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@cirrusin
Message to all losers: please survive

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men just love to run their fucking mouth about what women do or do not want without even once considering consulting any actual women on the matter
Nike’s viral track kit is just one part of the story.
(cnn) — When Olympian Tess Howard put on her new uniform for Great Britain’s women’s field hockey team in 2021, she
The Norwegian women’s beach handball team has been fined after players opted to wear shorts instead of bikini bottoms during a European cham
Female athletes are breaking with their sports' apparel conventions -- if not regulations -- to prioritize their comfort during competitions
Sports Commentary Historically, women in sports have not garnered the same respect as men, though they perform the same tasks and play the s
Pole vaulter Holly Bradshaw refused to wear the customary bikini bottoms and crop tops favored by the majority of female athletes.
According to Women in Sport, 78 percent of girls avoid participating in sports while on their period. 78 percent. CEO of Women in Sport, St

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Extreme heat led to 440 deaths a day during June peak, say scientists, with climate crisis ramping up temperatures
The heatwave that affected England and Wales in June killed about 440 people a day during its three-day peak, scientists have estimated. Across the whole of the June heatwave, plus the one in May, about 2,700 people lost their lives prematurely.
[...]
For comparison, about four people die each day as a result of road traffic collisions and about 35 a day because of alcohol and drug use, according to government statistics.
[...]
The UKHSA previously found that more than 10,000 people died in Britain because of summer heatwaves between 2020 and 2024. The Climate Change Committee has warned for more than a decade that the UK’s plans to protect people from rapidly worsening extreme weather are inadequate. The June heatwave was the widest and most intense ever recorded in Europe and is estimated to have cost more than 20,000 lives. In Germany, where a record high of 41.7C was set, almost 5,500 people are thought to have died, according to preliminary government data. Schools, hospitals and transport have also been seriously affected.
13 July 2026
Darya's character is not like her brother's (that is, like the character of her brother Ivan Shatov), that she was quiet and meek, capable of great selfsacrifice, unusually devoted, remarkably modest, possessed of rare reasonableness and, above all, of gratitude.
i've neglected to comment on recent discussions regarding pedophilia, incest, and related kinks for a variety of reasons, but it is a topic I can not in good conscience scroll by and say nothing forever.
i've outlined in a past post my opinion on the concept of pedophilia (thanks to tumblr's useless search function I can't find the post) but regardless, I subscribe to the model of human sexuality that goes as follows: it is so obviously socially constructed and conditioned there is really no point in arguing it is innate, and innate/'biological' arguments feed directly into reactionary sentiment surrounding sexuality. probably preaching to the choir here but felt the need to clarify regardless.
patriarchal societies (and resulting "family units") have widespread issues with child sexual abuse and sexuality. it has been stated before that incestuous abuse is an inevitable result of patriarchal family structure--especially with the role of the father. at the same time, there exists this persistent sexual shame and repression that--especially when coupled with entitlement--is a breeding ground for depravity. these things seem contradictory on the surface: everyone knows of the nefarious pedophile, but victims of sexual abuse (especially children) (especially if the perpetrator is a family member) are so often failed by law enforcement and peers alike when they try to do everything 'correctly'. everyone insists they hate pedophiles and rapists but the second that shadowy cartoon villain image is shattered by reality, they refuse to accept it. the reality is simple: perpetrators of such crimes are more likely to be someone you know, someone you trust, even someone you love. there are also common misconceptions about csa that I do hold the "innate" model of pedophilia accountable for: not enough people are aware that an adult can sexually abuse both children and adults, and be "attracted" to both. while some offenders may have a preferred age, they are still opportunists, and not all are wealthy or respected enough to have preferences in victims like those in the epstein files. I put "attracted" in quotes earlier because the way people who commit sex crimes are approached in most related research is frankly stupid as hell and it's very hard to take any of it seriously. or "interviews with pedophiles". to me this is about as useful and insightful as true crime content. oh well, it'll still be taken far more seriously by society at large than anything i'm saying here will, because terms like "feminism" and "social construct" are scary buzzwords to many.
now this is where I may upset people. a lot of discourse surrounding incest and pedophilia is extremely online. like i'm going to be so completely honest, I do not give a fuck if someone watches an anime with incest in it, or engages in some sort of sexual roleplay with another adult. do I think lolicon and shotacon are particularly helpful additions to society? no. but these did not appear out of nowhere as some sort of conspiracy to make people abuse children. rather, they feed into already existing power structures. cart before the horse type of situation. anime in particular gets a lot of flack for its themes but the men making whatever media you find acceptable will form secret societies, blackmail each other, and even travel internationally for the opportunity to rape children so perhaps the reality is capitalism and patriarchy reward this behavior universally.
the current attitude towards victims of csa/incest is hostile and far removed from reality and my recommendation is reading about how average people and the legal system actually react to these cases in real life. about how there are entire organizations whose purpose is defending child abusers. it's ironic, isn't it? how the fuck do you get to such a point, where "pedophile" is such a horrible thing to be, but the money and legal power sure seems to paint a very different picture? this is again where I mention the 'very online' phenomenon. a lot of outrage you see online is performative. I feel like as social media use becomes more common, this will be more and more of an issue. we have a unique ability today to hear from and communicate with more people than ever before. with that comes consequences if you do take internet algorithms driven by engagement as accurate portrayals of wider communities offline. remember outrage drives engagement. you are more likely to see something online that pisses you off. maybe it'll even be this post today.
father-daughter incest is the most commonly reported. this is only as "natural" as the concept of the nuclear family.
by the way I chose to post this not because I aim to argue with any particular user. I was just genuinely furious over some of the things i've read. I can look away one or two times, i've been on the internet long enough, but it's been like, a month. my biological father is a serial sex offender, okay? i've known these contradictions in society a long time. coincidentally, i've never wanted to live
(original poem) someone explain what this means in ur opinion yes please… crowdsourcing my understanding of poems on tumblr dot edu
#thinking about blood not being beautiful #just being red #and how we make art from things that were graceless #the poem has to be able to suspend death #take that moment and transform it #expand it #because the reality of the execution is that it was fast and brutal #ugly and meaningless
omg… like in reference to this post right? “nothing ever ends poetically. It ends & we turn it into poetry. All that blood was never once beautiful. It was just red.” !!! obsessed with your interpretation my god.. <3
So, I really love the interpretations I’ve seen in the notes, and I think they’re pointing to something really interesting, but when I read the poem in Spanish I noticed a number of things that gave me a very different impression, and I wanted to add my own little piece!
Keep reading
oh you are amazing for this!! I think the poem does format differently on different devices but loved your translation and it’s a shame that the ambiguity that serves a purpose in the poem itself is lost in translation.
an anon did mention their interpretation of it being about revolution, and how that hope is preserved in poetry forever (to badly paraphrase) but I think I was still considering it in the abstract? but rereading the poem after your explanation of the more specific political context (body with no head!!) was really a total difference experience, like wow everything fits together.. the message is glaring! And it shifts the whole poem so much my god! The last stanza was the first I read and what drew me towards reading it and wanting to understand it but now it’s like that third stanza.. as you say it really does pack a punch, all the great ideologies fit in a refrigerator and poetry (THIS poem) is just there in the cold also… oh :-(

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The thing about American "leftist" comedians is that they aren't actually leftist, they are the Imperial Court Jesters. They stand on a stage, point directly at the blood-soaked gears of the war machine, make a little tee-hee noise, and the crowd erupts. Not because they are critiquing the machine, but because the laughter is a pressure release valve for the people inside it. Take the video of that stand-up asking the defense contractor if she helped Trump bomb those 160 Iranian school girls, and everyone laughing, including the contractor herself. That laughter is ritual absolution. The contractor laughs because she knows she will never face a tribunal. The audience laughs because they get to feel "self-aware" without having to actually stop anything. The joke doesn't condemn the contractor; it humanizes her, turns her into a lovable scamp who just happens to have a job graphing the velocity of shrapnel through children's bodies. By making it a punchline, the comedian sanitizes the atrocity. The blood is scrubbed off the stage. The audience gets to say "wow, we are so edgy for talking about it" while the person who builds the bombs gets to chuckle and order another drink. It is not satire, it is a team-building exercise for the empire.
Then there is the YouTuber talking about Transformers, casually dropping the "Iraq war aesthetic" like it's a color palette. Desert punk. Military core. A vibe. This is what happens when your country hasn't had a war on its own soil in living memory; the violence becomes media, a backdrop for childhood toys. The explosions are no longer the sound of mothers screaming; they are cool action sequences. They are digesting the visual debris of massacre as a nostalgic fashion choice, scraping the trauma off and compressing it into a genre for their retro-futurist fantasies. The apocalypse becomes a mood board.
And finally, the girl recounting celebrity love triangles from her childhood, flippantly mentioning how the U.S. was "busy with the Iraq war or whatever." Or whatever. That single phrase is the thesis statement of American innocence. Over a million dead, a region destabilized for a century, an endless river of grief; and for her, it was the commercial break between pop culture segments. It didn't raise her rent. It didn't stop her Wi-Fi. The violence is geo-locked to brown skin and distant deserts, just background noise like a refrigerator humming. She has the luxury of forgetting because the machine doesn't eat her children, it eats yours.
Americans don't hate the machine; they love the output. They hate the mess of it. So they turn it into jokes, into aesthetic, into "whatever." Because if they stopped laughing, if they stopped scrolling, if they actually looked at the 4K drone footage of the aftermath instead of the cool explosion CGI in their movies, they would have to realize that the lithium in their phones, the gas in their tanks, and the comfort of their suburban cul-de-sacs are all greased with the fat of foreign children. And they can't handle that. So they laugh. They turn it into a vibe. They call it "the Iraq war or whatever." You can't deconstruct the master's house with the master's jokes, especially when the punchline is the corpses holding up the floorboards.
Needlessly poetic in a way that draws your credibility into question. The whimsical typography also reduces the gravity of the statement. Please see the revised edition attached below.
so frustrating when you go to see if anyone has written about homoerotic subtext in dostoevsky's work and you get maybe one academic article and the rest is substacks summarizing the book in question and one (1) person on reddit earnestly trying to engage in discussion before being immediately shot down. i'm not saying the man was an #ally or anything but there's a throughline particularly in his later works that at the very fucking least implies that a) he was aware that people can be gay b) he utilized this in some of his Great Works to explore human psychology. like can we please talk about netochka nezvanova being thrown out onto the street after she and katya are found kissing. or nastasya psychologically manipulating aglaya by writing her love letters in the idiot. or trusotsky goading velchaninov into kissing him on the mouth and confessing his love, which velchaninov calls "shameful and unnatural and immoderate" in the eternal husband. or stavrogin using his charisma to radicalize young men into heavily eroticized violence in demons. can we please talk about it. i feel like i'm in an echo chamber.
dostoevsky employed a rather putin-esque rhetoric towards homosexuality, considering it a western vice that would destabilize russia, as shown from this quote by his colleague varvara v timofeevna (c. 1873, trans by irene zohrab)
so it wasn't as though he was writing it in by accident. in fact, it's extremely easy to read this passage and understand some of the examples i gave above as being purposeful. in idiot, rogozhin and nastasya both use queerness to manipulate myshkin and aglaya respectively. both characters are "damaged goods" both mentally and in terms of sexual development, leading to perversion. in the cases of trusotsky and stavrogin, both characters are explicitly villainous and their villainy comes in part from their willingness to corrupt other men by any means possible, including sexually.
i can't think of any god-fearing excuse for whatever the hell happens in netochka nezvanova. the state tried to execute him because they knew that if he wrote a complete novel with a lesbian protagonist he would be too powerful. sad!
obviously this isn't woke or anything, and there were authors writing in the same period and similar circumstances who wrote much more liberal viewpoints into their works. however dostoevsky was a conservative & intensely religious man, so this isn't exactly surprising. i just wish that people could talk about this subtext without being shot down or ignored. these toxic relationships are among the most interesting parts of dostoevsky's novels to me as a gay person and i'm sick of people pretending that dostoevsky couldn't have been a) an incredible writer b) a conservative christian c) purposefully engaging with a spectre of queerness.
anyway. here are some articles i've found that do discuss the topic. i haven't had a chance to read through all of them, but they at least look interesting (all free and available for download)
dostoevsky and the (missing) marriage plot by anna a. berman (2021)
dostoevsky's comley boy: homoerotic desire and aesthetic strategies in a raw youth by susanne fusso (2000)
+ fusso has a whole book called "discovering sexuality in dostoevsky"
a falliable narrator and an inscrutable object: desire as structure in dostoevsky's the eternal husband by james phillips (2024)
"mann-mannliche" love in dostoevsky's fiction (an approach to the possessed) by irene zohrab (2002)
dostoevsky in europe: "the life of a great sinner" as source material for "the possessed" and "the adolescent", and ulrichs's confessional 'third sex' theory and some court cases in germany by irene zohrab (2001)
dostoyevsky: epilepsy, mysticism, and homosexuality by j.r. maze (1981)
myshkin's queer failure: (mis)reading masculinity in dostoevskii's the idiot by connor doak (2019)
Just tried to play an ancient flute and it started filling the room with this awful miasma that wont go away

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u cld write a whole thesis abt this xkcd & how the only workers personified here r the upper class college degreed tech & management workers & not the third world workers facing unsafe grueling conditions working in mining or even manufacturing..... the wood source described as a "legal fight"
he's also greatly overestimating how much design work actually goes into most products like that
not leaving that in the tags
i have a suggestion