the ideal media diet for a child is books and music from at least fifty years ago so they are always out of touch with the references and allusions of their peer group
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@bugatha
the ideal media diet for a child is books and music from at least fifty years ago so they are always out of touch with the references and allusions of their peer group

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in four weddings and a funeral (1994) john hannah's character matthew is dressed in plain coloured vests for the first three weddings while his partner gareth played by simon callow wears fancy patterns and bold colours. after gareth dies and matthew attends the fourth wedding he is wearing a colourful checked vest. now this might be a coincendence and mean nothing but i just noticed it and may have shed a tear.
The legend says that every time you search you find a new photo from this photo shoot, if you ever find one that is not included here feel free to add it
Guess what
THE LEGEND IS TRUE.
Lucy Liu as Joan Watson inĀ ELEMENTARY (2012ā2019)
It's that time of year again, so let's all take a moment to remember that "re-signed" and "resigned" are very different words.

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āBUT THATāS NOT THEM!!!!ā
HOW can you say that?!?!?! HOW can you sit there and watch Asa say āscrumptiousā and ātickety-boo,ā bring out the hot cocoa, and then watch Anthony absolutely GEEK OUT over the universe and point out the NIGHTINGALE while they hold hands under the night sky ā and then look me dead in the eyes and tell me thatās not them?!?!?!
Like Iām sorry but that is literally their ESSENCE reincarnated into human form. Same souls. Same love. Same ridiculous little mannerisms. They found each other AGAIN. What more do you WANT FROM ME!!!!!!!!
Gobsmacked whenever people say itās just some random people with their faces. Every single things said itās them.
Watson can get into really dangerous situations and yet the only thing running through his mind through them is āoh my god he really does love meā and I think thats beautiful.
sherlock and co spoilers again (the empty house episode... 2??? i binged them i forget which exactly)
in short, the foreshadowing keeps ramping up and it is CONCERNING to me
A Study on Appellation
Holmes's most frequent appellation for Watson is the simple surname "Watson" (588 inaastances, 65.7% of total references), deployed across contexts ranging from urgent commands ("Watson, come here at once!") to casual queries ("What do you think, Watson?") This straightforward address establishes baseline intimacy appropriate to Victorian male friendship while maintaining professional clarity. Moreover, Holmes's habit of addressing Watson by name mid-conversation carries the air of a tutor calling his student to attention. As Holmes observed, Watson was prone to having his attention diverted by external stimuli. However, Holmes's signature phrase "my dear Watson" (92 āinstances, 10.3% of total) reveals the complexity of his regard for his companion.
The 92 instances of "my dear Watson" stratify into distinct contextual categories that illuminate Holmes's multifaceted view of Watson. Approximately 40% (37 instances) occur during pedagogical moments. These instances carry a characteristic tone of patient condescension: "My dear Watson, you see but you do not observe" exemplifies Holmes's simultaneous affection and superiority. Yet 25% of instances (23 occurrences) convey concern or comfort, particularly when Watson appears nervous, anxious or endangered, suggesting that the phrase serves not merely as habitual Victorian politeness but as a vehicle for Holmes's carefully modulated emotional expression.
The appellation "Doctor" and its variant "my dear Doctor" (63 combined instances, 7.0%) merit special attention as markers of professional respect. Approximately 60% of these instances (38 occurrences) arise when Holmes seeks Watson's medical expertise, acknowledging a domain where Watson's authority supersedes his own. This strategic deployment of professional titles reveals Holmes's capacity for intellectual humility and his genuine regard for Watson's competence, complicating the dominant narrative of their relationship as purely hierarchical.
Perhaps most revealing are Holmes's uses of "my boy" and "my dear boy" (22 combined instances, 2.4%). These appellations, typically associated with marked age disparity or paternal relationships, are particularly significant given that Holmes and Watson are almost comtemporaries, while Holmes is likely only slightly older. āThe deployment of "my boy" thus functions less as reflection of chronological age than as assertion of power hierarchy. Contrary to popular assumption, these phrases rarely appear during moments of extreme danger or injury; rather, they emerge during everyday interactions when Holmes adopts a gently instructive or protective tone, revealing his construction of Watson as perpetual student/child despite their peer status.
Watson's appellative repertoire reveals a man caught between veneration and the desire for peer friendship. His most frequent address, "Holmes" (3,359 instances, 67.5% of total), appears 512 times in dialogue and 2,847 times in narrative. In narrative passages, Watson's relentless invocation of "Holmes" approaches litany, with the name appearing on average every 230 words throughout the Canon. This obsessive nomination reflects Watson's psychological centering on Holmes as the organizing principle of his narrative consciousness and, by extension, his life.
The phrase "my dear Holmes" (26 instances, exclusively dialogic, 4.2% of which) serves as Watson's primary vehicle for emotional expression. Unlike Holmes's "my dear Watson," which often carries didactic or paternal overtones, Watson's usage distributes across contexts of admiration (34.6%, 9 āinstances), amazement (30.8%, 8 āinstances), and supplication (19.2%, 5 instances). Phrases like "My dear Holmes, how on earth...?" express genuine wonderment. āThe prevalence of entreaty in Watson's usage, compared to Holmes's more didactic deployment, reveals the emotional asymmetry of their bond: Watson exhibits both heightened overt emotional expressiveness and higher relational dependence.
Watson's distinctive use of "old man" (18 instances), "old fellow" (23 instances), and "old chap" (5 instances), totaling 46 occurrences (7.4% of dialogue), represents his most significant linguistic bid for relational intimacy. Used primarily during friendly conversations or mild disagreements, it reveals Watson's socialization in the conventions of upper-middle-class camaraderie. The appellation "my dear chap" (1 instanceā) in EMPT represents Watson's āeuphoric reliefā combined with tender affection towards Holmes. Watson betrays his true psychological positioning through mentioning Holmes as "my masterā" (2 instances) and "the master" (1 instance) in his private narrative voice. The doctor, with an MD from UCL, āunconsciously adopts the language of servitude when describing his relationship with the detective. This reveals that all of Watson's egalitarian appellations are performative attempts to claim a parity that, in his heart, he knows does not exist.
Notably, Watson's use of formal addresses, "Mr. Holmes" (8 instances in dialogue, 1.3%) and "Mr. Sherlock Holmes" (4 instances, 0.6%), remains minimal after their initial acquaintance. This rapid transition from formality to surname familiarity signals the swift intimacy of their bond, while Watson's complete avoidance of "Sherlock" as a familiar form (0 instances) adheres to Victorian propriety: male friends addressed each other by surname, regardless of closeness. The modern media tendency to use "Sherlock" as Watson's familiar address represents significant anachronism and misunderstanding of period social codes. Also, Popular culture frequently depicts moments where Holmes addresses Watson as "John," supposedly during moments of extreme emotion or danger. However, textual analysis reveals this appellation never appears.
A critical finding of this analysis concerns the true age relationship between Holmes and Watson. Contrary to adaptations that depict Watson as significantly older or grandfatherly, textual evidence from A Study in Scarlet and other early stories indicates that Watson is approximately 22-26 years old when he meets Holmesāwhile Holmes appears to be about 27. In Conan Doyleās plays, Watson is also always presented as a young, handsome doctor.
Yet Holmes's appellations, particularly "my boy," "my dear boy," and the pedagogical "my dear Watson", construct a pseudo-paternal dynamic that exceeds their actual age difference. This linguistic strategy serves multiple functions. First, it reinforces Holmes's dominance ādespite chronological parity. Second, it allows Holmes to express protective affection in a manner consonant with Victorian masculine norms: Victorian men could more comfortably express it toward "boys" or pupils than toward peers, making the paternal stance emotionally safer for Holmes's characteristically reserved temperament. Watson's ultimate acceptance of subordinate status, combined with his narrative presentation of Holmes as mentor and himself as learner, suggests his internalization of Holmes's framework. The relationship that emerges is thus one where chronological peers perform an age-differentiated partnership, with both participants complicit in maintaining this fiction because it serves their psychological needs: Holmes's need for dominance and Watson's need for sublime and guidance.
The two stories narrated by Holmes, "The Adventure of the Blanched Soldier" and "The Adventure of the Lion's Mane", provide invaluable comparative data by inverting the standard narrative perspective. Holmes's references to Watson in these stories total only 35 instances (29 in "Blanched Soldier," 6 in "Lion's Mane"), yet they reveal dimensions of feeling rarely visible in Watson's accounts.
In "The Blanched Soldier," Holmes opens with a remarkable passage: "Speaking of my old friend and biographer, I would take this opportunity to remark that if I burden myself with a companion in my various little inquiries it is not done out of sentiment or caprice, but it is that Watson has some remarkable characteristics of his own to which in his modesty he has given small attention amid his exaggerated estimates of my own performances." This single sentence encapsulates Holmes's defensive mechanism: he rationalizes his emotional need for Watson's companionship as pragmatic appreciation of Watson's "remarkable characteristics," explicitly denying "sentiment or caprice".
Holmes's subsequent confession, āI miss my Boswell", using the possessive "my" and the parallel to Samuel Johnson's beloved biographer James Boswell, admits loneliness far more directly than Holmes typically permits himself. The appellation "my Boswell" itself is telling: it casts Watson as both literary collaborator and necessary witness to Holmes's greatness, suggesting Holmes requires Watson not merely for practical assistance but for validation and immortalization.
The comparative paucity of Watson references in "Lion's Mane" (only 6 instances) reflects both the story's setting (Holmes's solitary retirement in Sussex) and Holmes's narrative style, which focuses on deduction rather than relationship. Yet even here, phrases like "my friend Watson" and "my biographer" appear with possessive constructions Holmes rarely uses in dialogue, suggesting that in the privacy of his own narration, Holmes permits himself the intimacy he guards against in speech.
Conversely, when Watson operates independently of Holmes in stories like "The Hound of the Baskervilles," "The Solitary Cyclist," and "The Disappearance of Lady Frances Carfax," his narrative references to Holmes increase dramatically, approximately 85, 28, and 33 instances respectively in extended solo sections. Watson's journal entries to Holmes in "Hound" open with "My dear Holmes" and adopt a reportorial tone of a student reporting to a teacher, revealing Watson's psychological dependence even during physical separation. His anxiety during these separations, "If I could only have been there with Holmes!", and his relief at reunion demonstrate Watson's centering of his identity around his partnership with Holmes. The frequency ratio (Watson mentions absent Holmes 4.5 times more often per thousand words than Holmes mentions absent Watson) quantifies this emotional asymmetry.
The use of bare surnames as exclamations provides a pure measure of spontaneous emotional expression. Watson exclaims "Holmes!" approximately 67 times across the Canon during moments of shock ("Holmes! How did youā"), joy ("Holmes!" I criedāā "Holmesā!"), fear ("Dear me, āHolmes!ā"), and discovery ("Holmes! I've found it!"). Holmes exclaims "Watson!" approximately 15 times, primarily during urgent summons ("Come, āWatson!") or warnings ("Get down, Watson!ā").
This 4.5:1 ratio quantifies Watson's greater emotional volatility and expressiveness. (HE IS NOT STAID BY ANY MEANS!!) Watson's readiness to vocalize feeling through exclamation exceeds Holmes's by a significant margin. This pattern extends beyond appellations to general emotional display: Watson frequently describes his own amazement, admiration, anxiety, and affection in narrative, while Holmes's feelings must often be inferred from indirect evidenceāa quickening pulse, a rare smile, an uncharacteristic silence.
These statistics reveal a partnership more complex than simple mentor-student (There is a similarity to the homosocial order of ancient Greece where an older man took a younger man under his wings in order to tutor him) or hero-devotee formulations. Holmes and Watson are chronological peers who perform age-differentiated roles, with Holmes adopting quasi-paternal authorityā despite minimal actual age difference. They are complementary dependents: Holmes requires Watson's witnessing, chronicling, emotional support, and medical assistance; Watson requires Holmes's guidance, ā great powers, and bizarre cases.
When Holmes says "my dear Watson" while explaining a deduction, he simultaneously expresses affection and asserts superiority; when Watson responds "my dear Holmes" in wonderment, he simultaneously offers admiration and accepts subordination. Each appellation is a speech act that constructs relationship as much as it reflets it.
Age-Implying Appellations:
"my boy/dear boy": 22 instances (all Holmes ā Watson)
"old man": 18 instances (all Watson ā Holmes)
"my young friend/ādear young friendā": 2 instances (Holmes ā Watson)
āActual age difference: approximately 1-5 āyears (Holmes: 1854, Watson: 1855-1859*)
*At that time at UCL, students typically entered medical school at age 16-17, requiring about six years (4+2) to complete MD. If Watson instead studied in Edinburgh for MB and UCL for MD, the trajectory would have been approximately entry at 16-17, followed by 3+2 years. Considering one of his possible model Polidori got MD at the age of 19, he could also be born in 1859.
hey do you guys think Watson ever woke up in the middle of the night screaming Holmes' name after his death just like he did when looking for him in Reichenbach
His screams start to fade as he slowly registers that heās awake. Someone is clutching him, tightly, shaking, murmuring āIām here, Iām hereā over and over.

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What Do You Mean "The Empty House" Is Next, Sherlock & Co.?
I HAVE SO MANY QUESTIONS
S&Co Three Garridebs (& ACD, & ACD "The Final Problem") spoilers incoming, sorry. The following is an excerpt from ACD's The Three Garridebs:
Anthropomorphized PWHL logos
The crux of the anti trans movement is a war on bodily autonomy. They don't want you to have any agency over what you look like, how you dress, who you date, whether to have kids, etc.
They want total control over you. Not just trans people. Not just queer people. You. Everyone.
Trans people are just a scapegoat. They want total control over everyone's self expression. They want the right to mold you into their perfect little cog in their dehumanizing machine.
Happy Trans Day of Visibility. Our rights are your rights. Our destruction is your destruction.
10/10 post bringing it back for 2026
what's so devastating about having Young Sherlock focus on Sherlock before he's a consulting detective and James before he's, well, an evil genius out to destroy Sherlock even if it will kill them both, is that James and Sherlock meet at their lowest emotional and professional points in the series. they see each other at their most abandoned and vulnerable, but it's actually Sherlock who is the most vulnerably open, because James very rarely gives anything away about himself or his history.
Sherlock, meanwhile, brings James everywhere and invites him to the most inner circle of his life. he even trusts him with his own mother. it makes the pit of my stomach churn watching it, because you can just see James filing away all of this information in the way he files away everything he learns about everyone -- it's how James has survived, by remembering everything about a person's situation and what their weaknesses are, because he's a person who has had to work upon weaknesses to get what he's owed.
at the same time, James is so devoted to Sherlock that we know his efforts to help him all the time is genuine. and yet...he's going to remember all of this, and he's going to use all of this one day, too.

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I know this will probably be a hot take but I think this might be my favorite iteration of Mycroft. He's clearly frustrated with Sherlock's shenanigans but I love that you can see his genuine affection for his brother coming through even when he's trying to keep him in line. You can also tell how much his actions are driven by the fear of losing him the way they lost Beatrice. He can't save his little sister so he will do everything, even bend the rules a bit, to save his little brother. And he's not just doing it because he's scared himself, he also wants to spare their mother the pain of potentially losing another child. This "softer" version of him is just an interesting take on the character imo
iām trying really hard not to fall for young sherlockās bs but like. unheard of levels of chemistry between sherlock and moriarty. why is james moriarty so flirty?????? why is he putting his face so close to sherlockās?? itās getting to me help
i finished the season and iāve changed my mind, i like this sherlock of ambiguous sexuality and this moriarty who flirts exclusively to get his way, great combination, will work out awesomely for both of them in future