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When the sins of my father
Weigh down in my soul
And the pain of my mother
Will not let me go
Well, I know there can come fire from the sky
To refine the purest of kings
And even though I know this fire brings me pain
Even so and just the same
Make it rain
Make it rain down, low
Make it rain
Oh, make it rain
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I have surprisingly been getting messages from people asking whether I'd do a post about my design notes for the deadly seven sins. Alright then, here goes;
Design Notes; The Seven Deadly Sins
Greed points at everything they want and grasps anything they can. Their true form is unseen. Their own hand partially blinds them. Different eyes puncture their crown, stolen from others. They float, detached from all. Their stick is sharpened at both ends
It is the first and oldest design, dating back to 2023
The stick sharpened at both ends is a reference to Lord of the Flies (in the book, one end of the stick goes into the earth while the other holds a severed head) I wanted it to symbolize violence
Sloth exists in a wrapped cloth that provides comfort but muffles all sensations. Sloth doesnt see, speak nor hear. The cloth overwhelms them. They are bound by a rope whose edge reaches inside their confinement, giving them the ability to free themselves if so desired.
I made an extra effort to put the rope within Sloth's control, to avoid associating inertion from mental illness to laziness
I wrapped my Blajah plushie with a bed sheet and used my robe's belt as rope to get a picture reference for the upper body. Despite eerie origins, my designs come into paper with a lot of silly methods.
Pride exists inside a golden, hollow statue. Their gaze is set upon a cracked book of pages set in stone. Their laurel crown is sharpened to the point of horns. Pride can be set free if they break the outer shell that binds them with the gavel they use to condemn others.
The pose and clothing is a reference to the painting The School of Athens, by Raphael.
Being mettalic, the book only reflects back themselves. Even if you interpret it as stone, it would still work since the pages remain static
I like to imagine the rotten legs dragging their heavy statue shell around. Ever since I was little I have a strange fear of statues moving
Gluttony is a stomach, living and consuming themselves within their confinment. They’re not represented by an underweight or overweight person; it had to be something everyone has. Their scale is purposefully unspecified; because everyones is different.
The design resembles the Horseman of Famine because gluttony and famine are connected; the excessive hoarding by some people causes famine to others. They're like two different plates on a scale
While the basic representation is just fat, I never considered drawing an underweight person to counter it and appear subversive. When talking to a friend recovering from an eating disorder they mentioned how cheap and uncomfortable it is when people use extreme thinness just for the sake of horror and I have to agree. I always avoid drawing real bodies for horror
Lust is the only one who tries to disguise itself with a human appearance, tho it has too many hands. One hand to beckon, one to threaten, and one to silence you. It kneels because not all of its victims are adults. It lives undercover and invites you in as well
Many asked about the fourth hand: it's the one you only notice afterwards and are left wondering what it means, whether it's an innocent gesture or not. How it made you feel.
It has 2 other variation designs. While what I made before is beautiful, it is not unsettling enough. It has the artstlye of an angel rather than something human and dangerous
I settled on the design after a passage in the book Second-Hand Time, by Svetlana Alexievitch. It was a passage about a teen abused by a military squad, killed when she got pregnant, and mocked over how underveloped her body was. Because of that my original idea was to have Lust wearing military boots, but that would restrict the concept too much. I thought that drawing would make that passage less haunting to me, but to no avail.
Envy is a slowly burning and constricted heart. It covers its identity with a mirror; the more it seeks to resemble the reflection of others the less it will resemble itself. But even the reflection is broken, inaccurate, and unsatisfactory.
Many have said the concept looks like a chrysalis or a flower bud, unable to flourish. I like when people interpret my drawings, they often find beautiful meanings that escaped me
I pondered whether to paint the mirror in front of them black, to symbolize phone screens, but decided against it because it would blend into the background
Least popular design but one where people have told me ''I cant stop thinking about it'' the most, which made me cherish it a lot
Wrath is not a beast acting ravenous, but a human thing slowly crawling towards you. All of their actions are justified by the halo they claim to be righteous. The closer they get, the more they shed their humane appearance
It was a challenge to make wrath differ from someone being rightfully angry. It applies to all designs; how to portray dangerous excess to very common and not entirely wrong emotions.
Wrath has no legs. Nothing to stand on
''Little by little, it turned into that wild fury in which the eyes camouflage with a black veil, the fists contract with a tremedous force and your very teeth find the enemy'' Roughly translated quote by Nikolai Gumilev that I kept in mind while designing it. Amazing writer
That is all I can remember at the moment. Hopefully it saciates everyone's curiosity and not ruin the magic and mystery. Thank you very much for your interest. I will see you soon, when it's time for the Seven Heavenly Virtues
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OP compiled a rundown of what they consider their top 100 best/iconic characters in mainland Chinese drama history (uploaded Sep. 2025). I haven't watched most of these, and ofc it's the OP's personal opinion, but it's interesting to see what roles they picked—many I haven't seen, some I disagree with, and some I must second because they're SO iconic and SO good. 鲍国安曹操yyds!!!
Formatted as
[drama] [EN name if applicable] (year it aired) - [character] (actor) ->
S-:
大明王朝 Ming Dynasty 1566 (2007) - Yang Jinshui (Wang Jinsong)
大明王朝 Ming Dynasty 1566 (2007) - Yan Song (Ni Dahong)
汉武大帝 The Emperor in Han Dynasty (2005) - Empress Dowager Dou (Gui Yalei)
大宅门 The Grand Mansion Gate (2001) - Yang Jiuhong (He Saifei)
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This is back on my dash! And listen, I love to see Amir Khusrau getting appreciation, but this translation ignores a lot. The original rhymes! And scans! And does playful things with register! And conveys a tone of affectionate banter between the two speakers, not least because it has them both addressing each other as sakhi (translated above as “girl”) in the last two lines. I think taking some liberties with line order is worth it to preserve more of the rest—and I think there’s a better translation of sakhi. And so:
He only visits once a year,
I splurge big on him when he’s here,
His kisses make my tastebuds tango.
Who, bitch, your man?
Nah, bitch, a mango.
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