U literally cannot save your mother like it cant be done

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U literally cannot save your mother like it cant be done

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some people read an awful lot, but don't read very well. deep reading is itself a skill. being able to untangle the threads of theme, subtext, characterization, narrative style, and more are all things that it takes time and intentional engagement to learn.
if you've ever watched a movie with your film buff friend and chatted about it afterwards, that friend might have pulled hours more of conversation out of the same 90 minutes of screentime, and wondered how the fuck they did that - it's not raw intelligence, it's a skill that's been honed. And I learned a lot about film from talking to friends who knew about film, and reading critique by film scholars
literature works exactly the same. so if you want to get more out of your reading, there are things you can do to train that. Find a book or short story you think you've got a pretty good grasp on, preferably from a widely read & respected author like Ursula K Le Guin or Ray Bradbury (if you're new at this don't swing for the Toni Morrison or the Samuel Beckett yet unless you feel very comfortable with the complexity of the text - the point is to develop a complicated new skill on good foundations). Then go to JSTOR, create a free account, and look up criticism on the story you've chosen. Find something that looks readable to you and at least somewhat interesting. Read that article, and look at what that writer got out of the same story you've read that you didn't get. Do you see the critic's points? Did they teach you something about the text? Go reread that story and see if the criticism has changed how you read it. Are you seeing more? Are you thinking about the implications of a line that you hadn't noticed before? Does the story feel richer now?
there are other more involved ways of finding criticism. Learning to use academic databases, going to your local library to do interlibrary loans, finding critical voices you appreciate; these are all useful subskills. Literacy isn't just being able to read words, it's being able to read words in context and think about what they tell you about the text, the author, or the time and culture in which the text was produced. Literacy is the skill of being able to look at the world with open eyes and think clearly about how its parts are connected. It'll change your life
this keeps getting shared around and ive seen some different tags responding differently so i just want to make some important clarifications and distillations
you don't have to read more deeply if you don't want to (but i'd recommend it, i genuinely think it makes you a better person)
if you want to learn to read more deeply, the resources are out there. try to find critical literature (that is, academic writing that analyzes the text) on works your familiar with so you can get a sense for how to do that analysis too
learning to deep read literature can help you deep read many areas of your life
writers tend to put a lot of work into their stories. if you learn to read that work you'll (probably) appreciate the stories you love even more. And if not, then you'll have developed your taste. This too is worth doing
it actually doesnât matter what happened to me if randoms on tumblr dot com will tell me I should die in graphic ways for being an adult trying to talk about literature while simultaneously having a kink, which as we all know is a crime
like never mind that the post in question is about enmeshment as a literary theme and and is decrying dishonest media analysis. it matters that i have a kink. because of course if i have a kink it makes me ontologically evil and incapable of talking about anything else or engaging with that theme in any arena but sexual. of course. this is because if you have a pet play kink you cannot be trusted to talk about real animals and if you are into bondage you cannot talk about ropes for hauling your car and if you like calling your partner daddy in bed, then, well,
mammatus and cumulonimbus they are best friends
âThis month, Finland launched the worldâs largest sand battery, enabling residents to remove oil from their district heating network and reduce emissions by nearly 70 percent, as reported by Euro News. If it continues to operate as efficiently and affordably as expected, sand batteries could become common worldwide. Developed by Finnish company Polar Night Energy, this battery uses excess clean electricity to heat sand to high temperatures, storing thermal energy that can later be released to heat homes and power local industries. This is not Finlandâs first sand battery, but it is significantly larger. The facility in Pornainen is an insulated silo that stands 13 meters tall and 15 meters wide, containing 2,000 tonnes of crushed soapstone. The sand retains heat remarkably well, losing only 10 to 15 percent during storage and recovery, according to The Cool Down.â
â
Sand batteries are a significant advancement in clean energy technology.
Holy shit, this is incredible.
âThis new facility can hold 100 MWh for about a month in summer and a week in winter. Â Thatâs enough for the town of 5000 local residents.
TechCrunch estimates the Finnish batteryâs costs are under $25 per kilowatt-hour, compared to around $115 for leading lithium-ion batteries.90% efficiency.It doesnât use any ârare earthsâ or critical materials. Â Instead using locally sourced, recyclable materials.Units are scalable and modular to fit different needs and uses.
Suits small towns (like the current facility) and large scale industrial uses.
13 meters tall and 15 meters wide. Independent of geography. Â
No supply issues due to any geo-political problems.
Designed to store energy when itâs cheap and plentiful and supply when itâs expensive.â

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so christopher nolan drilled into an active historical site to rig a scene, dumped a bunch of plastic skeletons into the ocean with no plan to fish them out, and ruined an actual Viking ship on loan from sweden and refuses to pay for damages. all for that garbage movie.
Swedish nonprofit alleges cost to repair replica was $6,000 but Universal â which made $264m on filmâs opening weekend â has not stumped up
Concerns about prop disposal as filming on new Nolan film comes to a close | www.italianinsider.it
looking for a news outlet to pick up the archeologist drama over this but you can google the practical effects used for the cyclops and find the pictures pretty easily
Despite Moroccoâs hopes that its film industry would reap rewards, the blockbusterâs success will be tainted by controversy surrounding film
and it gets even worse
We need to standardize clothing sizes. This is fucking stupid. Pass a federal law or something. Iâm sick of this shit.
If only there was a way to associate a physical length with a number. Like, maybe we could put marks on a long piece of tape or something, evenly spaced, and then you could, like, count how many marks long something is?
I'm probably not making any sense, this is a dumb idea, sorry (/s)
you want to measure how many âmarksâ long something is? Sounds communist, itâll never work
A little visit
Do a little dress up

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Sometimes I think about how so much of what makes Murderbot who it is comes down to it being a rental SecUnit. When Leonide tells Arada in Network Effect that Company Units have a reputation for being dangerous, she's probably 100% correct. Because of their nature as plug-and-play security for anyone, they have to be designed to be far more versatile than the SecUnits a corporate like BE owns. Three has to be able to secure salvage operations and mining outposts and work with BE's systems and that's kind of it. BE might need its security to fend off hostile takeovers and workplace uprisings, but Murderbot has to be able to do all those things and planetary surveys with unknown hostile fauna, and asteroid mining belts, and whatever the next client might need it to do, and it has to be able to work with whatever other proprietary software the new clients have every single time. It's better at adapting to new situations than Three partly because it's older and more experienced, but also because that's a big part of its function.
And at the same time, Company SecUnits are treated much worse than Three by virtue of being rentals. Many--if not most--of Murderbot's clients didn't want to have any SecUnits, but were required to take them per Company rental agreements for other equipment. Even the ones who specifically did want SecUnits didn't have any investment in what happened to them. They were the equivalents of the U-haul you'd rent to move your couch across town. They just needed to do a job briefly and hopefully be in good enough shape to get their deposit back at the end, but if not, eh. No big deal. Murderbot has never had the same clients for very long, and it's never had to work with the same SecUnits for very long. Every contract changes. Nothing lasts.
No wonder MB loves fiction while Three loves nonfiction. Three has seen basically nothing about reality outside of its job and wants to know what's out there. MB has seen way too much reality and would like some breaks from that shit now, please.
Artistic freedom means getting to draw your favorite ships cosplaying as each other
The binturong of crankiness
itâs amazing how women are able to navigate crowded rooms without ever touching a palm to a manâs lower back

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letâs talk about how they made it impossible to function without a phone and digitalised everything and then turned around and went âactually! these phone things arenât safe for kids but itâs magically ok once youâre eighteen. guess youâll have to have your life dictated by your parents now lol cause weâre gonna take the devices away from you. ITâS FOR YOUR OWN GOOD WHY ARE YOU COMPLAININGâ
ok my apologies. take away my ability to buy anything too ig because these fuckass stores donât accept cash anymore. take away my ability to communicate with people outside my house and school because I canât text and I canât email and I cant drive to them either and I canât even fucking get public transport without a phone either. canât order at a fucking restaurant without being asked to get a membership and install an app and also very sorry but you can only order through our online menu now! have you ever considered that itâs not just about instagram?
I was having this conversation with a friend at an HIV conference we went to- All week we heard speeches about how the most powerful tools for both outreach and education, and for managing your health if you're diagnosed with HIV, are online tools, often tools on social media, and how the population of youth with HIV are one of the most marginalised patient populations.
How the fuck are they meant to either get tested, get on PrEP, access PEP, get on ARVs, access counselling or peer support etc, when the government is cutting them off from the places where we put information out?
i think we should start openly mocking male creatives who can't figure out how to write women. like actually i think it's embarrassing that it took elliot page transitioning for christopher nolan to give him a good role. why did it take like ten years to get the first female lead in a marvel movie? why is it a Known Fact that stephen king can't write women? why is 50% of the population omitted from large ensemble works? i asked my friend to name a movie directed by a man with a majority female cast and he said ghostbusters 2016. ghostbusters. ghostbusters. g