Ghost Town
Pen and ink on bristol
KIROKAZE
Cookie Run:Kingdom Official!
🩵 avery cochrane 🩵
he wasn't even looking at me and he found me
let's talk about Bridgerton tea, my ask is open
todays bird
almost home

Origami Around
Xuebing Du
★

Game Changer & Make Some Noise
Mike Driver
macklin celebrini has autism
I'd rather be in outer space 🛸
TMBGareOK. The Official They Might Be Giants tumblr

Product Placement

Jar Jar Binks Fan Club
The Bowery Presents
NASA

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@fascinationwithspiders
Ghost Town
Pen and ink on bristol

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You can report suspected or confirmed IDF war criminals to the Hind Rajab Foundation, and they will try to get the war criminal's country of residence to follow international law by prosecuting them
Some of their recent cases against international IDF volunteers and vacationing IDF war criminals:
you can support their work [here]
When you meet Edward Elric he gives off the impression that he's the short-tempered hot-headed "violence is the answer to all life's questions" kind of protagonist, and it's in fact incredible character craft that he's actually the character who ends the series with a negative-3 kill count.
people killed: 0
direct orders of "you really really need to kill this guy" ignored: 1
ongoing murders being committed by Ed's own friends/colleagues that Ed got in the way of to specifically stop that murder from happening: 2
God's worst soldier Edward Elric. Showed up as the youngest member of the Amestrian army, took millions of dollars from them, never followed a single order, helped dismantle their fascist regime, left with a lower kill count than he arrived with, then fucked off to go be a house-husband. Character of all time.
You know, when you said "negative-3 kill count," I, who haven't seen the anime, thought, "He resurrected 3 people?????" But I'm seeing here on the wiki that apparently resurrection in this anime is a terrible idea.
Official addition to this post.
but ykw at least i'm not on mount everest. at least i'm not paying tens of thousands of dollars to slowly suffocate in a 300-person line at the gates of hell. never in my life will i have to be steered in a hypoxic stupor through the maze of poop and corpses atop mount everest. on this earth a lot of horrible things can happen to you without your permission but there are a few that you have to opt into. you can just say no thanks! and be guaranteed never to have to be on mount everest. much to be grateful for actually
Belly of the Beast
The Politics of Anti-Fatness as Anti-Blackness
Da'Shaun L. Harrison
Listen on audiobook
**The 2022 Lammy Award Winner in Transgender Nonfiction** Exploring the intersections of Blackness, gender, fatness, health, and the violence of policing.
To live in a body both fat and Black is to exist at the margins of a society that creates the conditions for anti-fatness as anti-Blackness. Hyper-policed by state and society, passed over for housing and jobs, and derided and misdiagnosed by medical professionals, fat Black people in the United States are subject to sociopolitically sanctioned discrimination, abuse, condescension, and trauma. Da’Shaun Harrison--a fat, Black, disabled, and nonbinary trans writer--offers an incisive, fresh, and precise exploration of anti-fatness as anti-Blackness, foregrounding the state-sanctioned murders of fat Black men and trans and nonbinary masculine people in historical analysis. Policing, disenfranchisement, and invisibilizing of fat Black men and trans and nonbinary masculine people are pervasive, insidious ways that anti-fat anti-Blackness shows up in everyday life. Fat people can be legally fired in 49 states for being fat; they’re more likely to be houseless. Fat people die at higher rates from misdiagnosis or nontreatment; fat women are more likely to be sexually assaulted. And at the intersections of fatness, Blackness, disability, and gender, these abuses are exacerbated. Taking on desirability politics, the limitations of gender, the connection between anti-fatness and carcerality, and the incongruity of “health” and “healthiness” for the Black fat, Harrison viscerally and vividly illustrates the myriad harms of anti-fat anti-Blackness. They offer strategies for dismantling denial, unlearning the cultural programming that tells us “fat is bad,” and destroying the world as we know it, so the Black fat can inhabit a place not built on their subjugation.
(Affiliate links above)

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how did we lose the plot so hard with feminism and activism like seriously… are we forgetting that being kind and loving to the men and boys in your life, teaching them as kids if you are a parent to be kind respectful humans, and showing them how to be emotionally vulnerable and making a society in which it is safe to do so was like…. A huge part of feminism, dismantling patriarchal values, and creating a generation of loving men who are held accountable for their actions?
Why is it “kill all men yes even the trans ones and if you say otherwise you’re an MRA” and not “let’s maybe create a world that encourages good men.” Did we forget that feminism was supposed to be good for everyone and that the patriarchy harms men and boys as well?
Like maybe we should care about male loneliness and the male suicide rate BECAUSE MAYBE WED HAVE FEWER SOCIETAL PROBLEMS if 100% of the population wasn’t traumatized by gendered expectations and not being taught decent communication skills/how to be emotionally vulnerable. And definitely we would if fucking redpill echo chambers weren’t the places most willing to accept and nurture (groom into hateful ideology) young men.
The problem has never been men, cis or trans, being uniquely capable of evil the problem has always been the fact that cishet patriarchal culture encourages and rewards shitty behavior that makes everyone involved bitter and miserable and calls it masculinity.
Animal Crackers for Zoologists
Performance art is good and listening to people who don't understand art talk about performance art is a unique type of torture.
Which is probably a thought that could be the core of a pretty fun, masturbatory piece of performance art.
Oh. Oh actually. Actually.
Okay, so the name of the piece is "It's what you make of it" and you have a setup that's a cross between a zoltar fortune-teller machine and a crank penny press. The room the piece is performed in has a warning about recording the performance and cautions the viewer to only interact with the piece of they consent to being recorded and photographed.
The artist is in the box, made up as a marionette and the viewer can use pulleys and switches to position the artist's limbs and to change the background and lighting of the box and can type a short prompt for the artist to repeat and act out verbatim.
The viewer has to drop a token (provided as part of the piece) into a coin slot and work a crank to complete the prompt. While the artist is acting out the prompt, the prompt is printed on a photo strip that includes a picture of the prompter (taken by a hidden webcam on the booth). One copy of the prompt and photo is spit out along with the cranked token (which has the phrase "it's what you make of it" and an image of a clown pressed into it) for the viewer to keep, one copy of the prompt and photo is spit out inside the booth where the artist can collect it after completing the prompt.
What the artist is going to do with the photo strip is not explained, the artist doesn't speak or move except as a response to a prompt.
People will prompt the artist to say "this is stupid." People will prompt the artist say explicit phrases, or to swear incessantly. People will prompt the artist to say slurs.
And they will walk away with their prompt attributed to them with their photo and a coin they used their energy to mint into a reminder that the art is what they made of it. And their creation is documented in the hands of the artist as well. What did they put into the world? What did they decide to say when they had a chance to say anything? What were they comfortable saying before they realized that someone would quote them on it? What did they make of it, and how would they feel if their photo was attached to their prompt in a book or video or somewhere that people might see it?
How did they approach the piece? How would they approach it a second time?
Also the artist goes hog fucking wild on the prompts. They're acted out *loudly* and melodramatically with as much emotion as the artist can put into the performance.
And whenever the machine is not in motion the artist is still and vacant, but the performance of the prompt involves as much eye contact and emoting as possible.
TWO FACTOR AUTHORIZATION
light thats not how the book works
MICROSOFT TEAMS

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It gets better—the guy is deaf, and he taught his cat the sign for “food.” So the cat’s not just saying “put that in my mouth,” it’s actually signing
Not only that, but if you notice at the beginning, the cat *gets the man’s attention* as any person who wanted to talk to a deaf/hoh individual would (well, and vice versa IME). I’ve done sign since I was 5, and generally, w/o eye contact initially, you wave a hand or lightly touch the arm (if that’s ok with the person you’re trying to converse with, of course). Generally, adult cats meow mostly to humans, but this cat has figured out that’s not going to work and has adapted. Animal companions! They are INCREDIBLE.
Amazing.
EVERYONE STOP WHAT YOU ARE DOING AND LOOK AT THIS CAT.
AND THE WAY IT NODS OMG
CODA Cat of Deaf Adult
higgledly piggledy english is rather less easily suited to dactyls in verse
though, I'll admit the assortment of feet the "iambic" tradition permits is...diverse
sveta nebesa, slovenščino stresa, preveč jo napreza daktilova peza
moram priznati, da jambe pisati slovenščini bolje ustreza
Kom hit by Julia Wickholm
Very short review.
Really enjoyed this book because:
Beautiful language
Very summery
Bi/pansexual main character
Finlandswedish
LIKES TO CHARGE REBLOGS TO CAST
you people aren't CASTING
Movement nudge, hand mobility! 🙌
X
1) do this even if you're under 40. seriously. I definitely should have been doing something like this for years and I only turned 40 a month and a half ago
2) if you're like me just now trying this going "oh god i've only done 15 and i think my hands are cramping" start lower than 30 and increase by 5 once whatever number you're doing no longer makes your hand cramp up. I can manage about 15 per exercise at the moment.
If you're hypermobile, be especially gentle.

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these teenagers and their dog are trying ruin our money laundering business. no tony put the gun down were doing this the old fashioned way. were gonna dress up as monsters and scare them