Adam Johnson’s How to Sell a Genocide powerfully critiques the US media’s flagrant bias in its reporting on Gaza, which has done real harm,
Johnson’s target is what he describes as the ‘center-left’ media, in other words those outlets closest, politically speaking, to Joe Biden, the occupant of the White House during the period of his sample, the twelve months following 7 October 2023. Largely ignoring the Maga media who were ‘openly genocidal against Palestinians’ (p.3), Johnson evaluates the content produced by more ‘liberal’ newspapers, broadcasters and platforms precisely because they paved the way for the justification by a Democratic president to arm and back Israel in its war on Gaza.
[...]
Genocide, he states at the outset, was ‘enabled, facilitated, and cheerled by establishment US media providing cover for months of a nihilistic campaign of starvation, bombing, arbitrary detention, shooting, and sexual violence’ (p.2). The rest of the book maps out in great detail the various frames that US journalists used to justify, normalise and excuse the genocide (though of course that is not what they called it, nor were they allowed to call it that).
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Did you know that the very first assembly of photographs in sequential order to create a motion picture was a two-second clip of a Black man on a horse? Yes, it was. Yes, it was. Look it up.
And while this is happening while people are buried under rubble, while children freeze in tents, while entire families vanish overnight powerful men sit comfortably and present plans for a “New Gaza.”
Clean slides. Perfect buildings. Investment numbers. A future imagined without the people who are currently being erased.
They talk about peace while bombs are still falling. They talk about rebuilding while destruction is ongoing. They draw maps over land that is soaked with blood and call it hope.
The ceasefire is a lie.
What’s happening is ethnic cleansing, repackaged with the language of development and diplomacy. You cannot build a “new” city by destroying the people who belong to it. You cannot promise a future while actively killing the present.
This isn’t peace. It’s violence with better branding.
Today, three journalists were killed in a single airstrike.
Not soldiers. Not fighters. Journalists. People who believed that if they kept documenting, if they kept filming, if they kept writing, the world would eventually care.
In Gaza, telling the truth has become one of the most dangerous things you can do. Holding a camera is treated like holding a weapon. Every photo risks your life. Every report could be your last.
They had names. Families. People waiting for them to come home. They were not numbers, and they were not mistakes. They were silenced because truth is inconvenient, because images expose what statements try to hide.
When journalists are killed, it’s not just lives that are lost it’s evidence. It’s memory. It’s the last barrier between reality and denial.
…
Donations for GAZA
This donation campaign is for ANAS family. Not for strangers, not for a cause I’m distant from but for the people who raised me, the people I love, the people I’m terrified of losing.
They are in Gaza, trying to survive something no human being should ever have to endure. Constant bombardment, displacement, hunger, fear, and the feeling that tomorrow is never guaranteed. Every day is about staying alive one more night.
If you choose to help, you are not donating to an abstract crisis. You are helping real people with names, memories, and lives that matter to me more than anything.
🔗 This is a verified Chuffed campaign to support family:
Campaign Update
If you can’t donate, please reblog. Visibility is sometimes the only protection we have left.❤️
Some accounts are tagged to help people see this campaign. It’s not spam. If you don’t want to participate, simply scroll.
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“My name is Eslam from Gaza, I’m 29 years old, and I’m a children teacher from Khan Yunis in the Gaza Strip. a mother of two daughters, Hanaa 5 years old, and Alma, 10 months old. My husband Rasmi is the director of 3 language and training centers. In this war, our house was completely destroyed and razed to the ground, and my husband’s centers were blown up. He lost his job, and we were completely displaced, and we are now homeless and jobless, My two young daughters constantly suffer from diseases due to malnutrition and water pollution.
Danger and death surround us all day and all night. We have lost everything and depend on donations to survive and, most of all, to have any hope of escaping this genocide and evacuating to safety in Egypt. The cost of daily living continues to rise significantly in Gaza - imagine that we cannot find the type of milk for our daughter because of its high price. There is no kind of detergent and this is the cause of skin diseases for my two little girls. We bought a piece of soap for $30! ، and detergent is 100$"
As of 8:46pm November 11, 2024 (GMT+8) $31,955 raised out of $50,000
My name is Victoria, from the greater Chicagoland area, and I am starting this fundraise… Victoria Beauchamp needs your support for Help Esl
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Ukazu says, a rising tide lifts all boats, including the S.S. Check, Please! She’s hopeful that the success of Heated Rivalry, as well as another queer romance graphic novel-turned-TV show Heartstopper, will make the dream of seeing her work onscreen into a reality: The book has been optioned for adaptation. — Vanity Fair
Check, Please! has been optioned for a film/television adaptation. A while ago, actually—and that’s lovely. Nevertheless, the vast majority of options do not become television because it takes a million things going right to get projects off the ground.
That being said.
Ahem.
Speaking of getting projects off the ground...
From when Bitty first stepped out into the rink at Faber, to when he kissed the ice at graduation, we've all been part of this fun, weird, magical world of Samwell hockey. But when I left the world of Samwell hockey, I left knowing Jack and Bitty's story was done. Bitty's journey as the first openly gay NCAA Division I hockey captain was done. We baked the last pie; we shut off the lights at the kegster; the story was complete.
…But as I looked around I realized, I had one more story to tell.
Which is why I'm thrilled to announce that a brand new volume of Check, Please! will be serialized in 2026. Dozens of new comics, exciting update drops, your favorite characters with brand new storylines, and characters you've yet to meet.
Hello, Internet Land—SMH is coming home.
This fifth year of Check, Please! will be filled with shenanigans, drama, hockey, pies, Haus parties, and a new message of acceptance that is near and dear to me. And it's been brewing over the last year and half! But with the latest boom in queer hockey stories, I figured, hey! ¯\(ツ)/¯ Here's another one to look forward to. :)
Marginalized athletes still face harmful bigotry, and for this reason, queer sports stories are more important than ever. I love Samwell hockey and how each of you has embraced this roster of athletes.
There's so much more to come.
Ngozi
🏒🥧❤️
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MORE NEWS? SURE:
I’ll be at Emerald City Comic Con 2026, and yes, I will be dropping exclusive details about Check, Please! Year Fived during my spotlight panel: Ngozi Ukazu - From Check, Please! to DC and Back! (Be there!)
Follow me on Patreon for behind-the-scenes on the making of Check, Please!: Year Five. I'm gonna livestream...a lot.
If only there were an original mm romance that you could read right now while you wait for more Year Five updates! Good news—John Rich & The Big Picture is very cute and laugh-out-loud funny and you can read it now, for free.
My latest graphic novel FLIP has made the best-of lists for the New York Public Library, the A.V. Club, Kirkus Books, School & Library Journal—and more. Get it here.