kind of harmonically beautiful
let's talk about Bridgerton tea, my ask is open

gracie abrams

Jar Jar Binks Fan Club
Noah Kahan
Misplaced Lens Cap
Cosimo Galluzzi
Today's Document
One Nice Bug Per Day
Cosmic Funnies
The Stonewall Inn

oozey mess
"I'm Dorothy Gale from Kansas"
sheepfilms

shark vs the universe
Sweet Seals For You, Always
macklin celebrini has autism
Sade Olutola

pixel skylines

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@flyingpidgeon
kind of harmonically beautiful

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I had this freshman tell me she “couldn’t” audition because she was too scared of the stage, and might have a panic attack. I asked how she felt about walking around onstage in costume and not saying any lines. That was fine. I was like okay awesome let’s lay some groundwork now and maybe senior year you can have like three lines!
I remember this kid who came into an audition and froze up, just couldn’t speak. Competent reader and speaker but when people were watching she couldn’t do a thing.
We cast her anyway, in a chorus role. Offered her lots of support and encouragement and kindness and grace.
At the next audition she whispered. Anyone who had never seen her before would have thought she was the most nervous kid there. But the directing team was abuzz afterward. Did you see? She did it! Once or twice I could actually almost hear her! Amazing.
Got cast again, in a chorus role. She’d been making friends with the other kids, and they offered her encouragement too.
And the next audition we said wow I can hear her! She’s speaking! Let’s give her a handful of lines! She can do it!
Anyway as a mentor in the performing arts these things are huge wins for me. Some kids are competent and confident performers at 7 or 8 almost by nature. Others, even much older kids and adults, have to make progress by inches. But progress is exciting! The only place to go is up!
If a student is encouraged properly, theatre is one of the best sources of self-esteem, self-reflection, and both spontaneous and rehearsed eloquence/comprehensibility that there is. It truly could be considered a cornerstone for communication disciplines of all kinds if it just attracted the right people to teach it. (Unfortunately a lot of people are attracted to directing for a sense of power over others, and not an interest in mentoring and coaching.)
The thing about anti-libby posts, because ebooks have to be paid for yearly while physical books only have to be paid for once, is that yes, physical books are cheaper for the library to acquire- but the library has a budget they chose to allocate, whether it's on software, subscriptions to digital encyclopedias, or ebook rentals. If they chose to rent ebooks, it was because they want you to read them, and using any of their services looks good for them. Check out physical books by all means, but don't feel guilty about checking out ebooks.
Think of it as an accessibility measure.
"But wait," you say. "They're books. Physical objects. In a building. You don't have to pay to get into the building, or get the books. What do you need accessibility for? They're already accessible?"
Not if you've been hospitalized.
Not if you have poor vision. (Ebooks: Adjustible font sizes for EVERYTHING. Not just the large print editions the library can get.)
Not if the roads are covered in ice, or the library itself is for whatever reason closed/hard to get to.
And the audiobooks! Do you have any idea how many people have cars that don't have CD players, or don't know if they have MP3-CD-compatible CD players, or really don't want to try wrangling an 8-CD-book while driving? THERE ARE A LOT, LEMME TELL YOU. But with Libby, all you need is a bluetooth connection between your phone and your car!
And you can even listen to a whole audiobook on your phone while unable to see because eye surgery! (don't even try to ask if that's common. It's way common. I've had multiple calls re: walking people through setting this up for this reason just this year. Actually, even just this summer. Bad year for eyeballs, good year for Libby.)
Extra bonus points: You don't have to worry about returning materials on time, because Libby handles that for you. Which is great if you're traveling. It's also great because you can even check out more stuff while you're physically in completely different states from your library!
Oh and one other thing. Do you have any idea how much shelf space, say, "every single James Patterson book" or "every single Danielle Steel book" would actually take up? How many entire physical book cases those authors would take up, if a library chose to have every. single. book. they've ever written? Yeah. It's not happening. (Okay. The Library of Congress probably has it. Good luck finding any other library doing it.) But we can get them all in ebook format. Yep. Every last one. And the audiobook version. These two and every other insanely prolific writer out there. Virtual space is infinitely expandable. Aren't you glad?
Your library pays some hefty fees to make these ebooks available to you. These are just some of the reasons. So please. Use the feature. We want you to use the feature.
zuko definitely shouldve been allowed to drop just one f-bomb in atla…i think he deserves it.
thats fucking rough, buddy.
did jet just fucking die?
Saw something on magma that reminded me of Noragami 💔

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I need my whole life to change and I also need to go grocery shopping
I see a lot of people online saying that Orpheus (Hadestown specifically) looks back because he loves Eurydice so much, that there isn't a world in which he doesn't look back, because the kind of man who wouldn't look back is not the kind of man who would go after her in the first place, etc. It's inevitable because of the strength of his love. But I don't see that as being the whole picture. Textually, it is explicitly his doubt in himself, and in the narrative of his life, that makes him look back: "Doubt Comes In", and he wonders, who is he that Hades would let him win? Who is he that Eurydice would follow him through the dark? Orpheus used to have a very simple, naive view of the world and his place in it. He was single-minded. At the beginning he tells Eurydice he's the man who is going to marry her because...well, that's how the story should go, and he is a poet first and foremost. Then, when he meets Hades, he is confronted by what Eurydice did and what the world is really like. He is shattered by the realisation that Eurydice wasn't just a simple, "pure" victim, but that she signed her life away. He is beaten down and loses faith, he goes into "Is this how it is?" after he's literally already done the impossible by reaching Hadestown on foot. He should have proven his abilities to himself by this point, but things aren't going the way they are supposed to and he doesn't know who he is anymore. He isn't just a boy in love with a girl who sings a song to bring back spring: he's a boy who didn't look back when he should have the first time when she called his name; she's a girl who chose her immediate needs over his grand ideals. His faith in a world where they make it back together is broken. He looks back because he doesn't trust himself or the narrative that he's found himself in. It's even more heartbreaking to me, because the Orpheus he was at the beginning of the musical might not have looked back, but that version of Orpheus doesn't make it out of the Underworld.
And to top it all off, the version of Eurydice from the beginning of the musical, before love softened her hard edges and made her trust him, probably wouldn't have followed Orpheus out of Hadestown. Eurydice really does trust him to get her out, because she's looking for the Orpheus she used to know and she's seen the power of his song and worldview.
Am I rambling into the void or does this make sense to anyone else?
We raise our cups to them 🌹
a crude summary of one of my favorite musicals
if you've ever noticed that indeed barely has any jobs on it lately, it's NOT just you. they started charging companies to post job listings on there and it seems to have significantly decreased the amount of posts (at least anecdotally).
other options besides linkedin and ziprecruiter:
remote rocketship (remote jobs around the world, updates daily)
hiringcafe
welcome to the jungle (fka otta)
swooped
somewhere (remote jobs)
glassdoor (also allows you to view and post on an anonymous "bowl" for your coworkers to discuss job conditions if you're at a big enough company)
you can also search company site listings with these:
site:boards.greenhouse.io "your position here"
site:*.myworkdayjobs.com "Job Title" "Location"
site:apply.workable.com "Job Title" "Location"

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The irony of this new breed of self-righteous AI hunters on AO3 is that they're all just copy and pasting peoples fics into AI detectors, which are all operated by AI and therefore THEY are feeding people's work into the algorithm without their consent and in some cases no doubt circumventing the locks people put on to avoid getting scraped...
Don't copy and paste anyone's AO3 work into third party websites, you're not the good guys in this situation?
Reblog cause FACTS
While I sort of get the impulse, it does always get my back up when people talk about something like Animorphs with this attitude of 'omgggg remember these books, how on EARTH were we allowed to read these books, they're so grim and dark and violent and tragic, no adults could possibly have known what they actually contained or they'd have been banned.'
And like. Allowing for the fact that there absolutely are adults who think every distressing topic ever should be banned from children's literature - they're children's books. You were allowed to read them when you were a kid because they were written for kids. Bridge to Terabithia is also a children's book. So is Where the Red Fern Grows and Old Yeller and Roll of Thunder Hear My Cry and The Giver and loads of other books that deal with heavy, difficult topics. It is appropriate and good for children to have books about these things that are tailored to their reading levels and it genuinely really bugs me when people act like they're somehow not really for kids because bad things happen in them or they end tragically.
Day 1: Soulmates
«Excuse me, I think you may have dropped your book»
AU: Sokka died too young.
Lidia Yuknavitch, from Reading the Waves: A Memoir

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remember this thing
Regardless of whether you believe being fat is inherently unhealthy and that there is no possible way to have a BMI 25+ and be perfectly fine, there is no justification for the vast majority of the bullshit fat people have to deal with.
Fat people should be able to get clothes that fit us. Fat people should not be denied jobs for being fat. Fat people shouldn't get paid less than our thin peers. Fat people should be able to go to the doctor and get treated without centering weight loss. Fat people should not be shamed for being fat. Fat people should have media representation beyond greedy, gluttonous, and/or otherwise negative characters. Fat people should have the world around us built with us in mind. To name a few.
And like, even if a fat person is unhealthy? So fucking what? Why does that mean we get paid less? Why does that mean we should be ridiculed? Why does that justify treating us as lesser? Even the most unhealthy person alive does not deserve these things, whether or not they "chose to be unhealthy." Disability liberation and fat liberation oftentimes go hand in hand for this reason.
Fat people deserve better, regardless of our health status.