Betye Saar (US-American, 1926-2026) - Black Girl's Window (1969)

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Betye Saar (US-American, 1926-2026) - Black Girl's Window (1969)

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Betye Saar, Beyond Midnight, 2002, mixed materials (Institute of Arts, Detroit)
“I’ve always felt that old objects hold a power,” she said in 2024. “They’ve survived, and they have a sense of the previous owner. They have a spirit.” ...“I still want to make art,” Ms. Saar told The Times in 2024. “Sometimes in the morning when I wake up, it’s hard to get out of bed, hard to get back into my body and get it to move. But I do it. Not everyone has a reason to get out of bed, something they love to do and that gives their life meaning. I am so lucky that I have that as part of my life.”
Betye Saar, Midnight Madonna, 1996

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Tina Turner captured dancing in the garden of her fomer villa ‘Anna Fleur’ within the South of France, ca. 2000.
Casas en Auvers, junio de 1890 Vincent van Gogh pintor neerlandés (1853-1890) Museo de Arte de Toledo, Ohio
Truly a wretched photo but I saw an adult and juvenile osprey together in their nest the other day <3
One could say that Cardinals were my spark bird. They were the first bird I saw over here that made me look twice. I was in disbelief that this was a wild bird. In Germany, I lived in the city my whole life, and something that vibrant is just not existent in the wild. I love them in every season, and I am always happy to see them breeding successfully. Smol boy eventually cooperated too 😄

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Bengal tiger at the Jukani Wildlife Sanctuary in South Africa
this pet adoption database has insane website design choices
Book cover for “Nineteenth Century German Tales”. Edward Gorey, 1959.
Auguste Jean Baptiste Roubille for Le Rire #20, June 20, 1903 (via umn.edu)
The caption really adds to this, imo:
Him: I want you to promise me you'll never ride a bicycle. Her: Oh! You're so uncompromising!
The Ermine Hunt by Leonora Carrington, 1954

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Tapestry diary - April 15 2025 to April 14 2026
Yelena Popova — Ripple-Marked Radiance (After Hertha Ayrton) [jacquard woven tapestry, 2020]
Ripple-Marked Radiance (after Hertha Ayrton) was produced in Cambridge and refers to the research notebooks of Hertha Ayrton, one of the first women to study at Girton College. At its centre is an electric arc; below it, patterns of rippled sand. The title of the work is borrowed from Ayrton’s writings that read: ‘A single ripple, existing alone, in otherwise smooth sand, initiates a ripple on either side of it, that each of these ripples produces another on its farther side – these in turn originate on their farther sides, and so on, till the whole sand is ripple-marked.’