“... left, to make their own way on the night shore.” - (x)
Sade Olutola
wallacepolsom
Not today Justin
will byers stan first human second

tannertan36

Andulka

Kiana Khansmith

izzy's playlists!

#extradirty
AnasAbdin
we're not kids anymore.
One Nice Bug Per Day

JBB: An Artblog!
Mike Driver
Three Goblin Art
noise dept.
"I'm Dorothy Gale from Kansas"

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@cealtrachs
“... left, to make their own way on the night shore.” - (x)

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Roger Fenton (1819–1869), “A Memento of Furness Abbey, 1856”
source
Moonlight studies 🌙 they took about an hour each give or take
isabelle adjani on the set of possession (1981).
original photographer unknown, black & white edit by me
Taylor Russell

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Barbara A. White
have been feeling so dysregulated that i just straight up asked my boyfriend to throw me around after he takes me out to dinner this weekend
I hate being aware that my frenzy meter is filling
‘twins,’ barry wood / dead ringers (1988) dir. david cronenberg / ‘the carnivorous lamb,’ agustín gómez arcos

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Sigourney Weaver / production still from Ridley Scott’s Alien (1979)
Enrique Martinez Celaya, Constellation (Woodrooms) (2002)
Angela Carter and the "So Fucking What" Approach to Writing
The Children's Hour (1961) Dir. William Wyler
from the article my therapist linked in our weekly “homework” email. 🙂↔️

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
A series of Juneteenth celebratory wagons in the early 1900s, in Houston, Austin and Corpus Christi.
Taos, New Mexico, about 1921 by Victor Higgins