some JSTOR keywords of Anne Carson articles

shark vs the universe
DEAR READER
Lint Roller? I Barely Know Her
Misplaced Lens Cap

PR's Tumblrdome
taylor price
styofa doing anything

Discoholic πͺ©

izzy's playlists!
Acquired Stardust
Peter Solarz

Andulka
Sade Olutola
we're not kids anymore.

oozey mess
AnasAbdin
Game of Thrones Daily
Cosmic Funnies
πͺΌ

η₯ζ₯ / Permanent Vacation

seen from China
seen from South Korea
seen from Tunisia

seen from Malaysia
seen from United States
seen from T1
seen from United States

seen from United States
seen from Brazil

seen from United States
seen from China
seen from United States

seen from South Korea
seen from United States

seen from Malaysia

seen from United States

seen from United Kingdom

seen from TΓΌrkiye
seen from TΓΌrkiye
seen from Spain
@showings
some JSTOR keywords of Anne Carson articles

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Marble relief of the goddess Nemesis. Nemesis, whose name is related to a verbal root meaning "to apportion" "or to give one one's due," was a deity who punished acts of hubris -- overweening arrogance, a key moral failing in ancient Greek thought. She had a cult from a very early period in the Attic deme of Rhamnous, where a beautiful Roman-era statue of her has been found (now in the National Archaeological Museum, Naples). Nemesis gained in importance in the Hellenistic period, when she was connected with the goddess Tyche (Fortune): Nemesis could be seen as one who balanced out the uneven gifts of Tyche.
This marble relief dates to the 3rd century BCE (early Hellenistic period) and was found at Brindisi (=ancient Brundisium), Italy. In it, Nemesis is shown wearing the polos, a cylindrical headdress that came to Greece from mother-goddesses of the ancient Near East, and holding a phiale, a flat dish used for pouring libations. She tramples on a defeated enemy, perhaps representing hubris. Two winged figures of Nike (Victory) flank her headdress, while six others attend her, three to a side.
Now in the Museo archeologico provinciale "Francesco Ribezzo" (MAPRI), Brindisi, Italy. Photo credit: Mark Landon | Wikimedia Commons | Creative CommonsΒ Attribution 4.0 International
βL'art gothiqueβ by Louis Gonse. Cover design by EugΓ¨ne Grasset, binding by RenΓ© Wiener, Nancy, ca. 1898.
Source
Unattributed, Untitled, Undated
(From an Anonymous Collection of Turn of the Century InteriorΒ Photos)
www.patrickjoust.com
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Mamiya C330 S and Sekor 80mm f/2.8
Kodak Portra 160

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The Holy Bible, containing the Old and New Testaments. Imprint: Edinburgh: Printed by R. Watkins, 1744-46
Kenne Gregoire (Dutch, 1951) - Still Life with Flowers (2002)
Clarice Lispector, December 10, 1920 β December 9, 1977.
1946 photo by Bluma Wainer.
Eartha Kitt performing in Las Vegas, Nevada, in 1955
It is an uneasy lot at best, to be what we call highly taught and yet not to enjoy: to be present at this great spectacle of life and never to be liberated from a small hungry shivering self - never to be fully possessed by the glory we behold, never to have our consciousness rapturously transformed into the vividness of a thought, the ardour of a passion, the energy of an action, but always to be scholarly and uninspired, ambitious and timid, scrupulous and dim-sighted.
George Eliot | Middlemarch

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[ID: June 7. Bad. Wrote nothing today. Tomorrow no time. END ID]
Leo Gestel, Woman at Her Toilette, pastel on paper, ca. 1910
Marjane Satrapi, Persepolis
Kinderen bij zwanen in een wak, 1900-1910
Georg Achen - "Summer Landscape with a Thatched Farm surrounded by Golden Cornfields" (1888)

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Apartment, 5 NΓ‘dor street, Budapest, 1909. From the Budapest Municipal Photography Company archive.