[my current bibliography for this paper analyzing brazilian and malaysian surrealist artists through the lens of national identity and transculturation]
Ahmad, Izmer. “The Body in Modern Malaysian Art.” In Narratives in Malaysian Art, Volume 1, Imagining Identities, edited by Nur Hanim Khairuddin, Beverly Yong, and T.K. Sabapathy. RogueArt, 2012.
Art Museum of the Americas. “Maria Martins.” Accessed August 8, 2026. https://www.oas.org/artsoftheamericas/maria-martins.
Balakian, Anna. Surrealism: the Road to the Absolute. Allen and Unwin, 1972. archive.org/details/surrealismroadto0000bala_x9k4.
Hopkins, David. Dada and Surrealism: A Very Short Introduction. Oxford University Press, 2004.
Hudson, Rex A, and Library Of Congress. Brazil: A Country Study. Washington, D.C. Federal Research Division, 1998. https://www.loc.gov/item/97036500/.
Kauffmann, Leisa. “‘[A]Nother Set of Teeth’: Nahua Myth and the Authorizing of Writing in Borderlands/La Frontera.” MELUS 38, no. 2 (2013): 57–70. http://www.jstor.org/stable/42001222.
Kua, Kia Soong. Racism and Racial Discrimination in Malaysia: A Historical and Class Perspective. SUARAM, 2015.
Lees, Lynn Hollen. Planting Empire, Cultivating Subjects: British Malaya, 1786–1941. Cambridge: Cambridge University Press, 2017.
Liang, David Ming-Yüeh. “The Artistic Symbolism of the Painted Faces in Chinese Opera: An Introduction.” The World of Music 22, no. 1 (1980): 72–88. http://www.jstor.org/stable/43560653.
Marianto, Martinus Dwi, Oei Hong Djien, Heri Kristanto, and Suwarno Wisetrotomo. “Reflecting on a Century of André Breton’s Surrealism: Surrealistic Art Exhibition at the Oei Hong Djien Museum”. Environment-Behaviour Proceedings Journal 9 (2024):163-68. https://doi.org/10.21834/e-bpj.v9iSI23.6153.
Martins, Maria. Amazonia. Valentine Gallery, 1943. https://icaa.mfah.org/s/en/item/1110396.
Ortiz, Fernando. Cuban Counterpoint: Tobacco and Sugar. Vintage Books, 1970. https://archive.org/details/cubancounterpoin0000orti.
Renaldi, Erwin. “Their Homes Burned and Demolished, Bajau Laut People Face ‘Systemic Discrimination’ in Malaysia.” ABC News Australia, August 10, 2024. https://www.abc.net.au/news/2024-08-11/who-are-bajau-laut-people-and-why-being-evicted/104182780.
Rodboon, Somporn. “The Transition of Thai Traditional Art to Modern Art in the 1950s and 1960s.” In Charting Thoughts: Essays on Art in Southeast Asia, edited by Low Sze Wee and Patrick D. Flores. National Gallery Singapore, 2017. https://doi.org/10.2307/j.ctv13xpr6k.15.
Silva, Daniel F. “Decolonizing Consumption and Postcoloniality: A Theory of Allegory in Oswald de Andrade’s Antropofagia.” In Anti-Empire: Decolonial Interventions in Lusophone Literatures. Liverpool University Press, 2018. https://doi.org/10.2307/j.ctv69tgxz.5.
Watts, Jonathan, and Talita Bedinelli. “How Illegal Mining Caused a Humanitarian Crisis in the Amazon.” E360, February 2, 2023. https://e360.yale.edu/features/brazil-yanomami-mining-malaria-malnutrition-lula
Wu, Chinghsin. “Reality Within and Without: Surrealism in Japan and China in the Early 1930s.” Review of Japanese Culture and Society 26 (2014): 189–208. http://www.jstor.org/stable/43945798.
Yang, Lemei. “China’s Mid-Autumn Day.” Journal of Folklore Research 43, no. 3 (2006): 263–70. http://www.jstor.org/stable/4640212.
Zhao, Qiguang. “Chinese Mythology in the Context of Hydraulic Society.” Asian Folklore Studies 48, no. 2 (1989): 231–46. https://doi.org/10.2307/1177919.
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