#my family does this thing#when we've majorly unfucked a room or done chore that we were putting off#or whatever. Any sort of household Improvement.#'Come brag on me.'#I means come look I cleaned/rearranged/did dishes/put away the laundry#and the scripted response is 'oh nice it looks SO much better in here now'#like my mom did this when we were kids.#'girls comr brag on the garage I finally organized it so I can get my car in there'#and we go and 'ooh' and 'aah' and tell her how nice it looked and how she did a good job#and we could have her 'come brag on' us for like doing the dishes or cleaning our rooms#I do it to my wife now too#it's a dialogue that means#'I did a chore and it feels like an Accomplishment even if it objectively wasn't a big thing. Please acknowledge this.'#and#'Wow you sure did do a thing. It has improved our material circumstance even if only in a small way. Thank you for doing it.'#like yeah scrubbing the pans is my Job and it's a Little Task but sometimes it feels like a Big Task#and it's nice to have an Accepted Script where I can just demand 'I have functioned as an independent adult praise me with great praise' - by @thepioden
Omg, I love this. And it can be applied for brushing teeth. Like yes, you should do it. It's your body to care for. But it's a pain. So for all of you who have brush and/or flossed today. Good job getting it done! It's cleaner now than it was before and it's another step to keeping your teeth healthy and happy.
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Jesus Tapdancing Christ... THIS is a good welt pocket and the people who designed Simplicity 2895 ought to be blasted well ASHAMED of themselves for the crap way THEY wanted a welt pocket made. *SNARLS*
This is how I learned to do it and a good example of what you want to see in a short form tutorial: pinning, pressing, seam finishing, good fabric handling.
I would mention that you can make the pocket facing with a small panel of your matching fabric that is visible and the rest in a lighter fabric to reduce bulk. That's a lot of denim layers for comfort.
I'm obsessed with this chair. The artist takes a flimsy hunk of injection-molded plastic that's been cost-cut to hell and back, and insists that we look at it with fresh eyes and understand its beauty. And they went about it in the most labor-intensive way I can think of.
Absolutely nothing about this design is convenient to execute in wood. Every piece is curved, most have compound curves. This is artisan craftsmanship: it's inherently slow, manual, and skilled. Notice, also, that most features of this chair must be thicker and heavier than on the plastic chairs being imitated. Injection-molded chairs can be produced in this shape in a matter of minutes with far less material at very low cost.
If these flowing, organic curves are so beautiful in polished wood, perhaps they are also beautiful in the mass-produced chairs that are far more accessible. Perhaps we should remember to admire designs that succeed enough to become ubiquitous. I don't know about you, but I'll never see injection-molded chairs the same way again.
I agree with all of this, but YOU HAVE HIT UPON A FORGOTTEN TRUTH OF PLASTIC CHAIRS!!!!!
The standard one-piece injection molded plastic chair is referred to as a "Monobloc", literally just describing it as a single piece. The history of this chair is fascinating, and it all starts back in 1946, with the D.C. Simpson Monobloc.
Douglas Colborne Simpson was an architect mostly active in the 40's and 50's, designing a lot of classic mid-century style buildings in Vancouver, Canada(1). In 1946, as part of a government project to find new uses for materials developed for WWII, he and engineer James Donahue developed the design you see above, simply called the Monobloc(2). Unfortunately, we don't know a lot about this chair as it was only ever a prototype, and no modern examples have survived, nor have most of the records surrounding it(3). To my knowledge, we don't actually know if this was technically injection molded, or crafted some other way. We can't even be sure if it was technically the inspiration for the designs that followed, but no matter the case it has lent its name to the entire genre.
Plastics technology was simply not what it is today back in the 1940's. Most people would have had very little plastic in their homes, most likely just a few pieces of Bakelite (the first commercially viable plastic, made from a formaldehyde based resin in a Bakelizer, the best name for any industrial manufacturing equipment ever). Over the following few decades, however, as a wider variety of plastics were both developed and came down in price to the point of commercial viability, the concept of the plastic chair was revisited, and the first folks to revisit it were Helmut Batzner, in 1964, and Joe Colombo, in 1965.
This, is the Bofinger chair, Batzner's design:
The elements of D.C.Simpson's Monobloc were pretty alien compared to todays mass-manufactured plastic chairs, but here we start to see some more modern elements come into play. The first thing you probably notice is the front legs, which have that characteristic visible 90 degree bend in them for added rigidity, plus a much more comfortably leaned back and slightly scoop-shaped seat. We also see much more support in the back rest, with broad triangles allowing for a more efficient use of materials without losing back support.
Similar to Simpson, Batzner was not an industrial designer, but an architect, and this chair had a very specific purpose. Batzner and his team designed it as part of a project to build a new theater in Karlsruhe, Germany, which required a large amount of additional seating which could be easily packed away into storage or distributed around the theaters rooms by the staff (4). As such, it was designed to be both lightweight and stackable, so several of them could be moved by one person, and they could be stored compactly. This piece of furniture was a huge hit a the theater, and was so popular that 120,000 units would ultimately be manufactured and sold around the world, with each one taking just 5 minutes to produce (4).
Around the same time, Joe Colombo enters the scene with this:
Colombo was an artist in several mediums who, after taking over his families appliance company in the 50's, made the shift towards architecture and interior design, and started designing a wide array of trend-setting furniture(5). The chair shown above is known as the Universale (sometimes referred to as the Chair Universal 4867), designed in 1965. This chair differs pretty greatly from the ones that came after it, it many ways it represents a different path that could have been taken, but it's also very widely referenced as an inspiration for what is broadly considered the origin of the white plastic chair the world over.
Enter: the Fauteuil 300
This is, arguably, the first iteration of the white plastic chair we all know today. Designed by Henry Massonnet in 1972, the Fauteuil 300 and it's imitators are, collectively, the single most widely used piece of furniture in the entire world(6). Before that, however, it was something else entirely: works of art.
What might be hard to recognize in hindsight is that all of these chairs described so far were not everyday objects. They were on the forefront of modern design, they made use of brand new materials and manufacturing processes, and at the time they were each made, they were slick, stylish, and fairly expensive. Despite the speed at which they could be manufactured, these innovative, high-end chairs rose sharply in cost up through the early 1980's due to the sheer demand for them. They weren't cheap spare seating you stuck in the garage, they were placed at dining tables and on fine patios, and they were a wildly popular talking point. That's not to say their expense justified their artistic value, but rather that their expense and popularity was a product of their status as highly contemporary and boundary-pushing designs.
With the price of plastics declining after the 70's, the increasing accessibility of injection molding to manufacturers, and the widespread popularity of these designs, copycats proliferated rapidly, and eventually drove the price down. This era, in the 80's and 90's, is when these chairs became cheap an ubiquitous, and where they became manufactured the world over.
And here is where we reach this piece, "Plastic chair in wood", by Maarten Baas, and a piece of the history I've left out so far. The Monobloc was designed to be made out of wood. Like the the other chairs designed by Joe Colombo, like the chairs that predated the Simpson, the Monobloc was designed with the intention of using laminated plywood, but as the artists and designers behind them began to experiment with new materials they fell in love with the idea of making them from plastic, and so they did. They redesigned and redesigned until they made something that would be impossible to make in wood at a price most people could afford, but which could be made from plastic in mere minutes. The organic curves and thin profiles would take so much time, so much waste material, so much skill and effort to create if made of wood that they could never be furniture, they could only be art. Baas' chair is a perfect, beautiful reflection of that.
That, in brief, is the history of the design of the white plastic Monobloc chair, but it's not all there is to know. In fact, it's kind of just the start. I've linked my sources below, but I would strongly recommend checking out the German documentary Monobloc, by Hauke Wendler. It goes over the history, but it's far more interested with what the Monobloc means, and what it's place is in our world today. The impact it's made, the better and the worse, and what it says about us. It's fascinating, and well worth your time.
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The south pole and north pole exist on the same map file so if you break out of bound you can get from one to the other without having to travel the world.
Toph's Earthbending allows for ample sequence breaks. If you create a ramp next to the Ba Sing Se wall you could launch yourself straight into the season 2 finale.
Unfortunately you have to complete Bato of the Water Tribe because otherwise June won't appear in the finale, softlocking from you beating the Fire Nation.
It's not actually necessary; but everyone always stops at the southern air temple to pick up Momo. It's become a tradition, where the speed runs are automatically invalidated if you didn't get him.
Look it's called Any%. Momo% is it's own sub category, which is just how fast you can get Momo, and FullMomo% is Any% but you have to pick up Momo AND do all of the mini-game sections with him.
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i’ve said it before and i’ll say it again: what we want is for these things to be run like a HOUSEHOLD… a home. A household still has a budget and an income and resources to manage; all the moving parts are the same but the focus is different.
a business will let every person in it die a terrible death if it makes the business profit. A household will spend it’s last dollar to keep the people in it safe and healthy.
A household will use money as a resource to add value to the lives of the people in the household. A business will use people as a resource to add monetary value to the business
We don’t want a government run like a business, we want a country run like a household. Because we live here.
hi, this is your gentle reminder and PSA: there are ELECTIONS happening in November 4th. PLEASE GO VOTE. Trump is the most unpopular he has ever been, but does that mean your average independent, or republican will vote for a dem this time around-likely no- they probably will just skip the process entirely if they don’t have a candidate they feel strongly about. this is why i’m asking YOU SPECIFICALLY to make sure to go vote. and i don’t wanna hear any doomerism shit about how voting is a waste of time bc of whatever, guys voting is the last of anything we have it is clear most of these people who represent us do not actually care, HOWEVER trump currently has the house, senate and courts and making it even slightly harder to do anything or having a large enough group to speak out against what he’s doing will help hundreds of thousands of people in the US. now more than ever is it important to make sure that they know that we do not stand for this
Extremely irksome as an autistic person to ask a clarifying question and be told you’re “splitting hairs” when you genuinely just don’t understand because there isn’t enough information. Like, buddy. This is me at my most basic level of “what do you mean by that.” You wanna see me split hairs? If you really saw how thin I could slice a hair you’d hurl
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[ID: a photograph of black fabric embroidered with the solar system. The planets hang from the orbit lines that surround the sun by thin golden threads. End ID]
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