زن زندگی آزادی

me while crossing the road

“The LEGO Movie was my favorite movie of 2014, but it strikes me that the main character was male, because I feel like in our current culture, he HAD to be. The whole point of Emmett is that he’s the most boring average person in the world. It’s impossible to imagine a female character playing that role, because according to our pop culture, if she’s female she’s already SOMEthing, because she’s not male. The baseline is male. The average person is male. You can see this all over but it’s weirdly prevalent in children’s entertainment. Why are almost all of the muppets dudes, except for Miss Piggy, who’s a parody of femininity? Why do all of the Despicable Me minions, genderless blobs, have boy names? I love the story (which I read on Wikipedia) that when the director of The Brave Little Toaster cast a woman to play the toaster, one of the guys on the crew was so mad he stormed out of the room. Because he thought the toaster was a man. A TOASTER. The character is a toaster. I try to think about that when writing new characters— is there anything inherently gendered about what this character is doing? Or is it a toaster?”

Imagine how much power/resources goes to the advertisement industry: each user must be tracked across sites, constantly have their information broadcast and processed, etc. After determining which set of ads is the most effective for you then there is an auction. For each ad that appears there is a bidding process that occurs where the highest bidder gets to show their advertisement to your computing device.

Trans women are not the opposite of trans men.

All of digital video — and by extension, all of social media — is poisoned. There’s been so much written about the Dead Internet theory lately, but that’s not what this is. It’s closer to the Clear Channel internet, where everything has been so thoroughly corporatized that nothing ends up in our feeds by accident anymore. At least, not when it comes to the truly viral content. It’s either being directly bankrolled by a company like Kalshi or downstream of some weird payola agreement a bunch of influencers made with random clippers on Discord. But unlike TV or the radio, our social media feeds continue to look like — and market themselves as if — they’re still powered by real people. And there are really on two outcomes here. One possibility is we just slowly accept that nothing we see online anymore is genuine and accept that social media is just a new worse version of TV now. The other, much more interesting possibility, is that people realize the internet is infinitely big and you can always just make a new version of it.