Embracing Frankenstein

college professors: 

“A house I pass on the way to work has this sculpture in its yard. Its about 8 feet tall.”

“NEIGHBOR STEVE, DO YOU NOT WISH TO PARTAKE OF THE UNCLEAN FLESH-MEATS OF PIGS AND THE POLLUTED ESSENCES OF TOMATO?  PERHAPS YOU ARE A CAROLINA STYLE MAN, NEIGHBOR STEVE?”

“PUT THE GUN AWAY NEIGHBOR STEVE, YOU KNOW I SHALL ONLY RISE AGAIN WITH THE DAWNING OF THE MOON.  WE HAVE BEEN THROUGH THIS MANY TIMES.”

“LOOK AT THIS PICTURE MY SON DREW OF YOU AND CHILD TIMMY, YOUR SON.  ARE THEY NOT THE PICTURE OF PACT-MATES?  THIS COULD BE YOU AND ME, NEIGHBOR STEVE.”

One time Steve tries throwing holy water but all Antler Guy does is thank him, saying that no, Antler Guy isn’t Catholic but it’s the thought that counts, he is so kind to water his creeping deathshade vines regardless.

For Christmas Antler Guy gives Steve a case of ammunition. To be funny/sarcastically mean Steve gets Antler Guy the world’s most hideous Christmas sweater, singing light-up reindeer included. He immediately regrets it because not only does Antler Guy love it and wears it for several months, it will never need batteries because Antler Guy powers it with his own eldritch aura.

What drives Steve up the wall and down the other side is how… normal… everyone treats the Abominations. (Yes, that is their last name. No, it is not a joke. Son was asked his last name for the standardized testing at school, had a quick conference with Timmy, and decided that Son Abomination sounded good, “Since my dad calls your dad the Abomination anyway and we can paint it on your mailbox just like the Henderson’s did theirs!”. Antler Guy agreed and did a lovely rendition of it for the mailbox, with only a few glyphs of soul-rending terror added to keep up to snuff.)

The Great Plant Exchange went beautifully, though the Audrey Jr. (named Aubergine for the lovely shade of purple poison that drips from her fangs) is on a diet at the moment. She was in cahoots with the cat and the dog to get into the good people food and ate two frozen turkeys all herself. Now she’s restricted to the hallway table to answer the phone and the door. (Steve actually likes her, and keeps slipping her hotdogs when Sharon isn’t looking. Their door-to-door salesman rates have dropped dramatically since she changed abodes.) Hell-wife has almost gotten the begonia to bloom and say it’s first words.

The homeowner’s association just loves the Abominations. All paperwork stamped and dotted, in on time and in triplicate. Antler Guy likes filing, says it reminds him of his old job. There is a resident who spent 20 years as a lawyer and they have long, animated conversations about all sorts of things that make Steve swear to never need legal counsel.

Hell-wife joined the PTA and spearheaded a committee to fundraise in the fall with a haunted house. It was a county-wide hit, though the claims that a particularly rowdy group had been deliberately lost in a timeslip to the Outer Doors Of Chaos was firmly rebuffed. Most young people nowadays, it was agreed, just couldn’t appreciate flute music.

Antler Guy really does try to connect with Steve. The surprise birthday party was perhaps a bit much, given that most participants do not have the ability to suddenly materialize in front of the guest of honor to give them a hug. Sharon assured them that Steve normally screams on his birthday, and the remains of the cake were heartily enjoyed by all. (A plate was saved for Steve once he came down from the treehouse.)

After the Hawaii trip (which was a present for his birthday) and the Matching Shirt Ultimatum (which was Sharon’s attempt at patching things up with Antler Guy, he really was sad about the birthday screaming), Steve finally grabs his courage in both hands (plus the shotgun, which let’s face it is about as useful as a teddybear at the moment but it does comfort him) and confronts Antler Guy, about why such a group of……Abominations could possibly come to his quiet slice of suburban bliss.

“……BUT NEIGHBOR STEVE, WE HAVE ALWAYS BEEN HERE.”

“No no no, I read it in a book! Don’t you have to be invited or something?!”

“WELL YES, TO THE HUMAN WORLD. BUT THIS IS NOT THE HUMAN WORLD AS YOUR THREE-DIMENSIONAL BRAIN PERCEIVES IT.”

“What the hell does that mean?!!”

“DID YOU NOT KNOW, NEIGHBOR STEVE? LEGALLY SPEAKING, ALL OF THE VASTNESS OF HUMAN SUBURBIA IS, IN FACT, A PART OF HELL.”

“……..”

Antler Guy, as one may have noticed, is a calm sort of fellow. In the face of human atrocities he displays a curious Zen sort of state of mind. Timmy asks Son if he’d ever seen his dad angry, and Son hasn’t. (When asked, Timmy says that yeah his dad gets mad, but it’s like the Fitz-Simmon’s chihuahua down the street- mostly high-pitched noise and occasionally TV remote chewing. Sharon replaces the poor thing every 3 months or so.) When pressed (gently, at the monthly book club, and with many cups of tea and at least one daiquiri), Hellwife admits that this comes from serving many years at his old job.

After the revelation of the nature of his neighborhood, Steve has not been overtly mean to Antler Guy. Not yet in the realm of friends, but vastly better than before. No more holy water, no more shotgun blasts. (Still the occasional jumpscare, but Antler Guy really can’t help that part.) They even occasionally share news over the fence as Antler Guy trains the creeping deathshade vines in proper oral hygiene, and Steve waters his lawn (and occasionally slips a goldfish cracker to a deathshade vine that looks particularly adorable. Aubergine has trained him well.)

Which is how Antler Guy learns about the peeping tom that’s been plaguing the adjacent streets. Apparently the pervert has been getting bolder, and rattling doors. He almost broke into one apartment, whose occupants were a single mother and her daughter, Mildred. Millie, a shy girl who is a great horror fan and firm friends with Timmy and Son, had missed school because of it.

Steve knew because Sharon had told him, on her way to deliver a tuna casserole and a double batch of brownies to the pair. (Sharon has been dubbed the unoffical mob boss of the Mother’s Mafia. She is quite pleased with this title.) He tells her to wait, confers briefly with Aubergine, and sends her along with, “Only as a loan, you know, but Auby wants to stretch her roots and she’d probably like getting all ribboned and curled anyway. Little girls still do that, right?” She has strict orders to bite anyone that makes Millie or her mother cry. (Steve is dubbed the official neighborhood marshmallow for this. The bookclub buys him a jar of marshmallow fluff in commemoration.)

He turns to look at Antler Guy, and freezes, much as a chihuahua will when faced with a hungry hellhound.

“You….you alright there buddy?”

“Ň̵̴̫̫̙͙̻̞͈̫̥̪̱͈͈̯̍̀̀͆ͫ̒̿̄͗͘͡͝ͅO̊͑̑͒̎͑̃ͬͭͮ̅̔̆̃̉ͯ̇͗̀҉̵̻̜̞͉̟͙͚̻̪̼̖̀͟ͅ.̵͈̣͈̙̣̜̻̭̩̝̠̞͗ͤͥ̓͗ͬ̓̄͊̓̅̐ͩͮͧͤ̽̐ “

“Uh, yeah, I guess not. Did you, uh, know you’re kinda fuzzing at the edges, there?”

“Ň̵̴̫̫̙͙̻̞͈̫̥̪̱͈͈̯̍̀̀͆ͫ̒̿̄͗͘͡͝ͅO̊͑̑͒̎͑̃ͬͭͮ̅̔̆̃̉ͯ̇͗̀҉̵̻̜̞͉̟͙͚̻̪̼̖̀͟ͅ.̵͈̣͈̙̣̜̻̭̩̝̠̞͗ͤͥ̓͗ͬ̓̄͊̓̅̐ͩͮͧͤ̽̐ “

“Right. Um. Well.”

Steven makes a very ungraceful exit when space starts bending around Antler Guy’s still, unmoving form.

When Steve sees a shadowy form in his back yard when he gets up to pee that night, there’s no hesitation. He grabs the shotgun from the cabinet and peeks out the back door window.

Just in time to see a nebulous form of soul-wrenching terror engulf the man reaching for the door handle. A sliver of moonlight reveals a very familiar eyesocket. After a moment (and a sincere prayer of thanks that he had already peed, cause otherwise he’d have done it then and there) Steve opens the door. The nebulous form freezes, reality bending around the edges.

“Nice night for it, huh?”

“…..Y̮̮͍͔͇͙͙̟̐͌͛̓̏͞͡Eͩͭͮ̓̍ͯ̀ͧ͏̵̴̛̺̠̱͕̕ͅS͈̹̮̟̳̪̩̘͍̤̲̻͈̱̳̽̋́ͩ̃͋̎ͩ̈͆̀͘͢͢͟ͅ.̧̢͈̭̝̥̦͚͍̇ͫ̃̓͆̿̇ͪ͊ͧ̃͛͌͜͢ “

“Guy won’t scare anymore litttle girls, will he?”

“Ň̵̴̫̫̙͙̻̞͈̫̥̪̱͈͈̯̍̀̀͆ͫ̒̿̄͗͘͡͝ͅO̊͑̑͒̎͑̃ͬͭͮ̅̔̆̃̉ͯ̇͗̀҉̵̻̜̞͉̟͙͚̻̪̼̖̀͟ͅ.̵͈̣͈̙̣̜̻̭̩̝̠̞͗ͤͥ̓͗ͬ̓̄͊̓̅̐ͩͮͧͤ̽̐ “

“Good. G’night then. Oh, and if Hellwife has an extra Audrey Jr. that needs a home, let me know. Millie likes Aubergine a lot but Augy’s just too big for the apartment. Dunno if they come in miniatures though.”

“ I̴̛̟̭͉̮̜̩̬̮̣̘̰͚̩͙̟̳͔̜̙͑̂̆̆͗͒̀ ͖̖̰͉̥͖͔̙̤̺͍̳͈̹͙̣̞̇̇ͤ͒̅̈́͆̽ͧ́̚̚̕͘W̶̶̱͈̞͖̼̟̣̮̌͂͒̈́͑͌͒͋̍ͮ͗̈ͣ̓ͤ͘͟I̴̶̞̥̩͇̔ͩͦ̇̉̾ͣͬ̀̀̒͒ͧ͛͌͛͆̚͘͢ͅͅL̠̟͕̠̟̪̰̻ͯ͂͊ͥ̍̏͋̐ͬ̉̆̈̀͠L̸̞̭͔̮ͦ͑̉ͮͩ́ͬͨͣ͘͜.̴͈͎̮͇͓͖̱̻̣͊͊ͤͩ͊̑͗͞ ̸̡̩̖̞̩̻̩̪̭͙̳͚͇̟̺͖̑͊ͫ̀͆ͨ̉̔̓̂̓̋T̷̷̟͉̟̻̻̪̞̰̯̻͈̣̰̬̻̾͐́ͭ̓̅́͡H͇̬̪̩̬̝̣͍͈͇ͯ͛̏͌ͮͧͭͦ͟͜A̴̴̤͕͈̤̮̞̱̯͔͕̙͔͖̰̬̰͈̠ͥ̏ͥ̍̽ͧ̀͝N͗̓͋̃̈̑̀̅ͣ̽̒̂̄ͯͩͤ͏̢͢͏͈̯͎̪͇̟̠͔̯͓͓̰̠̱̠̳͕̳͝K̢̓ͧ͛͛ͣ̄̓̓ͯ̍̈̈́̌͂̔͟҉̛̘̥̖̤̦̻̳͙͟ ̢̢̻̥̹̣̞͉̘͇͚͍̖̯̘͚͔̗̩͓͐ͮ͂͂̀̚͘͠Y̜̞͇̳̗̬͎̰̙̜̩̪͎̞̙̠̔͂̌̃́̀O͇̺̲͙͍̬̳̘͈̱̜̝͔̖̊ͥ̿ͫͤͫͫͩ͋̓̃ͦ̈̄͢͟Ū̢͖̲̦̠̤͎̙͉̦͖̖͓͍̺̺ͪͯ͐͆͆ͭͯ͗ͦ̄̅̌̈̃̾ͭ̋ͧ͢͢͠͡.̶̸̞͓̞̹̗̻̣͈͕̠̬̦ͫ̆ͤͬͨͦ͒͂ͨ̿ͩͪ͘͞.ͧ͛̒̂̂͗ͨ̌͆ͥͭ͒̉͘͜͏̙͖̰̝̙̲͓̙͕͍̥̳̩́͠.̶̷̮͎̱̼̬͖̰͎͚͙̥̓͋͋ͦ̓̓ͯ͆͛̏ͫ̅ͯ.̨̧̙̤̳̮̺̙͖̞͔̗͎͍̑̆ͮ͐ͩͦ̌̽̾̏͘͠.̹̖͕̮͕̞̰͍͚͖̌ͪ̃̐̐̌̌̅̉͑ͧͪͪͬ̓͐́͛̿͘͞ ….NEIGHBOR STEVE.”

“Anytime.”

There are no more peeping reports. Millie brings back Aubergine and spends an entire afternoon teaching Steve the particulars of Augy’s new “hairstyle” (a gravity-defying mass of teased tendrils, ribbons, and barrettes) in between games of tag and hide-and-seek with Timmy and Son.

Life in a subdivision partly populated with eldritch and possibly magical (officially classified as “extra-dimensional”, for even when faced with the physics-defying nature of their new co-habitating citizens the government cannot bring itself to acknowledge them as “magic wielding hell-beasts”, as some high-ranking staff members initially suggested) goes on fairly normally.

Sure, there are a few hiccoughs. The creeping deathshade vines get a stern talking to about appropriate afternoon snacks (”NOT the Fitz-Simmon’s chihuahua, I don’t care how much he has it coming or what he excreted where, now spit it out!”), Aubergine sheds all her leaves at once and snowballs the house (but does helps sweep up afterwards), and moonrise is a good time to watch the night-gaunts fly by (but on moondark it’s best to stay inside, no matter how prettily they glow. They’re somewhat similar to fireflies, and don’t always check to see if their partner glows as well. It wouldn’t be as much of a problem if they didn’t dive mid-coitus and drop just above the ground.)

While the neighborhood in general is accepting of the Abominations, when things get to be a bit much they tend to come to Steve. Since meeting Beatrice and Millie (and the formation of the Terrifying Triad known as Millie, Son, and Timmy) Steve is the adult human male most comfortable dealing with Antler Guy on the whole street. (Sharon as U.M.B. is widely held to have, well, steel-whatever-the-hell-she-wants, and Timmy is known to run over to Antler Guy and ask for rides through “that wobbly grey place, you know, the one with the REALLY BIG alligators?”. Still, the courtesies must be observed.)

So when a writhing sparking ball of snarling terror and teeth takes up residence in the Manzo’s tool-shed, and when Animal Control refuses to come (the street is banned due to a run-in with the deathshade vines), Steve is called. Having heard the description, Steve brings Antler Guy.

When they get there, Mr. Manzo is forcibly holding the door shut. Unholy yowling is coming from inside. At a gesture from Antler Guy, Mr. Manzo leaps away, and the doors blast open.

A 150 pound ball of whimpering, flaming something hits Steve and knocks him on his ass. The whimpering, flaming something proceeds to slobber all over Steve, his shirt, his pants, and a decent portion of grass in between distressed yelps.

“GACK!”

“NEIGHBOR STEVE, ARE YOU IN DISTRESS?”

“GAAACKLEARGHSPLUH- DOWN boy, HEEL, that’s a good- Antler Guy, what is this?!”

“I BELIEVE IT IS A HELLHOUND, NEIGHBOR STEVE.”

“Good grief, I didn’t know they came this big and…..and….. Guy?”

“YES NEIGHBOR STEVE?”

“Is he supposed to be…..skinless?”

“YES NEIGHBOR STEVE. THIS VARIETY WAS BRED TO BE LAP DOGS. THEIR FLAME IS MOSTLY WITHOUT HEAT, AND THEY HAVE NO SKIN FOR THOSE WHO ARE ALLERGIC.”

“…….laPDOG?!”

“YES NEIGHBOR STEVE.” Antler Guy lays a hand on the hellhound, who tries to burrow further into Steve with little success. “HE APPEARS TO HAVE BEEN RECENTLY WEANED. IT WILL TAKE TIME FOR HIM TO GROW TO HIS FULL SIZE.”

“……”

“THE SMALL BREEDS GROW MORE SLOWLY.”

A vile hissing emanates from the shed. (Mr. Manzo has long since fled for the safety of his kitchen.) As Steve attempts to calm the frantic hell-puppy, Antler Guy investigates. He reaches one long hand in behind the riding lawnmower and….. winces.

“NEIGHBOR STEVE?”

“Yeah- I’m right here, uh, doggie, not going anywhere- Guy?”

“I APPEAR TO HAVE AN…. ATTACHMENT.”

Steve is awed at the tiny ball of white fluff attached to one long, thin finger. He didn’t know that Antler Guy’s fingers COULD be bitten, much less by a tiny kitten.

Neither mother can get a word out of the boys, and after a quick word with Steve (who is busy trying to train Clifford to stop slobbering on his shoes), the mothers go to Antler Guy for advise, since he has a good relationship with both boys.

Antler Guy listens attentively to the women. “I WILL TAKE CARE OF THIS. THE TWO OF YOU SHOULD ATTEND YOUR BOOK CLUB.”

Sharon is dubious, but Hell Wife assures her that Antler will fix things.

When the women are gone, Antler Guy waves his long, spindly fingers, and the two boys appear before him. Both look sullen and teary eyed. Antler Guy observes them silently. “They pushed Timmy,” Son explains in a small voice. “I told them to leave him alone but… They called me…” Antler waits silently. “Freak,” Timmy supplies in a whisper. Antler Guy looks between the two boys, then lifts one in each vine-writhed arm.

He takes the two boys to the ether, showing them various hellish sights including a homunculous type creature that has a cold and sprays acid every time it sneezes, a cat that’s twice the height of Antler and picks Timmy up by the neck like a kitten.

Both boys have a great time and return home in high spirits. Steve goes out into the garden to find out what happened. (He’s been defeated by Clifford and decides he’ll just get new shows and hide them).

“I MUST LEAVE FOR AN HOUR OR TWO,” Antler Guy tell Steve after a brief explanation.

Steve looks puzzled. “It’s getting pretty late, Guy,” he points out.

Antler Guy merely inclines his head and stalks into the night in long, surprisingly graceful strides.

The next day, Steve listens to Timmy babbling about how the boys who had been mean to him and Son the previous day had left them alone. Timmy stops and looks baffled. “Actually, any time we looked at them they ran away.”

Time passes, as time does (which for Earth is generally somewhat faster than The Dimension That Smells Of Shrimp, and slower That One Wibbley Place With Murderous Flying Potato Crisps- Timmy was allowed to select human-dialect names, and Antler Guy refuses to change them. He says they are far more pleasant than the terms he used to use.)

Fluffy remains on the small side. This in no way impedes her rule of the neighborhood. In order of preference, her resting places include the top of Antler Guy’s head, Hellwife’s ample lap, and wherever else she damn well pleases. (The deathshade vines have a healthy respect for her, all of Clifford’s six-foot-plus frame is terrified of her, and she actively conspires with Aubergine. The prior pets of Steve and Sharon, Mr. Paws- a mild mannered netutered tom of advanced years- and Puggles- his nearly as elderly pug cohort- are ignored with royal disdain. Which suits them fine, they’d much rather be made much of by Aubergine, and relax in the gentle, soothing warmth of Clifford’s flames.)

Within short order, her routine is established. The neighborhood, and neighbors, know better than to mess with the White Puffball of Doom (one of Timmy’s better efforts) on her daily patrols. In return, her rule is moderately benevolent.

So when she goes missing, literally no one has any idea where she has gone.

It starts with Antler Guy striding through the neighborhood, making a peculiar call somewhat akin to a humpback whale with a headcold. When that produces no results, he starts asking. Very earnestly. Very. Earnestly. He even folds himself up enough to take tea with Mrs. Giotto, the resident cat lady. He emerges with a delightful recipe for snickerdoodles, but no information.

Steve knows something is wrong when he starts getting texts at work. By the end of shift, he’s inundated with calls, texts, voicemails, and a singing telegram sent by one particularly frazzled neighbor, whose message was only “HELP.” His boss is not pleased.

He almost expects it when Antler Guy materializes as soon as he shuts his car door. He still almost craps himself.

“Hi Guy, what’s up-”

“FLUFFY. FLUFFY IS MISSING.”

“Really? Have you tried looking in Mr. Manz-”

“YES. TWICE.”

“Oh, ok, well, let’s try-”

“NeIGhbor SteVE!”

“Hellwife?”

“FLuffY Is MissINg!”

“Well yes, Guy just told me-”

“STEVE!”

“Sharon?!”

They decide to move the confabulation into Sharon’s kitchen. (A quick phone call to Beatrice assures that a) the sleepover of the Triad is going smoothly, b) the news of Fluffy’s disappearance hasn’t made it there yet, and c) it won’t until further news is secured.) Sharon has called on her information network to no avail, Hellwife has questioned every plant in a five block radius, and Antler Guy is distraught. Apparently he cannot feel Fluffy, which means she is either dead or out of his range. (”AND SHE WOULD NOT BE SO UNCARING AS TO NOT RETURN HOME IF DEAD, SHE IS A VERY LOVING MAMMAL.”)

Steve is quiet. Steve is thinking. Steve….has an idea.

“Guy?”

“YES?”

“Exactly what constitutes your range?”

“ALL OF THE ENVIRONS OF HELL, NEIGHBOR STEVE.”

“So……when we run out of flamingos, right?”

Clifford is supplied with a squeaky sorta-looks-like-a-mouse-don’t-ask-so-many-questions toy belonging to Fluffy. The direction he doesn’t want to go is the way they head. They decide that cramming Antler Guy into Steve’s Prius would be unhelpful, sunroof or not, so up on Antler Guy’s shoulders Steve goes. (Steve has always wanted to try it, in his heart of hearts. Its everything Timmy described and more.)

They set out, following the cringing hellhound. Even cringing and following the scent of the Feared Fluffy Thing, Clifford has some speed. (It helps that both Steve and Sharon explained the situation, via Aubergine.) In the space of perhaps an hour and a half, they hit the end of Antler Guy’s range.

Literally. If Steve hadn’t had a deathgrip on Antler Guy’s horn’s he’d have gone flying.

“NEIGHBOR STEVE, I CAN GO NO FARTHER.”

“Ugh, kinda got that Guy….”

Steve slithers off and looks at Antler Guy. He’s pushing at the air like there’s a forcefield. (There isn’t. Steve checks, just to be safe.) So, after a short conversation with Clifford, Antler Guy waits next to the last flamingo as Steve rides his big, red, skinless flaming dog onwards. (Steve had wanted to try this since he first read the Clifford books.) (Well, something close to it anyway.)

It is a measure of the surrealness of his day to day life that he isn’t surprised by the gate guarded by gun-toting gentlemen. Nor by the flurry of activity he and his dog raise by jumping it. A short, balding fellow in a Very Important Labcoat comes out of the concrete building and gives shrill orders to “apprehend that vile extra-planar sympathizer and his hideous creature”. As Clifford starts drooling green flames as he snarls, no one seems particularly interested in following his orders.

Luckily, a man riding a walking nightmare and then a hellhound garners attention. Specifically, a shitton to social media attention (and no few memes). And the government, unsurprisingly, monitors the areas inhabited by its extra-planar citizens very closely. So before the standoff gets beyond the tense stage and into the itchy trigger finger stage, a swarm of black SUV’s hit the scene.

Steve sits serene upon his noble steed as the wave of black suits descend. In record time the labcoat is escorted away, the guards are pacified, and an ominously growling cat carrier is presented to Steve. Clifford lets out a tremulous “BOOF?”, to which the carrier “Mrowls?”. Steve opens the carrier (the guards, as one, flinch- some of their compatriots are still in medical from trying to get the damn thing IN the carrier), and Fluffy walks out, dignified as the queen she is. She kneads Clifford’s head (without claws, for once), and settles in.

They make a strange parade returning, the dog and the biggest, shiniest, and most ominous of the SUV’s. (Strangely, all pictures taken of the cavalcade go mysteriously missing.) Antler Guy doesn’t care- as soon as he’s in range, Fluffy jumps to his head and purrs ferociously.

When the suits try to talk to him, he brushes them off, preferring to murmur in hair-raising tongues to his cat, who is still purring fit to split and is trying to groom his antlers. Steve sighs.

“What do you guys need? They’ll be busy for a while.”

“Well Mr. Anderson, we would like to offer our condolences at this unfortunate occurrence, and tender our assurances that it will never happen again.”

“Uh-huh.”

“We would also like to ascertain Mr……?”

“Antler Guy Abomination.”

“……Beg pardon?”

“Antler Guy Abomination. That’s what my son named him.”

“……”

“Technically he named him Antler Guy when he first saw him.”

“…………..”

“Abomination came later, when Son needed a name for that standardized testing stuff.”

“…..your son attends school with his offspring?”

“Yep. They’re at a sleepover right now. Sharon’s probably baking brownies with Hellwife. They’re both stress bakers.”

The suits have a whispered conference. Two short phone calls later, the suit with the shiniest pair of sunglasses has an offer for Steve.

It started, innocently enough, with Timmy’s birthday party.

Steve, armed with the wealth garnered by his new job, not only rented a bouncy house beloved by the Terrifying Triad, Auberguine, and Steve himself, he finally upgraded the family phones. (His and Sharon’s anyway. Timmy’s phone was lost to a scintillating puddle of mud and bones. Steve shrugged, taught the acidic glop how to play Bejeweled, and cut the service when they got home. The glop got better reception on it’s own.)

Upon gentle (i.e. at the monthly review meeting there were pointed questions and a very well put together powerpoint given by a pair of sunglasses that owned a luxurious handlebar mustache) prompting from his new employers, Steve’s next task was to “show our new extraplanar neighbors in a positive light to the greater population.”

Steve decided this was an excellent time to make an Instagram account.

His first post, of Antler Guy delicately cutting his slice of cake with his fingertips, nearly broke the notifications on Steve’s phone. His second one, a short video of the Triad sneaking up on Antler Guy to smear bright purple frosting on his face, did break the notifications. (Steve restarted and adjusted his settings. Thank god he’d put the thing on silent.)

Antler Guy took the new development in stride, indulging Steve in his posing and carrying the “selfie stick” Steve insisted they bring on their excursions. His favorite part was scrolling through the notifications (well, watching Steve scroll since his fingertips a) couldn’t control the touchscreen and b) made the screen itself shimmer with rainbow colors), seeing those who “followed” him.

“NEIGHBOR STEVE, I HAVE NOT HAD SO MANY FOLLOW MY LEAD SINCE I CAME TO THE UPPER WORLD. THIS INSTANT-GRAM IS QUITE AMUSING.”

“Yeah, it is fun. Even the trolls are kinda funny.”

“TROLLS? I DID NOT KNOW THE TROLLS HAD MIGRATED TO THE INTERNET AS WELL.”

“…..as well as….? You know what, nevermind, I don’t wanna know.”

Antler Guy even made friends over the social platform, including one particularly nice lady in Pennsylvania, an artist by the name of LK. He told Steve that some of her work reminded him of home, especially the photo album and her husband’s sculptures. He purchased one through Steve, “TO SEND TO COUSIN %&*@^^@, ZIR BOY LOOKS JUST LIKE IT.”

“Just like that? But that looks human. Well, minus the horns and the snarling.”

“YES. AMADEUS HAS MUCH OF HIS PREVIOUS LIFE.”

“……you lost me there, buddy. Previous life?”

“BEFORE HE WAS….. ADOPTED.”

“Wait, adopted? You guys adopt, what, human kids?”

“…….IN A SENSE.”

“Still lost here, buddy.”

“….I BELIEVE I HEAR MY HELLWIFE CALLING.”

“What, I don’t hear-”

“GOODNIGHT, NEIGHBOR STEVE.”

Never before had Steve seen Antler Guy run from him. (Usually it was the other way around.) Sharon didn’t believe him, until hours turned into days without a sign of Antler Guy. Hellwife wouldn’t say anything no matter the daiquiris, she just looked at Steve and sighed sadly. Son didn’t know anything either. He played quietly with Timmy and Augy, sniffling occasionally. Even Millie practicing her zombie makeup on Steve didn’t help. Finally, he murmured the reason to the Triad, who took it to Steve with wide-eyed solemnity.

His father wouldn’t look at him.

“Guy, open the door.”

“Guy, I’m sorry I asked, please open the door.”

“……”

“Dammit, you can be mad at me but please, don’t let my mistake mess it up with Son. He’s a great kid and he doesn’t understand that it’s my fault not his, he needs his dad-”

“I AM NOT HIS FATHER.”

“You are in every way that cou-”

“I DO NOT DESERVE TO BE HIS FATHER.”

“Wha-?”

“HIS PATERNAL BEING MURDERED HIM AS AN INFANT AND WAS IN TURN MURDERED.”

“…..holy….fu-”

“THEY CAME TO MY JURISDICTION. THE…..FATHER…..STILL HELD ONTO THE SOUL OF THE CHILD HE HAD KILLED. I REMOVED HIS TOUCH FROM HIM.”

“Good. Bastard deserved the worst you could throw at him-”

“I KEPT HIM.”

“What?”

“I KEPT THE CHILD.”

“….So? He’s a cute kid, you guys are great parents-”

“I SHOULD NOT HAVE KEPT HIM.”

“What the hell Guy?! That’s your Son!”

“HE WAS PURE.”

“…..and you lost me again….”

“HE WAS PURE. A PURE SOUL. HE DID NOT BELONG THERE. NOT…. THERE. BUT I WAS WEAK, AND I WANTED……”

“….come on Guy, you can do it, I’ve got you.”

“…I…I WANTED…..A…..CHILD. A-AND WE CANNOT….B-BREED ONE SO I….I CHANGED H-HIM AND K-KEPT H-H-HIM FROM…..”

“Come on Guy, I’m here for you.”

“…..I KEPT HIM F-FROM HEAVEN.”

Nightmare eldritch abominations can cry. Its rare, so they don’t keep Kleenex. (Steve never cared much for that shirt anyway.)

“Now you listen here. You are a damn fine father. Hellwife is a damn fine mother. And Son is a damn fine kid. I doubt Heaven would be as good for him as you two are.”

“…BUT-”

“No buts, buddy. I listen to Sharon, and she listens to everything. You didn’t come here just for the green lawns and the flocking plastic flamingos, did you?”

“…….NO.”

“Why’d you come here?”

“…….NEIGHBOR STEVE-”

“Why. Did. You. Come. Here.”

“….BECAUSE HE DESERVES BETTER.”

“Better than?”

“BETTER THAN….THERE. HE…. DESERVES THE CHANCES HE….. SHOULD HAVE HAD. TO BE….HUMAN.”

“And you’re giving that to him. He goes to school, he has friends, he takes spelling tests for pity’s sake! Yeah, he’s a little different, but he has that chance. You’re giving him that chance. And you shouldn’t beat yourself up for giving it to him.”

“…….”

“He loves you, Antler Guy. And he needs to know why his father won’t look at him.”

“…….PLEASE, WOULD YOU….SEND THEM OVER?”

“Sure thing buddy.”

Sharon bakes no less than 5 separate types of custard and Steve spends an extra hour reading to Timmy that night. The next morning, Hellwife hugs Steve so hard he squeaks. Twice. Son calls an emergency meeting of the Triad, and absconds with two of the custards. They emerge later (Hellwife, Bea, and Sharon having drunk several cups of coffee and polished off two more of the custards and a tray of Hellwife’s cheesecake brownies) and immediately begin a game of tag.

(Also, thanks to this lovely user who’s post and resulting willingness to answer questions helped make this update what it is. Told you guys I read what you write ^_^)

~~~~~

For on who quite literally oversaw Hell, and lived there, Antler Guy has a hard time lying. (There is little point in it, really, the truth hurts far more.) When asked why he closets himself with the Terrifying Triad, Fluffy, and Steve’s home computer, he almost gains enough facial expression to be shifty.

Almost.

Steve doesn’t press too hard. The origins of Son are still new and a tender area, one that he’s unwilling to accidentally tromp on, and he figures that Guy will spill when the time is right. Patience. Patience is key. And trust. And patience.

He lasts almost a week before he caves and checks the browsing history on Timmy’s account.

His eyebrows start climbing at “HOW TO ASSIST SMALL HUMANS”, and don’t stop until they hit hairline with “animals to help at hospitals”. Its not something he’s ever considered before, but the more he thinks about it, the more he likes it. And it would be good PR for Antler Guy.

(The suits would like more progress than an Instagram account.)

(……the suits will not like this.)

(……….)

(Steve starts making calls that same day. Sharon gets an excited text from him, and makes much more effective calls.)

~

“NEIGHBOR STEVE, I AM UNSURE.”

“C’mon Guy, we talked about this. We got Fluffy and Clifford registered and Hellwife made them matching vests and everything!”

“I DO NOT FEAR FOR FLUFFY. SHE IS A FINE MAMMALIAN AMBASSADOR. I HAVE NOTICED THAT HUMAN YOUNG OFTEN FIND ME ………INTIMIDATING.”

“I think you’ll be surprised, Guy.” is all Steve will say on the subject.

And he is. Due to height concerns, the first part of the visit to the Shriner’s hospital near their area of suburbia is held outside. Clifford is a big hit- he lays down still as can be as the kids (and nurses, because they can) climb all over him. Those steady enough enjoy a ride get their fill as he lopes along the strip of grass, his passengers held perfectly steady and whooping all the way. Sharon stays with Clifford and shows a rapt audience how a gigantic dog (past 8 feet tall and creeping on 9) will beg for treats. Drool is involved. A lot of drool.

Steve and Antler Guy push on. The first stop is the children’s cancer ward. Antler Guy is hesitant, but the greeting stops him in his tracks. Every child there is smiling at him- and every Monster Under The Bed is smiling too. (Those of them that have faces, anyway. The mass of tetrahedrons glitters in a friendly fashion.)

The hospital’s Director of Extra-planar Concerns smiles too. She adjusts her clipboard, and scritches Fluffy’s head when she wraps around her ankles.

“At this hospital, we believe in helping our patients to the best of our ability. And our Monster Helper program allows beings who no longer fit in their old jobs to have gainful employment. All of our monsters here are certified Eaters of Bad Dreams, and have been known to form close bonds with their assigned child. Some even leave with the patient once their illness has been cured.” She patted Antler Guy’s arm and pointed towards a large chair suitable for his frame. “Why not get acquainted?”

Antler Guy immediately descends into chittering conversation with the assembled monsters, gravely introducing himself to each and every child, listening to their stories and boasts about how their Monster is a lot more scary than him, but with time he can learn to be scarier. A tiny girl with a terrifying amount of IV lines and no hair pats his long hands gently, under the careful eye of her ever-watchful Monster (being mostly a mass of eyes with a long, long, long purple tongue).

Fluffy is the center of her own social whirl, purring magnificently despite the occasional hair-pulling so children who hadn’t seen their own pets in far too long could hold something soft, and warm, and good. (Fluffy Monsters are something of a rarity, and sometimes are too busy for communal pettings.)

Steve, having no special power going for him and only the standard human kit, plays round after round of Go Fish with a shy young boy missing an arm. His Monster, a tentacled starfish thing, assists him while playing it’s own hand and holding cards for the tetrahedron, who’s human child is too tired to participate, but looks on none-the-less and calls out the tetrahedron’s choices in a whispy voice.

It becomes a regular stop. They set up a family day, where each family gets to meet the Abominations and see what their children were so excited about. Antler Guy and Hellwife are the epitome of grace and kindness. Timmy and Millie lead a massive game of tag with Auberguine as It, and Son gets to cut the cake.

(The donations that come from the Instagram posts made that day are staggering- three months operating costs in the first hour. The Director of Extra-planar Concerns can be seen weeping in the embrace of a dew-clawed lizard, also weeping.)

Two months (and many moments spent at the hospital, both bitter and sweet) later, the smoking letter arrives on Antler Guy’s doorstep.

A glowing ball of impossible light floats down the street. To look directly at It is impossible; a glance out of the corner of the eye is almost managable, but still useless. A melody just beyond the edge of hearing follows It, but no one tries to get closer. Some residual memory hiding deep in the hindbrain warns that to approach is to burn, lit up within by the purity of one’s soul trying to rejoin the source before it’s time.

The eldritch of the street do not sense It until It is there, an implacable, unstoppable force. Most hide. Miss Cravandish- the gorgon that teaches Physical Education at the middle school, currently on maternal leave until her eggs hatch- drops a pot full of her prized daffodil bulbs. Peabody scoops up his Pomeranian in all sixteen arms and runs, flat out, for home. He ignores the pain when his shoes slide off his tentacles and the asphalt burns his squishy skin.

No one dares warn the Abominations, or Steve and Sharon. It is only due to great good luck that both families were out that day- the kids at school, Sharon coordinating a bake sale to fundraise for more inclusive programming at the After School program, Hellwife shopping, and Steve and Antler Guy checking on a recent addition to the Shriner’s Ward- a tiny baby girl riddled with tumors. Her Monster was a living floofy rug that hummed gently. It had good news for them- her vitals were improving, the tumors seemed to be shrinking. The ride home was joyful; Antler Guy grinned the whole way, waving at passing cars from the sunroof of the Prius, Fluffy in the back seat. (Clifford had stayed home. He was currently cowering behind Mr. Manzo’s shed with Mr. Manzo as It passed.)

His joy ended the moment they turned onto the street and saw the unearthly light in front of his home.

“NEIGHBOR STEVE. STOP THE CAR.”

“What the fuck is tha-”

“STOP. THE. CAR.”

What happened next was hard to see, and hear. Steve, when trying to explain to Sharon later that night, mostly remembers a liquid feeling in his ears and a tightness in his eyes. He was pretty sure Antler Guy approached It, but he couldn’t be certain. Neighbors said Steve screamed and Antler Guy shouted something, and It left. But It left behind Steve, passed out in the concerned embrace of the deathshade vines, and Antler Guy, holding a gently smoking envelope, laid out flat on his own doorstep.

Sharon comes home to this moments after It leaves. Later, most folk agree that it was best this way. Her concern is surpassed only by her rage when she learns what happened. Almost immediately she grasps the situation from neighbors coming to check. 911 is deemed useless, as are the Suits. Sharon makes only two calls- one to Beatrice, to warn her and ask that she pick up the children and bring the boys home (Beatrice agrees, and wishes her good hunting), and one to Hellwife.

Moments after the second call is made, reality warps and Hellwife appears, kicking aside a pile of Wal-mart bags that appeared with her. Where Sharon is fiery rage tightly held, Hellwife is icy calculation spilled everywhere- the whole street shivers when she delicately picks the envelope out of her unconscious husband’s long fingers. On a balmy summer day, the decorative thermometer on Mrs. Giotto’s porch drops 30 degrees as she reads it carefully. Twice. And folds it neatly.

“ThEY. HavE. NO. RIGHT.”

Clifford, who was nosing his master and gently licking him to rouse him, immediately starts howling. Fluffy pauses her grooming of Antler Guy’s brow ridges to yowl with him.

~~~

The menfolk eventually rouse. No lasting harm is done, but a family meeting is called. Beatrice and Millie are included at Hellwife’s insistence (“You aRE Kin Of My Son, AnD sO mY kIN. yOu ArE famILy. PlEase, StAY.” They do.)

To put it simply, and without the complicated and unutterable by human tongue language involved, the letter delivered by It is two things- a cease-and-desist order for Antler Guy to stop interfering with the business of Heaven, and a summons for one human soul, male, to be returned to Heaven.

Antler Guy had been doing a bit more than just visiting at the hospital. He had been strengthening the children and the ill, a breath at a time, and some had lived who should have died and gone to the Heavens. He had also deliberately misfiled the paperwork of Son’s mortal life, and it had taken this long to solve the mix-up.

The Heavens wanted Son, and they wanted punishment for Antler Guy’s crimes.

There is a hierarchy to Hell, and to Heaven. Hell is, very simply, Not Heaven. There are some very pleasant places that would not swear to Heaven, and so are regarded as Hell. Earth was left as a neutral area, one where both sides could leverage influence to see who, finally, Wins. No direct action can be taken by either side.

Officially, that’s all there is. Heaven, Earth, and Hell.

Unofficially…

~~~

“Do yOu KnOW yOur LinEs, neIghBor SteVe?”

“Yes ma’am!”

“NEIGHBOR STEVE, BEATRICE, SHARON, YOU DO NOT HAVE TO-”

“HUSH husBand. They are Sure, As aRE we All.”

“BUT I DO NOT DESERVE-”

“Enough.” Everyone- Triad, associated parents, Antler Guy, even the plants and the pets- shivered in the parking lot. Hellwife normally was… nondescript. Not nearly as terrifying at first glance as Antler Guy could be. But the last week, she had started to gather an invisible force to herself (not a literal force, Steve had quietly asked one day.) An air of regal power surrounded her now. A very large and insistent air of regal power. “I Am Your WiFe, HusBanD, And I WiLL deCIdE WhAt yoU DeServe.”

She tenderly scritched around the base of his horns as he sat in the middle of the circle of friends and family (and some vines carefully grown and shed under Hellwife’s specific instruction. Aubergine and Bella refused to be left behind.) Antler Guy quieted under his wife’s gentle claws. The moon shone pale on his polished skull as the hour inched closer to 2 AM.

“ArE You reADy, mY Son? TimmY? MilliE?”

“yes mama.”

“Yes Miss Hellwife.”

“Yes Missus Hellwife.”

The bright parking lot lights grew strangely dim.

“ThEn Let Us Begin.”

~~~

Unofficially, there’s Denny’s.

~~~

Hellwife held out the envelope outside of their circle, and began to Speak. (For the sake of human brains, she had carefully applied her own sort of runes on all participating non-eldritch creatures, including Fluffy. Even cats have their limits.) It glowed, burning itself up into strangely-scented smoke that drifted out into a pool, one that glowed in the same way that It had glowed.

It did not appear, for that was not It’s function. But two other Things drew themselves out of the mist, Things that triggered pain, and fear, and the agonizing knowledge that you deserved this, you deserved whatever They did to you because you are impure, imperfect, not worthy of such Light-

“Enough.”

They…flinched.

“I did not Call for such lackeys. Either send a proper representative, or I will consider the matter closed.”

They roiled uncertainly.

“Do not try my patience.”

They converged on the pool. Steve could feel that liquid sensation in his ears again, only the squiggles Hellwife had carefully drawn kept it from being painful. He had a mighty desire for a Q-tip, though.

Something Else flowed out of the pool. It was not an It, nor a They. This one radiated something else. This one had Power, the kind that would squish a lesser being with no regard, Power that pressed at the mind to be obeyed.

This… was a Boss.

Again, the liquid feeling, only mixed with…derision? If water could hold a snort, that’s what the Boss would radiate. Steve decided a baseball bat would be a better choice.

“Better. A proper Witness.”

Quizzical waterslosh?

“Steve, if you’ll get started?”

“Oh, I, uh, I do so swear…”

Sharon grabbed his right hand, Beatrice his left. In the small circle they made were Antler Guy, the Triad in his lap. Fluffy rode Clifford’s head as he lit the vine circle that surrounded them all, Aubergine and Bella forming a living one within it.

“-of my own free will-”

Hellwife stood between them and the Boss at the edge of the circle, staring at the Boss and it’s increasing distressed They.

“-pledge my son-”

The Boss quivered.

“-as I pledge my son-”

“-as I pledge my daughter-”

The Boss billowed menacingly. Hellwife narrowed her eyes.

“-AS I PLEDGE MY SON-”

The Boss screamed. Hellwife smiled. And stage-whispered.

“-aS I PleDGe My Son-”

The Boss screamed again, and They threw themselves at the barrier of hellfire, fed on wood freely given, reinforced by living flesh. Hellwife smiled.

“““-as we pledge to eachother-”””

And spoke.

“As witnessed by Heaven, Hell, and Earth, our children are pledged Betrothed. Their souls belong to each other, and none other.”

They were looking worse for the wear, Their light dulled and curls of smoke flickering over Them. The Boss was pissed, and the tickle of water in the ears became a torrent, one so angry that words were almost visible.

HE WHO FELL IS MINE.

The force behind the words was direct, and nigh unavoidable for one who had touched Heaven, much less one who fell from it. Antler Guy shook, and tried to stand. The kids, the adults, the plants- even Clifford held him down. Fluffy stood on his head, hissing softly.

Hellwife bared her teeth in a grin that had nothing at all of goodwill in it. She delicately stepped outside of the circle and spread her arms. The aura of regal power bloomed.

The Boss yelped.

“I Invoke my right as Wife to Fight for my Husband. The winner may keep Him.”

The Boss tried it’s best to rally the troops, even call for help- a wave of her delicate claws and the misty gate dimmed in brightness. No help would come from there.

“And since I never Fell…” She stepped forward. The forces of Heaven cringed.

“…you will fight me Fair.”

The mortals kept their heads down, as she had warned them to. A shield of leaves from Aubergine hid the sight and some of the sound as Bella sang her best rendition of Bohemian Rhapsody. Sharon joined for some of the duets.

“Who’s First?”

~~~

The victory feast in the diner was somewhat confusing for the servers, but justly deserved for the family. (A side door was opened for Clifford and Auberguine, who just couldn’t fit in the restaurant.)

Faucets, door handles, curtain rods ripped from the wall… all the repairs started to add up.

“Look, I didn’t mind having an ethereal roommate, but I can’t afford to keep fixing all this shit. Here’s a pencil and some paper. Just write what’s bothering you–I doubt you could put anything that would be more expensive than having a plumber come out to replace all the faucets again.”

The next morning there’s a scrawl line at the top of the page that devolved into an angry scribbling mess that tore through the page. Two cupboard doors were entirely ripped off.

“I don’t want to get someone in to banish you, but this is ridiculous. Just tell me what you want.”

The second piece of paper is ripped into shreds and several knives are embedded in the wall.

A careful examination of the paper scraps show that it had the same scribbles as the first piece.

A quick trip to the library and a stop at a store later, there are kindergarten workbooks on learning to write spread across the counter.

“Look, I don’t know if you’re just being difficult, but I hope not. So I got an audiobook on learning to read and write, and here are some workbooks for kids–don’t get mad–to teach them their letters. Just press play on the stereo, and work through the books at your own pace. I’ll get more when you finish.”

The first workbook is half-completed before being ripped to pieces, but at least there was no other damage. Replacing it is significantly cheaper than replacing cupboard doors.

It takes awhile, but eventually the workbooks progress to a fifth grade level. These ones are starting to be more costly (they’re bigger, for one thing), but it’s not even the money anymore. Little notes scrawled in a shaky hand appear on the steamy bathroom mirror

Have A gooD dy

Or written in ketchup on the counter (that was a frightening sight the first time)

You R out of MLK

And then one day there’s a message taped to the fridge. The spelling and penmanship isn’t the best, but it’s legible and even signed.

Dear Occupente,

I have haunted this spot for ovr three huner hudre 300 years. My bones are dust and I am fergotN. I do not have wants to trap me. I am here 4 ever.

I am bord. Lonly.

I am sorrY 4 breaking things.

We be frends?

@theseburns-neverfade​ I hope the sequel lives up to your expectations ^.^

Faucets, door handles, curtain rods ripped from the wall… all the repairs started to add up.

“Look, I didn’t mind having an ethereal roommate, but I can’t afford to keep fixing all this shit. Here’s a pencil and some paper. Just write what’s bothering you–I doubt you could put anything that would be more expensive than having a plumber come out to replace all the faucets again.”

The next morning there’s a scrawl line at the top of the page that devolved into an angry scribbling mess that tore through the page. Two cupboard doors were entirely ripped off.

“I don’t want to get someone in to banish you, but this is ridiculous. Just tell me what you want.”

The second piece of paper is ripped into shreds and several knives are embedded in the wall.

A careful examination of the paper scraps show that it had the same scribbles as the first piece.

A quick trip to the library and a stop at a store later, there are kindergarten workbooks on learning to write spread across the counter.

“Look, I don’t know if you’re just being difficult, but I hope not. So I got an audiobook on learning to read and write, and here are some workbooks for kids–don’t get mad–to teach them their letters. Just press play on the stereo, and work through the books at your own pace. I’ll get more when you finish.”

The first workbook is half-completed before being ripped to pieces, but at least there was no other damage. Replacing it is significantly cheaper than replacing cupboard doors.

It takes awhile, but eventually the workbooks progress to a fifth grade level. These ones are starting to be more costly (they’re bigger, for one thing), but it’s not even the money anymore. Little notes scrawled in a shaky hand appear on the steamy bathroom mirror

Have A gooD dy

Or written in ketchup on the counter (that was a frightening sight the first time)

You R out of MLK

And then one day there’s a message taped to the fridge. The spelling and penmanship isn’t the best, but it’s legible and even signed.

Dear Occupente,

I have haunted this spot for ovr three huner hudre 300 years. My bones are dust and I am fergotN. I do not have wants to trap me. I am here 4 ever.

I am bord. Lonly.

I am sorrY 4 breaking things.

We be frends?

@theseburns-neverfade​ I hope the sequel lives up to your expectations ^.^

EYES/BROWS

his eyes widened

her eyes went round

her eyelids drooped

his eyes narrowed

his eyes lit up

his eyes darted

he squinted

she blinked

her eyes twinkled

his eyes gleamed

her eyes sparkled

his eyes flashed

his eyes glinted

his eyes burned with…

her eyes blazed with…

her eyes sparked with…

her eyes flickered with…

_____ glowed in his eyes

the corners of his eyes crinkled

she rolled her eyes

he looked heavenward

she glanced up to the ceiling

she winked

tears filled her eyes

his eyes welled up

her eyes swam with tears

his eyes flooded with tears

her eyes were wet

his eyes glistened

tears shimmered in her eyes

tears shone in his eyes

her eyes were glossy

he was fighting back tears

tears ran down her cheeks

his eyes closed

she squeezed her eyes shut

he shut his eyes

his lashes fluttered

she batted her lashes

his brows knitted

her forehead creased

his forehead furrowed

her forehead puckered

a line appeared between her brows

his brows drew together

her brows snapped together

his eyebrows rose

she raised a brow

he lifted an eyebrow

his eyebrows waggled

she gave him a once-over

he sized her up

her eyes bored into him

she took in the sight of…

he glared

she peered

he gazed

she glanced

he stared

she scrutinized

he studied

she gaped

he observed

she surveyed

he gawked

he leered

his pupils (were) dilated

her pupils were huge

his pupils flared

NOSE

her nose crinkled

his nose wrinkled

she sneered

his nostrils flared

she stuck her nose in the air

he sniffed

she sniffled

MOUTH

she smiled

he smirked

she grinned

he simpered

she beamed

her mouth curved into a smile

the corners of his mouth turned up

the corner of her mouth quirked up

a corner of his mouth lifted

his mouth twitched

he gave a half-smile

she gave a lopsided grin

his mouth twisted

he plastered a smile on his face

she forced a smile

he faked a smile

her smile faded

his smile slipped

he pursed his lips

she pouted

his mouth snapped shut

her mouth set in a hard line

he pressed his lips together

she bit her lip

he drew his lower lip between his teeth

she nibbled on her bottom lip

he chewed on his bottom lip

his jaw set

her jaw clenched

his jaw tightened

a muscle in her jaw twitched

he ground his jaw

he snarled/his lips drew back in a snarl

her mouth fell open

his jaw dropped

her jaw went slack

he gritted his teeth

she gnashed her teeth

her lower lip trembled

his lower lip quivered

SKIN

she paled

he blanched

she went white

the color drained out of his face

his face reddened

her cheeks turned pink

his face flushed

she blushed

he turned red

she turned scarlet

he turned crimson

a flush crept up her face

WHOLE FACE, ETC.

he screwed up his face

she scrunched up her face

he grimaced

she winced

she gave him a dirty look

he frowned

she scowled

he glowered

her whole face lit up

she brightened

his face went blank

her face contorted

his face twisted

her expression closed up

his expression dulled

her expression hardened

she went poker-faced

a vein popped out in his neck

awe transformed his face

fear crossed her face

sadness clouded his features

terror overtook his face

recognition dawned on her face

So, so many works I’ve read could be vastly improved with tightening and shaving of superfluous words. Wordiness is an easy stumbling block, as we’re used to how we talk. We’re used to how others (long ago) wrote. But times change, my friend, and so do expectations of the writer. We don’t get paid by the word in fiction. So show your smarts and say as much as you can with as much power as you can in as few words as possible.

Here are a few things you can cut without reserve to help shorten your story right now. And as you catch yourself using these words in your next draft, hit that backspace before you finish the sentence! It’s okay if you already have. You can go delete them now. No one will ever know.

Moment/Second/Minute

It’s so tempting. I am guilty of using this word like fertilizer in my first drafts. But most of the time, these words aren’t needed at all. They add nothing.

He sat down for a moment, sipping his coffee. vs. He sat down and sipped at his coffee.

But he only did it for a moment, you say!

He sat down for a moment, sipping his coffee. When the door opened a second later, he shot to his feet. vs. He sat down and sipped his coffee. The door opened, and before he could swallow his first sip, he shot to his feet.

I know, this is about making your writing more concise and my “right” example has more words than the first example. But what’s the difference? The words used in the second sentence are more tangible. They give a visual that “a second later” and “for a moment” don’t. And you could leave that part out, of course, if you’re really going for trimming word count. It doesn’t paint quite the same image, but “The door opened and he shot to his feet.” is a perfectly good sentence.

Suddenly/All of a sudden

You’ve heard this one, before, surely. These words are used…when? When you’re trying to portray suddenness. Surprise, perhaps. So why are you adding in extra words to slow down the pace?

She flipped on the TV and reclined in her chair. All of sudden, the TV flashed a bright light and the power went out. vs. She flipped on the TV and reclined in her chair. The TV flashed once before the lights went dark. The power was out.

That sense of immediacy is felt when stuff just happens. So let it happen. If it’s rhythm you’re worried about, then find more useful words to create the rhythm. Notice that I didn’t just cut “All of a sudden” out of the sentence and leave it. I reworded it a bit to make it stronger.

Finally

It can be a useful word, but more often than not, it’s just taking up space.

Really/Very

Just…delete them.

To alter a Mark Twain quote:

“Substitute ’[fucking]’ every time you’re inclined to write ‘very;’ your editor will delete it and the writing will be just as it should be.”

But seriously, if you’re saying, “She was breathing very hard.” You could just cut the “very” and say, “She was breathing hard.” Or, even better, “She was panting.” Or, EVEN BETTER: “She panted.”

Himself/herself/myself/themselves

Reflexive nouns have a specific purpose, though they can still often be avoided. They fall into the category of “use only when it’s confusing otherwise.”

Correct: He looked at himself in the mirror. Better: He looked in the mirror.

Incorrect: She gave them to Andrew and myself before leaving. Correct: She gave them to Andrew and me before leaving.

Technically correct I guess: I haven’t eaten lunch myself. (Intensive pronoun; aka waste of words) Better: I haven’t eaten lunch.

Intensive pronouns add emphasis, but that emphasis is negligible and often negated by the power of tightening your narrative.

That

You can likely cut 60% of your “that"s and your story will be unaffected. Sometimes, you do need to add a “that” here and there for clarification, but not always. And sometimes it’s just plain incorrect.

The jacket was the coolest one that he’d ever owned. vs. The jacket was the coolest one he’d ever owned.

In other cases, you might do well to substitute “that” with “which.” Though, if you’re doing this, make sure you do it properly. That change can often alter the meaning of your sentence. That can be for the better, though.

The vandalism that read “Bad Wolf” made Rose nervous. vs. The vandalism, which read “Bad Wolf,” made Rose nervous.

Do you see the difference? In the first sentence, the words are what make Rose nervous. In the second, the vandalism itself makes Rose nervous, and it happens to say “Bad Wolf.” In this case, if you’ve watched Doctor Who, then you know the first example is the correct one.

So when you’re sharing details using “that” or “which,” contemplate how important they are to meaning of the sentence to determine which type of clause you need to use.

Then

Or worse, “And then.”

It makes your writing sound a bit juvenile. Either cut it entirely, or substitute “and.”

She jumped into the pool, then hit her head on the bottom. vs. She jumped into the pool and hit her head on the bottom.

And then, after all that time, she fell asleep. vs. After all that time, she fell asleep.

Even

Sometime “even” can help emphasize a situation or behavior, but when it’s used in narrative improperly, it sounds childish and silly.

He couldn’t even breathe. vs. He couldn’t breathe.

Even with the new hair gel, his hair was terrible. (This one is fine, though you could still cut that “even” if you really wanted to…)

Just

Just…Delete it.

Breathe/breath/exhale/inhale/sigh/nod/shrug

Another one I’m so guilty of. In my first drafts, I tend to talk about how a character is breathing, or when they’re sighing like nobody’s business. I know a lot of writers who are guilty of this, too. It’s a great tool to use scarcely. In intense moments, you can let your character take a final deep breath to calm themselves. When a character almost drowns, those first few sweet breaths are important. But you readers know that people breath all the time. And just because you need a beat in your dialogue doesn’t mean you need to remind your reader that the character is still breathing or moving.

Rather/quite/somewhat

She was rather tall. She was tall. He was quite idiotic. He was idiotic. They were somewhat snazzy. They were snazzy. Why do you need those words? Kill ‘em.

Start/begin

This is a great example of fluff.

She started to run toward the shop. vs. She ran toward the shop.

He began scolding them for their performance. vs. He scolded them for their performance.

There are obviously uses for this word, like anything. He started the car. Begin your tests! But when you’re using it to slow the action and the pace of your narrative, then consider heavily if you need it. You probably don’t.

In order to/in an attempt to

Phrases that add unneeded complications, cumbersome wording…kill ‘em!

She bit down in an attempt to stop herself from screaming. vs. She bit down to stop herself from screaming.

Was able to

He was able to call. vs. He could call. OR He called.

This is one that isn’t inherently bad, but it can easily be overused and cutting it will help simplify your narrative.

Due to

Ugh. Are you trying to sound proper and stuffy? Because that’s a reason, I guess, to use this phrase…and yet it sounds like doodoo. (Yes. I’m an adult.) Rephrase. Use “Because of” or just avoid the need altogether.

We stopped due to traffic. vs. We stopped because of traffic. OR (Strength of narrative!) We stopped mid-highway. The parked cars went on beyond the curve of the road, out of sight.

Visibly/obviously/apparently/audibly

These are a sign of telling in your narrative when you should probably be showing.

She was visibly shaking. –> She shivered, hugging her upper arms. He was obviously tired. –> He yawned and tripped on his own feet as he crossed the room. They were apparently angry. –> They stomped and shouted, demanding attention. She screamed audibly. (Really?) –> She screamed.

Don’t tell your readers what emotion a character is feeling. Instead, give a few clues that they can see/hear/feel the emotion too.

While

This word has lots of legitimate uses. However, if you’re using it poorly, then your narrative reads like an Early Reader’s book, and you (unless that’s what you’re writing) probably don’t want that.

“Get it together,” he said while flipping them off. vs. “Get it together,” he said, flipping them off.

Turned

One of the classics. So overused, my friends. It’s needed on occasion, but not nearly as often as we use it. Just cut it out.

They turned toward her as they spoke. vs. They gave her their full attention as they spoke. OR They looked into her eyes. OR (Nothing. Readers don’t have to be updated on every little movement.)

Saw/looked/regarded

UGH. Regarded:Looked::Mentioned:Said

And, like “said,” many, many instances of these words can be nixed.

She saw them run for the hills. vs. They ran for the hills.

This can be tricky, I know, when you’re writing in limited-third or first POV. It’s tempting to put every action directly through your POV character’s filter. But resist that temptation! There are times when it’s appropriate, occasionally, but it can be overdone so easily.

I looked at her and said, “Please.” vs. I said,“ Please.” OR. I took her hand. “Please.”

This example sides with the breathing and the turning. It’s often an unneeded update on the tiny movements of the characters. And, again, sometimes you need that beat or that little detail in an intense moment, but not often.

Said/replied/stated/spoke/mentioned/asked/commented/yelled/cried/shouted

I’m not here to tell you to cut all your dialogue tags (please don’t). I’m also going to the last person who insists you get rid of “said.” In fact, I’m in the “said is invisible” party of writing nerds and I think, if you’re going to use a standard tag, it should be “said” 90% of the time. 

But aside from that, using as few dialogue tags as possible is a good thing. I’ll do a full post on this soon, but for now, be aware of how often you rely on these words in your dialogue and do your best not to overuse them. Use surrounding action and context to take some of the reliance off of these words. 

To-Be in all its conjugated forms

If you’re using any of this list:

am, is, are, was, were, be, being, had been

Then check yo'self. Some tenses call for an auxiliary verb. Some types of sentence do, too, not doubt about it. But many don’t, and cutting to-be verbs when you can will help tighten your writing.

We were going to the store. vs. We went to the store.

Sounds were echoing through the chamber. vs. Sounds echoed through the chamber.

To-be verbs can also be an indicator of passive voice, though they aren’t always.

He was hit by the ball. vs. The ball hit him.

Last but not least, check all of your adverbs.

Chances are, if you’re using an adverb, you could be using a single strong verb instead and giving each sentence more punch.

He ran quickly. –> He sprinted. I hit him hard. –> I socked him. She spoke quietly. –> She whispered. They ran into each other fast. –> They crashed.

So what am I supposed to do about this?

Take it to heart. Try not to let these words take over your brain as you write. Once your manuscript is finished, try this method:

Use Find and Replace. Replace any and all of the aforementioned words in ALL-CAPS. Now, if you’ve paid attention to my advice in using emphasis, then those all-caps will really stick out as you’re reading over your work and you can decide at each instance whether your usage is appropriate, or if it needs to be rewritten. As I did to this very old draft of mine from my first NaNoWriMo (in which I used every single word on this list, I’m sure).

When I used this method with my most recent WIP, I was able to cut my word count from 105k to 93k without cutting any content whatsoever. It takes a lot of work and it’s pretty tedious but the results are amazing!

It wouldn’t be the English language without exceptions, would it?

Now, there is actually an important time for intentionally using any or all of the words on this list. You know when that is?

Trimming your writing has the benefit of getting your point across to readers without using stuffy sentences and filler phrases. Those are the training wheels of beginning writers, but seasoned professionals can pick them out easily. 

One such weakness to cut from your writing so it sounds more professional is the word “give.” Here are some examples taken from my own writing.

Example 1:

Original - She gives me an appraising look as I enter the room.

Revision - She appraises me as I enter the room. 

Example 2:

Original - She gives a long tired sigh, but smiles at the end of it.

Revision - Her tired sigh ends with a smile.

anyway i go in to see paul one week in the summer of 2016, and i’m doing my usual bullshit which consists of me talking shit about myself, and paul is staring at me, and then he cuts me off and says that he’s got a new tool for helping people recognize when they’re using negative language, and gets up and goes over to his desk

and i’m like alright hit me with that sweet sweet self-help article my man, because i’m a linguistic learner and whenever paul’s like here i have a tool for you to use it’s pretty much always an article or a book or something

paul opens a drawer, takes something out, and turns back around. i stare.

i say, paul.

is that a nerf gun.

yeah, says paul.

i say, are you gonna shoot me with a nerf gun in this professional setting.

he happily informs me that that’s really up to me, isn’t it. and sits back down. and gestures, like, go ahead, what were you saying?

and i squint suspiciously and start back up about how i’m having too much anxiety to leave the house to run errands, like it was a miracle to even get here, like i’ve forgone getting groceries for the past week and that’s so stupid, what a stupid issue, i’m an idiot, how could i–

a foam dart hits me in the leg.

i go, hey! because my therapist just shot me in the leg. paul blinks at me placidly and raises an eyebrow. i squint again.

i say, slowly, it’s– not a stupid issue, i’m not stupid, but it’s frustrating me and i don’t want it to be a problem i’m having.

no dart this time. okay. sweet.

so the rest of the hour passes with me intermittently getting nailed with tiny foam darts and then swearing and then fixing my language and, wouldn’t you know it, i start liking myself a little more by the end of the session, which is mildly infuriating because paul can tell and he’s very smug about it 

- were street lamps invented in ww2????

- how much does an arm cost tho

- Everyone is nodded. All the heads are nodding in this conversation

- wait no it was raining wasn’t it *looks back ten pages* yeah okay why did i do that

- It’s still night right?

- It’s been night for like 30 years at this point

- what’s that guy’s name again? I should know this these are my babies

- I have no idea how you guys are going to get out of this alive so figure it out kids

- *googles* how to travel across Europe during the middle ages

- effects of the bubonic plague???

- shoot, comas don’t work like I want them to. I need a convenient coma

- Everyone has the ability to quirk one eyebrow why is this

- how smart are rats

- I think they’ve sighed like 30 times now

- how do i describe what its like to run a mile I’ve never done that in my life

- Im sure its just like super hard

- No one cares about the weather stop

- i just wrote twenty pages in two hours why cant i do this in school

- everyone smirks too much but what else do i say its not a smile its too sad for that

- and now everyone is just ‘smiling sadly’.

- chuckled sounds like santa clause but laugh is too much but snickered is evil but giggled is too bubbly…

- what is the purpose of a rubber duck

- no, don’t make references this is a serious piece of literature

- “now if I reverse the polarity of the neutron flow”

Me: This is so obvious and clever it practically writes itself!

*later*

me: yeah I guess