Nürnberg, Germany 1900/20

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Nürnberg, Germany 1900/20

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Two Musicians
c. 1504 Oil on panel, 94 x 51 cm Wallraf-Richartz-Museum, Cologne
DÜRER, Albrecht
(b. 1471, Nürnberg, d. 1528, Nürnberg)
Art in the subterranean room of the Théâtre des Vampires
It was the terrible ‘Triumph of Death’ by Breughel, painted on such a massive scale that all the multitude of ghastly figures towered over us in the gloom. Those ruthless skeletons ferrying the helpless dead in a fetid moat or pulling a cart of human skulls,
beheading an outstretched corpse or hanging humans from the gallows.
A bell tolled over the endless hell of scorched and smoking land, towards which great armies of men came with the hideous, mindless march of soldiers to a massacre.
I turned away, but the auburn-haired one touched my hand and led me further along the wall to see ‘The Fall of the Angels’ slowly materializing, with the damned being driven from the celestial heights into a lurid chaos of feasting monsters (...) above to the very height of the mural, where I could make out of the shadows two beautiful angels with trumpets to their lips. And for a second the spell was broken.
The candle rose. And horrors rose all around me: the dumbly passive and degraded damned of Bosch, the bloated, coffined corpses of Traini, the monstrous horsemen of Dürer
The very ceiling writhed with skeletons and moldering dead, with demons and the instruments of pain, as if this were the cathedral of death itself. - Interview with the Vampire
Anne Rice, in the Vampire Companion:
I was very interested in the Northern European artists at that time - Brueguel, Dürer, Bosch - painters who I felt were absolutely grotesque in many regards.
Adam
by Albrecht Dürer (1507, renaissance, oil on panel)
The Dark Knight in the Dark Ages by Giorgio Comolo (after Dürer, 2015)

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We heard that today is National Lobster Day!
Lobster Dürer, Albrecht, 1471-1528, German [artist] Pen and brown ink; light brown and black wash; heightened in white 246 x 428 mm. German ca.1495 Repository: Staatliche Museen zu Berlin, Berlin, Berlin, Germany KdZ 4942 HOLLIS number: olvwork186255
This image is part of FAL’s Digital Images and Slides Collection (DISC), a collection of images digitized from secondary sources for use in teaching and learning. FAL does not own the original artworks represented in this collection, but you can find more information at HOLLIS Images.
‘Six Studies of Pillows’ - Albrecht Dürer, 1493, drawing
In 1500, Albrecht Dürer painted himself like Christ. Frontal pose. Centered gaze. Long parted hair. A hand held quietly to the chest. Nothing about it was accidental. At 28, after encountering Renaissance ideas in Italy, Dürer understood the artist not as a craftsman, but as a creator. This portrait makes that claim in paint. Five centuries later, the gaze still holds. Quelle: meisterdrucke.com