DnD Radio Stations - A Punkey Doodles mash-up
Misplaced Lens Cap

Andulka

#extradirty
d e v o n
Aqua Utopia|海の底で記憶を紡ぐ

gracie abrams

bliss lane

EXPECTATIONS

shark vs the universe
"I'm Dorothy Gale from Kansas"
🪼

❣ Chile in a Photography ❣
Cosmic Funnies

oozey mess
YOU ARE THE REASON
let's talk about Bridgerton tea, my ask is open
NASA
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@coonazz74
DnD Radio Stations - A Punkey Doodles mash-up

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all of those are brown
here is the picture from the Año Nuevo State Park instagram, the colour is suspected to be from rolling in red algae
That one is porple
big fan of when animals creche. Love to see so many fucking babies in one place
So a creche in ecology is a group of animals that take care of their offspring as a group. Grouping together like this can help with protection against predators, finding food, enduring the weather, and gives the parents time to "rest", as sometimes the parents will alternate who's being the primary watchers while others get to hunt by themselves for a bit, like a baby animal daycare.
But ye lions do this once cubs each a certain age. A decent amount of birds do it (for example: flamingos and a lot of penguin, duck, and goose species). Gharials (a type of South Asian crocodilian) form creches with hundreds of babies from multiple nests (they lay under 100 eggs each and sometimes as few as 20). Feral hogs tend to form groups of mothers and young like this, and I saw 3 sows and like 15+ tiny babies the other day and they were so cute
But ye that's how you get pictures like these
Rattlesnakes will creche!! In some species mature adult females will hang out together (they're friends!) in shared dens and even birth their clutches together. Then one will babysit while the others go get food. Adult females have been seeing caring for their young like shooing young back into the den when a predator approaches. You can watch LIVE rattlesnake den mothers and all their babies on Project Rattlecam!!!!
Omg they were denmates
my fave bit of black dog folklore is that in some folklore there is a belief that the first person buried in a cemetery stays there and doesn’t cross over and helps other spirits move on and protects them from evil spirits, now naturally people want to avoid this fate for their loved ones and themselves so they would sometimes bury a dog first and it would return in the shape of a big black dog and protect the newly dead from evil spirits and occasionally the living as well
this kind of spirit is called a church grim
Lin Beifong, what a woman you are!🔥🔥🔥😮💨😮💨😮💨
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I was doing some writing yesterday and had to stop to illustrate what Lin looked like.
So, unintentionally, I think this counts as a bit of a spoiler for upcoming scenes.
Any guesses as to where she is?

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omg it's taken me until now to realize she's straight up saying "callum. callum i'm deaf you know this"
in more pleasant news: this year is seeing the biggest humpback migration in Australian history, bigger than it was PRE whaling. That's right, there are more humpbacks migrating off the coast of Australia than there were BEFORE industrial whaling started.
A huge, fat W for environmentalists and Greenies. what an achievement
we did it! we saved the fucking whales!!!!
Once hunted almost to extinction, the population of humpback whales currently migrating down Australia's east coast has bounced back and is
Further info for those interested
from The Memory Palace, by Nate DiMeo
The polished linoleum floors of Republic City Police Headquarters gleamed under the electric lights, a stark contrast to the palpable tension radiating from the Chief’s office. Inside, a storm was brewing. A very loud, very angry, metalbending storm named Lin Beifong.
Outside her office, Team Avatar and Tenzin waited. Or rather, most of them waited.
Bolin had his ear pressed so flat against the heavy oak door it looked like he was trying to phase through it. His eyes were wide with a mixture of fear and glee.
“Bolin, get away from there,” Mako hissed, his arms crossed tightly. “That’s the Chief’s private business.”
“It’s hardly dignified, Bolin,” Tenzin added, stroking his beard with a troubled expression.
Bolin waved a dismissive hand behind him, not daring to move his head from its crucial listening post. “Shhh! You’re going to miss the best part.” He straightened up slightly, cupping a hand to the side of his mouth as if holding a radio microphone.
“Greetings, sports fans!” he whispered in his best pro-bending announcer voice. “We’re coming to you live from the Republic City Police Station for a title match of epic proportions! In this corner, the challenger, former Interim Chief Saikhan, who seems to be employing a bold ‘standing there and sweating’ strategy!”
Korra, leaning against the opposite wall, snorted with laughter and gave him an encouraging thumbs-up. Asami, standing beside her, fought a smile. She had more reason than anyone to want to hear this, but she maintained her composure, a quiet satisfaction settling in her eyes.
“A muffled response from Saikhan!” Bolin narrated, pressing his ear back to the wood. “Something about… ‘following official council orders’… a weak jab that Beifong easily parries! And she comes back with a haymaker!”
The muffled, furious rumble from within the office suddenly crescendoed into a few distinct, audible words.
“…A DISGRACE TO THIS UNIFORM!”
Bolin winced theatrically. “Ooh! A direct hit! Beifong lands a devastating blow, citing the illegal curfew and the trumped-up arrests! She’s reminding him that he threw innocent citizens in jail, folks! Including children! And, let’s not forget, three of your favourite future pro-bending champions and their brilliant sponsor!” He winked at Mako and Asami, who just shook his head in exasperation.
“She’s bringing up the power grid shutdown!” Bolin continued, his voice dropping to a dramatic whisper. “A calculated, dirty move by Tarrlok, and Saikhan let it happen! The crowd is going wild!”
“We are not a crowd, Bolin,” Tenzin sighed.
“Chief Beifong is now questioning his ancestry, his tactical abilities, and the structural integrity of his spine! Saikhan is on the ropes! He’s looking for an out, but there’s nowhere to run in the ring of truth!”
Suddenly, a tremendous CRACK-THUDreverberated through the door, rattling the frame.
Instinct took over. In a flash, Mako’s hands were up, fists sputtering into flame. Korra dropped into a low fighting stance, a vortex of air swirling around her. Tenzin snapped into a defensive position in front of Asami, who had already braced herself, eyes scanning the hallway for an attack. The recent past had taught them that any sudden, violent noise could mean only one thing.
“Equalists!” Mako snarled.
“Stay back!” Tenzin commanded.
Bolin, however, hadn’t moved from the door. He slowly turned, a look of profound awe on his face, and held up a hand.
“False alarm, folks! False alarm!” he announced, his voice filled with reverence for the scene he’d just witnessed. “What a move! We’ve just seen a masterful defensive maneuver from Saikhan! Faced with an unstoppable verbal onslaught, he performed a full-body evasive dive behind Chief Beifong’s solid metal desk! The crowd has never seen anything like it!”
The tension in the hallway deflated like a punctured air-ball. Mako extinguished his flames with a frustrated sigh. Korra straightened up, her initial alarm melting into unrestrained glee.
Lin’s voice, now completely unhinged and impossibly louder, erupted again. The words themselves were indistinct, but the raw, unfiltered fury was as clear as crystal. It was the sound of a volcano that had just been told to fill out paperwork.
Bolin listened for another moment, his eyebrows shooting up to his hairline. He turned back to his ‘audience’ with a grave expression.
“Whoa,” he said, his announcer persona returning full-force. “And Chief Beifong… is not taking that display of cowardice well. She is now using some… very colourful language. Language that is, uh, definitely not appropriate for the younger members of our audience. For any folks at home with kids, you might want to cover their ears or perhaps just leave the arena entirely.”
Mako stared at him, his expression utterly deadpan.
“What ‘younger members,’ Bolin?”
Korra burst out laughing, clutching her stomach. Even Tenzin couldn't suppress a weary groan, pinching the bridge of his nose as if trying to ward off a migraine. Through the heavy oak door, the magnificent, terrifying tirade of Chief Lin Beifong raged on.
The fool who struck the divine
In an alternate universe I lost my way in sizzling neon lights. they leave ghosts in my eyes. The soothing burn of whisky. feminine silhouettes cast by burning "open" signs, my mind dies little deaths. they walk in reckless trance. A human lumbering, lurching towards another's flesh The uglier I get, the more beautiful everyone else becomes. O Death, the seductress! She will feel the sting in a feather— penned tattoo of a thin moon. Fight me, O Death I belong to combat. lust is a leprosy; we hold our wretched skin to the fire for some comfort in pain. There is worse than pain, dear one. caught in the mind's cobwebs where pain becomes a helper Come to me, lost soul, For I am the absence of truth, and I will hold you. The once true soul is my medicine, and health is transcendence. my tongue a runway for flies
Source: The fool who struck the divine

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HOLY SHIT???
God I love it when people mash classic arts and modern art together, it creates the most incredible things
Now with her name
every other week, my mom would make a giant pot of vegetable soup. she'd pack half of it in a tupperware and take it to her best friend's house. they both had three kids whose ages aligned. they'd lock us out of the house and go through each room, finding every piece of dirty laundry and then spend the afternoon keeping the washer and dryer running, folding and putting away each load while gossiping.
every alternate week, her best friend would come to our house with a tupperware full of chicken spaghetti. they'd stick us in front of a tv with a stack of disney vhs tapes and go through each room, finding every dirty dish, and then spend the afternoon at the kitchen sink, washing each dish by hand while gossiping.
it wasn't always soup and spaghetti and laundry and dishes. but it was almost always a meal and a chore. here is a night you don't have to cook dinner. here is a chore you can cross off your list. and here is a day you don't have to spend alone. because really food and friendship and a feeling of accomplishment are what we all need most.
We need more women characters who are Male Protagonists. You know. Slightly haggard. She's splashing cold water on her face and gripping the edge of the sink staring in the mirror for a minute. She's coping badly with her deadwife
there's something to be said, i think, about modern fandom's increasing fixation with paratext versus canon -- whether that's something as substantial as entertainment articles, actor interviews, comments from showrunners, bts footage, and deleted scenes or something as insubstantial (and often misleading) as an actor's body language while they do promo, unsubstantiated rumors of displeasure or friction between the cast and/or the writers, and full blown conspiracy theories ("there's a secret unaired episode that will make everything right" is a popular one right now). maybe it's obvious to say that this probably stems from an audience that is fundamentally dissatisfied or disinterested in the story they're being told and instead privileges the story they've convinced themselves they've been told by virtue of their fandom experience. in other words, that there's a kind of enmeshment that happens for some of us where the meta-analyses, headcanons, and fandom chatter (which often takes a kernel of truth from canon and runs with it to often fascinating but not always legitimate readings) becomes blurred with what is actually canon to the media we're enjoying. at least, i can certainly trace where this blurring of boundaries has shown up with me in my long history with fandom, particularly when i was coming of age.
i think it's uncomfortable, but often necessary to recognize when we're watching a show or a film or reading a book or playing a video game with different expectations or desires than the story ever promised to fulfill. simply, you can't draw blood from a stone, you know? and I think this idea, however simple, is often very easy to forget when you're in fandom because fanworks are innately transformative. in fandom, we draw blood from stones all the time. we re-imagine characters, relationships, universes in whichever way we deem fit so that we can experience wish fulfillment. but as the fourth wall between fandom and the creatives behind media becomes thinner and thinner, the boundary between what is the job of storytellers (to tell a story), what is the job of the audience (to receive the story or opt out), and what is the job of fandom (to connect with one another over shared imaginative and transformative reception of the story being told) is getting muddied to detrimental effect. coupled with the rise of hyper-individualism and the increasing commodification of fanworks into traditionally published forms, this is where we get a real wave of entitlement from fandom -- this sense that the storyteller owes something to us by virtue of our fannish devotion and that perceived failure to meet our desires is worthy of a host of outrage and abuses. i think this is where paratext comes in and why the notion of what is or isn't canon feels perhaps more debatable now than ever before. i think it's born from a blend of hyper-individualism effecting how we think and behave as audience members, the increasing sense of entitlement that is borne out of such individualist thinking, the vanishing of the fourth wall between fandom and the mainstream as well as the creators of media that fandom enjoys, and a growing inability to accept the story you're being told on its own terms (and go happily and exclusively to fandom to remedy the urge for something more). because, really, what paratext offers is a sense of legitimacy -- usually when it conveniently upholds what you privately wanted in the first place. if the show you love isn't giving you enough to substantiate your ship, you can get your fix through an actor's interviews, their exposure to fanfiction and fan art, and their perceived approval of the ship. their opinion, by virtue of their literal proximity to the show, legitimizes your own. if the movie you love doesn't do enough with a character you find interesting, a scrapped plan for what the character might've done or a deleted scene might do the same. etc etc.
And while I think it's fine to find the perspectives of actors and showrunners interesting, I do think you get into messy waters when you consider these things just as legitimate as what makes it onto the page or screen -- because, factually, that just isn't true. and if you step outside of fan spaces, you often see this disconnect: i'm sure we have all had the experience of talking to a friend, a parent, or a coworker who "isn't online" and is completely flabbergasted by fandom discourse or simply never would've come up with a popular fanon interpretation or critique if you'd given them a hundred years. because casual viewership (which is almost by definition never going to seek out actor interviews, articles, social media stories, and what an actor likes or doesnt like on instagram) is receiving only the text: the story that, by virtue of the many forces that constrain, edit, and transform the myriad intentions of every person involved in the project, finally and actually made it to the screen. and i dunno, i wonder sometimes if there's something to envy in that.
This is amazing analysis, but now I'm also interested on the tension between canons (e.g., the theatrical release and the director's cut). Which canon takes precedence?

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Would you believe me if I told you this comic was over 20 years old?