Kelly Stuart Graham - Prism Red, 2000 - Acrylic on canvas

ojovivo

Love Begins
Game of Thrones Daily
Show & Tell
todays bird

JBB: An Artblog!
Cosmic Funnies
let's talk about Bridgerton tea, my ask is open
YOU ARE THE REASON
Jules of Nature

titsay

★
RMH
occasionally subtle
Three Goblin Art
AnasAbdin

Product Placement
will byers stan first human second
seen from Canada
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@franticbindings
Kelly Stuart Graham - Prism Red, 2000 - Acrylic on canvas

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given the current climate this pride especially i feel i must mention that i love my trans friends, i stand with trans people in the fight against transphobic legislation and those who would enforce it, and this blog is not a good place for you to be if you do not vibe with that
Jane Madgwick
Chalk Lane, Moonlight, 2016
Jane Madgwick (S. Korean/British b. 1980), Chalk Lane, Moonlight, 2016, Mixed media on wood panel
Aral was definitely upset when he found that Cordelia had escaped from the ship but, given that she did so by knocking out multiple hostile soldiers, using a stunner to go up against a nerve disruptor and win, and managing to sway someone to her cause... once he got over having to look disapproving over her escape in front of his men, and once he'd worked past the initial depression that he was probably never going to see her again, I do think he went back to his cabin so that he could swoon about it in private.
I'm really curious if Kim and Acele talked about anything while Harry was in the tent.

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Fallen Angels, Oil on linen-wrapped panel, 24 x 12 inches
new blog post up! i talk abt Microscope and figure out exactly what i think about its "no collaboration" rule
You find yourself in front of a door made of heavy, dark wood, and inscribed with a calendar of moon phases and constellations. A scrap of p
Really delightful article! I had a similar experience of my own with the "no collaboration" rule in Microscope. I've always felt that the real thing you need to avoid is looking for consensus - that's the kind of collaboration that winds up smoothing things out in undesirable ways.
It's not quite a game with no talking at all, but The Quiet Year (another old classic, by Avery Alder) is designed with extremely constrained rules about how you can communicate with each other. It's pretty interesting how they shape the experience, and in a way that I've seen more varied opinions about in discussions online and with people I've played it with.
Recently discovered that Dr Dre's "Keep Their Heads Ringin" matches up uncannily well with the Cardcaptor Sakura OP
Thank God It's Cardcaptor Sakura Friday
Donkey sketch practice
And Merry Christmas!

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TAG YOURSELF WHAT'S YOUR FAVE MEDIEVAL HELMET
i forgor but prints are here!!
Honestly Mark Vorkosigan is a very funny character because he basically spends his whole life being tortured and eventually becomes…an entrepreneur
Happy Star Wars Day! I’ve decided to make my Skywalker comic into one easily rebloggable post.
Here’s a bonus page in honor of May 4th!
England isn't a real country, stupid. England is a lie to sell you more Doctor Who
GUIL (flipping a coin): There is an art to the building up of suspense. ROS: Heads. GUIL (flipping another): Though it can be done by luck alone. ROS: Heads. GUIL: If that's the word I'm after. - Rosencrantz and Guildenstern Are Dead, Tom Stoppard

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I'm kind of impressed by the lengths Wheel of Time goes to make us sympathetic to the Aiel about the Aiel War, and surprised how much it totally worked on me.
Like, it was a monstrous act of mass violence. "Laman's Sin" has a sheen of mythic coolness to it, but in reality it's as thin as the Seanchan's narrative of the return, and the Shaido choosing to follow Couladin.
The books treat the Cairhienin who hate or are afraid of the Aiel as pitiable for their weakness, and the Aiel see them as beneath contempt. All the cool people in the wetlands either respect the Aiel or come to respect them (or even emulate them) eventually.
The book is convinced that Ji'e'toh is really cool and interesting, and very good at presenting it that way. I mean, it is interesting. But at the end of the day, if you have a society that can sack half a continent just to kill one guy and then (I don't think) go 14 books without one of them expressing doubt or regret over it: that is a horror. Even if the tree he cut down was really cool, and all symbolic (not that they knew) and the last one of its kind. Even if he really was an asshole on top of everything.
I do think that is part of the point, though, with what Rand does. What's unique about the Aiel War is that their culture is being pointed at someone other than themselves for once. The way that they live is a kind of curse (they call it a punishment, even) but they've come to believe in the intrinsic value of those conditions. One the last battle is over, and the reason for them to endure all of that is gone... if there hadn't been a way for Rand to smash the whole thing apart, the Aiel would have eventually devoured themselves.
1774-1792 Silk court suit (French)
(Metropolitan Museum of Art)