Once upon a time…
I really wish the overused sentence “You either die a hero, or live long enough to see yourself become the villain.” was less relevant but here we are
styofa doing anything
we're not kids anymore.

ellievsbear

if i look back, i am lost
2025 on Tumblr: Trends That Defined the Year
taylor price
macklin celebrini has autism

Kiana Khansmith
he wasn't even looking at me and he found me
DEAR READER
d e v o n
occasionally subtle
dirt enthusiast
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Lint Roller? I Barely Know Her
Sade Olutola
Cosmic Funnies
cherry valley forever

★
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@cearo
Once upon a time…
I really wish the overused sentence “You either die a hero, or live long enough to see yourself become the villain.” was less relevant but here we are

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Vincent van Gogh, Wheat Fields after the Rain, 1890, oil on canvas Carnegie Museum of Art, Pittsburgh, PA
“BACK WHEN TIME DIDN’T MATTER” — AN OIL PAINTING BY RIONA
Raymond Bonilla (American, b. 1983, based Buffalo, NY, USA) - Soon, 2021, Paintings: Oil on Panel
I'm home

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Art by Alex Twin
The Raven Cycle
cersei in winterfell..🙏
I honestly think that like all of my issues with the plot structure of Inquisition can be summed up by this sign. It’s right next to a path up a hill at the Storm Coast, one surrounded by little boulders and rocks that have fallen. But at no point during gameplay does a rock fall.
Why bother putting this sign and the fallen rocks there if you’re not going to have a rock fall on the player?
Why include blatant character flaws in the companions that don’t serve much purpose beyond “rounding them out” by existing? Why have Dorian be focused on reforming all of Tevinter’s issues except slavery if it only comes up exactly one time in non-essential dialogue? That is a HUGE-ASS FLAW. Why give Sera such vitriolic self-hatred and internalized racism when oppressed elves are precisely the sort of ‘little people’ that she fights for? Why can the Inquisitor not talk about these things with them and help them realize that they need to change their thinking?? Can you IMAGINE the character arc Sera could have had???
Why can Clan Lavellan be killed if no one in Skyhold ever acknowledges it? The only possible purpose it could serve would be to provide emotional stakes for the odds the player is up against, but nothing emotional actually comes of it.
Why can you customize Skyhold if none of those changes make a difference? Why can you build up over 300 power at the War Table if it’s completely useless outside of main quests, of which there are ridiculously few?
Why have a storyline about Lyrium addiction among Templars if it’s never acknowledged that said addiction is entirely the Chantry’s fault?Why include Fiona in the game if all she ever does is stand in a hallway? For that matter, why make an entire game leading up to the mage rebellion if the ACTUAL BEGINNING of it is shunted off into a book that a lot of players won’t know exists and the rebellion itself is just going to be background noise in the next game?
Why are Alistair/Stroud/Loghain and Hawke in the game for literally about 1 hour (out of a solid 90, generally) if one of them has to die? The Inquisitor doesn’t know them. New players don’t know them. To have an actual emotional impact in-universe, they should be legitimately introduced into the story in a significant way. Instead they appear, die/leave for Weisshaupt, and disappear again. They do nothing; things happen to them.
There are so many signs for falling rocks, but no rocks actually fall.
loghain duel any %

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The waiters
Wait For Me hits every time. also this is so beautiful i love how Penelope looks
i can understand the trials but were the tribulations really necessary

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Roman aqueducts
when i say i think about rome every day this is the kind of thing i mean
Dickie boy 🩵