On wings of hope, we fly...

what kind of english is that? let's look at some famous examples of each.

Hwæt. We Gardena in geardagum, / þeodcyninga, þrym gefrunon, / hu ða æþelingas ellen fremedon. <- this is old english. note that it is unintelligible to a modern english speaker. (excerpt from beowulf)

Whan zephirus eek with his sweete breeth / Inspired hath in every holt and heeth / Tendre croppes, and the yonge sonne / Hath in the ram his halve cours yronne … <- this is middle english. it is more intelligible, but it’s still very different from what we speak now. (excerpt from the canterbury tales)

Is this a dagger which I see before me, / The handle toward my hand? Come, let me clutch thee. / I have thee not, and yet I see thee still. / Art thou not, fatal vision, sensible / To feeling as to sight? <- this is early modern english. this is so intelligible that we trust teenagers to read it in school. (excerpt from macbeth)

the english you are using to give a post a medieval or renaissance/shakespearean vibe is early modern english, not old english. (it's fine that you're using early modern english for a medieval vibe; no one expects you to learn middle english for a silly post about knights.)

how do you use pronouns?

'thou' is the informal second-person singular pronoun.

thou/thee/thy/thine

thou is the nominative form. you can use it for the subject of a sentence -> thou knowest me.

thee is the oblique form. you can use it for the object of a sentence -> i know thee.

thy and thine are the genitive forms. you can use them as possessive adjectives for nouns starting with consonants and vowels respectively. -> thy leg is broken. thine arm is broken too.

thine is also the possessive form. think about it like the word 'mine'*. -> my heart was once thine.

*'mine' is also used like thine as a possessive adjective in early modern english; you would say 'mine art' instead of 'my art'

ye and you

originally, 'ye' was the formal or plural nominitive second-person pronoun, and 'you' was the oblique form. so, it would be 'ye know me' and 'i know you'. 'ye' fell out of use and was replaced by 'you'. at that point it was already used as singular. but it was still much more formal than 'thou'.

the 'ye' you see in 'ye olde shoppe' stuff is not this pronoun. it is the way that printers who no longer had a thorn (þ) wrote the word 'the' (previously 'þe'). the 'y' in certain typefaces looked like a thorn, so we got 'ye' for 'the'.

how do you conjugate a verb?

you can't just slap a -th or -st onto the end of any verb. those are for specific conjugations. phrases like "i hath noticed" or "he thinkest that" are not grammatically sound. it's like saying "i has noticed" or "he think that".

the -st or -est ending is for (most) present and past tense verbs conjugated with 'thou'

some examples: thou canst, thou couldst, thou sayest, thou goest, thou wentest, thou hast, thou hadst, thou dost (or doest).

'thou' also has a few irregulars. some examples: thou wilt, thou art and thou wast (for 'to be'), thou shalt.

the -th or -eth ending is for (most) present and past tense conjugated with 'he', 'she', or 'it'

some examples: he hath, she sayeth, it doth, he goeth, she thinketh, it moveth

there are, of course, irregulars. the most important one is 'to be', which conjugates the same for this set as it does in modern english.

note: not every verb conjugates this way. for example, past tense verbs might use auxiliary verbs. so, not 'she cookedeth', but 'she did cook'.

by and large, the 'i', 'we', 'you' (or 'ye'), and 'they' conjugations were the same as they are today.

there were also some verbs that were used differently than we use them today, though (some of these fell out of use over the early modern period):

to be -> sometimes this verb is used instead of 'to have' as the auxiliary verb. 'i am arrived' means 'i have arrived', and 'she is come to see thee' means 'she has come to see you'.

to do -> sometimes this is used for the present progressive (i think that's the right name for it). 'he does speak' means 'he is speaking', and 'i do write' means 'i am writing'.

would -> this can be used to express a desire. 'i would i were a bird' means 'i wish i were a bird'

must -> this can be used without 'go' to mean 'must go'. 'i must to england' means 'i must go to england'

will -> this can be used without 'have' to mean 'will have'. 'you'll none of that' means 'you will have none of that'

there are a million other things i'm not covering, like different sentence structures for questions ('thinkest thou...?' as a valid alternative to 'dost thou think...?'), and different contractions ('she'll not' rather than 'she won't') but this post is long as fuck and i have things to do! enjoy! linguists, feel free to correct me on what name of tenses or declensions or whatever i have mixed up.

'wherefore' = 'why', not 'where'. think about it pairing with 'therefore'. an example of the two in use:

'my love, wherefore didst thou pretend to see me not?' [babe, why did you pretend not to see me?]

'thy father, from whom we do keep our love hidden, did at that moment walk nearby. therefore i turned from thee that he might not espy us together' [we're keeping our relationship secret from your dad and he was walking by. i did it so he wouldn't see us together.]

'hither' = 'to here', not 'here'. there's a whole set of these, actually. 'whither' = 'to where' and 'thither' = 'to there'. these pair with 'hence' ('from here'), 'whence' ('from where'), and 'thence' ('from there'). an example of some of these in use:

'whence came you?' [where did you come from?]

(pointing to the left) 'thence came i hither.' [i came here from there.]

'and whither go you now?' [and where are you going now?]

(pointing to the right) 'my lord calls me thither.' [my boss is calling me over there]

'very well. get you hence.' [alright, get away from here.]

'whom' ≠ fancy 'who' and this one is just also true today.

'whom' works for the object of a sentence. 'who' is for the subject. in other words, 'whom' receives the action and 'who' does the action.

'whom wrote that letter to you?' -> incorrect! this should be 'who wrote that letter to you?' because 'who' is doing the action.

'whom did you write that letter to?' (or even better, 'to whom did you write that letter?') -> correct! 'whom' here is receiving the action.

The Temporal onion makes a move

"And she can only wrap the strip around his forearm in silence. He complies wordlessly, lifting his arm as she loops it around."

having it be a WIP for three years is SUCH a mood omg 😭 I'm so grateful that I get to see the completed piece, no matter how long it's been!

I LOVE THE ATMOSPHERE!! it's exactly how I pictured it while writing that scene, shadowy with only soft moonlight for illumination, intimate and a bit dangerous all at once. and their expressions too omg :')) Adaman glancing away, Irida stubbornly focused on the bandage, both of them refusing to make eye contact AHHHH I can just feel the quiet bitterness and tension in this! their emotions and the unresolved tension (both good and bad) between them here were sooo important and you capture that so well!

I also really appreciate how you capture the details of the fanfic, like Leafeon being stationed outside to guard the cave. once again, it's exactly what I pictured while writing the scene and it's amazing seeing it being brought to life like this.

You wrote the whole scene beautifully, so filled with unspoken emotions, and I definitely wanted to bring that across in this art, so I'm glad it worked out!!

You were the victim, and it wasn’t fair, but it’s over now. Nobody came to save you, and I’m sorry, but it’s too late for anyone to go back and do it different.

You’re suffering over something that cannot be resolved. You’re allowed to feel angry, or outraged, or betrayed, but there will eventually come a time that you don’t feel that so violently anymore, and you’re going to want to have something good left to go back to.

You can’t make anyone love you the way you need to be loved. That’s how a lot of good things end. Not with a clear sign, something blocking the road that says “do not proceed”, just a splitting of the path that’s still moving somewhat in the same direction.

You can’t fix them. Nothing you can do will fix them. And if they fix themselves, they can’t do it for you- they have to do it for themselves as well, because otherwise a day may come when they’re alone, and as long as they live, they are their only true constant. So you can support, and you can encourage, but the hardest part is up to them. And sometimes they can’t do it even with your help.

Sometimes letting go of someone feels like mourning at their funeral before they’ve died, and every time you see them after it’s like talking to a ghost that doesn’t know it’s dead. Sometimes that happens. You’ll both still wake up tomorrow anyways.

I understand that you’re afraid, and that you’re afraid for good reasons. And I understand that being brave isn’t as easy as just turning that fear off, and you would if you could in a heartbeat. But the thing is, as long as that fear is able to dictate your choices, it will have power over you. If you don’t believe you can try to fight it, if you accept that it will always be in charge, you let the frightening thing stay present in your life. It will exist as long as you stay paralyzed. And that sounds cruel, but it isn’t something anyone can fix for you.

The person you may let yourself become after experiencing the terrible thing may very well grow into a much bigger, much more terrible thing, and someday it will swallow the first terrible thing whole. And all that will be left is something far worse for someone else. And you will not be able to shrink it down by explaining where it came from, because terrible things that are dead and gone are never as terrible as terrible things that are alive right now in front of you.

If you read this whole thing and found yourself angry, if you thought to yourself ‘I know that, and it doesn’t help. I know that, and I’m still suffering. I know that, I’ve heard that, I’ve been told that before, over and over and over again, by people who aren’t listening who don’t understand, who don’t get it, and I’m still hurting, still tired, still in pain, still suffering, and this isn’t something a handful of pithy words from some asshole who isn’t here and present and walking in my shoes suffering what I’m suffering from can fix. I know all of this and it changes nothing”, I want you to know:

Yeah. That was me, too. I sat at the bottom of a miserable pit that I didn’t even dig while a bunch of detached, emotionally unavailable jackasses who weren’t helping even a little yelled all this down at me, like just saying it hard enough or making me hear it as though I wasn’t already a hundred percent aware and still hurting anyways would magically solve all my problems and it didn’t. Like I was some whiny little rat with a victim complex looking for the easy way out and not the survivor of something awful doing their goddamn best to keep going, scraping by on the skin of their fucking teeth.

Every single note on this list is something someone told me at the exact wrong time, that made me want to scream and cry and smash a goddamn brick over their head because ‘I already know that, you fucking asshole, and it doesn’t change anything, so fucking help me or piss the hell off.”

That’s why I wrote the list.

It’s everything I needed to know that I already knew, that only made me feel worse, and didn’t help me improve anything at all even a little bit until I experienced the exact right circumstances that made them click the exact right way and allowed me to say it to myself and feel only a sense of, “okay yeah, I get it now.”

It’s not something I would ever directly say to someone in a time of crisis, but it’s all stuff I learned and needed to learn while I was that person.

You get what I mean?

Alvin says Nothing about barging into any other house and suddenly he's Mr. Morality? Suspicious.

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Guess who got That Skit right beside the defeated Chimeriad

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The Estate's Secret