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Art by Chesley Bonestell, used as a cover to Astounding Science Fiction Vol. 41, No. 2. That issue’s actually from April 1948, not the 70s, so I’m trusting you all to look the other way on this.
EtruscanCulture VII Century BC, an extraordinary Bronze Sculpture of a mythological Siren, from the ancient Necropolis of Strozzacapponi, Perugia, Umbria, Italy.
This Changes Everything: Capitalism vs. The Climate, by Naomi Klein
The Beginning Comes After the End: Notes on a World of Change, by Rebecca Solnit
The Sixth Extinction: An Unnatural History, by Elizabeth Kolbert
Blood Memory: The Tragic Decline and Improbable Resurrection of the American Buffalo, by Dayton Duncan
The Truth About Animals: Stoned Sloths, Lovelorn Hippos, and Other Tales from the Wild Side of Wildlife, by Lucy Cooke
Spying on Whales: The Past, Present, and Future of Earth's Most Awesome Creatures, by Nick Pyenson
The Soul of An Octopus: A Surprising Exploration Into the Wonder of Consciousness, by Sy Montgomery
The Song of the Dodo: Island Biogeography in an Age of Extinctions, David Quammen
The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins, by Anna Lowenhaupt Tsing
The Garden Against Time: In Search of a Common Paradise, by Olivia Laing
Fresh Banana Leaves: Healing Indigenous Landscapes through Indigenous Science, by Jessica Hernandez
Dispersals: On Plants, Borders, and Belonging, by Jessica J. Lee
The Light Eaters: How the Unseen World of Plant Intelligence Offers a New Understanding of Life on Earth, by Zoë Schlanger
Entangled Life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures, by Merlin Sheldrake
Planta Sapiens: The New Science of Plant Intelligence, by Paco Calvo & Natalie Lawrence
The Revolutionary Genius of Plants: A New Understanding of Plant Intelligence and Behavior, by Stefano Mancuso
The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries From A Secret World, by Peter Wohlleben
Forest Walking: Discovering the Trees and Woodlands of North America, by Peter Wohlleben & Jane Billinghurst
Gathering Moss: A Natural and Cultural History of Mosses, by Robin Wall Kimmerer
Forest Euphoria: The Abounding Queerness of Nature, by Patricia Ononiwu Kaishian
Staying with the Trouble: Making Kin in the Chthulucene, by Donna J. Harraway
Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants, by Robin Wall Kimmerer
The Serviceberry: Abundance and Reciprocity in the Natural World, by Robin Wall Kimmerer
Is A River Alive?, by Robert Macfarlane
Ordinary Mysticism: Your Life as Holy Ground, by Mirabai Starr
Emergent Strategy: Shaping Change, Changing Worlds, by adrienne maree brown
Sand Talk: How Indigenous Thinking Can Save the World, by Tyson Yunkaporta
The Eternal Tao Te Ching: The Philosophical Masterwork of Taoism and Its Relevance Today, by Benjamin Hoff
The Word for World Is Forest, by Ursula K. Le Guin
bold is recommended; purple is super-recommended. i didn't bold the first two on this list but those are authors where i can say that it's a given: just read everything of theirs.
i had planned on another theme for the month but once i got to the plant books i got excited and decided to listen to everything i could find on the subject. this is a lot of books this month; some of these i half-heard on double-speed bc they were more memoir-like and i wasn't that into it.. but then i got to plant consciousness and just rocketed off. i had been putting off a mushroom book thinking it'd be boring but when i got there it absolutely propelled me into a new direction.
Robin Wall Kimmer is a must-read author in this sphere. the Making Kin book was weird as hell. not for everyone, that's for sure. i enjoyed spinning these theories out into wild hypotheticals. it's a good mental exercise to actually envision fundamentally Other ways of living.
Is A River Alive was gorgeous, and the sort of book that i'd rec to almost anyone.
Sand Talk was easily one of the best i've read all year.
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Cal Lane (b 1968) is a Canadian sculptor, known for creating delicate, lacy sculptures out of industrial steel products.
Lane was born in Nova Scotia and raised on Vancouver Island, where she trained as a hairdresser and a welder. She has a bachelor’s degree from the Nova Scotia College of Art and Design and a Master of Fine Arts from the State University of New York at Purchase.
Cal Lane uses a plasma cutter or an oxy-acetylene torch to cut intricate patterns into industrial steel products.
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