“... left, to make their own way on the night shore.” - (x)
will byers stan first human second
Sweet Seals For You, Always
Claire Keane
styofa doing anything

JVL

izzy's playlists!
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noise dept.
Cosmic Funnies
Cosimo Galluzzi
$LAYYYTER

shark vs the universe
Peter Solarz

Product Placement

★
🪼
almost home
tumblr dot com
Keni
YOU ARE THE REASON

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@cealtrachs
“... left, to make their own way on the night shore.” - (x)

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Use your PTO
i think people are starting to confuse class analysis with bioessentialism. like... no not all men do this, but Men as a constructed social class do do this. that's still okay to say. that is regular material analysis of the world around us.
cooking something for you just don't tell anyone
how many modern hildegards von bingen have we lost since the advent of sumatriptan

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i love hearing other people conceptualize their own gender id - whether they’re cis or trans - because it’s so novel to me. it’s like reading one of those peter menzel books from the 90s. “oh, i didn’t know that this was something that people kept in their house - but it’s v cool that they do.”
Sound on to hear the water running through pebbles
I may be completely off base here, but I like to believe that Anna's love for Lucie made her transcend. Anna's love for Lucie is the driving force that moves the plot forward. It leads her to aide Lucie and try to help her, but it also leads her into the arms of Mademoiselle's society. Yet despite all the pain she endures Anna still loves Lucie and I personally believe it's that love that helps her transcend, and through that, finally sets her free from all this torture. Perhaps Anna relayed this to Mademoiselle somehow, perhaps it made her realise that all this torture, all this suffering she put these women through for what she believed to be a right cause, was ultimately pointless. All this violence is meaningless in the shadow of Anna's pure love for Lucie. Love is at the core of everything.
i agreed with lucie when i thought she killed those people for no reason #believewomen

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By Gagik Gasparyan
Henri Martin (1860-1943, French) ~ Dahlias et Pois de Senteurs, 1928
[Source: invaluable.com]
June 8, 1914 Letters to Felice by Franz Kafka First published : 1973

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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oh you’re yanking my chain? yank harder
-Anaïs Nin, 1939