Artist: Naomi Okubo

Egyptian "Hounds and Jackals"-game board

The board features 58 holes (29 on each side), used for placing game pieces (either hounds or jackals). Some of these holes have hieroglyphs next to them, such as 𓄤 nfr - good and 𓍶 šn - protection, with the latter being the goal and lines connecting them. It is thought that the game would be played like Chutes and Ladders today, with two players moving their pieces according to the rolled number to reach the end.

Late period, Dynasty 26, 664 - 525 BCE

You're the Top by Ellen Bass

Grand Fugue by Peter E. Murphy

Our Beautiful Life When It's Filled with Shrieks by Christopher Citro

Everything Is Waiting For You by David Whyte

Lawrence Ferlinghetti Is Alive! by Emily Sernaker

Instructions for Assembling the Miracle by Peter Cooley

Barton Springs by Tony Hoagland

Footnote to Howl by Allen Ginsberg

Song of the Open Road by Walt Whitman

Tomorrow, No, Tomorrower by Bradley Trumpfheller

At Last the New Arriving by Gabrielle Calvocoressi

To a Self-Proclaimed Manic Depressive Ex-Stripper Poet, After a Reading by Jeannine Hall Gailey

In the Presence of Absence by Richard Widerkehr

Chillary Clinton Said 'We Have to Bring Them to Heal' by Cortney Lamar Charleston

Midsummer by Charles Simic

Today by Frank O'Hara

Naturally by Stephen Dunn

Life is Slightly Different Than You Think It Is by Arthur Vogelsang

Ode to My Husband, Who Brings the Music by Zeina Hashem Beck

The Imaginal Stage by D.A. Powell

Lucky Life by Gerald Stern

Beginner's Lesson by Malcolm Alexander

Presidential Poetry Briefing by Albert Haley

A Poem for Uncertainties by Mark Terrill

On Coming Home by Lisa Summe

G-9 by Tim Dlugos

Five Haiku by Billy Collins

The Fates by David Kirby

Upon Receiving My Inheritance by William Fargason

Variation on a Theme by W. S. Merwin

Easy as Falling Down Stairs by Dean Young

Psalm 150 by Jericho Brown

Pantoum for Sabbouha by Zeina Hashem Beck

ASMR by Corey Van Landingham

A Welcome by Joanna Klink

From Blossoms by Li-Young Lee

A Faithful Friend. By a follower of Sir Edwin Landseer. Oil on canvas.

She is a brazilian sculptor and artist who is probably one of the best creators of gore in formal art I've ever seen. Here's some more of her work.

She loves exploring portuguese tiling, and her work includes eras that are solely focused on tiles.

She has also went through phases where she explored cracks in ink and in tiling

And of course that evolved into bloody cracks and slashes on tiles, like the walls are living beings

Which then became her iconic meat walls, but I also love her pool paintings, it's a completely different kind of unsettling more akin to liminal spaces