Marina Vishmidt:
"abolition (a determinate negation not only of a harmful institution, or practice, but of all the ways of accommodating it that have become socially habitual while placing other possibilities into reality)"

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Marina Vishmidt:
"abolition (a determinate negation not only of a harmful institution, or practice, but of all the ways of accommodating it that have become socially habitual while placing other possibilities into reality)"

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Esther Leslie • Mater explores materials through the eyes of artists and researchers.
"In 2022, a team of researchers examined fifty Upper Paleolithic limestone plaquettes from a cave in Montastruc. A form of mobiliary art, the rectangular tabloids have engraved images on them, including figurative or stylised animals, humans and humanoid forms, rivers or other landscape features and abstract or geometrical motifs. The surface of the plaquettes shows various types of damage and stress, fragmentation, recompositions and, around the edges of the stones, evidence of pink-coloured heat damage. This last aspect, the scorching erosion on the exterior of the rock, led them to conclude that the plaquettes had been placed close to fire. The researchers observe:
The plaquettes from Montastruc were likely positioned in proximity to hearths during low ambient light conditions. The interaction of engraved stone and roving fire light made engraved forms appear dynamic and alive, suggesting this may have been important in their use. 1
The plaquettes, then, performed something like the service of a digital tablet today, providing a surface for animated delight, with flickering movements, the play of entertainment, allowing for fascinated viewing. Human brains, this might suggest, have long enjoyed dreamy shifts of light and shadow, the illusions of pareidolic experience. The leaping of animals, the movement of figures, the twirl of patterns: animation as a cultural form might be much older than we have imagined. It comes from the fires around the caves of our first dwelling."
Mariame Kaba quoting Carl Sagan: "let us temper our criticism with kindness. None of us comes fully equipped"
"The Casino for Social Medicine is run hundred percent by unpaid labor -meaning all four daily bartending shifts, weekly accounting, events coordination, tax filing, bathroom cleaning are all done by people who work together without pay. The rent is made by the sale of drinks. There is a very little buffer left. This economic arrangement came out of necessity, rather than being the product of insufficient wishing otherwise. Equally, it is an outcome of our original priorities. We wanted to offer rent-free space where social organizing and culture making can meet. Such spaces are very few in Berlin's fast gentrifying and fascist landscape. Charging for rent or having entry fees at the door would have felt like pumping our own (current or potential) comrades. We were not interested in running the bar space as an extractivist business. Even though we had money dreams such as starting a foundation to support organizers to rest and paying each other’s health insurance, we also wanted a space where a visitor would need very little to no money to stay – stay warm, stay connected, stay still. The fact that the Casino is still open and in fact has by now stabilized both financially and in labor, is a testimony against the prevalent local attitude of waiting for institutional approval and stability."

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Diane Barbé interviews Magdalena Jadwiga Härtelova and Cassie Thornton about the Casino for Social Medicine in Neukölln
"For instance, the bartenders here have a little bio printed out at the bar, which says their name, what languages they speak, what they like to talk about, what they can help you with and also what they need. This really changes the nature of being a bartender: you are here as a human, and you immediately have much more interesting conversations. And many of the bartenders had to make another bio because all their listed needs got met just through having that bio on display. We have a banner at the front that says: “Needs are not scary.” But they require a kind of social gluing, or social prescribing, as it’s called by the NHS in the UK. So one of the functions of the Casino is that it is a connecting spot, a place where people can come and have their needs met between each other. This is why we call it a clinic. Another example is that we host help desks where people offer skills they have, for instance someone who speaks German, Arabic and English comes in for a couple of hours to help out with bureaucracy. People are just so happy to actually talk to someone. We’ve had a help desk about top surgery, another one about digital security."
The editors
Helpful Parapraxis editorial about groups.
Jule sent me this 🧡
"Love's mysteries in souls do grow, But yet the body is his book." – John Donne
Die Literaturnobelpreisträgerin sucht stets nach dem, was aus der Geschichte herausfällt. Ihre Rede an der Universität Zürich.
"Ein grosser Teil des Lebens bleibt immer unausgesprochen, damit muss man sich abfinden. Aber wir müssen uns beeilen, um möglichst viel vom menschlichen Leben dem Chaos zu entreissen."

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A CONVERSATION WITH FLÁVIO ZENUN ALMADA TRANSLATED FROM PORTUGUESE BY SONIA VAZ BORGES In this conversation, Sónia Vaz Borges interviews Flá
“FZA: I think this has a lot to do with what Amílcar Cabral said: “Agir para pensar melhor” (“Take action to think better”)”
https://archive.pinupmagazine.org/articles/book-review-madeline-gins-collected-writing
I'm coming across Madeline Gin's work for the first time, exciting!!
The biggest reason why this book was shocking was because it was based on the thesis that fascism represents the modernisation of barbarism, and not a relapse into it.
Gillian Rose on Adorno and Horkheimer’s The Dialectic of Enlightenment, quoted from Chapter 5 of Marxist Modernism
Josef Lackner, Grottenbad Flora, Innsbruck, AT, 1969–1970© Architekturzentrum Wien, Sammlung, Foto: Foto Feil

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Flora Yin-Wong brought me here