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almost home

Andulka
Claire Keane
YOU ARE THE REASON
TVSTRANGERTHINGS
The Bowery Presents


@theartofmadeline
we're not kids anymore.
Not today Justin

Origami Around
cherry valley forever
hello vonnie

bliss lane
Aqua Utopia|海の底で記憶を紡ぐ
sheepfilms

Discoholic 🪩

Sweet Seals For You, Always

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@deutchesses
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@sinnsenke couldn't leave this in the tags
Look at my birthday cake...
the zendaya thing isnt even a new phenomenon by any means!! the article mentions margot robbie wearing the taj mahal diamond as well, and in addition to that i also want to remind people that diljit dosanjh's request to wear the patiala necklace for the 2025 met gala was denied by cartier because they said it was in a museum and could not be loaned. however they had no issues at all loaning it to emma chamberlain, a white woman, for the 2022 met gala, while they turned down the request of a punjabi man who wanted it to honor his heritage.
this behavior is nothing new. the global south and everything in it - the people, the culture, our heritage - is seen as nothing more than a decoration or commodity to colonizers. i don't even need to bring up the koh i noor or the entire british museum; these examples are recent and egregious enough on their own.
of course this is not to imply that any of the people involved here - zendaya, margot robbie, or emma chamberlain - had any sort of malicious intentions. but the ignorance is just as bad in my opinion. the ignorance is just as harmful, if not more. because it means we are not even an afterthought. it means that the real people and histories and heritages of the global south do not even register when these people are putting together looks for their movie premiers and met gala appearances. everything is just reduced down to a shiny piece of jewelry whose history they need not bother with. it's just a continued reminder of the way colonization affects us all even long after independence, of how barely-healed wounds keep being reopened even decades later. even now, we are being denied connections to our histories and heritages while they are freely being given out to those that have nothing to do with it and don't care for it. and i'm sick of it.
the kids are calling them "stone fruits." they start off small—think cherries. then they're hooked and they need a quick fix, they get peaches, maybe some nectarines. it's all they can think about. before you know it, they're trying the really hard stuff—apricots, plums. once they taste a mango there's no going back.

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Geography Lessons Joy Sullivan
Brandi Quinones at Lolita Lempicka, 1993
from kim addonizio's now we're getting somewhere

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I belong to my ancestors. I am them. And they are me.
Mārama (2025) dir. Taratoa Stappard
my jaw is on the floor
the restorative practice called going to the movies alone, very important to me like taking vitamins

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The eyes of a White Helmetshrike bird resembles a sunflower.
mike flanagan is anti-horror. grey brown netflix sludge, tenderness without intimacy. his little limp dick narratives are skin deep, no flesh no blood, no honest exploration of the works of art that he's being lauded for willfully misunderstanding. "from the heart and soul of mike flanagan" is oxymoronic and stupid and as trite as his FUCK NOTHING television shows and movies.
also he's just straight up a misogynist. to me.