Odds 'n Ends

Its been five years of it’s august and the flow of time still haunts me

THIS WILL NEVER NOT BE FUNNY 

it is absolutely true that every character in death note is in a completely different piece of media from every other character. light thinks he's in law and order. L is in columbo, as columbo. misa is in a sabrina carpenter song and rem is in a chappell roan song. to ryuk this is all the three stooges. soichiro is in taken and matsuda is in brooklyn 99 and aizawa is in disco elysium. this is mikami's silence of the lambs and you're living in it. mello will either make this whole situation into twilight or die trying, and near? well. near is in death note.

I am so tired of short-attention-span, trim-the-fat culture. All writing advice these days is for how to write like Chuck Palahniuk. "Cut 'think', cut 'feel', cut 'wonder' - only action, only pushing forward, show and move and move and move." What if I could emulate this style, and still don't want to? What if I want to write like Henry James, with three paragraphs of introspective musings between each dialogue line? The music advice is, "make it shortform, make it Tik-Tok compatible, make it punchy, hit the refrain as soon as possible." What if I want that 10-minute prog rock piece? What if I want that symphony? What if I want it slow and luxurious and lazy? Movies. Series. Poetry. Bodies. Everything is "trimmed trimmed trimmed trimmed, stripped bare, you have three seconds to win me over, make it airport chic." I don't want to win you over, then, I guess. I want the fat left it. I want the pleasure and the indolence and the indulgence. Fuck this art-advice that's always "your art needs Ozempic."