Darian Sicarmos

'Dreamlike Embrace'

Pastels on sienna pastel card, A3

“Grace says he would like half of dome to be water.”

“Oh, is necessary for humans to have large amounts of water question?”

Small Eridian equivalent of a sigh. “No. Not needed for life. In fact Grace will die if he falls in water and does not get out.”

“Tell him we give him water in containers that won't kill him. Lots lots lots of water on Erid for Grace to drink.”

“No. Grace say he want water on ground. Also want it with excess sodium chloride compound so it will be unhealthy for drink.”

“Grace want this liquid for celebration.”

“Of course.” They scan it. “You have wrong liquid. This contain compounds which are poisonous for humans.”

“Yes yes yes. Grace say humans like feeling of being slightly poisoned.”

Captions cover the spot on the screen you put the information I need

The dialogue is captioned but not the song you have playing that the dialogue is responding to

You only captioned the person on the screen, not the person off screen who is also talking

No captioning of critical sound effects (alarms, bells, dogs barking, etc)

Speakers are not labelled at moments where it is not clear on the screen who is talking.

Captions cover the spot on the screen that you put the information I need!

Other d/Deaf people welcome to add.

That's

That's Roy Mustang

Just the opposite.

Roy "I grew up with 10 sisters so I know how to disguise covert information reconnaissance as flirting" Mustang.

"I grew up with 10 sisters so I know how to weaponize my sexual charm to disarm others and win favor."

Roy led every higher-up to believe he was just a fuckboy and a manwhore in this for his own ego and that they shouldn't view him as any kind of violent revolutionary like "no sir I'm just a slut."

Which. is an absolutely batshit primary character backstory to mention once, late in the series, and then immediately move on from.

And actually Hiromu Arakawa did it so well that every single fan interpretation of Roy Mustang for the FMA03 anime treated him as an honest to god man-slut. Bought his whole act hook line and sinker.

One of the quiet background realities of the Star Wars galaxy is that it is spectacularly bad at labor. Not just “late-stage capitalism” bad, but structurally, culturally, and institutionally allergic to the idea that workers should have enforceable protections. You’ve got child soldiers, child labor, debt slavery, corporate fiefdoms, and a Republic that can field a galaxy-spanning bureaucracy but somehow never gets around to standardizing “maybe don’t enslave people.” The Empire of course doesn’t fix this; it industrializes it.

So in that environment, formal labor law is either nonexistent, unenforced, or actively hostile. Which means if you’re operating in a sector where the state either can’t or won’t protect you, you get a classic historical pattern: workers build their own rules.

Enter the gray economies.

Groups like the Smugglers' Alliance (Legends) and the Bounty Hunters' Guild (new canon) look, at first glance, like professional associations for criminals. But if you squint at them through a labor history lens, they start to look a lot like early, proto-union structures — especially the kinds you see in maritime or extralegal industries on Earth.

Think pirate codes (yes actual ones, Pirates of the Caribbean didn't make that up). Think matelotage agreements. Think dockworker brotherhoods that predate formal unions.

Because what do these groups actually do?

They:

set norms for compensation and contracts

regulate competition to prevent destructive undercutting

provide a framework for dispute resolution

establish reputational systems (“you don’t honor contracts, you don’t get work”)

That’s industry self-governance in the absence of law.

Take bounty hunting. Without something like the Bounty Hunters' Guild, the field collapses into chaos: clients don’t pay; hunters underbid each other into oblivion; jobs get duplicated, interfered with, or sabotaged. And nobody trusts anybody!

The Guild steps in and says: here are the rules of engagement. Here’s how claims work. Here’s how you get paid. Here’s what happens if you break contract.

That’s basically a union crossed with a licensing board and a regulatory agency, just without any moral pretense.

Same with the Smugglers' Alliance. Smuggling is inherently risky, decentralized, and dependent on trust networks. If everyone is constantly betraying everyone else, the whole system stops functioning. So instead, you hash out agreed-upon routes and territories, informal protections against betrayal, mechanisms for information sharing, and consequences for breaking the code

Again: not altruism. Stability.

And the reason this emerges specifically in gray/illegal sectors is because they have to. The Core Worlds might pretend they have laws, but those laws don’t meaningfully protect the people actually doing dangerous, itinerant, high-risk work. So the margins of the galaxy — where enforcement is weakest and risk is highest — become the places where labor organization evolves first.

Which is very historically grounded.

On Earth, some of the earliest labor protections didn’t come from governments; they came from workers in dangerous, decentralized industries—sailors, pirates, miners—who literally wrote their own rules because no one else was going to save them.

Pirate codes, for example, often included:

compensation for injury

shared distribution of loot

limits on captain authority

Which is … shockingly progressive compared to a lot of contemporary working conditions (cough Amazon cough).

So in the galaxy far, far away, you end up with this ironic inversion:

The “legitimate” systems — Republic, Empire, megacorporations — are exploitative, inconsistent, or indifferent.

The “illegitimate” systems — smugglers, bounty hunters — are the ones building functional labor frameworks, because they need to survive.

And that feeds back into why the galaxy feels so unstable overall. There’s no universal baseline of rights. Everything is hyper-local, network-dependent, and contingent on whether you’re inside a system that has rules you can rely on.

If you’re a clone trooper? You are literally property.

If you’re a factory worker on a corporate world? Your protections are whatever your employer feels like offering.

But if you’re a smuggler or a bounty hunter?

You might actually have clearer expectations about your pay, your risks, and your recourse — because your “union” is the only thing standing between you and total chaos.

So yeah: the Smugglers’ Alliance and the Bounty Hunters’ Guild aren’t just flavor. They’re a glimpse of what labor organization looks like in a galaxy where the state has fundamentally failed to provide it.

British actor Anthony Head, best known for his roles in TV shows including Buffy the Vampire Slayer, Ted Lasso, Merlin and Little Britain, has died at the age of 72. Head found international fame as Rupert Giles in hit supernatural teen show Buffy in the late 1990s. He went on to have a recurring role in sketch show Little Britain, play king Uther Pendragon in the BBC's Merlin, and appear as former football club owner Rupert Mannion in Ted Lasso. "He passed away peacefully of complications due to pneumonia, surrounded by his family," his daughters Emily and Daisy said. His daughters' statement said "it is with heavy hearts that we announce the death of our extraordinary father". They added: "It has been, and forever will be, an honour and a privilege to be his daughters, and to have witnessed firsthand the impact both he and his work have had on so many." They also said they knew "how dearly he will be missed by friends, colleagues and fans of the show he was in", adding that he "loved his job very much" and "always considered himself incredibly lucky". His family acknowledged that "his legacy will live on" and said they considered themselves "lucky" to have watched him doing what he loved throughout his career. Head's other credits included The Iron Lady, Persuasion, The Inbetweeners and Manchild.