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like there are so many fun medieval hair and headgear options, it's so boring just seeing loose beachy waves meant to appeal to 21st century beauty standards
put that hot prince in a gay little hood with an ostrich feather or so help me god
The idea of listening to no black music is bizarre to me. Even if it's not rap like no earth wind and fire? No reggae? No moonstomp? No ska? No classic jazz? No R and B? No disco??? No skindred? No jungle? No even like metal bands with a few black members? No gospel? Not even stuff like alors en dance? No blues music? No mo town? No jazz of any kind? No big band? No soul music? Not even a little James Brown?
not even yola or tanner adell or brittney spencer or tracy chapman or india.arie or chapel hart or the carolina chocolate drops or rhiannon giddens????
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Yeah, I need everyone who asked me more questions from my lesson on violence or who has questions about whump to read The Delectable Negro. 100%.
Especially if your story has to do with cannibalism, vampirism, parasitism, Christian imagery, ritual sacrifice, or any sort of "consumption"; literal, emotional, spiritual. Read the book!
I've seen it before on here; a dynamic where people will romanticize the symbolism of cannibalism in fiction. And that's cool; there's a lot to be done on the vulnerability and the intimacy of such an act. I don't disagree. But we also want to recognize that even in this, there's another cultural context we have to consider that isn't so romantic, but in fact symbolic of systemic power, rape, and violation. I think it's something to consider if we want to tactfully write Black characters in these narratives (and white characters that want to feed on or be fed off of).
For any of those folks who are horrified at the latest Epstein updates, a reminder that cannibalism by the rich and "untouchable" against victims is not something that hasn't happened in history, particularly European and American history!
The Best [advice]: The best writing advice I ever received was in a fortune cookie that said: “the work teaches you how to do it.” The work, the art, whatever you wish to create, is the best teacher—an organizing intelligence begins to reveal itself only when you start writing. So get to work! The second best writing advice is Goethe’s “do not hurry; do not rest.”
Naheed Phiroze Patel, 10 Asian American writers on the best (and worst) advice they’ve ever received. (by Katie Yee)
I would argue that the two most perfect critiques of Harry Potter come from a pair of 4chan posts, which take opposite approaches to their critique but reach equally damning conclusions
Sesame Street posting techniques for comforting children during traumatic world events feels so fucking dystopian but here are the slides they posted just in case you or a loved one has any little critters at home right now
No one is doing well right now, but being a little critter right now has got to be terrifying. This is such a crushing series of images, especially considering PBS’s funding got slashed. While I’m happy Sesame Street continues to keep the wellbeing and education of children as a major priority, there’s a certain amount of innocence that Sesame Street represents and this is giving me such a visceral feeling rn
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They use the second amendment as a reason to openly brandish guns for no reason other than "because I can". Think of all those times when people carried assault rifles on their routine shopping trips.
Then, when someone actually uses the second amendment for its intended purpose, to fight back against a tyrannical government, those same people complain.
With each passing day, the debate for or against gun control rages on within the United States. And although the National Rifle Association (NRA) currently leads the charge for the rights of citizens to carry guns of all types with little to no interference from the government, the original gun rights advocates to take that stance were the Black Panthers.
Throughout the late 1960s, the militant Black nationalist group used their understanding of the finer details of California’s gun laws to underscore their political statements about the subjugation of African-Americans. In 1967, 30 members of the Black Panthers protested on the steps of the California statehouse armed with .357 Magnums, 12-gauge shotguns and .45-caliber pistols and announced, “The time has come for Black people to arm themselves.”
The display so frightened politicians—including California governor Ronald Reagan—that it helped to pass the Mulford Act, a state bill prohibiting the open carry of loaded firearms, along with an addendum prohibiting loaded firearms in the state Capitol. The 1967 bill took California down the path to having some of the strictest gun laws in America and helped jumpstart a surge of national gun control restrictions.
“The law was part of a wave of laws that were passed in the late 1960s regulating guns, especially to target African-Americans,” says Adam Winkler, author of Gunfight: The Battle Over the Right to Bear Arms. “Including the Gun Control Act of 1968, which adopted new laws prohibiting certain people from owning guns, providing for beefed up licensing and inspections of gun dealers and restricting the importation of cheap Saturday night specials [pocket pistols] that were popular in some urban communities.”
Back in the 1960s, even the NRA supported gun control to disarm the group.
In contrast to the NRA’s rigid opposition to gun control in today’s America, the organization fought alongside the government for stricter gun regulations in the 1960s. This was part of an effort to keep guns out of the hands of African-Americans as racial tensions in the nation grew. The NRA felt especially threatened by the Black Panthers, whose well-photographed carrying of weapons in public spaces was entirely legal in the state of California, where they were based.
Armed members of the Black Panther Party standing in the corridor of the Capitol in Sacramento protesting a bill that restricted the carrying of arms in public, 1967. (Credit: Walt Zeboski/AP Photo)
The Black Panthers were “innovators” in the way they viewed the Second Amendment at the time, says Winkler. Rather than focus on the idea of self-defense in the home, the Black Panthers brazenly took their weapons to the streets, where they felt the public—particularly African-Americans—needed protection from a corrupt government.
“These ideas eventually infiltrated into the NRA to shape the modern gun debate,” explains Winker. As gun control laws swept the nation, the organization adopted a similar stance to that of the activist group they once fought to regulate, with support for open-carry laws and concealed weapon laws high on their agenda.
Few aspects of the United States Constitution have been as murky and divisive as the Second Amendment. The amendment states that “A well-regulated Militia, being necessary to the security of a free State, the right of the people to keep and bear Arms, shall not be infringed.”
While some view the amendment to mean that American citizens have inalienable right to guns, focusing on the right to bear arms, others take it to mean that only a well-regulated militia would have that undeniable right, with the emphasis on “well-regulated” and “militia.” The Black Panthers would find themselves in the middle ground of both interpretations.
How did the right "to keep and bear arms" become a part of the U.S. Constitution? How have ideas about this right and its protections changed over time?
Originally called the Black Panthers for Self-Defense, the radical African-American group was formed in 1966 in Oakland, California, by Huey Newton and Bobby Seale, based on the ideology of the late Malcolm X. They believed that the fight for racial equality would not be won by a slow drip of nonviolent actions and protests, as Martin Luther King, Jr. preached, but that stronger actions were required to ensure Black peoples’ survival.
A large part of the group’s campaign against racial injustice relied on gun ownership and training. Newton and Seale began collecting a variety of guns during the early years of the Black Panthers, including machine guns, rifles and handguns. New recruits were required to learn how to wield, clean and shoot guns, in addition to understanding their right to carry firearms and how to communicate that to police in California.
Newton put his own knowledge of the law to the test after he and Seale were stopped by Oakland police officers in early 1967 in a vehicle filled with weapons. When questioned about the guns Newton simply replied that the only thing he was obliged to do was give his “identification, name and address.”
At the request of the officer, Newton stepped out of the car, rifle still in tow, and refused to explain why he and the other Black Panthers were carrying their weapons. As onlookers gathered, the police tried to disperse the crowd while Newton welcomed them. He knew that under California law, bystanders could legally view an arrest as long as they didn’t intrude. Since there were no violations for the police to charge the Black Panther members with (and a growing pack of witnesses), they were able to leave the scene without any trouble from law enforcement.
Emboldened by their calm exchange with the police, members of the group began to follow police cars and dispense legal advice to African-Americans who were stopped by the police while legally carrying their weapons. The group referred to these activities as “police patrols.”
“Bobby Seale and Huey Newton used the Second Amendment to justify carrying guns in public to police the police,” says Winkler. “The Panthers would stand to the sidelines with their guns, shouting out directions to the person. That they had the right to remain silent, that they were watching and that if anything bad happened that the Black Panthers would be there to protect them.”
They also organized a march to the Capitol to draw attention to their cause of fighting against a government that sought to infringe on their right to bear arms. On May 2, 1967, 30 fully-armed Black Panthers occupied the California state Capitol. The demonstration was motivated by Republican Assemblyman Don Mulford’s bill to repeal the law allowing Californians to openly carry weapons, a direct response to the Black Panthers’ “police patrols.”
Before entering the building, Bobby Seale read a written statement on the Capitol steps in front of Governor Ronald Reagan: “The American people in general and the Black people in particular,” Seale declared, must “take careful note of the racist California legislature aimed at keeping the Black people disarmed and powerless.”
The group of activists occupying the Capitol with fully loaded weapons on full display was an unforgettable sight. However, their demonstration backfired and the bill passed both the state Assembly and Senate, with support from the NRA. In addition to repealing open carry gun laws in California, Mulford made it illegal to take firearms into the Capitol. On July 28 it was signed into law by Governor Reagan, who later commented that he saw “no reason why on the street today a citizen should be carrying loaded weapons.”
Mulford had effectively played on white America’s fear of African-Americans during the 1960s, stripping away the power the Black Panthers found in brandishing their guns. While the bill was effective in disarming the Black Panthers, it didn’t have much effect in reducing criminal violence, Winkler notes.
Although it may seem contrary to the ideologies of the NRA in the 21st century, this wasn’t the first time that the NRA—which was originally founded in 1871 with the intention of training Civil War veterans on marksmanship—had supported gun control legislation.
In the 1920s and 1930s, the NRA supported restrictions on who could carry guns on the streets in order to decrease hostility towards European immigrants—who were known to openly carry weapons at the time—within the country. And after the assassinations of Martin Luther King, Jr. and Robert F. Kennedy in 1968, the NRA backed the Gun Control Act that passed the same year, which put substantial restrictions on the purchase of guns based on mental illness, drug addiction and age, among other factors.
Ironically, it was the gun control laws that were put into effect against African-Americans and the Black Panthers that led “rural white conservatives” across the country to fear any restriction of their own guns, Winkler says. In less than a decade, the NRA would go from backing gun control regulations to inhibit groups they felt threatened by to refusing to support any gun control legislation at all.
If you're in Maine or Philly or wherever the fuck Vance claimed DHS is going next, I BEG you to look at the rapid response and mutual aid networks and how they've been built in Portland, Chicago, and the Twin Cities, and start building your own version NOW.
Download signal if you haven't already. Pick a resistance pseudonym. Make a proton email that has no indicators to your real name. Start buying and printing whistles and whistle zines.
Organize your school patrols and foot patrols NOW. Talk to your community and your mercados and your Hmong and Somali grocery stores, ask them what support they need. Get "ICE are not welcome here" signage for businesses and homes. Familiarize yourself with the difference between an administrative warrant and a judicial warrant.
Learn how to take down a SALUTE report. PRACTICE salute reports. Learn, memorize, and embody radio etiquette for rapid response work.
Pick your lane: rapid response or mutual aid-- you can't do both, because rapid response often puts you in direct contact with ICE. They've been taking down plate numbers and leading responders back to their own homes here in the Twin Cities.
Remember that being under siege is a marathon, not a race. Try to remember that while your neighbors are being kidnapped in their underwear, from their own homes.
Meet your neighbors. Attend your city council meetings and demand separation ordinances NOW. Tell your congress people and representatives not to give ICE more money.
Prepare yourself to see high school children being stopped and harassed. 5 year olds being used as bait for their mothers. Old men being dragged out of their houses in underwear and Crocs simply because all of them are not white.
Be flexible, be ready to pivot on a dime as situations change. Be ready to be paranoid. Be ready to be distrusting of every Texas, New York, California, or Illinois license plate. Be ready to be suspicious of EVERY out of state license plate. Dark sedans and SUVs with extremely illegally tinted windows. Unreadable or missing plates.
No one will save you, save us, or save our neighbors but ourselves. No one is coming to help or protect us but us.
hi! i made a non-comprehensive letterboxd list of Aboriginal and Torres Strait Islander films, curated by me, a Blak film critic for those who wanna stand in solidarity with us through our art <3
White "Australia" has a Blak history and a Blak future! A list of documentaries and feature films about Aboriginal and Torres Strait Islande
A photographer for Getty isn't even a journalist so much as an archivist. ICE violently disrupted the apolitical documentation of what they were doing, violating any and all rights that might flimsily stand in their way. It would have been just as wrong had they done this to an MSNBC reporter hellbent on a spin, but now Abernathy's neutral action as a photographer has been rendered necessarily political by ICE's violence.
They know what they're doing is objectively evil. They have no intention of stopping.
For context that the photographer himself shares, he’s an independent photographer, not a Getty or any other institution’s — I sincerely don’t know how much or little protections that loses him, or specific implications, and is something I need to read up about to appreciate the gravity and context that I can feel is worth being alarmed by
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A photographer for Getty isn't even a journalist so much as an archivist. ICE violently disrupted the apolitical documentation of what they were doing, violating any and all rights that might flimsily stand in their way. It would have been just as wrong had they done this to an MSNBC reporter hellbent on a spin, but now Abernathy's neutral action as a photographer has been rendered necessarily political by ICE's violence.
They know what they're doing is objectively evil. They have no intention of stopping.
I once had a plan to read at least one classic novel from (almost) every country, I keep forgetting about it but I really should do it, I usually end up enjoying them
This was getting a bit out of hand with people sending asks instead of commenting, so I compiled everything that was sent to me under the cut. The rest of the recommendations are in the comments as usual. Thank you all for the recs!
shabby-alonso asked:
for classic novels, i would recommend Dream of Red Chamber, i think it might align with your tastes well!
Anonymous asked:
have you read notes of a crocodile by qiu miaojin? its a taiwanese classic
shmuel-ben-sarah-kcd2 asked:
Yentl the Yeshiva Boy by I. B. Singer
More queer Yiddish literature, I do love the movie too but the movie doesn’t fully convey the utter transness of Anshel.
Anonymous asked:
For Argentinian classics I'd recommend Jorge Luis Borges! I recently finished one of his most well known collection "Ficciones" and enjoyed it :)
Anonymous asked:
have you gotten to read brazilian classic lit yet? The Posthumous Memoirs of Brás Cubas by Machado de Assis is one that defined our literature. i recommend The Devil to Pay in the Backlands by João Guimarães Rosa as well.
jarenka asked:
I recommend My Life In The Bush Of Ghosts by Amos Tutuola for Nigerian lit. Utterly bizarre prose, 12/10.
kotitontunmanaaja asked:
Sonewhat western book rec depending on your definition, but 'My Cat Yugoslavia' is definitely a modern Finnish classic by Finnish Kosovan author Pajtim Statovci - queer themes, some nice surreal imagery with and a nice layered structure of dual timelines in one family, questions about belonging, intergenerational trauma and refugee life and such. One of the books that got me reading again after a long time!
fatalwa asked:
For book recs - I will double the author and the name in the original Ukrainian so you would have better chances of finding them:
• The Yellow Prince (Жовтий князь) by Vasyl Barka (Василь Барка)
• Do oxen low when mangers are full? (Чи ревуть воли як ясла повні?) by Ivan Bilyk and Panas Myrnyi (Іван Білик, Панас Мирний)
• Clouds (Хмари) by Ivan Nechui-Levytskyi (Іван Нечуй-Левицький)
• Я (Романтика) / I (Romantic) by Mykola Khvylovyi (Микола Хвильовий)
• Enchanted Desna (Зачарована Десна) by Oleksandr Dovzhenko (Олександр Довженко)
I don't really know what kind of literature you prefer so I decided to give 5 different recommendations for you to choose from.
Anonymous asked:
Since you like Hesse, I'd definitely recommend Antal Szerb's Journey by Moonlight (Hungarian classic)
Anonymous asked:
Since someone already mentioned Machado de Assis, i'll recommend then Os Sertões by Euclides da Cunha, i have never read it fully but it is sure considered a brazilian classic
inferubim asked:
Check out "Blindness", by Portuguese author José Saramago!
Anonymous asked:
Brazilian here! About reading a classic from every country, I'd heavily recommend Alexandre e Outros Heróis by Graciliano Ramos!
It's one of his lesser known books but it is excellent. He is one of the best writers in the history of my country. It's also, in my opinion, his best book!
the devils by dostoesvky — INSANE characters with homoerotic subtext and crazy plot;
the idiot (also by him) — the gentlest character in the entirety of russian lit, the book kinda reads as "what if i put christ in modern world and made him fall for a tortured fantastic woman" (and she's one of the most fascinating female characters in RL) + you might be more interested in it because there's very strong visual imagery (eg dostoesvky was obsessed with the "dead christ" by holbein and it manifests in the text);
judas iscariot by leonid andreev — ALSO homoerotic subtext + such an interesting and fresh portrayal of jesus; god it's so good!!
the portrait by gogol — kinda wilde's the picture of dorian gray before dorian gray. genuinely reads as if gogol PAINTS the text (he was also a painter himself). the story of an artist, insanity and art. a fascinating read!
(via @hellamorte)
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