Ok but that cat has fantastic swedish pronunciation
cherry valley forever
The Bowery Presents
$LAYYYTER

JVL
Jules of Nature

bliss lane
noise dept.
KIROKAZE
occasionally subtle
Cosimo Galluzzi

Origami Around

#extradirty

pixel skylines
Monterey Bay Aquarium
h

Love Begins
Xuebing Du

gracie abrams
Cosmic Funnies

seen from United Kingdom

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seen from T1

seen from Italy
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@d-f-phantom
Ok but that cat has fantastic swedish pronunciation

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Having been Very Online in the mid 1990s is rough because half of your formative influences are like "yeah, this Flash video engages in pop culture deconstruction that's strikingly topical even thirty years later and did things to my vocabulary that persist to this day, and I can literally never recommend it to anyone because its core premise is a level of homophobic ordinarily observed only under laboratory conditions".
Them: Hey, you were around for the first wave of real webcomics. Which one was your favourite?
Me:
#thank god homestar runner aged well (via @shibascarf)
Homestar Runner is the way that it is in large part because it's a response to the 90s edgelord bullshit I'm talking about; while the characters had earlier appeared in print, the Flash animated version that everybody remembers didn't debut until January of 2000. If it's aged well, that isn't an accident – it's a product of its authors looking at the state of 1990s Internet culture and making a conscious decision to be Not That.
people could stand to say this more
ough that's the stuff
tgirl swag
skin specialist: hi welcome how can I help you
me internally: your entire profession is built on the hegemony of white beauty standards, you make your money by making women feel bad about their natural bodies and charging them for the privilege of conformity, you are decidedly part of the problem and I'm just as bad for helping you perpetuate it, in a perfect world neither of us would be in this room today
what I say: yeah haha I need laser

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dungeon meshi but they end up in the back rooms, a cursed idea that was eating away at my brain
Peer-reviewing @monikoishi's tags because they're banger.
that's anji he's literally been in the game since launch lol. the guilty gear strive roster currently includes 17 men, 15 women, one enby, and a possibly possessed robot of indeterminate intelligence
true
Live-action TV show where the characters gradually become aware that they're fictional characters and eventually break the fourth wall to encounter "real" humans, and to maintain the gradient of realism the "real" humans are computer animated in the style of Ren & Stimpy hyperreal gross-out shots.
can you draw an egg
Yeah, here you go
We're at the "JK Rowling is personally funding litigation to try and destroy AMNESTY INTERNATIONAL" stage of rabid UK terf brain.
Screenshot via Alejandra Caraballo @esqueer.net on bluesky
Tldr Amnesty International, global human rights organisation, published a report called 'A growing threat: the anti-rights movement in the UK'. In it is detailed, amongst others, a whole bunch of transphobic groups and organisations, including Beira's Place, JK Rowling's trans exclusionary sexual violence support service. JK Rowling threw a shit fit and got Amnesty to take the report down by threatening libel. This was obviously not enough, because you can't appease a fascist, so now she's going to bankroll a bunch of lawsuits anyway through the JK Rowling Women's Fund.*
You can read an archived version of the report here, please save it and share it.
*Not so friendly reminder there is no way to engage in the wizard books without enabling this shit.

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I think if we all start posting nipples at once they won't be able to stop all of us. and by they I don't just mean tumblr staff I'm referring to the entire world. I think the nipple is a very destigmatizable body part and I expect/demand it to be a normal thing within my lifetime. the fear of nipples is so weird and archaic, it's a body part dude
One of my biggest literary pet peeves is when historical or history-inspired fiction pretends that "courting" is a synonym for "dating". Usually it's just a one-to-one word swap--in a modern context, these characters would be dating, but this is olden times, so they call it courting instead. Sometimes they'll pretend there's a shade of difference, and that courting is a more serious exploration of marriage or something. But I read a lot of fiction that was actually written during these historical eras, and the word "courting" is never used like that.
Two people do not decide that they are "courting". One person decides to "court" someone else. It's an action, not a stage in the relationship. A man decides to court a woman because he wants to encourage her to have romantic interest in him. He's trying to win her favor. It's not an exclusive relationship--a woman could be courted by multiple men at once. She'll spend time getting to know the guy who's interested in her, but they won't officially define their relationship as one where they only show romantic interest in each other. If they reach a point where they want it to be exclusive, that's when you propose.
There's no middle ground--either you're getting to know each other, or you're committed to marrying each other. This idea of a period where you kind of commit to each other until you decide you definitely want to get married is a modern one, and it occurs in eras where they use the word "dating" to describe it. The closest equivalent I can think of are times and places where they'd talk about a couple "stepping out together", but they're still not calling it "courting". Words have meaning, and the word "courting" has never meant that, so stop using it that way!
the other mild historical disjoint i run into is when people talk about dating in the fifties like it automatically meant exclusivity. the whole reason we have the expression "going steady" is because the default was to or "go around with" or "go out with" multiple people. not in the sense of being in a stable polyamorous vee, but in the sense that archie is actively "seeing" both betty and veronica during the entire time the two girls are competing for his attention and they're both seeing other guys to make him jealous, and nobody involved considers this "cheating."
bizarrely, America has in many ways gotten more conservative about dating since World War II.
I ran into a truly wild cultural misunderstanding with my father some years ago, when I had to explain to him what “hookup culture” actually was, and that the thing he assumed it was was actually what we call “cruising culture”. His response was “how is that different from dating?” and when I explained how it was different, he said, and please note that this a direct quote: “That’s ridiculous! You can’t expect a woman to stop fooling around with other guys for anything less than a marriage proposal. I mean, she’s not a prostitute, you can’t buy her.” Now obviously there’s like… a lot to unpack there, but I think it’s pretty darn illustrative of a substantive cultural shift around the assumption of monogamy!
Also, following this, I asked my mom what her thoughts were on the matter, and she said that while she “wouldn’t put it in those terms” she broadly agreed, and thought that anyone expecting any sort of exclusivity when a marriage proposal wasn’t at least on the very immanent horizon was “nuts, honestly.” I hesitantly asked if she was including relationships with premarital sexual activity in that, and her response was “Of course. I mean, gosh, you know your Aunt Terri used to have a guy for every day of the week before she finally settled down.”
And this was when I learned, to my shock, that the oft-repeated story of how “Aunt Terri used to have a guy for every day of the week” didn’t just mean “Aunt Terri had a full dance card” but rather meant that Aunt Terri had a period of her life where she literally dated exactly seven guys at once, all of whom she was sleeping with (or, my mom was quick to disclaim, “well, fooling around with, I don’t know how far she actually went with any of them, but they were definitely all fooling around behind closed doors”), on a literal weekly rotation. Like, they had a schedule. A schedule that all seven of the guys knew.
America has gotten a lot more conservative about dating, actually.
Wait, I thought hookup culture WAS cruising. It's not?? Well... okay, I guess 🤷🏼
Wait! Wikipedia DOES mention cruising/bathhouses as an example of gay hookup culture, citing this source. Like the way these terms are discussed, it sounds like straight people participate in hookup culture less anonymously bc they're the overwhelming majority of the population and can just go to any nearby party/event/venue to flirt and hookup with someone they vibe with and who likely lives in the same area and could be a recurring encounter, whereas gay men eliminate the "flirt" and "vibe with" part to make things easier when showing up to a place that may not be conveniently located and where the only commonality is wanting to have sex with other men.
Cruising might be a specific kind of hookup culture, defined by expectation of anonymity, but are they really entirely separate?
I answered this here. They are not the same at all. While cruising is very predominantly gay and hookup culture is somewhat predominantly straight (although, less so) there are straight cruisers and there are a lot of gay people who partake in hookup culture.
If you think the two are the same, you’re badly confused about what at least one of them is. College teens who are involved in hookup culture are absolutely not generally having semi-anonymous sex in pay-by-the-hour hotel rooms. And cruisers are not generally making casual chit chat over text about non-sex for weeks between hookups.
Now I'm curious how&why cultures can become so forgetful about themselves. Did we all get distracted by the explosion of consumer culture? Did the baby boom actually spook people into silence about their sexual profligacy? Did the rights movements, environmentalism, wars and nuclear proliferation busy us with things other than sustaining intragenerational conversations around life, love, and seven partners a week?
Did the shift from, say, the Waltons model (three generations to a household) to the Leave It To Beaver model (grandparents nowhere in sight) interrupt the flow of cultural knowledge from generation to generation?
Maybe I should go back to school after all.
Until then, can anybody set me straight? What's going on here, do we think?
[as a heads up, this got very long - sorry!]
generally speaking, a lot of cultural things like this just get forgotten because it's not what we learn about in basic history classes. unless you specifically pursue looking into a subject like the history of courting, it's not what comes up in a typical history textbook, where we tend to learn more about the broad strokes of history. plus, terms like "hookup culture" and "courting" tend to just enter common usage, stay there, and rarely get defined because everyone knows what it means. with modern terms, we do have stuff like urban dictionary where people intentionally define "slang" (mostly AAVE, tbh) and other "newer" terms, and i know merriam-webster tries to catalogue new words/terms as well. though once all this digital stuff disappears, that'll be a different problem for future archivists and historians, of course.
but, the main point there is that people don't tend to define common terms when talking to others. with the point about the dad (and others) who thought hookup culture and cruising culture were largely the same thing, this is because we generally assume that if you're speaking the same language as someone else, you're both using words the same way. unless you're using something like a specific academic term in a specific educational context, or have some other reason that you'd be expected to need to define a term, it's just... not really done. this is a huge part of how miscommunications in general happen, by the by - how many times has someone said they'll be there "soon" and you assumed they meant in the next five minutes, but they meant in the next half hour (or vice-versa)? connotative meanings are kind of a bitch, that way.
there's also the fact that people just... don't like to talk about things that suck. let's pretend, for a moment, that american culture did have everyone living with their grandparents, all the way from the pre-war era to today, with no "nuclear family" period. my (known) grandparents were all born in the 50s, and their parents were born in the 30s. so their grandparents would have been kids during the Great Depression, and their grandparents and parents were likely all involved in the war effort in some way (i know for a fact that my great-grandparents on my maternal grandpa's side were, in fact, a merchant marine and a navy nurse, which is how they met).
so my boomer grandparents would have been born towards the end of the economic boom, and spent their childhoods and adolescent years watching the economy slip and fall down and down. my grandpa was rich, and probably insulated from a lot of that (plus he's older, so would have known more of the post-war boom first). my grandma on my dad's side, though, was born in the late 50s to a poor family, and they would have struggled a lot as the economy got worse. do you think my grandpa's parents wanted to tell him about how bad things used to be, when things were going so well now? and do you think my grandma's parents wanted to scare her with tales of how things used to be worse? and i did actually live with my grandma for a few years growing up, and she also didn't want to talk about how bad her childhood was. neither did my parents, for that matter. most people don't like talking about things like that, especially with kids.
so the only way to learn is to intentionally pursue the information - ask and hope you get a straight answer, research, take classes.
now, all that being said, when it comes to american culture in the pre-war and post-war eras though, there was also a concerted effort to push a significant culture shift after WWII. during the war, a lot of manufacturing jobs and other industrial positions were taken over by women, because the men were off fighting. when the men came back, they wanted their jobs back, but we also needed way less manufacturing (since we were no longer building tanks n shit). so not only were the jobs that existed occupied by women, there wasn't exactly room to make more jobs for the men. so there was a big push towards stricter gender roles, lots of media featuring housewives, and all that jazz. the same way rosie the riveter was used to encourage women into manufacturing jobs, media images of femmed-up housewives was used to get them back out.
the family structure thing was sort of rolled up in this, too. the original GI bill promised low-interest mortgages to WWII vets, which caused a push for houses to be built fast and cheap, which was a huge part of suburbanization. it was a very brief economic boom in which a lot of families could afford to live on a single income, with a stay-at-home housewife/mother, and people didn't need to live in intergenerational households anymore. having more households buying more stuff - e.g. now you, your parents, and each of your siblings all live apart, so you all need a fridge and an oven and a vacuum and and and, instead of all sharing one - was great for companies, so they pushed the image of a single-family suburban household as ✨The American Dream✨
i could honestly talk about this for hours, and would be happy to add more info about the post-post-war period, but the relevant bits here are that the economy did not stay Stable And Amazing Forever, and once you get into the 50s and for sure by the 60s, that american dream wasn't achievable for most folks anymore. but companies still really like it, because like i said, it makes it so more people have to buy their stuff, so it continued to be the dominant media image for some time. "working moms" became a thing once it was clear that single-income households just weren't feasible for the majority of people anymore, but with that came a class divide of women who could afford to stay at home vs. women who needed to work to support their families, and the idea of a family having a stay-at-home mom became an ideal to strive for instead of an assumed reality.
This is great, thanks!! Can you recommend further reading?
unfortunately i don't have access to the stuff from my course anymore because i forgot to save the readings before the canvas page went away, but! the wikipedia pages i linked can start a good rabbit hole, and have a lot of "further reading" links and such. i also did some poking around jstor, and i thiiiiiink these should all be available to read with a free account? if any of them aren't, i can download them and link them elsewhere (i currently have access through my school). i will note that i have only read the beginnings of each of these to see how on-topic they are, so my summaries may not be fully accurate, and also some of them may suck. but reading stuff that sucks is good scholarship too!
Gender and War in the Twentieth Century by Penny Summerfield, 1997 - sort of an overall look at gender roles during the 20th century and how the various wars of the century impacted them. does describe this as a "destabilization of gender relations," so i'm intrigued to read this one and see what's actually being said here
Hollywood "Takes" on Domestic Subversion: The Role of Women in Cold War America by Victoria Straughn, 2003 - seems to be looking at different aspects of the role of "woman" during this period, and getting into media representation
Humor and Gender Roles: The "Funny" Feminism of the Post-World War II Suburbs by Nancy Walker, 1985 - this one compels me and i read the first few pages of it already. it's a look specifically at how humor frames the tensions underlying the role of "housewife" and other roles women were pushed into, very intrigued so far
National Security and Personal Isolation: Sex, Gender, and Disease in the Cold-War United States by Geoffrey Smith, 1992 - kinda what it says on the tin, interesting discussion of how national security ties into the push for a nuclear family unit
Conflict, Gender, Ethnicity and Post-Conflict Reconstruction by Lori Handrahan, 2004 - seems to be a feminist analysis of post-war reconstruction in general, not focused solely on the cold war period, but i'm intrigued by the framing of "is the conflict actually over or did men in power just say it's over?"
Advertising: Looking Glass or Molder of the Masses? by Geoffrey P. Lantos, 1987 - this one is more just a look at the chicken-egg problem of whether advertising shapes or follows culture, but there's definitely discussion of the post-war and cold war eras in here and i think it's neat so far
The American Wartime Propaganda During World War II: How Comic Books Sold the War by Mia Sostaric, 2019 - right what it says on the tin, looks more at WWII-era stuff than post-war, but still a good look at the influence of media on culture at the time
Gender and Working Class Identity in Britain during the 1950s by Stephen Brooke, 2001 and Women's Leadership in War and Reconstruction by Stephen Macintyre, 2013 are about Britain and Australia, respectively, but they both underwent some similar cultural shifts and i think are worth looking into
Dishing It Out: Food Blogs and Post-Feminist Domesticity by paula m. salvio, 2012 - ok i will admit this one is only loosely related but i am Deeply Compelled by the comparisons to post-war/cold war domesticity and i just think it's neat, dammit
i am always a sucker and a shill for jstor, and they'll show related articles under/next to the article in question (depending on if you're on mobile or desktop), so hopefully this is a decent start? i know the topics are a little scattered, my brain is a bit of a mess today 😅 but yea, hopefully this helps also!
You know, when I've remarked that a lot of the responses to my posts feel like people are just plucking out keywords they think they recognise based on the shape of them and replying to what they imagine the post says based on that, the possibility never occurred to me that this is actually how many American schools are currently teaching kids to read.
Like, my assumption this whole time has been that when folks go "I misunderstood this post that says [thing] as saying [unrelated thing] because I mistook [word] for [completely different word that happens to start with the same letter]", that was a bit. What do you mean they're teaching kids a reading method that's tailored to produce this exact error?
Using Fey Law as a heavy-handed metaphor for corporate IP copyright
Saying their name will draw their attention.
Using their likeness will spark their ire.
Encroachment upon their domain will earn punishment beyond earthly tithe.
The consequences of their regard may be intangible and long-lasting.
Rarely, you may earn their approval, but it is not worth the risk.
You must ask their permission, which is rarely granted.
Once they have you, they will not let you go for a hundred years.
You must be clever and use trickery and wordplay to evade them.
The master of each domain has their own unique and fickle nature, and some are more forgiving than others.
One must use titles and euphemisms to discuss them without their notice- IE, "The Rat", "The Bird Website"
Every morning, the queen asked her magic mirror to show her the most beautiful person in the world.
The mirror replied "To whom?"
"The miller who made the flour for my bread," the queen would say, or "Whoever spun the thread my shawl was made of".
The mirror would show her, and she'd be amazed.
The first time, she says "To me," and the mirror dutifully shows her her reflection. And she is pleased.
The second time, she says "To the King," and she is pleased to see herself once more.
The third time, she says "To the Royal Advisor," and is once more satisfied to see herself.
The fourth time, she says "To the scribe who takes the King's letters." She is shown the man's wife. And she seethes, but quiets herself, for it is only right that a man loves his wife.
The fifth time, she says "To the Court Wizard," and is shown the man's departed mother as he remembers her from his youth, radiant and smiling and warm and larger than life.
The tenth time, she says "To the Stable Master," and is shown the fastest horse in the stable, majestic and free as the wind even in captivity
"To the baker," she is shown the man's daughter, young and adorable and full of joy and laughter.
"To the artist who did my portrait," she is shown a painting of a woman done by the man's teacher, who he still looks up to now that he is well established himself.
"To the Royal Knight," she is surprised but not displeased to see the castle's entire guard force in the middle of doing drills.
The one hundredth time she asks the mirror, and it asks her "to whom?" she once again says, "To me." And she does the same the one hundred and second, and again and again and again.
It is a different person each time, and they are all beautiful.

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bsky post complaining about a TTRPG (lancer, if it matters) uses the phrase "mechanical support for storytelling" and the only thing I could think to do is ask you if that seems like a cromulent complaint to have about a TTRPG because based on everything I've read on your treatises on the subject it doesn't seem like one but I am willing to live in the timeline where I pissed on my reading comprehension
See, the context actually does matter there; while "lack of mechanical support for storytelling" is a meaningless criticism in the abstract because nobody can agree what we actually mean when we say "story", let alone what it entails for a game to support having one, with respect to Lancer I strongly suspect that they're saying "story" in the way that folks who've mainly experienced tabletop roleplaying via Dungeons & Dragons and its various imitators say "story" – which is to say, as a shorthand for "literally everything other than combat"; and by "combat" in this context we mean "things that happen when you're inside a giant robot".
(The problems with treating "story" and "combat" as disjoint sets are, of course, beyond the scope of this post!)
It's a frequent complaint regarding Lancer that the framework of play doesn't give a shit about anything that happens when you're not actively stomping around inside a giant robot, and it's not an unfounded one. Heck, one earlier first-party supplements straight up yanks out all of the non-giant-robot mechanics and replaces them wholesale with something more suited to that supplement's particular milieu and it basically doesn't affect the gameplay loop at all; that's how severe the disconnect between giant-robot play and non-giant-robot play is.
Now, given the kind of game that Lancer is, we can quibble about whether "the non-giant-robot play is almost entirely unconnected with the giant-robot play" is a reasonable criticism, but at the very least it's an intelligible criticism.
Is That Allowed
Boy am i glad that the con has a facebook page so i can post this photo: