Android and PC)

NOTE: Some of these can work on almost any computer like Clip and Sai but others will require a bit stronger computer like Blender. Please check their sites for if your computer is compatible.

So do with this information as you will but as you can tell there are ways to learn how to become an artist, without breaking the bank. The only thing that might be stopping YOU from using any of these things, is YOU.

I have made time to learn to draw and many artist have too. Either in-between working two jobs or taking care of your family and a job or regular school and chores. YOU just have to take the time or use some time management, it really doesn't take long to practice for like an hour or less. YOU also don't have to do it every day, just once or three times a week is fine.

Hope this was helpful and have a great day.

All the photos on this tumblr ad the animal photo reference site I run is another resource available for artists to use!

Green Ingres paper and gold ink.

The Corpus of Electronic Texts, or CELT, a collection of Irish cultural materials. This includes English translations of Irish myths.

Mary Jones - similar to CELT, and a resource we used for translations in the Irish mythology class I took in undergrad.

An Encyclopedia of Fairies by Katherine Mary Briggs, a British folklorist.

The Folklore of Cornwall by Ronald M. James. Unfortunately this book is harder to access and is often only in university libraries, but if you're interested in piskies it's a potentially very helpful read.

https://pharos.vassarspaces.net/2018/05/11/scholars-respond-to-racist-backlash-against-black-achilles-part-1-ancient-greek-attitudes-toward-africans/

https://aeon.co/essays/can-we-hope-to-understand-how-the-greeks-saw-their-world

https://www.smithsonianmag.com/arts-culture/true-colors-17888/

I know what ‘olive skinned’ (and thus variations on it) means, but the author taking the time to have a little laugh, acknowledge that it’s at least a bit funny, and drop some knowledge is appreciated.

Left: traditional extraction using a capacho basket, right modern extraction using a cold press. One is greenish brown and the other is green.

Line of Action

JustSketch.Me

PoseManiacs

Human-Anatomy-For-Artist.com

MagicPoser

MIXAMO

Pose Archives

Bodies in Motion

Posemy.art

ReferenceAngle

CroquisCafe

These are regular pink erasers from the supermarket. I'm going to make a flower. First, I trace the eraser itself to get a feel for the size.

I trace the design for each color of ink on separate pieces of tracing paper, then tape them onto the erasers and rub the graphite side down to transfer the image. Any paper that holds graphite will work for this.

Since I'm using red, blue, and yellow ink, I'm layering the stamps over top of one another to produce secondary colors like green and purple. I use a V-shaped carving tool most of the time, just a cheap one I got in a kit at Michael's. Almost anything sharp will work.

I got these Ranger ink pads also at Michael's, they're working for me so far. Slightly nicer ink pad brands usually also sell bottles of refill ink, so you don't need to buy a whole new pad when one runs dry.

Most of the time involved is spent carving the rubber and testing the print as you go. Be careful to carve in the direction away from your hands.

Here is your cool samurai show with modern lenses.

Here is your cool samurai show with vintage lenses.

Hollywood is no stranger to fads.

We are currently in the middle of a "make everything too dark" fad. But that fad is starting to overlap with "let's use really old lenses on ridiculously high resolution cameras."

This is Zack Snyder with a Red Monstro 8K camera.

He is using a "rehoused" vintage 50mm f/0.95 Canon "Dream Lens" which was first manufactured in 1961.

This old lens is put inside a fancy new body that can fit onto modern cameras.

Which means Zack is getting nowhere near 8K worth of detail. These lenses are not even close to being sharp. Which is fine. I think the obsession with detail can get a bit silly and sometimes things can be "too sharp."

But it is a funny juxtaposition.

The dream lens is a cool lens. It has character. It has certain aberrations and defects that can actually be beneficial to making a cool photograph. It's a bit like vinyl records for photography.

[ Peter Thoeny ]

It has vignetting and distortion and a very strange swirly background blur.

[ Gabriel Binder ]

Optical engineers have been spending the last 60 years trying to eliminate these defects. And I sometimes wonder if they are confused by this fad.

"I WORKED 70 HOURS PER WEEK TO GET PERFECT CORNER SHARPNESS!"

And whether you prefer to work with a perfect optic or a vintage one... it is a valid aesthetic decision either way. I think vintage glass can really suit candid natural light photography. You can almost get abstract with these lenses.

[ Peter Theony ]

Personally I like to start with as close to perfect as possible and then add the character in later. That way I can dial in the effect and tweak how much of it I want. But even with modern image editing tools, some of these aberrations are difficult to recreate authentically.

That said, it can be very easy for the "character" of these lenses to become distracting. And just like when someone first finds the lens flares in Photoshop, it can be easy for people to overdo things.

Zack Snyder decided to be his own cameraman and used only vintage glass in his recent movies and it has led to some complaints about the imagery.

I mean, Zack Snyder overdoing something? I can't even imagine it.

Non camera people felt Army of the Dead was blurry and a bit weird but they couldn't quite explain why it felt that way.

The dream lens has a very wide aperture and it lets in a lot of light. But it also has a very very shallow depth of field. Which means it is very difficult to nail focus.

[ Peter Thoeny ]

Her near eye is in focus and her far eye is soft. You literally can't get an entire face in focus.

There is no reason you have to use the dream lens at f/0.95 at all times. But just like those irresistible lens flares, Zack couldn't help himself.

Here is a blueprint that you can't really see.

Extreme close ups of faces without autofocus at f/0.95 is nearly impossible to pull critical focus on.

Looks like Zack nailed the area just above the eyebrow here.

Let's try to find the point of focus in this one.

Ummmm... she is just... blurry. Missed focus completely.

But Zack isn't the only one going vintage. I've been seeing this a lot recently.

Shogun is a beautiful show. And for the most part, I really enjoyed the cinematography. But they went the vintage lens route and it kept going from gorgeous to "I can't not see it" distracting. And perhaps because I am familiar with these lens defects I am more prone to noticing. But I do think it hurt the imagery in a few spots.

Vingetting is a darkening of the corners of the frame.

Light rays in the corners are much harder to control. A lot of modern lenses still have this problem, but they create software corrections to eliminate the issue. Some cameras do it automatically as you are recording the image.

Vintage lenses were built before lens corrections where a thing—before software was a thing. So you either have to live with them, try to remove them with VFX, or crop into your image and lose some resolution.

It's possible this is the aesthetic they wanted. They felt the vignetting added something to the image. But I just found my eyes darting to the corners and not focusing on the composition.

And then you have distortion.

In this case, barrel distortion.

This is mostly prominent in wide angle lenses. In order to get that wider field of view the lens has to accept light from some very steep angles. And that can be quite difficult to correct. So you kind have to sacrifice any straight lines.

And sometimes this was a positive contribution to the image.

I thought the curved lines matched the way they were sitting here.

But most of the time I just felt like I was looking at feudal Japan through a fish's eye.

It's a bit more tolerable as a still, but when all of these verticals are bowing in motion, I start to feel like I am developing tunnel vision.

I love that this is a tool that is available. Rehousing lenses is a really neat process and I'm glad this old glass is getting new life.

This documentary shows how lens rehousing is done and is quite fascinating if you are in to that sort of thing.

But I think we are in a "too much of a good thing" phase when it comes to these lenses. I think a balance between old and new can be found.

Kubrick wanted to film Barry Lyndon with all natural light. But due to being a period piece, some scenes needed to be filmed using nothing but candlelight.

There was not any film sensitive enough to pull this off, at least not without horrible amounts of grain, so Kubrick used a famous Zeiss optic developed for NASA to photograph the dark side of the moon.

The Zeiss Planar 50mm f/0.7 lens was one of the brightest lenses ever made and could suck in light like a vacuum. One recently sold at auction for $146,000. When used at the f/0.7 aperture, the depth of field became razor thin. Actors had to learn and rehearse ultra precise blocking. If they didn't hit their mark by even an inch or two, they would be out of focus. I'm sure this required many many takes and was probably a frustrating experience.

Kubrick was a bit more of a perfectionist and probably wasn't satisfied nailing focus on an eyebrow. But he got his candlelit scenes and they did look stunning.

Dorohedoro MUD AND SLUDGE + Dorohedoro Sketch Book 'Day Dream Hour' Artbooks 1-5 by Ryōko Kui (Dungeon Meshi) AKIRA Club

Witch Hat Atelier Special Edition Volume 02 + 06 Artbooks Yokohama Kaidashi Kikou - Book of Paintings + Postcard Book "BLAME! and so on" Artbook

The Art of Ponyo The Art of The Wind Rises The Art of Kiki's Delivery Service

The Art of Nausicaä of the Valley of the Wind Miyazaki Moebius exhibition catalog The Art of Moebius

"Der Mond" Neon Genesis Evangelion Artbook "EYES ONLY" SPY×FAMILY Official Fanbook The Art of Fullmetal Alchemist 1 + 2

Elden Ring Art Book Volume 1 + 2 Dark Souls 1-3 Design Works Bloodborne Official Artworks

SEKIRO - SHADOWS DIE TWICE Official Artworks Grimoire Nier + NieR Art – Kazuma Koda Art Collection

The art of Alice Madness Returns SCORN The art of the Game The FLCL Archives

The Art of Metal Gear Solid I - IV - Gallery Works and Studio Works Spider-Man Into the Spider-Verse -The Art of the Movie Spider-Man Across the Spider-Verse The Art of the Movie

The Artwork of Berserk Alphonse Mucha's "Figures Decoratives"

Here's a link to the entire collection, in case any of the individual links are broken.

with specifically the highlights and colors being hues that compliment each other, don’t distract from the scene, and make it more interesting/visually appealing

cohesive but still contrasting

This kind of talks about color and composition

This is a bit about landscape specifically

Values & composition

Contrast in composition

Balance in colors & values

This one's more for palette building but I think it's useful and can be applied to the other ones

Cohesion within compositions/lighting

"Chromatic fringe" - I also see people using this with shading, they bring in a transition color that is a different hue than the base color or shadow, it makes it so that less vibrancy is lost and it doesn't get muddy!

This one specifically has a lot of process behind the style of painting you're looking for!

Also one of my favorite artists who makes bright and colorful art like this is Not Sorry Art on TikTok & YouTube, her website is here and it's<3 my fav. She has some videos where you can see her process

If you're wondering about Mr. Gurney's chops: