I'm so close (and yet so far lol) on the second sleeve!

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@elspeth-nutt
I'm so close (and yet so far lol) on the second sleeve!

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We are asking for feedback on the addition of a “Policy on Generative Artificial Intelligence (AI) and Plagiarism” to the Corporate Policies
Hey gang. Please read this and submit your commentary on this new addition. There's big talk about the ethical use of generative AI, but the currently presented phrasing needs feedback and editing. Do your thing.
I made a mini version of the big illuminated manuscript vase!
(Its for sale here)
Medieval garden vase, ready for the kiln!
I found a botanical manuscript and was possessed
Im going to be listing a few pieces from this series for sale on kofi soon, so give me a follow there if you want to be notified!
I've got the first sleeve attached to the body of the partlet. y'all, it's heavy! 😂

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I only have a passing familiarity with the SCA but I saw your recent ask and I wanted to ask is it not considered yellowface for a white person to have a Japanese persona? If a white person having a 15th century African persona wouldn't be ok (which I hope is the case) why is Asian ok? I know Japanese people are generally very happy to share their culture and clothes, but a white person who doesn't even speak Japanese regularly roleplaying as an Asian seems difficult to be done respectfully.
I really appreciate you asking this, and I'm going to try to answer you in a way that I hope is helpful and respectful. Since your question is on the persona, I will focus on that. If I say anything wrong or misleading, I hope others will correct me.
I think the keyword in your question is 'roleplay.' To clarify, the SCA is not a LARP, it is living history. You will hear a lot of talk about "the game" in the SCA, but it is, in actuality, a non-profit educational organization. Members research and recreate the arts and sciences of the middle ages, sometimes with the help of a persona.
A persona in the Society is used by many members to give focus on a certain time and place that interests a person. Sometimes a persona is simply a time and place to base your fashion or kit on, but other times it's to better understand and educate yourself and others on different people and places. For those who are interested, it gives them a definitive focus to research the role someone would have played in society, their skills, their profession, as well as their culture. This isn't pretending to be a race that you aren't, this is educating yourself and teaching others about the historical and cultural importance of other times and places and the people who existed there.
It's also important to remember that people of color traveled as extensively as their white counterparts. Black, brown, and asian people existed in medieval Europe, just as white people existed in medieval Africa and Asia. The idea that you should only use a persona that shares your race is a fallacy, because medieval history is world history. There were brown people who are culturally German, and black people who are culturally Chinese a thousand years ago just like today. Learning about and appreciating how people existed in times and places different than our own is a beautiful and important part of the SCA.
A household sister of mine is black and has a Japanese persona. She has the most stunning garb I've ever seen and loves to explain it all in detail. A Filipino friend has a Moorish persona and is an absolute encyclopedia of information about all things Al-Andalus. A white friend has a Korean persona and routinely gives a classes on the cultural importance of tea ceremonies. Each of them is a font of information about different historical and cultural importance and contributions of their time and place, and I'm grateful for their taking the time to learn and teach about it. Which is exactly what a persona is meant to do.
I want to agree SO MUCH with everything sca-nerd is saying here and also add: It is completely okay to have a 15th century African persona as a white person. I know and respect people who have done this.
The SCA isn't Halloween.
We aren't putting on costumes that reduce an entire race or country of people to a cartoon stereotype. People meticulously research their clothing and - this is really important - are specific about it.
Dressing as "an African" is pretty offensive because you're treating the entire of Africa like it can be reduced to one outfit. The way that a ancient Middle Kingdom Egyptian warrior might have dressed would be totally different to the way that a 15th century Andalusian refugee in Morocco might have dressed, or a 14th century musician in Great Zimbabwe, or a 10th century farm worker in the Malindi Kingdom. Collapsing all of that diversity into "African" is deeply ignorant, and wouldn't be ok in the SCA. (You wouldn't dress up as "a European" - you'd be "a 12th century Viking" or "a Renaissance Italian" or something.)
Dressing as a 14th century Great Zimbabwe musician doesn't work as one of those offensive-stereotype Halloween costumes. Almost nobody who sees you is going to recognise exactly what you're supposed to be - especially because the past is strange, and historically accurate costumes often don't match what people expect. It only works within the context of the SCA, where we're an educational charity, and the entire point of the outfit is for someone to ask you about it so that you can excitedly tell them about the 200 hours of research you put into learning from 14th century Zimbabwe fabric arts.
Also: Putting pressure on people to only portray their own race is, in itself, creating a racist environment.
Unfortunately, when white people are too scared of "cultural appropriation" to do African personas and African research, what that tends to create is an unfair amount of pressure on our newcomers of colour to do all their own research and all their own work - and that, in itself, is a form of racism that keeps people of colour excluded from the Society.
As someone doing Scotland in the SCA, there are SO MANY resources for me. People will show me their Scottish garb and explain to me how to make garb like it, teach classes about ancient British food and brewing methods, make and sell appropriate armour/items for my persona, and sing Scottish songs that I can learn. It's easy. The path is laid out and paved for me.
If I wanted to do Great Zimbabwe? Man, I don't even know where I'd start. There are very few class offerings, I can think of almost nobody I could copy garb from, I would have to do deep-dives into foreign-language texts to even begin picking up some documentable historical songs of the appropriate period.
So our newcomers of African heritage are left with a choice: either just be Vikings and Italians like all the white people do, or set out on the incredibly difficult journey of doing all their own research & all their own crafting & all their own documentation. That is unfair to them. We cannot become more diverse & less white as a Society without encouraging, supporting, and giving material help to newcomers of colour who want to portray African/Asian/Native/etc personas, and the only way we can give them adequate support is if our existing experts are willing to make African garb, research African topics, sing African songs, teach about African history, and create that environment where it is just as easy for someone to do a Malindi persona as it is for someone to be a Roman.
Wearing a Halloween costume isn't being a good ally, because it's not actually doing anything to help support people of colour & it's not giving you anything like the experience of actually being a person of colour. Doing an African persona is allyship, if you do it correctly, because you're supposed to be doing research and education. You're going out there and creating the garb and items, writing the papers, teaching the classes and advancing knowledge about Africa. You're putting in the work so that someday, hopefully, a young Black newcomer in the Society will find it just as easy to do 1400s Oyo Empire, and has just as many resources and classes and role models, as a young white newcomer who wants to be a 1400s Agincourt archer.
It makes me immensely sad when someone says, "oh, I got a 23 & me genetic test and it says I'm 30% Norwegian, so I'm going to be a Viking". Thinking your genes define who you are is racism, pure and simple. Racists want us to define ourselves that way. Hitler would be fucking thrilled to hear us discussing whether we have enough blood quantum to be allowed to research the topics we want to research. It's a particularly American vice I've noticed since moving here; everyone's obsessed with their ancestors, where they come from, and their "real" roots/heritage/culture - and that creates this tendency to say things like "I'm Polish" as someone who's never been to Poland, doesn't speak Polish or engage in Polish religion or culture, and so may believe a bunch of offensive oversimplifications/stereotypes about what Polish culture is actually like. Being "40% Irish" according to a gene test does not mean you know more about Ireland, or are more authentically Irish, or have more right to Irish culture, than a person of colour who is 0% genetically Irish but actually lives in Ireland.
It's still extremely important to have humility about the extent of our research. If you say "this phrase means this" and then an actual native speaker of the language says "you're wrong", you should probably accept that you're wrong. Luckily SCAdians are pretty good about understanding that; doing a SWANA persona doesn't make you Arab, any more than a Roman persona makes you Italian, or my research into Dark Ages Scotland makes me actually from the Dark Ages.
To treat African and Asian cultures as off-limits for research & teaching doesn't send the message that we're being respectful. It makes it seem as though we think those cultures aren't worthy of research, aren't interesting enough to teach about, didn't have cool enough achievements to want to emulate them, didn't make technological contributions that are necessary to a full understanding of history, and shouldn't be represented - unless people of colour do all the work by themselves with no help, in which case we'll grudgingly accept them. Fuck that noise! As a student of history, you must study Africa and Asia and indigenous Americans and indigenous Australians and the Pacific Islands. Your understanding of the world will be fundamentally impoverished if you treat Europe as the only place you need to know about.
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Did you know: the Bluetooth wireless technology was named after tenth century Danish king Harald "Bluetooth" Gormsson (Haraldr Blátǫnn Gormsson in Old Norse) owing to his ability to transmit information over short distances by using UHF radio waves?
Hi, native dane here and this information just isn't correct. Harald Blåtand was actually able to transmit radio waves over great distances and with impressive force, which is how he came to unify the country, as described on his famous memorial runestone 'Jellinge-stenen'. The modern bluetooth technology is but a pale imitation of our ancient king's psionic powers.
I'm truly sorry for having passed on misinformation. I'm trying to learn from my mistakes. Readers, reblog this version of the post instead to quell the tide of misinformation!
as a dane I can confirm
look how his long reach is depicted with very clear symbols, to explain how his powers reach out and connect the whole world
Engineer here:
I can confirm ALL the above information. Harald is also a very distant family member who dabbled in RF technology.
Information is completely accurate!
I found this website where you can make medieval-style memes.
I have never slammed the reblog button faster.
80 hour mark on the embroidery of my smock sleeve

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I’ve been working on some little charms and pendants inspired by marginalia creatures from illuminated manuscripts.
I could have sworn I posted them already. Or at least had them in the queue but it looks like they disappeared
They’re a lot of fun.
Just some silly little guys
These are all porcelain fired to cone 5ish, there was 1 casualty that exploded in the kiln and you can see a few remnants stuck on here and there. But overall I think these were a successful first go at it.
I would like an army of them, please.
SCA Thirty Year Tapestry Project
(1995-1996)
The Barony of Adiantum (Eugene, OR) created a Jacobean style tapestry to gift to the Kingdom of the West depicting a "Tree of Life" showing the kingdoms and principalities of our organization as they branched out from the first kingdom, the West. It was presented at the SCA's 30 Year celebration event held in An Tir (1996).
All of the yarns used were hand spun and dyed using natural and period dyes. An army of 50-60 volunteers spend about a year carefully stitching the tapestry itself. It was an incredible project to be a part of. These photos are scans of film photos taken to document the project.
Annathea Yarnspinner spun most of the wool yarn we used.
These show a day-long session of dying the spun yarns. First picture shows Catriona of the Fields preparing an indigo dye bath. Next, as yarn came out of the bath it was hung on a line to dry. You can see yellow yarns (done with onion skins) and blue done with indigo. The green was achieved by overdying indigo on the onion skins yellow. Pictured are: Catriona, River, Baranne, and Annathea.
Here are some of the variety of colors we achieved for the embroidery of the tapestry. We had a very impressive color palette to work from.
Here is one of the MANY group embroidery sessions. This is in Madelynn's living room. Pictured from closest and clockwise: Fearga, Annathea, Marian, Alys, Raven, River, and Meagan.
All total there were probably hundreds of sessions like this with 50-60 people working on it overall. It was taken to various events and people would work on it while other things were happening (such as court). I think we all got at least a few stitches into it.
Here is the finished project as it was being prepared to be presented. Then baron and baroness Ambrose and Marian presented it with much ceremony to the king of the West. He was moved to tears (the good kind) when presented with it. It still resides in the Kingdom of the West.
(my Facebook Archive originally posted 10-18-2013)
Oh hey, do you know what time it is? It is highly specific resource time!
Today we have the Royal School of Needlework Stitch Bank! There are HUNDREDS of stitch types in the RSN Stitch Bank.
And more added regularly, let’s look at a recent addition
I picked the first one in the 25 recently added Elizabethan stitches, the Elizabethan French Stitch
The stitch bank provides written and photo tutorials as well as a video option to learn to do it yourself. There are examples of the stitch in use, resources, references, everything but a needle and thread!
RSN Stitchbank
rsnstitchbank.org
I looked at some of the tutorials last night and holy shit I'm so impressed! They're SO thorough! Not only do they have written and video instructions, but there are photo and illustration options for each image AND a "flip view" button so that left handed people can see all the images in reverse!
I am going to jump in and add, as you said they are very detailed in their directions, something that takes a lot of time and money.
If anyone who has enjoyed this resource has the means, I encourage you to adopt or sponsor a stitch to help keep this free to access. I know not everyone has the means to (fair, been there) but if you can, check out their sponsor options
RSN Stitch Bank Progress
And one other resource I have shared before, The Lady's Magazine. Embroidery patterns from 1770-1819. In case anyone wants some historic ideas for using all these new embroidery stitches
The Lady's Magazine: Patterns of Perfection
I'm not going to Pennsic this year, but this popped up in my tiktok "on this day" and it gave me a chuckle.
Good luck to everyone in the final stretch of Pennsic Prep!

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It's not every day that a meme falls into your lap.
since the yearly "certain medications can cause heat intolerance" PSAs are out in full force, let us fondly remember last year when I was at Pennsic (big ass medieval recreation event) and our group was tearing down our giant tent lodge we use for our kitchen and dining hall. and there's a part at the very end where the roof is sort of on the ground, but still tented on a pole in the middle. and someone has to go under there to unhook the roof from the pole. but it's hot as fuck in that part since it's been baking in the sun for two weeks, so it's called "Satan's asshole". which resulted in somebody VERY solemnly telling me, "going into Satan's asshole is NOT a job for somebody on SSRIs"