Sipping hot cocoa under the moonlight!

[ survey.gendercensus.com ]

The 13th annual international gender census, collecting information about the language we use to refer to ourselves and each other, is now open until 13th August 2026.

It’s short and easy, for most participants it takes 5 minutes or less.

After the survey is closed I’ll process the results and publish a spreadsheet of the data and a report summarising the main findings. Then anyone can use them for academic or business purposes, self-advocacy, tracking the popularity of language over time, and just feeling like we’re part of a huge and diverse community.

If you think you might have friends and followers who’d be interested, please do reblog this blog post, and share the survey URL by email or at AFK social groups or on other social networks. Every share is extremely helpful!

Survey URL: https://survey.gendercensus.com

The survey is open to anyone anywhere who speaks English and feels that the gender binary doesn’t fully describe their experience of themselves and their gender(s) or lack thereof.

Thank you so much!

I haven't sent out the mailing list email yet, but I'm about to get to that. That usually bumps things up significantly... 😰

[ Click here to participate ]

It's open until 19th July 2026, and it's open to anyone whose gender(s) (or lack thereof) defy the restrictive binary of male/female.

Reblog for SCIENCE~~~

The Black writers for seasons 1-2 of IWTV were Ben Philippe, David B Harris, and A. Zell Williams.

These are the men responsible for providing substance and depth to the Black characters in the first two seasons, mainly Louis and Claudia. They knew how to tackle struggle, injustices, history, rage, pain, and the ugly truth of American and European Black history. They didn’t pull punches with the hard stuff and they knew how to work with the soft stuff.

Season 3 tried to create edgy content and humor without these men and absolutely failed at it in every way possible. And they have failed both Louis and Claudia.

The Black jokes about Louis being “Louisiana Fried Chicken”, Louis continuing to be the pimp and needing his White savior that is Lestat, Claudia’s entire monologue about Louis being a literal slave to Lestat in that old Louisiana accent. And not to mention the complete erasure of Lemuel after only a couple episodes.

It’s not working.

But I don’t want to be the person to say that they are keeping it like the book, but they very much are.

This is just a paragraph of a diary page from Claudia in the books, of her planning to kill Lestat:

“Perhaps in the court of my heart, I hold Louis far more accountable for my present state than ever I could blame my impulsive and simple Lestat. The fact is, one must die for this or the pain in me will never be scaled off, and immortality is but a monstrous measurement of what I shall suffer till the world revolves to its ultimate end. One must die so that the other will become ever more dependent upon me, ever more completely my slave. I would travel the world afterwards; I would have my way; I cannot endure either one of them unless that one becomes my servant in thought, word, and deed.”

She was always in the books a liar, calculating and evil child. And she saw Louis as the easiest one to manipulate, but she respected Lestat more.

There is no world where black Claudia, very specifically black Claudia, with her 4c hair and white girlfriend, would call Louis a nappy-headed slave. There is no world where black Claudia would say that she hated him more than her white rapist, something added to the show (which I’ve always said was a mistake). This was actually a change from the book that should have been made because it spits in the face of both characters.

Claudia was the perfect vampire, and the most flawed vampire because she was the child that should have never been turned. It made sense that book ghost Claudia, a woman forever trapped in a doll body, would want to rage and kill Louis on sight. But once she becomes a black teenaged woman-child, sorry, but you have to handle that rage and vengeance and spite with more nuance.