FriRye Ramblings

That type of bevor seen in the first picture wouldn't usually go with an armet-style helmet, but rather with a helmet without its own built-in neck protection, such as (what is neologically called) a sallet or kettle helm.

If you wanted to get more neck protection out of an armet, you'd use what is usually called a "wrapper plate" which is kind of similar to a bevor but shaped to fit armets.

Arming jackets/doublets (usually also called gambesons - the thing about the Middle Ages is that they didn't actually have a lot of standardized words for things at all and many words we use today to refer to specific pieces of equipment are either completely new, or they refer to something specific today but a medieval person would have used the same word to refer to many different things) have strings all over them not just to keep them tied together but because that's how you attach the plate armor to the body. Their padding also not only acts as padding, but also offers some basic resistance to blades in the event that a blade gets between the plates and through the maille (chainmail) armor that usually fills the gaps between the plates. There is almost no chance at all of a blade penetrating the plates themselves.

Bigger thicker gambesons were worn as a form of armor themselves for poorer soldiers who couldn't afford anything better. They are surprisingly cut-resistant and cushion the body against blunt force as well. Stabbing weapons will go straight through them, but even then it's better to have it than not, because if you're wearing 2 inches of padding and get stabbed by a 5-inch blade in the heat of battle when everyone is constantly moving around and your opponent has no time (or desire) to drive it all the way in, that's only 3 inches deep into your actual flesh instead of 5.

Oh one tip I will give that technically is a correction is that that belt in the bottom-left picture is anachronistic. It's hard to describe how 15th century belts buckle but it usually looks something like this.

Hross

My dad’s favorite book is Out of the Silent Planet by C.S. Lewis and he asked if I could paint his favorite creature from it - the Hrossa. Here’s the description:

The hrossa (singular hross) resemble bipedal otters or seals, and are somewhat taller and thinner than humans. Ransom finds them beautiful: “covered, face and all, with thick black animal hair, and whiskered like a cat … glossy coat, liquid eye, sweet breath and whitest teeth” (p. 59, Chap. 9). They live in the low river valleys (handramit in the speech of the eldila) and specialize in farming, fishing, and performing arts such as dancing and poetry. They are especially gifted in making poetry; yet they refuse to write it down as they believe that books ruin words and poems. Their technical level is low, and they wear only pocketed loincloths. The boats that they build are similar to our canoes. They add an initial /h/ sound to their words. Their sense of humor is “extravagant and fantastic” (Chap. 18).

Hross

My dad’s favorite book is Out of the Silent Planet by C.S. Lewis and he asked if I could paint his favorite creature from it - the Hrossa. Here’s the description:

The hrossa (singular hross) resemble bipedal otters or seals, and are somewhat taller and thinner than humans. Ransom finds them beautiful: “covered, face and all, with thick black animal hair, and whiskered like a cat … glossy coat, liquid eye, sweet breath and whitest teeth” (p. 59, Chap. 9). They live in the low river valleys (handramit in the speech of the eldila) and specialize in farming, fishing, and performing arts such as dancing and poetry. They are especially gifted in making poetry; yet they refuse to write it down as they believe that books ruin words and poems. Their technical level is low, and they wear only pocketed loincloths. The boats that they build are similar to our canoes. They add an initial /h/ sound to their words. Their sense of humor is “extravagant and fantastic” (Chap. 18).

I guess he'd have to with Woody and Jessie bc they're the only ones left but he would v. much be sentimental about Having A T-Rex Toy as a concept and not convinced there's anything different if he doesn't get the originals back (presumably by robbing a little girl's house)

Andy gave the toys up, he moved on. That is what is shown. THAT is WHO Andy is. He’s someone who outgrew or just got bored with those toys. That’s what a good chunk of people in real life do! It’s fine! It’s healthy!

I think there are the other chunk of people out there who value and still love their toys and stuffies as adults, so the narrative of the toy’s coming back would gratify them. That’s what they would want. That’s also fine! That’s also healthy!

Can the computer create something? At first glance it seems obvious that it can. Animated computer graphics, with their fluid transitions and whiplash perspectives, look strikingly new. And if one watches the machine doing animation work, there seem to be lengthy periods when the computer is acting “on its own.”

But if one observes these processes in more detail, it becomes clear that creation is not occurring within the machine. First of all, computer graphics are not unique. Computers have yet to generate anything that cannot be done by hand—and usually already has been done. Second, the apparent ability of the computer to “act on its own” is the outcome of thousands of hours of patient human effort to refine its instructions. The computer can manipulate a shape for us if we have already informed it what a shape is, what the rules for shape manipulation are, what this specific shape is, and so forth.

Even More Neopets Faeries from the Neopets TCG