You know, "The Corbomite Maneuver" isn't remotely my favorite episode of TOS, not in my top 10 or anything, but J and I are into S3 of TNG and I'm starting to really, really, really miss that kind of episode and the ethos that underlies its sense of their fundamental purpose:
KIRK: Intelligence different from ours or superior? SPOCK: Probably both, and if you're asking the logical decision to makeâ KIRK: No, I'm not. The mission of the Enterprise is to seek out and contact alien life.
-
KIRK: Those of you who have served for long on this vessel have encountered alien lifeforms. You know the greatest danger facing us is ourselves, an irrational fear of the unknown. But there's no such thing as the unknown, only things temporarily hidden, temporarily not understood.
-
KIRK: There are lives at stake. By our standards, alien life, but lives nevertheless. Captain out.
-
KIRK: Mr. Sulu, bring us to within one hundred meters. Ahead slow. SULU: Ahead slow, sir. MCCOY: Jim, don't you thinkâ KIRK: What's the mission of this vessel, doctor? To seek out and contact alien life, and an opportunity to demonstrate what our high-sounding words mean. Any questions?
Apropos of nothing, reblogging for some of my favorite moments from the first "normal" episode of TOS as we know it that was ever made. It was produced after the series got greenlit on the strength of "Where No Man Has Gone Before," and filming on it was completed just over 60 years ago, in June of 1966âso it was also the first episode filmed in 1966 ("Where No Man..." was filmed in '65).
"The Corbomite Maneuver" was made at a time when a lot about the show was still being figured out: what kind of political body the Enterprise even answered to, the organization that the ship itself is part of, the divisions the characters belong to (Kirk and new-character Uhura have some Luke-and-Leia-matching-ponchos energy going on with their matching anxiety and command uniforms). Even some core character beats were still being hammered out, especially with Kirk and Spock (much more central protagonists than most later ST series have ever allowed). Many of the people whose visions would play a large part in defining the tone, world building, ethos, characterizations, and quality control of TOS (esp in S1 & S2) weren't involved yet, and you definitely feel the difference in particular once DC (Dorothy) Fontana and Gene L. Coon came onboard to "steer the ship," as it were (beginning with "Charlie X" as I recall).
And even so, this early, some things are very clearly in place.

















