Fandoms are Cool

This is consistently the case. Creators tend to do their best work when they are in a healthy place and receiving proper treatment and not being self destructive in their efforts to cope. Go figure.

fanart for lentic by @herenortherenearnorfar !!!!!

Bill looks like he's showing Ford off to someone and saying, "Look at this grumpy little guy!"

He was a man of habits, narrow and concentrated habits, and I had become one of them.

this is the second of two asks from the same anon

I think this comes down to your own personality and energy levels.

No matter what, I think you block 'fandom oldie' who is clearly a bully who should reconsider some life choices. I'd block all of their friends, as well. You don't need toxic people in your life, and anyone who harasses someone for who or what or how they ship is totally fucking toxic. They don't deserve your time or attention.

Other than that, you've got a few options.

Stop posting publicly and just ship to yourself and whatever group of people like your take on things. Put things into a private collection on AO3 and add your fandom besties as mods so they can see it and no one else can. Post on a private discord or a private social media account. Get a Dreamwidth and lock that shit down so only the people you like and trust can see it.

Post loudly and proudly. Since you've blocked them all, you can't hear their screams of anguish so put your stuff out there and enjoy the feedback from people who actually like what you make.

Stop creating and leave the fandom. Daydream to yourself but otherwise go completely solo and/or only discuss the rarepair with people you see in person IRL.

I'd personally avoid actually getting into a back and forth with the bullies. They'll inevitably drag you down into the pit with them and you'll end up being mean back in a way that you're ashamed of later. At least, that's how I feel when I lose my temper that way.

Responding to call out posts also tends to just make it all drag on even longer. Harassment campaigns don't care about you correcting them or saying what actually happened. It's not about the truth. It's about making you suffer until you don't post anymore. Don't give them any more ammunition to use against you.

You know the kind of shows I mean.

The late-night talk show situations where they're making benign small talk with their smiling guest, and there's a segment where animals get brought out, usually to talk about some sort of ecological relief effort.

So you're watching your trash TV talk show late at night, and you get to watch billionaire pretty boy Bruce Wayne be begrudgingly talked into holding a (relatively) harmless creature which inevitably gets a lot of delighted shrieks from the audience as it starts being a lot more active than the handler promised. And to his credit, Bruce doesn't flinch, he doesn't freak out. But his eyes are a little wide, and his voice a little tight as the smile on his face takes on a slight rictus quality before he's inevitably rescued by an apologetic handler who is also laughing because they all know there was no real danger, it was just funny to put Bruce, who is an undeniable good sport and already laughing along, out of his comfort zone for the sake of charity.

Meanwhile, up in the Justice League headquarters, several founding members of the League are wondering how fast they can get a fake Oscar award shipped to the space station because fuck off. Absolutely fuck off, Bruce. Where the fuck did he study? Juilliard? (Probably.)

(Clark ends up going to a novelty store during the commercial break. It's faster than trying to get anything shipped, even with the infrastructure Bats built for them. He finds it several days later taped to his console in a conspicuously empty briefing room. It's gaudy and awful, the words "Best Actor" engraved on the plaque. No one's around to see him smile. No one comments when it vanishes. Everyone thinks it's been yeeted out an airlock. Dick absolutely comments when it shows up in the manor, stashed in one of the trophy cases that sprung up for all the bat kids' school awards. Bruce has no idea how it got there. Must have been Alfred. (It was not.))

The applause is deafening for a moment as the live band behind the podium strikes up a lively tune, ushering them into a commercial break.

"Really, thank you, Bruce," Murray Franklin says over the noise, angling his mouth away from the microphone on his desk. "You couldn't have got me to hold that fucking thing for all the money in the world."

Bruce inclines his head, a benign smile ever in place. "Oh, you know me, Murray. I'll try anything once."

"Well, that sounds promising," says a shrill, familiar. Bruce turns in time to find stagehands working rapid-time to construct a staging area behind the couch. And two humans holding two very distinct puppets aloft. Kermit the Frog and Miss Piggy.

"Hi-ho, Kermit the Frog here." The frog puppet extends a hand toward him, causing a ripple of laughter to go up from the audience. Bruce arches an eyebrow at the puppeteer but reaches out to take the felt-green hand being offered to him. Apparently, he's not supposed to engage with the humans. "This is my companion, Miss Pigathia Lee."

"Mr. Frog," he greets the muppet formally, feeling the first hint of a genuine smile tugging at his mouth. "Charmed to meet both of you. I'm a big fan of your work."

"Oh, gosh! Really?" The Frog gushes, emoting the pure joy Bruce remembers from watching television as a child. "I could say the same to you! All that good work you do for the city! It's really something."

"Thank you." Don't cry, Bruce thinks suddenly. Don't cry, don't cry, don't cry.

Christ, it's like Mister Rogers telling you you did a good job.

"All right, save it for the camera," Murray interjects good-naturedly, pressing a finger to his ear and listening to whatever the producer is saying on the other end.

"Mr. Wayne?" Bruce turns to find his handler waiting for him, a makeup artist behind him. "Can we ask you to move over for this next part?"

"Of course." Bruce shuffles over. As he leans back, arm stretched out across the back of the couch he realizes what they're doing. They're using his bulk to block the sight of the puppeteers from the angle of the fourth camera. Clever.

He sits placidly as the makeup artist dusts powder over his face, listening to the instructions about how to talk to the muppets. Don't look at the puppeteers, look at the puppets. Treat them like real people. Try to keep it pg-13. Just act natural.

Natural, he thinks, his eyes skirting up to the stage beams and the shadows hovering above them. There's nothing natural about being Bruce Wayne.

"And we're live in five, four, three, two, one..."

The music swells to rising applause, and his smile slips back in place, as firm and solid as his armor. He zones out as Murray goes through the introductions. He's learned that no one minds if Bruce Wayne looks a little checked out at times. Christ, he's tired. He's half tempted not to go on patrol tonight. There's a dull ache building behind his eyes, and his ribs still hurt from getting hit with a crowbar. He hopes Dick is all right. Last night's patrol had been hard on both of them, hard enough that Dick had to miss school and spend the day in bed. Though he'd gotten up before Bruce left, adamant that he wanted to watch him make a fool of himself on television. He hopes no one else is watching. He hopes there's a mild disaster happening somewhere, and he won't have to listen to Clark ribbing him about how good he is with children and animals. Again. It's like being made fun of by a slice of apple pie.

Slowly, he becomes aware of the presence beside him. Bruce looks down to find Miss Piggy staring up at him, snout turned upward, head tilted in a manner that heavily suggests flirtation. Oh God

"Not that you have anything to worry about, Mister Wayne," the high, piping voice of Kermit the Frog informs him. "Gotham's far too damp for us Muppets to want to take over Wayne Tech, too."

Bruce smiles. He's vaguely aware of the plot of The Muppets Take Metropolis. Something about taking over LexCorp. He's surprised Luthor green-lit it. The other billionaire is normally so precious about being taken seriously.

"Oh, I don't know about that, there are lots of nice swamps around here," he says, gaze still on the amorous pig puppet inching closer to him. "Mud baths, too."

"Really?" Miss Piggy drawls, flicking her blonde wig over her shoulder, much to the amusement of the audience. "And are any of these mud baths on Wayne ground?"

He can't help but smile properly at that, mouth crooking to the side. He supposes he should have seen this coming. "Oh, yes," he says, inflecting the famous Bruce Wayne charm into his voice. "More than you can shake a stick at."

When the puppet's hand comes to rest its hand on his arm, his laughter is genuine. This might be the surrealist fucking thing that's happened to him in a while. And that's saying something because he got dosed with fear toxin last week.

"Now, Brucie," Miss Piggy drawls, "Don't tempt a girl with a good time."

Some absurd instinct makes him angle his body toward the muppet, smiling down at it like a real person. "Oh, Piggy Lee, you should know I never tempt. I can call you, Piggy Lee, can't I?"

"Honey, you can call me a cab because I'm ready! Let's skedaddle!"

"Well, how about that!" Murray exclaims, drawing the attention back to him as the audience loses it. "Kermit, he's trying to steal your girl!"

The Frog turns to look at him, to Miss Piggy, then back to Bruce. "Y'know something, Murray, I don't mind. Say, Bruce, are, uh, are any of those swamps nearby?"

Oh, he's never going to live this one down.

***

"So what's it like?" Clark asks, tone deceptively neutral.

"What's what like?" Batman asks, tone sliding like gravel over sheet metal.

"Meeting the Muppets?"

He thinks about it. "Surprisingly hard to look at the humans."

Also, because I might as well ride this crackfic into the Lazarus Pit:

The Muppets eventually do make a film with Gotham in it. The premise starts not unlike the other Muppet movies, where the Muppets are fractured, and Kermit is trying to get the gang back together. For this, he must travel around the US, finding the location of the other Muppets.

When the time comes to find Miss Piggy, the screen cuts to Wayne Manor, the other Muppets standing outside the imposing iron gates.

"Well, we tried," Rizzo intones nasally, already walking off. Gonzo catches him around the neck, hauling him back.

"Where are you going?"

"Home! What, you think she's going to leave Bruce Wayne?"

Kermit's face goes through numerous stages of grief before squaring into the kind of grim determination that can only happen when you have a fist for a jaw. "We have to try," the Frog affirms, then stoically presses the gate buzzer.

The scene cuts to inside the manor, where Miss Piggy is shown lounging on an opulent chaise, surrounded by immense wealth and luxury. Empty bottles of champagne everywhere and an inordinate amount of food. It's clear there was a party last night. She is dressed not unlike Debbie from the Addams family, her face covered by a fluffy pink eyemask embroidered in gold thread that reads "Wake Me In Paris" in gaudy, swirling font. In the background, a picture of Bruce Wayne and Miss Piggy can be seen on a table. The frame is neon pink and shaped like a heart. Bruce looks happier than he's ever done in his entire life. (Probably because he couldn't stop cracking up when it was being taken.)

There's a knock at the door, and she wakes with a snort, ripping away the eyemask. "What?" she demands harshly before correcting herself into a more ladylike twinkle. "I mean, who is it?"

Alfred appears as firm and imperious as ever. Perfectly straight-faced. "Forgive me, madame, but we appear to have a common rabble at the door."

"So? Release the hounds. Brother, do I have to think of everything around here?"

Alfred clears his throat, the slightest twitch of a smile on his face. It's gone before the camera can narrow in on it. "It appears they are friends of yours, madame. Ah, one Mister Kermit the Frog and, um, associates."

"Kermi!" she exclaims before she can stop herself. "I mean, uh, very well, send them in."

The Muppets traipse into the opulent room, googly eyes roaming everywhere in astonishment. "Wow," Gonzo breathes.

"Food!" Rizzo exclaims, lunging toward the comestibles and shoving his face into a bowl.

Gonzo hauls him back, glancing at Alfred apologetically. "Sorry.

But Kermit only has eyes for Ms Piggy. "You look well, Pigathia," he says solemn and sincere.

"I do? I mean, of course, I do." She harumphs, turning her back on him. "How could I not? I'm only the wealthiest pig in the world." She turns back, expression coy over her shoulder. "What do you want?"

"Well, we're trying to get the old gang back together. Our old theaters being shut down, and I just thought that maybe one last show might--"

"That's why you're here. For the show?"

Kermit takes a deep, shuddering breath. "No. That's not why I'm here. Gosh darnit, Piggy Lee, I want you back. I love you, and I know deep down" -- "way down," Rizzo supplies before getting elbowed -- "that you love me too."

She turns slowly. As though drawn by some invisible string. Her expression falls. "I do. I did. Once upon a time. But Kermi... Bruce takes care of me."

"I'll say--" "Rizzo!"

She carries on as if the others hadn't spoken. "I know you love me. But I also know I'll only ever be second best to the show. With Bruce," she sighs dreamily. "He's rich, handsome, and most importantly, dumb as a rock. I'm the most important pig in town. I'm practically running the joint. You really think I'm going to give up all this." She gestures around the grandeur. "For a penniless Frog who can't see past the next show?"

"Well..." Kermit hesitates, face falling. "Yes. I guess... I guess I did."

Gonzo and Rizzo share a look. "I think we better go," Gonzo says, placing a consoling hand on Kermit's shoulder. "Come on, guys. It was nice seeing you again, Piggy."

"Yeah, real nice," Rizzo intones, shoving as much food into his pockets as his little rat hands can grab.

Kermit shakes himself. "No. I refuse to believe it! This isn't you, Piggy Lee. You might think it is, but it isn't. All this wealth, the silk robes, the fancy food. I know you, Piggy Lee; I know you better than anyone, and you're not this shallow. You're a performer, a star. You were made to be loved by the stage. Not just some... some billionaire playboy who can give you whatever you want whenever you want. I have to believe that because otherwise, what the heck has it all been for? What have we been for? So what do you say, Pigathia? Will you come home? Come back to the show where you belong. For me?"

There's a long, heavy pause, and Miss Piggy sighs.

The following scene cuts to the Muppets flailing down the Wayne Manor driveway, yelling comically as several snarling rottweilers chase them.

"And stay out!" Miss Piggy yells after them. When she turns back to Alfred, she resumes her ladylike poise. "Alfie, be a dear and tell Brucie I'll be home late tonight. Mama's got some shopping to do."

"Very good, Madame."

She eventually shows up at the Muppet show at the last minute to save the day, a happy, bumbling Bruce tagging beside her. Later, when the Muppets are all on stage, the human protagonists, who are in the audience and seated next to Bruce, remark, "Wow, I can't believe they raised the money to save the theater!"

"They didn't," Bruce says with a small, knowing smile. His gaze turns to Miss Piggy adoringly, sighing wistfully. "But I just can't say no to that pig."

Henceforth it becomes Muppet canon that Miss Piggy and Bruce Wayne are in a heated on-again-off-again relationship. Neither Kermit nor Bruce seems to mind each other, leading to an episode of Sesame Street several years down the line where Elmo explains that sometimes a child can have one mommy and no daddy, or one daddy and no mommy, or have one daddy and one mommy, or two daddys and no mommies or vice versa, and sometimes if you're the Wayne kids, a daddy, a frog, and a pig.

The song is from Fellowship, before all the heavy plot hits and they’re still in the Shire. It’s about walking, and how eventually all the bad things that scare or sadden you will fade away and you’ll be home warm by the fire.

Home is behind

The world ahead

And there are many paths to tread

Through shadow

To the edge of night

Until the stars are all alight

Mist and shadow

Cloud and shade

All shall fade

All shall

- "Don't call me that!"

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