Angels can be bitchy too, this one Angel in particular
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Angels can be bitchy too, this one Angel in particular

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could u imagine waiting millions of years for your bf to kiss u, and after planning constant intricate rituals and endless dinner dates he decides to do it while you're both crying over your 8th breakup where u just accidentally asked him to detransition
One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.
I have a few different things to say about that. Let's unpack them.
As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics etc. It's very...Renaissance polymath, in the way it implies a particular intersection between artist and inventor.
Also: in the naked romanticism with which he views his stars.
We already knew he made stars, but in s2 we learn that he did NOT sculpt them one-at-a-time. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --beyond getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'
...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'
Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.
Hm.
I'm also reminded of the M25.
The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.
That's some pretty neat characterization --and so is the indication of Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.
Cumulatively gigantic, that is. Individually? Negligible.
But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself while surviving), and at the same time ensures that any actual ~Evil influence~ is spread nice and thin.
It's some clever machinery. And he knows it, too:
The Unnamed Angel and Crowley are both proud of their ideas.
(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)
This is so so good. And I hope you don't mind me adding something I have been thinking about it ever since I read the word polymath take here to this but... sometimes an engineer is also a gardener. Because Crowley, in all of his forms, has always been someone who plants a seed and steps back to let it grow. And, yes, maybe he occasionally needs to step in to do some cultivation work and tip the scales in a certain direction, but by and large what we see him most involved in is in the initial spark that blooms into something more. His tool in itself reflects this too. Circular motion that gains momentum as it goes, creating an effect that causes something bigger to swell up from the energy itâs created.
Like this post says, his actions have cascade effects, whether itâs setting up the start of a nebula that will constantly be producing stars, or setting up a roadway that will cause bubbles of frustration with relatively low level side effects, or giving a surgeon the idea to wash his hands, or choosing to play the role of a Nanny. Heâs not constantly shaping what he builds, just nurturing whatâs there to work with. Not quite as hands off as the Almighty is or as controlling as the structures of Heaven and Hell.
And to some degree I think you can look at him as playing this role for Aziraphale too. He creates spaces for Aziraphale to grow and explore and change if he wants, applying a little bit of pressure when he thinks necessary but by and large just presenting the idea and waiting to see what Aziraphale does with it. Itâs important, I think, that we donât really see him do this with Aziraphale in any serious way until heâs sure Aziraphale is already heading down those pathways on his own. Itâs not until after Aziraphale has already reached out to him that Crowley recognizes this is something he can help cultivate. And to his credit, Aziraphale, by and large, has nearly always chosen, even if heâs done so in different ways, to help Crowley let it grow. Crowley who, notably, throughout the context of most of their relationship, did know that eventually the world was going to end and that his stars would one day get shut down as a result of it. He spent 6000 years knowing that the plan had condemned everything heâd built and nurtured and watched grow. But Aziraphale is different in this one way. Odds are Aziraphale would survive the apocalypse. And that I think maybe is where the protectiveness comes from to some degree, at least at first. So long as they donât get caught Aziraphale is maybe the one thing Crowley can have that he can guarantee will persist. So long as theyâre careful, he will continue to have chances to grow and change and be surprising even if Crowley himself ceases.
Crowleyâs plants standing in for crowley and crowley yelling at them and tossing them out for not being perfect. Aziraphaleâs books standing in for aziraphale and aziraphale locking them up and not ever being comfortable with anyone looking too closely. Hm. Hmmm
Happy angel Crowley collage

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I donât think thereâs going to be âyou were wrong, I was right danceâ I think thereâs going to be âplease dance with meâ.
I either see Aziraphale, apologetic, extending his hand to Crowley, hoping he will take it.
Or Crowley, seeing how sad and full of guilt Aziraphale has been looking, hearing their song, standing up and seeing Aziraphale wince because he thinks Crowley canât even sit by him when this song plays, but Crowley walks over to him and extends his hand and smiles at him.
Maybe Aziraphale will say "I was wrong, you were right" as he holds out his hand though! And then I'll faint and melt into a puddle and take up permanent residency inside Neil's walls.
Oh hell yes actually saying it
i can't do this anymore! i mean i can, and i will, obviously. but i can't fucking do this anymore!
Area Man Who Has "Had Enough" Wakes Up Next Morning at 6:30 AM to Commute to Work Again
"There wasn't a conclusion", baby girl I literally said "to sum up" on the last paragraph, what do you think that meant???
I'm in the final year of my philosophy degree and I've struggled with this so i will try and help you out because comments like that one are super unhelpful and confusing, but unfortunately very common from philosophy professors:(
'to sum up' - i am summarising everything i have just said. this is sometimes useful if you've written something long but most acdemics are gonna disapprove of this. if your writing was clear and succinct enough, you wouldn't need a tldr at the end.
'to conclude' - i have finished my discussion and now i am going to make my final position clear. my conclusion states my final opinion on the matters that i have discussed and is supported by the arguments i have made. i am not just restating my propositions or my evidence, but i am using them to reach a decision. this conclusion should be a sound one.
from my interpretation of the comment you received, it sounds like you've signposted a conclusion without actually providing the content of one. conclusions are the hardest bit of philosophy, and professors are often not very good at explaining what they actually need to involve or how to do it.
sorry if u didn't actually want advice and that's why u had comments turned off lol xxx
this is the most beautiful anyone has ever looked. the things I would do for her are unspeakable.
(david tennant as davina in rab c nesbitt (1993))
finished good omens (s1 and 2) a few days ago for the first time. completed all of GOtwitter and most of ao3 already. only thing for it was to redownload this fucking app and repurpose it from a young royals account to a good omens account. sorry all!!

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Wilmon having the most emotional conversations and people being in their close vicinity makes me so amused somehow.
At the ball when Wille says 'you are not in love me anymore. I will leave you alone.' there is another student busy on his phone, not only a meter between them.
And before the jubilee speech, at that little corridor, they are having a moment, with the most boyfriend position they could be in, there are students only two meters away from them, where they can see them so easily.
They don't even spare them a glance. Nobody even falters a second. There is probably a bet going on about when they will get their shit together at this point.
They were hiding shit, and I find that so hilarious.
If you accidentally hurt someone or cross their boundaries and they make you aware of this, literally all you have to do is apologize and stop. You don't have to beat yourself up internally for months. You don't have to hate yourself for fucking up. You don't have to feel like a horrible person. No one benefits from any of that - and at worst, such an extreme reaction will make the person in question less likely to speak up around you in the future, cause even if your negative reaction is directed at yourself and not at them, it's still unpleasant for everyone involved.
simon noticing the frog is out in the open, no longer hidden by the glass structure. meanwhile... he has no idea what wille is about to do.
Simon taking out his anger over Wille being celebrated for kissing a girl out on Wille because it probably looks to him like Wille is now trying to conform to whatâs expected of him. Wille looks like heâs starting to conform and Simon sees through the bullshit.
Felice is not a threat. You donât love Felice. You love me. Fight for me. Thereâs a desperation in Simonâs eyes as he rips into Wille in the locker room and eggs him on; he can feel Wille pulling away and no longer fighting for them, and it makes him angry.
Despite trying to move on, despite trying to forget his feelings for Wille, deep down all Simon wants is for Wille to fight for them, and thatâs why he panics so much when Wille finally starts moving away.
You told me you didnât want to be who they want you to be and here you are doing exactly that.
rip to everyone who didnât enjoy the borderline greek tragedy that was Sara projecting her pain on August, turning his world upside down, and then breaking his heart when she realised she misjudged him, but I was having the time of my life. Thereâs something so poetic about August, a privileged kid who is openly derisive of those he deems below him, having his shit rocked by 2 unhinged lower class siblings who want too much and donât know how to stop

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STELLA & FREDRIKA YOUNG ROYALS SEASON 2
prince wilhelm: human disaster