Your guide greeting you as you enter a new area of the game
The afterlife
d e v o n
occasionally subtle
almost home
noise dept.

Andulka
One Nice Bug Per Day

Discoholic đŞŠ
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
Game of Thrones Daily
official daine visual archive


Jar Jar Binks Fan Club
â
cherry valley forever
tumblr dot com

I'd rather be in outer space đ¸
Claire Keane
Keni

seen from Germany
seen from United Kingdom
seen from Indonesia
seen from Argentina

seen from United States
seen from Malaysia

seen from United States

seen from United States

seen from TĂźrkiye
seen from Malaysia
seen from TĂźrkiye
seen from United Kingdom

seen from United States
seen from Vietnam

seen from Italy
seen from Slovakia

seen from Italy
seen from United States

seen from Germany
seen from United States
@lady-griffin
Your guide greeting you as you enter a new area of the game
The afterlife

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
complimented a cashier on her turtle pin this morning and she said "oh thanks, I am a little bit of a Turtle Person" with the carefully contained energy of Cookie Monster telling you he's mildly fond of chocolate chips
I hope she and the multiple tons of turtle merch she definitely has at home are having a wonderful day
i love this metaphor so much i drew it
hikes are very good yes but a deluxe hike is when you are accompanied by a freak with niche nature knowledge. theyâre like omg stop thereâs a horned valerian varmint beetle here and then you both get to crouch down and look at a bug like :)
Bonus: you donât have to cover a lot of ground. I can turn a three kilometre walk into a three hour adventure. Five if there is a small rocky stream or a few ponds.
You Have To Kiss Evil Woman. She Can't Spell Mwahahahaha Without Mwah. Do Your Part And Kiss Evil Woman Today.
By Daniel Arthur

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Bunch of kitties (2016), Rozenn Grosjean.
instagram.com/p/DVeV1mLjE3p/
GET OFF THE COUNTER
I ainât tellin him, YOU tell him
*holds spray bottle in a very shaky hand*
ep 171 - beauty and the breeder
horniest battle moments:
- taking your ally's weapon out of their scabard to use yourself
- using someone else's shoulder as a rifle stand
- nudging someone's chin up with the tip of your weapon
- freezing with your blades against one another's throats, breathing into each other's mouths

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
My wifeâs idea of decompressing after the busy holiday was to rearrange every piece of furniture in our home is this an ADHD thing or just a her thing
Iâm not complaining the way sheâs done it is much better than it was itâs just like how is this your idea of a relaxing weekend
Listen I don't get to decide when the drunk elf that is my executive actually does the functioning but when he does we have a SMALL WINDOW OF TIME before he finds the schnapps again and we're done
yes this exactly
So to me, there are spoons (general energy cost) and carnival tickets (specific energy cost).
Spoons can be used pretty much anywhere.
Carnival tickets are only good for the carnival, and itâs only in town for a limited amount of time.
So like, if I get âkitchen cleaningâ carnival tickets, I canât use that to clean my bedroom, thatâs not where the carnival is.
phrase added to permanent vocabulary
Correcting the Historical Bias Against Domestic Materials
Archaeology has traditionally had a fundamental bias against fabric. Fabrics are after all highly perishable, withering away within months or years, and only rarely leaving traces behind for those coming millennia later to find. Archaeologistsâpredominantly maleâgave ancient ages names like âIronâ and âBronze,â rather than âPotteryâ or âFlax.â This implies that metal objects were the principal features of these times, when they are simply often the most visible and long-lasting remnants. Technologies using perishable materials, such as wood and textiles, may well have been more pivotal in the daily lives of the people who lived through them, but evidence of their existence has, for the most part, been absorbed back into the earth.
There are exceptions, of course, and traces can and do survive, usually thanks to an unusual climate: freezing, damp anaerobic conditions or extremely dry ones. The climate in Egypt, for example, is ideal for preserving all manner of usually perishable things and we subsequently know far more about ancient Egyptian textiles than those from most other regions. As archaeology has matured and diversified, scholars have increasingly looked forâand foundâevidence of fine, complex textiles stretching farther back than anyone would have guessed. Their beauty and the skill needed to make them suggest a very different image of our earliest forebears than the club-wielding, simpleminded thugs of popular imagination.
âThe first cultural device was probably a recipient⌠. Many theorizers feel that the earliest cultural inventions must have been a container to hold gathered products and some kind of sling or net carrier. So says Elizabeth Fisher in Womenâs Creation (McGraw-Hill, 1975). But no, this cannot be. Where is that wonderful, big, long, hard thing, a bone, I believe, that the Ape Man first bashed somebody with in the movie and then, grunting with ecstasy at having achieved the first proper murder, flung up into the sky, and whirling there it became a space ship thrusting its way into the cosmos to fertilize it and produce at the end of the movie a lovely fetus, a boy of course, drifting around the Milky Way without (oddly enough) any womb, any matrix at all? I donât know. I don ât even care. Iâm not telling that story. Weâve heard it, weâve all heard all about all the sticks and spears and swords, the things to bash and poke and hit with, the long, hard things, but we have not heard about the thing to put things in, the container for the thing contained. That is a new story. That is news. And yet old. Beforeâonce you think about it, surely long beforeâthe weapon, a late, luxurious, superfluous tool; long before the useful knife and ax; right along with the indispensable whacker, grinder, and diggerâfor whatâs the use of digging up a lot of potatoes if you have nothing to lug the ones you canât eat home inâwith or before the tool that forces energy outward, we made the tool that brings energy home. It makes sense to me. I am an adherent of what Fisher calls the Carrier Bag Theory of human evolution. This theory not only explains large areas of theoretical obscurity and avoids large areas of theoretical nonsense (inhabited largely by tigers, foxes, and other highly territorial mammals); it also grounds me, personally, in human culture in a way I never felt grounded before. So long as culture was explained as originating from and elaborating upon the use of long, hard objects for sticking, bashing, and killing, I never thought that I had, or wanted, any particular share in it. (âWhat Freud mistook for her lack of civilization is womanâs lack of loyalty to civilization,â Lillian Smith observed.) The society, the civilization they were talking about, these theoreticians, was evidently theirs; they owned it, they liked it; they were human, fully human, bashing, sticking, thrusting, killing. Wanting to be human too, I sought for evidence that I was; but if thatâs what it took, to make a weapon and kill with it, then evidently I was either extremely defective as a human being, or not human at all⌠. If it is a human thing to do to put something you want, because itâs useful, edible, or beautiful, into a bag, or a basket, or a bit of rolled bark or leaf, or a net woven of your own hair, or what have you, and then take it home with you, home being another, larger kind of pouch or bag, a container for people, and then later on you take it out and eat it or share it or store it up for winter in a solider container or put it in the medicine bundle or the shrine or the museum, the holy place, the area that contains what is sacred, and then next day you probably do much the same againâif to do that is human, if thatâs what it takes, then I am a human being after all. Fully, freely, gladly, for the first time.â
âUrsula K. Le Guin, âThe Carrier Bag Theory of Fictionâ (1986)
Itâs crazy how there is so much bias in how we see the past and the âadvancementâ of civilizations purely based on how well the remnants preserve in the climates they were in.
A civilization that built structures out of stone is assumed greater than a civilization that built structures out of wood or some biodegradable material
This makes me think of Rivercane (Arundinaria spp. our native bamboo which was almost wiped out in colonization similar to what happened to the Bison) and how it was used universally by the peoples of the Southeastern USA for every tool, structure, furniture etc imaginable: bedframes, waterproof mats for roofs, backpacks, sieves, shields, torches, sharp splits for quick-and-dirty butchering knivesâŚ
when the spanish first came here randomly roaming and murdering people all over the place they reported that the country was so populated that you could be in one town and see the smoke of the campfires of other towns on the horizons.
now bamboo by weight is stronger than steel, and Rivercane is one of the stronger species of bamboo. Bamboo-working in southeastern USA pre-colonization was crazy advanced. And you could use a split of Rivercane as a butchering knife in a pinch, and you could also use sharpened pieces as arrows without a stone projectile point at all. So there were all these useful objects and tools and constructions that were able to simply biodegrade away.
So people nowadays often assume there was hardly anybody here before white people showed up just because they donât see all the constructions and temples and stuff.
Whatâs even crazier is you DO see the constructions all around you, literally the town I live in was built on top of an Indigenous town and many roads around it and leading to it were Indigenous roads.
(And there were quite a few stone constructions, but colonizers have been running wild all over the place so long that theyâve been knocked down and you literally couldnât identify the ruins unless you thought âhey wait these stones donât belong here, they had to be quarried and brought hereâ And in a lot of cases the locations of such ruins are not popularly discussed because looting and desecration of Indigenous sites is such a huge problem if anybody knows.)
(itâs so crazy actually in the history of Kentucky specifically like historical writers in the 1800âs had this theory that indigenous people had replaced this ancient civilization of white people that built all the stone stuff and made all the pottery and things. but now that the remnants are no longer as visible, the most popular falsehood is that NO ONE lived in Kentucky and it was just âhunting grounds.â which is not true. its like people want to believe anything except that indigenous people were and are indigenous to this place)
is everything okay man i couldn't help but notice you've been hesitant to say anything beautiful and true lately

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Gizem Akdag
thinking about edvard munch's "The Sun" (1911)
like yeah thats how it feels. thats what it feels like to exist sometimes. he gets it
Also very big! Takes up two stories!
These are two different paintings!
Edvard Munch created 10 different paintings titled The Sun between 1910 and 1916. The top one is a fresco in a performance space at the University of Oslo, which sits in context at the center of the Aula surrounded by 10 other paintings.
The lower image is one of a handful of explorations of The Sun the Munch Museum has in Oslo, including oil sketches! This is the same museum where The Scream is housed :D