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chapter 93!! <3
I bound a little copy of The Witch's Cat by Champagne / @temporalreplicsimile! The story was the perfect opportunity to try my first buttonhole binding and I love the result. It's such a fun structure!

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mold pisses me off so much
oh you have to eat your produce the moment it leaves the store or the fuckin Hungering Dust will get it. and. poison your food
I ran into this post years ago and to be honest, it has completely reoriented the way I engage with food.
Like. Iâve always sorta understood that things grow moldy or stale or sour or such if left out, but I never really internalized it in a meaningful way.
But now Iâm just like.
Yeah. The hungering dust. There exists omnivorous dust in the air that will eat my food if I donât.
Those bagels have been sitting there for a week. Are we going to eat them soon or are we leaving them for the hungering dust?
Pizzaâs been sitting out on the counter for an hour. Everyoneâs enjoying the pizza, but if we donât want âeveryoneâ to include the hungering dust then we should probably put it away soon.
Thatâs just. Thatâs how food works to me now. There exists an invisible predator in the air that hungers for your yummies, and it will not hesitate to eat your food if you donât make the effort to protect and preserve it. And eat what canât be preserved before the dust can.
Life-changing.
An idiot robin has built a nest on top of our garage door motor. The nest was constructed so the chain that drives the door is actually a part of the nest, and if we open or close the garage door, the whole thing is going to get torn apart. So I guess the garage door is staying open for as long as it takes for these eggs to hatch and these birds to leave the nest.
My wife has set up a camera to continuously monitor the situation.
Wife: Maybe we should set up some padding beneath where they'll fall out of the nest? Normally they fall onto grass, not concrete. Me: Seems like we're really coddling these birds. Wife: Well, yeah. Me: I just don't want you to get invested. Wife: Way, way too late for that. I'm all in.
So we're keeping the garage door open for a few weeks, I guess. Whenever I go to use the car, the robin flies away from the nest and watches me cautiously to see whether I'm going to kill her babies, and I can't help but find that a little bit rude of her.
Pictured here, the robin hopping into her nest to settle in for some egg warming.
Two of the three eggs have hatched, these are some ugly babies.
Feeding the babies!
All three are now hatched, here's more feeding time.
And here they are up close, in their resting state.
Apparently there are four. Surprise bird! No idea why they're laying like this, I assume they're just derps or scared of me.
Almost fully fledged, the nest is getting quite crowded. We've moved the cars out of the garage and set down some cushions from outdoor chairs to provide a landing pad for them. They'll be out of the nest within the next few days.
Just one left in the nest, no idea when he's going to get out, but maybe today, and that will be the last of robinposting (hopefully). Definitely some very different styles of leaving the nest.
Alright, that's the last of the robin babies out of the nest, which concludes the saga. I think I'll have just one more post where we press the button to close the garage door and see just how precariously positioned the nest actually was, but that will be later.
if you work in a creative field...or if you do creative hobbies like writing or drawing...you need to make friends with people who don't do those things. you need to befriend normie Steve who has never written a story in his life. and this is because when you are in a creative job or hobby and spend all your time doing that thing, surrounded by very capable people, who you inevitably compare your own progress and skills to, you forget what the baseline human skill at that thing is. and it's usually zero. normie Steve has not written a story since the 3rd grade when his teacher made him do it. he's very good at other things that are not storytelling - but if you tell normie Steve that you wrote a full 300-page book from start to finish, he will think you're some kind of savant. he does not know ANYONE else who has done this. you need this perspective. because when you're constantly on Let's Write Stories dot Com then everyone on Let's Write Stories dot Com will inevitably be like "oh of course everyone on earth has written a book or several at this point!" and you canNOT let yourself think that. that is not even close to the average human experience. you are in a bubble. do not put yourself down. do not give up.
REAL AND TRUE. my newest normie steve does 40 mile bike rides on a whim and excels at outdoor rock climbing. i will always hype him up.
the real fantasy of heated rivalry isnât that the hot cocky sex god will fall in love with the uptight socially awkward virgin⌠the real fantasy is that you can be sooooooo fucking annoying & avoidant & allergic to intimacy and someone who is securely attached will nevertheless doggedly pursue you, make you feel your feelings, and then marry you

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bonus/proof:
we tipped her well dw. best waitress ever đ
san lang, keep it together!!!
I love cicadas... i love how it sounds like the world is purring đĽ°
finished my latest cross stitch! cut it out and gave it black edging to make it into a patch. i'm planning to sew it to my jean jacket :3c
Wen Ning's life ALSO pretty bad to be fair
HE VERY MUCH DOES. I'm sorry, Wen Ning! His whole family is wiped out AND he's a fierce corpse AND he murdered his bestie's brother-in-law by accident (which got everyone in trouble) AND got experimented on by Xue Yang for awhile there! He's a Jiang Cheng-Song Lan combo! PRETTY BAD TIMES!
Though... okay, controversial critique maybe, but a frustration I have personally with all versions of canon is that it doesn't fully confront how awful Wen Ning's whole deal is. When we meet Wen Ning again post-timeskip, we get a moment of "oh no! who put those nails there!" and then hop straight into wacky Drunkji hijinks. He doesn't grieve or wish to avenge his sister's death, which he would have witnessed firsthand. He doesn't ask about his people's fate (though he somehow knows they all died?), and he doesn't appear to process their demise at ALL in drama canon. In novel canon, if he does process it, it's not till well after he regains lucidity; when he and Wei Wuxian first converse in volume 2, he expresses sadness/horror at how Wei Wuxian died, but nothing for himself or his own people.
And yeah, it's Wei Wuxian's story, but... well, compare this to Song Lan regaining lucidity during Yi City, or Jiang Cheng's entire existence after the fall of Lotus Pier. They both grieve! They both demonstrate profound sorrow and guilt and rage! Meanwhile, Wen Ning is content to trail along after Wei-gongzi, never undertaking any actions or demonstrating any emotions that might be inconvenience or reflect poorly on Wei Wuxian. CQL more often than not accompanies Wen Ning's appearances with the Silly Goofy Times incidental music unless it's a fight scene. It's unfair to him! And it's why I personally often forget about what he's gone through, I think.
as someone whose primary canon is the novel, hard agree on all of this....
the overwhelming impression i got of wen ning from the novel is that the novel is just completely unconcerned with wen ning as an independent individual. wen ning is there in the story to be wei wuxian's primary necromantic summon, wei wuxian's shy uwu friend, the cause of wei wuxian's downfall.....but not his own person. everything he does is to advance wei wuxian's narrative. every time he gets angry, it's for wei wuxian's sake. none of the content involving him in the story is actually about him.
you could argue that this is the fate of all side characters in a story about wei wuxian starring wei wuxian as a main character, but in fact not all the side characters get treated this way! jiang cheng gets to be his own person. jin guangyao gets to be his own person. song lan gets to be his own person, even though his part of the story is primarily about xiao xingchen and xue yang. even murder victim nie mingjue, whose nonsentient dismembered corpse drives the second half of the story, gets to be his own person, in a sense. but not wen ning. wen ning is there to be a shiny accessory to wei wuxian's adventure - a cute sidekick, a mascot of the yiling patriarch, the means by which MXTX drives wei wuxian to doom - but nothing more. never his own person. the narrative does not care enough about him for that.
sorry for digging up an old post, but i came across it and wanted to comment on a few points! disclaimer: my primary canon is also the novel, so i won't be talking about CQL and its directional and acting choices here.
first, i do agree that mxtx probably didn't think too hard about this character compared to many others, she barely even talks about him in the interviews. he is a supporting comic relief sidekick whose main purpose is to advance the protagonist's story, not to clash with him while pursuing his own goals, so he doesn't end up as developed as many others. he's still my pookie mxtx is still an amazing writer who can create a cool character even half-assed, in this essay i will
second, i very much disagree with wen ning not grieving his sister or his people, or the narration not confronting it. that's literally the main thing he does. that's among the first things he talks about after regaining consciousness - after kneeling in apology for being the cause of all those deaths, and telling about his own imprisonment.
âIâve heard a little,â Wen Ning said. âWhat have you heard?â âI heard the Burial Mounds is gone. That everyone thereâŚtheyâre all gone.â Wei Wuxian had wanted to tell him some fun, inconsequential gossipâlike how the Lan family precepts had gone from three thousand to four thousand, or other such things. He hadnât expected Wen Ning to bring up something so heavy from the get-go and could think of nothing to say.
wen ning, post-timeskip, is not a silly, content goofball. wei wuxian, who was at least aware of the passage of time when he was dead, and who had some time to adjust after revival, is the one who wants to joke and gossip - wen ning, who doesn't even know how much time has passed, who woke up yesterday, who can only think of death and loss, is a wreck of his former sunny self. he's a constant whiplash between wei wuxian's present shenanigans with lan wangji, and memories of his past life - an ominous foreshadowing, because we're not even supposed to know who died and how at that point .
(from a doylian perspective, this is why he never talks about his tragedy in detail - his appearances are before the corresponding flashback sections. from a watsonian one, he doesn't need to talk - wei wuxian has matching wounds.)
we're fortunately spared wen ning's internal narration, but all his movements and words are soaked in grief if you just. look at him. he's depressed as fuck. his grief may not be as visible compared to jiang cheng's crackling anger, to lan wangji's scarred back, to wei wuxian's frayed smile, to nie huaisang's bloody revenge (comparable, actually, to song lan's silent sorrow - with even more "screen time" than song lan).
but here it is when they reach burial mounds and find the implied place of wen qing's execution/cremation:
His head hung low, and he stood unmoving next to a stone beast statue. âWen Ning, what are you looking at?â Wen Ning pointed to the base of the statue. It had been built atop a thick, round and short stump. Beside the stump were three smaller, shorter stumps that were charred black, as if they had been burned by raging fire. Wen Ning kneeled and dug his fingers deep into the earth to grab a handful of black soil. Holding it in his palm, he whispered, â⌠Jiejie.â Wei Wuxian didnât know what to say. He walked over and gave him a firm pat on the shoulder. There had been two extremely arduous periods in Wei Wuxianâs life, both of them spent here. Heâd never intended to revisit his old haunts or take a trip down memory lane. And for Wen Ning, the Burial Mounds were even harder to forget.
or the ruins of the village where the wen remnants lived:
Ever since they had ascended the mountain, Wen Ningâs footsteps had been particularly heavy. Now he stopped in front of one of the houses, unable to move his feet at all. This was a house heâd built with his own hands. Before heâd left, this house had been perfectly intact. Although it was simple and rudimentary, it had been a perfect shelter from storms and a home to people he knew and cherished. As the saying went, âthings remain, but people change.â While the things remained, there was nothing left here to remind him of the people that were long gone. âDonât look,â Wei Wuxian told him. ââŚI knew long ago that it would be like this,â Wen Ning said. âI just wanted to see if there was anything leftâŚâ
or when the wen remnants rise from the blood pool:
Wen Ning hurled a number of fierce corpses to the ground. He was shaking as he shouted to the bloody corpse, âIs it you?!â The bloody corpse ignored him. The bloody corpses tore through the fierce corpses like theyâd gone mad, and Wen Ning yelled to them, âIs it you?!â The Demon-Quelling Cave was filled with shrill cries, high and low, but not a single one answered him. Not a single one could.
as the OP said, it is indeed well after he regains lucidity - except he was completely absent from the story between his awakening and the second siege, so it's not like he had a chance before. we do get a lighthearted scene with him scaring the family of farmers to help wangxian escape earlier on - but even then the narrative doesn't miss the chance to remind us how thoroughly fucked he is:
Wei Wuxian sighed. âDidnât I tell you to find a place to hide and not worry about anything?â Wen Ning gave a wry smile. âBut, gongziâŚwhere would I go to hide?â Once upon a time, heâd had somewhere he could return to, people he could follow. But now, everyone other than Wei Wuxian was incomparably unfamiliar to him.
which brings us to the next point,
third - wen ning, indeed, doesn't really get to be his own person for the majority of the novel, but that's his character arc, not an oversight. wei wuxian himself brings this up multiple times! he wants wen ning to go and live his own life! he tells him to leave!
but like the narrator helpfully told us in the quote above, wen ning has nowhere else to go. his family is dead, his sect had fallen, he has no other friends except wei wuxian, he can't make new ones without being attacked on sight, he can't cultivate anymore, he doesn't even need to seek food or shelter - the only things he can do are 1) follow wei wuxian and help him out; 2) try to repay his debt to jin ling, which would be a disaster for everyone; 3) go hunt monsters and eradicate evil like song lan? except that's also kinda what wei wuxian is doing, so that's what wen ning does.
a body going through the motions, i suppose.
until he recognizes lan sizhui, and for the first time post-timeskip, there is light in his eyes:
âDoâŚdo you know, whoâŚwho gave you that name?â Wen Ning then asked. The dead could not form facial expressions. Maybe it was only Lan Sizhuiâs imagination, but Wen Ningâs eyes seemed to light up. He also thought Wen Ning looked excitedâexcited enough to be stumbling over his words. It was making him excited as well, as if a secret that had been sealed for years was about to be revealed.
you can argue that latching onto sizhui like a lifeline is still not "being his own person" - but to me, the thread going all the way through wen ning's story is family: the power he went against, the surname that doomed him, the loved ones he lost - and now, someone he found. to me, this is a deeply depressed person seeing the light at the end of a fifteen-years-long dark tunnel, a hope, a future. someone from his family lives, so maybe there's something to live for, and despite everything, it's not wei wuxian.
after the guanyin temple showdown, wen ning willfully abandons wei wuxian and says he's going to walk the rest of the way on his own.
that's a start. of wen ning being his own person. yeah, in the ending of the novel. i can see how that might not make him interesting to everyone, but to me, that just means free real estate for headcanons. i've seen his pain and horror, now i can imagine his garden and a cat, an apothecary shop, or him on the road, using his power for good. i personally enjoyed his journey a lot, and wanted to speak in his defense a bit - i think he is a much more compelling character than what the fandom often flattens him into.

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Forgot to post some more animal illustration studies!
âImagine having a child that refuses to hug you or even look you in the eyesâ
Imagine being shamed, as a child, for not showing affection in a way that is unnatural or even painful for you. Imagine being forced, as a child, to show affection in a way that is unnatural or even painful for you. Imagine being told, as a child, that your ways of expressing affection werenât good enough. Imagine being taught, as a child, to associate physical affection with pain and coercion.
As a preschool special ed para, this is very important to me. All my kids have their own ways of showing affection that are just as meaningful to them as a hug or eye contact is to you or me.Â
One gently squeezes my hand between both of his palms as he says âsquish.â I reciprocate. When he looks like heâs feeling sad or lost, I ask if I can squish him, and he will show me where I can squish him. Sometimes itâs almost like a hug, but most of the time, itâs just a hand or an arm I press between my palms. Then he squishes my hand in return, says âsquish,â and moves on. He will come ask for squishes now, when he recognizes that he needs them.
Another boy smiles and sticks his chin out at me, and if heâs really excited, heâll lean his whole body toward me. The first time he finally won a game at circle time, he got so excited he even ran over and bumped chins with me. He now does it when he sees me outside of school too. I stick out my chin to acknowledge him, and he grins and runs over and I lean down for a chin bump.
Yet another child swings my hand really fast. At a time when another child would be seeking a hug, she stands beside me and holds my hand, and swings it back and forth, with a smile if Iâm lucky. The look on her face when I initiate the hand swinging is priceless.
Another one bumps his hip against mine when he walks by in the hallway or on the playground, or when he gets up after Iâm done working with him. No eye contact, no words, but he goes out of his way to âcrashâ into me, and I tell him that itâs good to see him. He now loves to crash into me when Iâm least expecting it. He doesnât want anything, really. Just a bump to say âHi, I appreciate youâre here.â And when heâs upset and we have to take a break, Iâll bump him, ask if he needs to take a walk, and we just go wander for a bit and discuss whateverâs wrong, and heâs practically glued to my side. Then one more bump before we go back into the room to face the problem.
Moral of the story is, alternative affection is just as valid and vitally important as traditional affection. Reciprocating alternative affection is just as valid and vitally important as returning a hug. That is how you build connections with these children.Â
This is so goddamn important.
I verbally express affection. A LOT.
My husband⌠doesnât. I donât know why. For the longest time part of me wondered if it meant he loved me less.
At some point I told him about a thing I had done as a kid. Holding hands, three squeezes means âI Love Youâ.
Suddenly heâs telling me I Love You all the time.
Holding my hand, obviously, but also randomly.
taptaptap
on my hand, my shoulder, my butt, my knee, whatever body part is closest to him, with whatever part of him is closest to me
All the time.
More often than I ever verbally said it.
Itâs an ingrained signal now, I can tap three times on whatever part of him, and get three taps back in his sleep. Apparently I do the same.
Itâs made a huge difference for us.
People say things differently.
People say things differently.