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Steve in Berlin

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stonelantern

Butterfly by stonelantern

kafkasapartment

Alice Rahon, Vers, 1933. Man Ray. Silver print

evanmcohen

Comics I’ve made this month for Its Nice That.

r-oshna-blog

#carpet #oriental #textile

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scandinaviancollectors

AGNES MARTIN, Rain (study), USA, 1960. Oil on canvas. / Wikiart

#grey #rain #painting #swedish #art

amare-habeo

Antoni Clavé (French-Spanish, 1913-2005)

Portrait of girl, 1947

Oil on board, 30 x 22 cm

#painting #portrait #children #spain #clavé #contemporary art #blue #spanish

centuriespast

DÜRER, Albrecht Cupid the Honey Thief 1514 Pen and ink and watercolour on paper, 22 x 31 cm Kunsthistorisches Museum, Vienna

#dürer #drawing #graphic art #renaissance #german #16th century #art #art history #venus #cupid #bees #honey

Rhythmus 21, an Early Abstract Film by Hans Richter (1921)

Hans Richter (April 6, 1888 – February 1, 1976), a German avant garde artist who had contacts with “Der Blaue Reiter“, Cubism and Dada movements, was an early experimenter in abstract filming. Deeply involved in political militancy, he opposed war and supported the revolution. He co-founded in 1919, the Association of Revolutionary Artists (“Artistes Radicaux”) at Zürich.

Although not quite the first abstract film (as Richter claimed), his Rhythmus 21 (1921) was nevertheless an important historical experiment and the first development of a research he and Eggling began in 1918 with scroll paintings (in a dada rejection of traditional easel painting). After they took their drawings to the German Film production company U.F.A. the two artists received technical advice and in 1920 began using video cameras.

The language of Rhytmus 21 is characterized by simple shapes in motion.

(source & more)

#hans richter #abstract art #abstract film #avant-garde #german #20th century #shapes in motion #rectangular #rhythm #1920s #black and white #art

kreartive-blog1

Details.

Múzeum Boulevard, Budapest, Hungary.

barauxfolies

Rectangular rhythm.

#facade #red brick #1960s #rectangular #architecture #modernism #photography

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poetryconcrete

View towards Pont de Bercy, photography by Kees Scherer, ca. 1950, Paris.

#paris #black and white #photography #20th century #la seine #river #evening #art

clawmarks

Images from the Augsburger Wunderzeichenbuch (The Book of Miracles) - ca. 1552 - via Wikimedia

#augsburg #manuscript #illustration #cosmology #art #16th century #art history

gallowhill

Portrait Bust of a Woman (detail), Roman, Antonine Period, 140-150 AD

Photo by Erika Dufour

#sculpture #detail #art #nuque #neck #marble #antiquity #2nd century #roman

colin-vian

Odilon Redon - Silenzio

#odilonredon #art #pastel #silence #graphic art #19th century

scrapironflotilla

Gilbert Holiday - Horse-drawn Transports Passing the Ruined Cloth Hall at Ypres, 1917.

#ruin #war #impressionism #painting #art #ww1

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kreartive-blog1

Church ruin in Zsámbék, Hungary with late Romanesque and early Gothic styles , restored in 1889 under the guidance of István Möller but originally from around 1220 and 1235.

Photograph is my own

#monastery #churchruin #facade #gothic #romanesque #zsámbék #hungary #churchruin #rosewindow #church #transept #towers #cloister #eszterszalai

#church #romanesque #hungary #medieval #art #zsámbék

kreartive-blog1

ALPHONSE MUCHA. The Precious Stones (Ruby, Emerald, Amethyst, Topaz) 1900, Colour lithograph.

‘In this series, women personify four precious stones. In each panel, the upper part of the composition is dominated by the female figure, while the lower part features a realistically drawn flower whose colour echoes that of the particular gemstone. The colour scheme of each panel - including the flowing robes, the hair decorations, the mosaic halos and even the colour of the woman’s eyes – recalls the colour of the stone. This lends a pleasing harmony to each image.’ (source)

#mucha #art nouveau #precious stones #allegory #lithograph #graphic art #turn of the century #art #art history

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