Stone plaque amulet depicting Lamashtu Iraq, ca. 883â612 BCE (Neo-Assyrian period)
Silver plaque amulet depicting a worshiper and a god standing on a mountain Iran, ca. 1000â800 BCE
Museum of Fine Arts, Boston, 1985.103 & 1989.150
styofa doing anything
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Stone plaque amulet depicting Lamashtu Iraq, ca. 883â612 BCE (Neo-Assyrian period)
Silver plaque amulet depicting a worshiper and a god standing on a mountain Iran, ca. 1000â800 BCE
Museum of Fine Arts, Boston, 1985.103 & 1989.150

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Elizabeth Catlett (1915â2012) Mother and Child, ca. 1956 Terracotta
Philadelphia Museum of Art, 2000-36-1
The Cream of Histories (Zubdat al-tawarikh) by Sayyid Luqman-i 'Ashuri. Ottoman Empire, 1585-1590.
The Chester Beatty Collection.
Shell with King Rimushâs name written on it. Akkadian, 2270 BCE.
The Louvre Museum.
Page from the Codex Amiatinus depicting Christ and Four Angels. Created by Wearmouth and Jarrow. English, 688-713.
Accessed via The Library of Congress; original source Medicea Laurenziana Library, Florence.

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Sibylle
Jean-Baptiste-Camille Corot, ca. 1870
Pondering all of the things that have been lost to the vast, gaping void of the past.
a bone figure of a standing woman, with lapis lazuli inlays in her eyes.
originating in egypt, from the Amratian culture, in the Naqada I period - roughly between 3,900 and 3,700.
The figure is currently on display at the British Museum.
I self administered black tea to the point of madness.
Juan van der Hamen y LeĂłn (Spanish, 1596-1631) Still life with flowers and fruit, 1629 Metropolitan Museum of Art, NY

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I painted a bear! :]
René Magritte - "The Unexpected Answer" (1963)
Dog shall continue after a commercial break
u/Fine-Dog-9874
âstarry nightâ this, âcafĂ© terrace at nightâ that, when are we going to talk about âtwo ratsâ by vincent van gogh?

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untitled part 1: everything and nothing (1999) souha bechara after her release from captivity in israeli prison el-khiam in south lebanon.
An intimate dialogue that weaves back and forth between representations of a figure (of resistance) and subject with, Soha Bechara ex-Lebanese National Resistance fighter in her Paris dorm room taped (during the last year of the Israeli occupation) one year after her release from captivity in El-Khiam torture and interrogation centre (S. Lebanon) where she had been detained for 10 years, 6 years in isolation. Revising notions of resistance, survival and will, recounting to death, separation and closeness; the overexposed image and body of a surviving martyr speaking quietly and directly into the camera juxtaposed against her self and image, not speaking of the torture but of the distance between the subject and loss, of what is left behind and what remains.
On Vimeo (40:46) https://vimeo.com/71401594
HANS BALDUNG GRIEN Eve 1524 Oil on panel, 208 x 83,5 cm SzĂ©pmĂ»vĂ©szeti MĂșzeum, Budapest