the circus is empty, all of the monkeys are here
$LAYYYTER
Cosmic Funnies

Product Placement

#extradirty
Show & Tell
"I'm Dorothy Gale from Kansas"

Kiana Khansmith

祝日 / Permanent Vacation

Janaina Medeiros
NASA
ojovivo

blake kathryn
dirt enthusiast
Stranger Things

pixel skylines
Sweet Seals For You, Always

Love Begins
styofa doing anything

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@dandelionpie
the circus is empty, all of the monkeys are here

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Somebody at work keeps adjusting one of the perimeter cameras to have this beautiful artistic angle on the museum in a historical building across the way. The sun sets just behind it and the whole sky turns golden-blue, clouds streaked across the sky above. The lush tree line beneath the museum is perfectly lined up along the rule of thirds and the building itself towers above, almost mythical in its evening glory. Like damn, take a still from this camera and send it to the museum to frame and hang on their wall. I do need the camera to be pointing at the parking lot. Tho
The setting sun bounces off the skyscrapers downtown and hits the museum's windows and every one of them turns the same golden hue as the sky behind, reflected in the trees just starting to turn golden-orange beneath. The bottoms of the clouds take on the slightest tinge of purple and birds circle above, speckling the evening sky as they call autumn's last farewell. Someone's car got broken into in the parking lot last week, Tammy, point the damn camera at the cars
wishes
Alien visitor. a little something for work + CTN-x :)
A parade of empty beasts. Art from a zine i made called moon chase ♥︎

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disrupting skyspace james turnell / coyote
I say this about most things because I'm me but it's true here too: consider. Project Hail Mary but Grace is a woman.
Dr. Grace Ryland who never managed to play the game of academia and wasn't male enough for her stubbornness or eccentricity to be forgiveable. Grace Ryland who ended up a middle school science teacher and she loves it, she does, but she can never shake the feeling of shame that she's letting the cause of Women In STEM down for it.
Eva Stratt intentionally seeking out highly-degreed and underemployed minorities (here, including women) for the project because the current Top Scientists aren't having much luck and the project needs a diversity of overlooked ideas. Ryland thinking that she and Stratt have like, a sisterhood/solidarity/Girl Power thing going on which is why Stratt keeps her around. Ryland learning that she and Stratt do not have a sisterhood/solidarity/Girl Power thing going on when Stratt sits her down in her office and tells her You Are Going To Space Whether You Want To Or Not. (That betrayal hurts but not as much as the arguments Stratt uses against her: "You don't have a husband, or children, or even a dog. You don't have anyone to stay for." After all this, and she's disposable because she's failing to be a woman correctly, which means a picket fence and a nuclear family, being a wife and mother, and because she's not she might as well die? It's not like she's never faced this judgement before but it's not something she ever expected to face here, not from Eva Stratt. STRATT THAT APPLIES TO YOU TOO. WHY IS IT OKAY FOR YOU BUT NOT FOR ME.)
Grace Ryland waking up in a spaceship. And once she remembers who she is and what she's here to do, stumbling over to the supplies and counting the number of tampons they sent her up with. She remembers that the project director is a woman, who probably knows better than the old infamous NASA guys how many tampons to send an astronaut to space with; and thus, by extrapolation, Grace Ryland can get an estimate of how many months they expect her to survive up here.
05.24 - Vein
Nishimoto Ryota
a piece of wood carved to fit perfectly into a zippered plastic bag
obsessed with this exchange in the replies
And then you had that dream again.

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#mood today
The convergenceÂ
Three of Cups and The High Priestess
You're at the club, but only to take notes on the atmosphere, for a scene in the book you're writing.
Victo Ngai (Hong Kong/American, b.1988), The Day, 2012
me and who

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Erika Giovanna Klien (Austrian, 1900-1957), Baum im Wind [Tree in the Wind], 1945. Watercolour on cardboard, 74.5 x 54 cm.